Sir Georg Solti

Biography

Born: Oct 21, 1912; Hungary   Died: Sep 5, 1997; France  
Solti's interpretations held more than surface excitement. In conducting Beethoven, for example, he long held that the symphonies should be played with all their repeats to maintain their structural integrity, and he carefully rethought his approach to tempo, rhythm, and balance in those works toward the end of his life.
Solti began as a pianist, commencing his studies at age six and making his first public appearance at 12. When he was
Read more 13 he enrolled at Budapest's Franz Liszt Academy of Music, studying piano mainly with Dohnányi and, for a very short time, Bartók. He also took composition courses with Kodály. Although he aspired to be a concert pianist, upon graduating from the academy when he was 18 he took a job as répétiteur at the Budapest Opera. This practical opera experience enabled him to serve as an assistant at the Salzburg Festival to Bruno Walter in 1935 and Arturo Toscanini in 1936 and 1937. In 1938, he made his own conducting debut -- by all accounts a brilliant performance -- in a Budapest Opera production of Mozart's Le nozze di Figaro. He was Jewish, and rising anti-Semitism drove him to Switzerland in 1939, where he supported himself mainly as a concert pianist; he couldn't obtain a labor permit as a conductor. In 1942 he won the Concours International de Piano in Geneva, but it wasn't until 1944 that he had a serious chance to take up the baton again, in guest appearances with the Swiss Radio Orchestra.
In 1946, the American occupying forces invited Solti to conduct Fidelio at the Bavarian State Opera. Almost immediately Solti was appointed the company's general music director, a post he held until 1952; in that year he assumed the duties of general music director in Frankfurt, conducting opera productions and symphonic concerts. He also began making a name for himself in America, through appearances with the San Francisco Opera, Chicago Symphony, New York Philharmonic, and, in 1960, the Metropolitan Opera. He had made his London Covent Garden debut in 1959, and in 1961 the Royal Opera House engaged him as music director. Solti greatly improved the company's orchestral standards during his term, which lasted until 1971.
Solti made his most significant contribution during this period on LP, with the first stereo recording (for Decca) of Wagner's entire Ring cycle, completed in 1966. Even greater acclaim followed him as director of the Chicago Symphony, from 1969 to 1991. Yet Solti spent fairly little time in Chicago; as was becoming the norm, he held major simultaneous posts on two continents. He was music advisor to the Paris Opera 1971-1973, music director of the Orchestre de Paris 1972-1975 (a group he took to China in 1974), and principal conductor and artistic director of the London Philharmonic 1979-1983. European guest stints included conducting the Bayreuth Festival's Ring cycle in 1983, marking the 100th anniversary of Wagner's death.
In 1972 he became a British subject and received his official knighthood; under the circumstances, he also sanctioned the pronunciation of his first name as "George," although he retained the German spelling.
Solti was regarded as, above all, a superb Wagnerian. His performances and countless recordings of other nineteenth century German and Austrian music were also well-regarded, as were his Verdi and his frequent forays into such twentieth century repertory as Bartók, Shostakovich, and Stravinsky. Solti served as a strong advocate for such new works as Hans Werner Henze's Heliogabalus Imperator, David Del Tredici's Final Alice, and Michael Tippett's Symphony No. 4, all of which he premiered in Chicago. Read less
Wagner: Der Ring des Nibelungen / Solti
Release Date: 06/09/2015   Label: Decca  
Catalog: 002330102   Number of Discs: 16
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Wagner: Der Ring des Nibelungen / Solti [Blu-ray Audio]
Release Date: 01/06/2015   Label: Decca  
Catalog: 002236146   Number of Discs: 1
On sale! $80.98
Blu-ray Audio: $66.99
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There are 488 Sir Georg Solti recordings available.

