Sir John Barbirolli

Biography

Born: 1899   Died: 1970   Country: England  
Sir John Barbirolli studied cello as a boy, making his debut public appearance at the age of twelve. He received a formal education at Trinity College of Music and the Royal Academy of Music, from which he graduated in 1916. Upon graduation, he found a position in the Queen's Hall Orchestra, becoming its youngest member. He made his professional solo debut as a cellist in Aeolian Hall, London, in 1917.

During World War I he joined the Read more British Army; while in the service he got his first taste of conducting by leading an all-volunteer orchestra. After his service ended in 1919, he returned to the Queen's Hall Orchestra. He also resumed performances as a cello soloist, appearing with the Bournemouth Municipal Orchestra. He joined and toured with the International String Quartet beginning in 1923. Soon after, he organized and conducted a chamber orchestra in Chelsea.

The British National Opera Company engaged him to conduct on tour. On December 12, 1927, he attracted attention by successfully substituting as conductor of the London Symphony Orchestra when Sir Thomas Beecham was indisposed; during the 1928 season he began to conducting opera regularly in London at both Sadler's Wells and Covent Garden.

In 1933 he was appointed permanent conductor of the Scottish Orchestra, remaining in that position for three seasons. At the same time he was the conductor of the Leeds Symphony Orchestra, and guest-conducted several orchestras at home and abroad. During the 1936-1937 season he accepted a ten-week position as guest conductor of the New York Philharmonic. This led to an invitation to assume the principal conductorship of that orchestra, in which capacity he succeeded Arturo Toscanini. Barbirolli remained with the Philharmonic through 1942. During his tenure in New York, he gave the world premieres of the Violin Concerto and the Sinfonia da Requiem of Benjamin Britten, then resident in New York. While in the United States, Barbirolli also appeared with various American and Canadian orchestras.

Barbirolli was never a favorite of the New York critics during his time with the Philharmonic, and many audience members wanted something more flamboyant than his objective approach. And his relationship with the members of the orchestra wasn't always harmonious; but he had the support of Arthur Judson, the orchestra's manager, who especially appreciated the fact that the conductor tended to work well with guest soloists, whose performances were a major source of prestige for the orchestra. He was reportedly offered a new contract at the end of his fifth year, but to accept would have required him to take American citizenship, something he was unwilling to do with England locked in the midst of a battle for survival. He returned to England in 1943 and began his long tenure as conductor of the Hallé Orchestra in Manchester, which he ultimately transformed into a world class ensemble rivaling the London Symphony Orchestra and the London Philharmonic, as well as such postwar ensembles as the Royal Philharmonic and the Philharmonia; in 1958 he reduced the number of yearly concerts he performed with them when he took the title "Conductor-in-Chief," and in 1968 he retired from the Hallé with the title "Conductor Laureate for Life ."

Meanwhile, he had returned to America; recruited by the Houston Symphony Orchestra's indefatigable patroness Ima Hogg to succeed Leopold Stokowski, he became their conductor from 1961-1967. The 1960s were also marked by many guest and touring appearances with the Philharmonia Orchestra, the BBC Symphony Orchestra, and the Hallé. He was knighted in 1949 and was made a Companion of Honour in 1969.

His repertoire centered on the late Romantic era, and on British composers Elgar, Vaughan Williams, and Delius; he led the first performances of Vaughan Williams' Symphony No. 7 and Symphony No. 8 ;the composer also bestowed the nickname "Glorious John" upon the conductor. Aside from the music of Britten, he showed little interest in music of modern tendencies; late in his career, though, he developed a particular affinity for Gustav Mahler. Barbirolli left a notable recorded legacy that extends well into the stereo LP era. Read less

British Composers - Barbirolli Conducts Elgar
Release Date: 05/03/2011   Label: Warner Classics  
Catalog: 95444   Number of Discs: 5
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Brahms: Symphony No 2; Vaughan Williams: Symphony No 6 / Barbirolli
Release Date: 04/03/1992   Label: Orfeo  
Catalog: 265921   Number of Discs: 1
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There are 183 Sir John Barbirolli recordings available.

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Biography

Born: 1899   Died: 1970   Country: England  
Sir John Barbirolli studied cello as a boy, making his debut public appearance at the age of twelve. He received a formal education at Trinity College of Music and the Royal Academy of Music, from which he graduated in 1916. Upon graduation, he found a position in the Queen's Hall Orchestra, becoming its youngest member. He made his professional solo debut as a cellist in Aeolian Hall, London, in 1917.