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Ensembles

Biography

Born: Oct 21, 1912; Hungary   Died: Sep 5, 1997; France  
Solti's interpretations held more than surface excitement. In conducting Beethoven, for example, he long held that the symphonies should be played with all their repeats to maintain their structural integrity, and he carefully rethought his approach to tempo, rhythm, and balance in those works toward the end of his life.
Solti began as a pianist, commencing his studies at age six and making his first public appearance at 12. When he was
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Kyrie: Assai sostenuto (Mit Andacht)
Gloria: Allegro vivace
Credo: Allegro ma non troppo
Sanctus: Adagio (Mit Andacht)
Agnus Dei: Adagio
"Wo bleibt Elektra?"
"Allein! Weh, ganz allein."
"Elektra!"
"Ich kann nicht sitzen und ins Dunkel starren"
"Es geht ein Lärm los."
"Was willst du? Seht doch dort!"
"Die Götter! bist doch selber eine Göttin."
"Ich will nichts hören!"
"Ich habe keine guten Nächte."
"Wenn das rechte Blutopfer unterm Beile fällt"
"Was bluten muß? Dein eigenes Genick"
"Was sagen Sie ihr denn?"
"Orest! Orest ist tot!"
"Platz da! Wer lungert so vor einer Tür?"
"Nun muß es hier von uns geschehn."
"Du! Du! Denn du bist stark! Wie stark du bist"
"Nun denn, allein!"
"Was willst du, fremder Mensch?"
"Elektra! Elektra!"
"Orest!"
"Du wirst es tun? Allein? Du armes Kind?"
"Seid ihr von Sinnen"
"Ich habe ihm das Beil nicht geben können!"
"Es muss etwas geschehen sein"
"He! Lichter!"
"Elektra! Schwester!"
"Ob ich nicht höre?"
"Hörst du denn nicht"
"Schweig, und tanze."
"Licht über'm See"
"Amme, wachst du?"
"Ist mein Liebster dahin?"
"Wie soll ich denn nicht weinen?"
"Amme, um alles, wo find' ich dein Schatten"
Erdenflug
"Dieb! Da nimm!"
"Sie aus dem Hause"
"Dritthalb Jahr bin ich dein Weib"
"Was wollt' ich hier?"
"Ach, Herrin, süße Herrin!"
"Hat es dich blutige Tränen gekostet"
"Mutter, Mutter, laß uns nach Hause!"
"Trag ich die Ware selber zu Markt"
"Sie haben es mir gesagt"
"Komm bald wieder nach Haus, mein Gebieter"
"Was ist nun deine Rede"
Orchesterzwischenspiel (Orchestral Interlude)
"Falke, Falke, du Wiedergefundener"
"Stille, o weh, Falke, o weh!"
"Es gibt derer, die haben immer Zeit"
"Schlange, was hab ich"
"Ein Handwerk wehrtest du sicher nicht"
"Wer da?"
"Sieh - Amme - sieh"
"Zum Lebenswasser!"
"Wehe, mein Mann!"
"Es dunkelt, daß ich nicht sehe zur Arbeit"
"Es gibt derer"
"Das Weib ist irre"
"Barak, ich hab' es nicht getan!"
"Schweigt doch, ihr Stimmen!"
"Mir anvertraut"
"Auf, geh nach oben, Mann"
"Sie kommen!"
"Fort mit uns!"
"Aus unsern Taten steigt ein Gericht"
"Was Menschen bedürfen"
"Keikobad! Deine Dienerin"
"Weh uns Armen!"
"Vater, bist du's?"
"Goldenen Trank"
"Ach! Weh mir! Mein Liebster starr!"
"Wenn das Herz aus Kristall"
"Sind das die Cherubim"
"Engel sind's, die von sich sagen"
"Trifft mich sein Lieben nicht"
"Nun will ich jubeln"
"Vater, dir drohet michts"
I. Allegro non troppo e molto maestoso - Allegro con spirito
II. Andantino semplice - Prestissimo - Tempo I
III. Allegro con fuoco
R. Strauss: Also sprach Zarathustra, Op.30 - Prelude (Sonnenaufgang)
R. Strauss: Also sprach Zarathustra, Op.30 - Von den Hinterweltlern
R. Strauss: Also sprach Zarathustra, Op.30 - Von der großen Sehnsucht