During World War I he joined the Read more

The British National Opera Company engaged him to conduct on tour. On December 12, 1927, he attracted attention by successfully substituting as conductor of the London Symphony Orchestra when Sir Thomas Beecham was indisposed; during the 1928 season he began to conducting opera regularly in London at both Sadler's Wells and Covent Garden.

In 1933 he was appointed permanent conductor of the Scottish Orchestra, remaining in that position for three seasons. At the same time he was the conductor of the Leeds Symphony Orchestra, and guest-conducted several orchestras at home and abroad. During the 1936-1937 season he accepted a ten-week position as guest conductor of the New York Philharmonic. This led to an invitation to assume the principal conductorship of that orchestra, in which capacity he succeeded Arturo Toscanini. Barbirolli remained with the Philharmonic through 1942. During his tenure in New York, he gave the world premieres of the Violin Concerto and the Sinfonia da Requiem of Benjamin Britten, then resident in New York. While in the United States, Barbirolli also appeared with various American and Canadian orchestras.

Barbirolli was never a favorite of the New York critics during his time with the Philharmonic, and many audience members wanted something more flamboyant than his objective approach. And his relationship with the members of the orchestra wasn't always harmonious; but he had the support of Arthur Judson, the orchestra's manager, who especially appreciated the fact that the conductor tended to work well with guest soloists, whose performances were a major source of prestige for the orchestra. He was reportedly offered a new contract at the end of his fifth year, but to accept would have required him to take American citizenship, something he was unwilling to do with England locked in the midst of a battle for survival. He returned to England in 1943 and began his long tenure as conductor of the Hallé Orchestra in Manchester, which he ultimately transformed into a world class ensemble rivaling the London Symphony Orchestra and the London Philharmonic, as well as such postwar ensembles as the Royal Philharmonic and the Philharmonia; in 1958 he reduced the number of yearly concerts he performed with them when he took the title "Conductor-in-Chief," and in 1968 he retired from the Hallé with the title "Conductor Laureate for Life ."

Meanwhile, he had returned to America; recruited by the Houston Symphony Orchestra's indefatigable patroness Ima Hogg to succeed Leopold Stokowski, he became their conductor from 1961-1967. The 1960s were also marked by many guest and touring appearances with the Philharmonia Orchestra, the BBC Symphony Orchestra, and the Hallé. He was knighted in 1949 and was made a Companion of Honour in 1969.

His repertoire centered on the late Romantic era, and on British composers Elgar, Vaughan Williams, and Delius; he led the first performances of Vaughan Williams' Symphony No. 7 and Symphony No. 8 ;the composer also bestowed the nickname "Glorious John" upon the conductor. Aside from the music of Britten, he showed little interest in music of modern tendencies; late in his career, though, he developed a particular affinity for Gustav Mahler. Barbirolli left a notable recorded legacy that extends well into the stereo LP era. Read less

WORKS ALBUMS
TITLE/COMPOSER
LABEL
Karelia Suite, Op.11 (2000 Remastered Version): I. Intermezzo
Karelia Suite, Op.11 (2000 Remastered Version): II. Ballade
Karelia Suite Op. 11 (2000 Remastered Version): III. Alla marcia
Symphony No. 1 in E Minor, Op.39 (2000 Remastered Version): I. Andante, ma non troppo - Allegro energico
Symphony No. 1 in E Minor, Op.39 (2000 Remastered Version): II. Andante (ma non troppo lento)
Symphony No. 1 in E Minor, Op.39 (2000 Remastered Version): III. Scherzo (Allegro - Lento (ma non troppo) - Tempo I)
Symphony No. 1 in E Minor, Op.39 (2000 Remastered Version): IV. Finale: Quasi una fantasia (Andante - Allegro molto)
Symphony No. 4 in A Minor, Op.63 (2000 Remastered Version): I. Tempo molto moderato, quasi adagio
Symphony No. 4 in A Minor, Op.63 (2000 Remastered Version): II. Allegro molto vivace
Symphony No. 4 in A Minor, Op.63 (2000 Remastered Version): III. Il tempo largo
Symphony No. 4 in A Minor, Op.63 (2000 Remastered Version): IV. Allegro
Symphony No. 2 in D Major, Op.43 (2000 Remastered Version): I. Allegretto
Symphony No. 2 in D Major, Op.43 (2000 Remastered Version): II. Tempo andante, ma rubato
Symphony No. 2 in D Major, Op.43 (2000 Remastered Version): III. Vivacissimo
Symphony No. 2 in D Major, Op.43 (2000 Remastered Version): IV. Finale (Allegro moderato)
Symphony No. 3 in C Major, Op.52 (2000 Remastered Version): I. Allegro moderato
Symphony No. 3 in C Major, Op.52 (2000 Remastered Version): II. Andantino con moto, quasi allegretto
Symphony No. 3 in C Major, Op.52 (2000 Remastered Version): III. Moderato - Allegro (ma non tanto)
Symphony No. 5 in E Flat, Op.82 (2000 Remastered Version): I. Tempo molto moderato - Allegro moderato - Presto
Symphony No. 5 in E Flat, Op.82 (2000 Remastered Version): II. Andante mosso, quasi allegretto
Symphony No. 5 in E Flat, Op.82 (2000 Remastered Version): III. Allegro molto - Un pochettino largamente
Symphony No. 7 in C, Op.105 (2000 Remastered Version): Adagio -
Symphony No. 7 in C, Op.105 (2000 Remastered Version): Un pochettino meno adagio - Vivacissimo - Adagio -
Symphony No. 7 in C, Op.105 (2000 Remastered Version): Allegro molto moderato -
Symphony No. 7 in C, Op.105 (2000 Remastered Version): Vivace - Presto - Adagio
Rakastava for strings and percussion, Op.14 (2000 Remastered Version): I. The Lover
Rakastava for strings and percussion, Op.14 (2000 Remastered Version): II. The Way of the Lover
Rakastava for strings and percussion, Op.14 (2000 Remastered Version): III. Goodnight, my beloved, farewell
Symphony No. 6 in D Minor, Op.104 (2000 Remastered Version): I. Allegro molto moderato
Symphony No. 6 in D Minor, Op.104 (2000 Remastered Version): II. Allegretto moderato
Symphony No. 6 in D Minor, Op.104 (2000 Remastered Version): III. Poco vivace
Symphony No. 6 in D Minor, Op.104 (2000 Remastered Version): IV. Allegro molto
I. Adagio molto - Allegro vivace
II. Andante
III. Menuetto: Allegro vivace
IV. Allegro
No. 1. Prologue
No. 2. Pastoral
No. 3. Nocturne
No. 4. Elegy
No. 5. Dirge
No. 6. Hymn
No. 7. Sonnet
No. 8. Epilogue
I. Allegretto
II. Tempo andante, ma rubato
III. Vivacissimo -
IV. Finale: Allegro moderato
Symphony No. 5 in C sharp minor (1998 Remastered Version): First movement: Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
Symphony No. 5 in C sharp minor (1998 Remastered Version): Second movement: Stürmisch bewegt (Mit größter Vehemenz)
Symphony No. 5 in C sharp minor (1998 Remastered Version): Third movement: Scherzo (Kräftig, nicht zu schnell)
Symphony No. 5 in C sharp minor (1998 Remastered Version): Fourth movement: Adagietto (Sehr langsam)
Symphony No. 5 in C sharp minor (1998 Remastered Version): Fifth movement: Rondo - Finale (Allegro)
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): I. Andante: nobilmente e semplice - Allegro
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): II. Allegro molto -
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): III. Adagio
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): IV. Lento - Allegro
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): I. Allegro vivace e nobilmente
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): II. Larghetto
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): III. Rondo (Presto)
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): IV. Moderato e maestoso
Falstaff: Symphonic Study in C Minor, Op.68 (1988 - Remaster): I. Falstaff and Prince Henry
Falstaff: Symphonic Study in C Minor, Op.68 (1988 - Remaster): II. Eastcheap... [fig. 17]
Falstaff: Symphonic Study in C Minor, Op.68 (1988 - Remaster): Dream Interlude: 'Jack Falstaff...' [fig. 76]
Falstaff: Symphonic Study in C Minor, Op.68 (1988 - Remaster): III. Falstaff's march... [fig. 81]
Falstaff: Symphonic Study in C Minor, Op.68 (1988 - Remaster): Interlude: Gloucestershire. Shallow's orchard - The new king - The hurried ride... [fig. 102]
Falstaff: Symphonic Study in C Minor, Op.68 (1988 - Remaster): IV. King Henry V's progress... [fig. 114]
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): Theme (Andante)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): I. C.A.E. (the composer's wife)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): II. H.D.S-P. (Hew David Steuart-Powell)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): III. R.B.T. (Richard Baxter Townshend)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): IV. W.M.B. (William Meath Baker)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): V. R.P.A. (Richard Penrose Arnold)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): VI. Ysobel (Isabel Fitton)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): VII. Troyte (Troyte Griffith)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): VIII. W.N. (Winifred Norbury)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): IX. Nimrod (A. J. Jaeger)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): X. Intermezzo: Dorabella (Dora Penny)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): XI. G.R.S. (George Robertson Sinclair)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): XII. B.G.N. (Basil G. Nevinson)
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): XIII. Romanza: * * * [Lady Mary Lygon]
Variations on an Original Theme, Op.36 'Enigma' (1988 - Remaster): XIV. Finale: E.D.U. (the composer)
Pomp and Circumstance March No. 1 in D Op. 39 No. 1
Pomp and Circumstance March No. 2 in A Minor, Op.39 No. 2
Pomp and Circumstance March No. 3 in C Minor, Op.39 No. 3
Pomp and Circumstance March No. 4 in G, Op.39 No. 4
Pomp and Circumstance March No. 5 in C, Op.39 No. 5
Serenade in E Minor, Op.20 (2000 Digital Remaster): I. Allegro piacevole
Serenade in E Minor, Op.20 (2000 Digital Remaster): II. Larghetto
Serenade in E Minor, Op.20 (2000 Digital Remaster): III. Allegretto - Come prima
Sea Pictures Op. 37 (2004 Digital Remaster): I. Sea Slumber-Song (Roden Noel)
Sea Pictures Op. 37 (2004 Digital Remaster): II. In Haven (Capri) (C. Alice Elgar)
Sea Pictures Op. 37 (2004 Digital Remaster): III. Sabbath Morning at Sea (Elizabeth Barrett Browning)
Sea Pictures Op. 37 (2004 Digital Remaster): IV. Where Corals Lie (Richard Garnett)
Sea Pictures Op. 37 (2004 Digital Remaster): V. The Swimmer (A. Lindsay Gordon)
Elgar: Cello Concerto in E Minor Op. 85: I. Adagio - Moderato
Cello Concerto in E minor Op. 85 (2004 Digital Remaster): II. Lento - Allegro molto
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio
Cello Concerto in E minor Op. 85 (2004 Digital Remaster): IV. Allegro - Moderato - Allegro, ma non troppo
Symphony No. 9 in D (2002 Remastered Version): I. Andante comodo
Symphony No. 9 in D (2002 Remastered Version): II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Symphony No. 9 in D (2002 Remastered Version): III. Rondo-Burleske (Allegro assai. Sehr trotzig)
Symphony No. 9 in D (2002 Remastered Version): IV. Adagio (Sehr langsam und noch zurückhaltend)
Elgar: Cello Concerto in E Minor Op. 85: I. Adagio - Moderato
Cello Concerto in E minor Op. 85 (2004 Digital Remaster): II. Lento - Allegro molto
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio
Cello Concerto in E minor Op. 85 (2004 Digital Remaster): IV. Allegro - Moderato - Allegro, ma non troppo
for Strings
for Strings
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): I. Andante: nobilmente e semplice - Allegro
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): II. Allegro molto -
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): III. Adagio
Symphony No. 1 in A Flat, Op.55 (1993 - Remaster): IV. Lento - Allegro
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): I. Allegro vivace e nobilmente
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): II. Larghetto
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): III. Rondo (Presto)
Symphony No. 2 in E Flat, Op.63 (1993 - Remaster): IV. Moderato e maestoso
Violin Concerto in D Op. 61 (Cadenza: Kreisler): I. Allegro ma non troppo
Violin Concerto in D Op. 61 (Cadenza: Kreisler): II. Larghetto -
Violin Concerto in D Op. 61 (Cadenza: Kreisler): III. Rondo (Allegro)
Violin Concerto in D, Op.77 (Cadenza: Kreisler): I Allegro non troppo (Cadenza: Kreisler)
Violin Concerto in D, Op.77 (Cadenza: Kreisler): II Adagio
Violin Concerto in D, Op.77 (Cadenza: Kreisler): III Allegro giocoso, ma non troppo vivace
Violin Concerto in D, Op.77 (Cadenza: Kreisler): I Allegro non troppo (Cadenza: Kreisler)
Violin Concerto in D, Op.77 (Cadenza: Kreisler): II Adagio
Violin Concerto in D, Op.77 (Cadenza: Kreisler): III Allegro giocoso, ma non troppo vivace
Brigg Fair - An English Rhapsody (1994 Remastered Version): Introduction (Slow. Pastoral)
Brigg Fair - An English Rhapsody (1994 Remastered Version): I. Theme (with easy movement)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 1
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 2
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 3
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 4
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 5
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 6
Brigg Fair - An English Rhapsody (1994 Remastered Version): II. Interlude (Slow and very quietly)
Brigg Fair - An English Rhapsody (1994 Remastered Version): III. Variation 7 (Rather quicker but not hurried)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 8
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 9 (With easy movement)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 10
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 11 (Slow. With solemnity)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 12 (Maestoso)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Transition
Brigg Fair - An English Rhapsody (1994 Remastered Version): IV. Variation 13 (Gaily)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 14
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 15
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 16
Brigg Fair - An English Rhapsody (1994 Remastered Version): Transition (Rather quicker)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Variation 17 (Rather slower. Very broadly)
Brigg Fair - An English Rhapsody (1994 Remastered Version): Coda (Very quietly)
Berlioz: Les Nuits d'été Op. 7: Villanelle
Les Nuits d'été Op. 7 (1998 Digital Remaster): Le Spectre de la Rose
Les Nuits d'été Op. 7 (1998 Digital Remaster): Sur les Lagunes
Les Nuits d'été Op. 7 (1998 Digital Remaster): Absence
Les Nuits d'été Op. 7 (1998 Digital Remaster): Au Cimetičre
Les Nuits d'été Op. 7 (1998 Digital Remaster): L'île inconnue
Violin Concerto in D major Op. 35 (2006 Remastered Version): I. Allegro moderato
Violin Concerto in D major Op. 35 (2006 Remastered Version): II. Canzonetta (Andante)
Violin Concerto in D major Op. 35 (2006 Remastered Version): III. Finale (Allegro vivacissimo)
Violin Concerto in A minor Op. 82 (2006 Remastered Version): Moderato -
Violin Concerto in A minor Op. 82 (2006 Remastered Version): Andante -
Violin Concerto in A minor Op. 82 (2006 Remastered Version): Cadenza -
Violin Concerto in A minor Op. 82 (2006 Remastered Version): Animando
Violin Concerto No.5 in D Major K219 (2006 Remastered Version): I Alegro aperto
Violin Concerto No.5 in D Major K219 (2006 Remastered Version): II Adagio
Violin Concerto No.5 in D Major K219 (2006 Remastered Version): III Tempo di minuetto
Violin Concerto No. 2 in D minor Op. 22 (1992 Remastered Version): I. Allegro moderato
Violin Concerto No. 2 in D minor Op. 22 (1992 Remastered Version): II. Romance (Allegro non troppo)
Violin Concerto No. 2 in D minor Op. 22 (1992 Remastered Version): III. Allegro con fuoco - Allegro moderato
Violin Concerto in D minor Op. 31 (1992 Remastered Version): I. Andante - Cadenza
Violin Concerto in D minor Op. 31 (1992 Remastered Version): II. Adagio religioso
Violin Concerto in D minor Op. 31 (1992 Remastered Version): III. Scherzo (Vivace) & Trio (Meno mosso) - Vivace da capo
Violin Concerto in D minor Op. 31 (1992 Remastered Version): IV. Finale marciale (Andante - Allegro)
Symphony No. 6 in A minor 'Tragic' (2002 Digital Remaster): I. Allegro energico, ma non troppo
Symphony No. 6 in A minor 'Tragic' (2002 Digital Remaster): III. Andante
Symphony No. 6 in A minor 'Tragic' (2002 Digital Remaster): II. Scherzo (Wuchtig)
Symphony No. 6 in A minor 'Tragic' (2002 Digital Remaster): IV. Finale (Allegro moderato)
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n
Kindertotenlieder (Rückert) (1999 Digital Remaster): II: Nun seh' ich wohl, warum so dunkle Flammen
Kindertotenlieder (Rückert) (1999 Digital Remaster): III: Wenn dein Mütterlein, tritt zur Tür herein
Kindertotenlieder (Rückert) (1999 Digital Remaster): IV: Oft denk' ich, sie sind nur augesgangen!
Kindertotenlieder (Rückert) (1999 Digital Remaster): V: In diesem Wetter, in diesem Braus
Five Rückert-Lieder (1999 Digital Remaster): I: Blicke mir nicht in die Lieder!
Five Rückert-Lieder (1999 Digital Remaster): II: Ich atmet' einen linden Duft!
Five Rückert-Lieder (1999 Digital Remaster): III: Um Mitternacht
Five Rückert-Lieder (1999 Digital Remaster): IV: Liebst du um Schönheit (orch. Max Puttmann)
Five Rückert-Lieder (1999 Digital Remaster): V: Ich bin der Welt abhanden gekommen


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