R. Strauss: Also sprach Zarathustra, Op.30 - Von den Freuden und Leidenschaften
R. Strauss: Also sprach Zarathustra, Op.30 - Das Grablied
R. Strauss: Also sprach Zarathustra, Op.30 - Von der Wissenschaft
R. Strauss: Also sprach Zarathustra, Op.30 - Der Genesende
R. Strauss: Also sprach Zarathustra, Op.30 - Das Tanzlied - Das Nachtlied
R. Strauss: Also sprach Zarathustra, Op.30 - Das Nachtwandlerlied
1. Introduzione (Andante non troppo - Allegro vivace
2. Giuoco della coppie (Allegretto scherzando)
3. Elegia (Andante, non troppo)
4. Intermezzo interrotto (Allegretto)
5. Finale (Pesante - Presto)
1. Moderato
2. Allegro molto
3. Allegro vivace
4. Molto tranquillo
5. Comodo
6. Finale (Allegro)
1. Andante tranquillo
2. Allegro
3. Adagio
4. Allegro molto
"Hai giŕ vinta la causa!...Vedrň mentr'io sospiro"
"Hai giŕ vinta la causa!...Vedrň mentr'io sospiro"
"Giunse alfin il momento...Deh vieni, non tardar""
"Giunse alfin il momento...Deh vieni, non tardar""
1. Introduzione (Andante non troppo - Allegro vivace
2. Giuoco della coppie (Allegretto scherzando)
3. Elegia (Andante, non troppo)
4. Intermezzo interrotto (Allegretto)
5. Finale (Pesante - Presto)
1. Moderato
2. Allegro molto
3. Allegro vivace
4. Molto tranquillo
5. Comodo
6. Finale (Allegro)
1. Allegro non troppo
2. Molto adagio
3. Allegro assai
1. An Evening in the Village
2. Bear Melody
3. Melody
4. Slightly Tipsy
5. Swineherd's Dance
1. Stick Dance (from Mezöszabad)
2. Sash Dance (from Egres)
3. In One Spot (from Egres)
4. Horn Dance (from Bisztra)
5. Roumanian Polka (from Belényes)
6. Fast Dance (from Belényes)
7. Fast Dance (from Nyágra)
1. Molto moderato
2. Andante
3. Moderato
3. Moderato
1. Allegro moderato - Allegro
2. Andante
3. Allegro molto
1. Allegro
2. Adagio - Piů adagio - Presto
3. Allegro molto
1. Allegretto
2. Adagio religioso
3. Allegro vivace
1. Andante sostenuto
2. Allegro giocoso
1. Allegro non troppo
2. Andante tranquillo
3. Allegro molto
Opening Scene. "Megérkeztünk"
Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések"
Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver"
Door 3. "Oh, be sok kincs! Oh, be sok kincs!"
Door 4. "Oh! virágok! Oh! ilatoskert!"
Door 5. "Ah!" "Lásdez az én birodalmam"
Door 6. "Csendes fehér tavat látok"
Door 7. "Lásd a régi aszszonyokat"
1. Lento - maestoso
2. Allegretto moderato
3. Allegro con moto, grazioso
4. Allegro
5. Allegro vivace
1. Moderato (Theme)
2. Con brio (Variations I-VI)
3. Vivo (Variations VII-X)
4. Andante espressivo (Variations XI-XII)
5. Tempo di marcia funebre (Variations XIII-XVI)
6. Finale: Vivace
Prelude; The Fairy Tale Begins
Viennese Musical Clock
Song
The Battle And Defeat Of Napoleon
Intermezzo
Entrance Of The Emperor And His Court
1. Allegretto, quasi andantino
2. Lebhaft, sehr rhythmisch
3. Andantino
4. Allegro molto
1. Andante tranquillo
2. Allegro
3. Adagio
4. Allegro molto
1. When As King David Sore Was Afflicted
2. I Could Have Borne So Sore An Affliction
3. So In Jehovah Will I Put My Trust
Prelude - Langsam und smachtend
"Westwärts schweift der Blick"
"Frisch weht der Wind der Heimat zu"
"Befehlen liess dem Eigenholde"
"Wie lachend sie mir Lieder singen"
Welcher Wahn! Welch' eitles Zürnen!
"Kennst du der Mutter Künste nicht?"
"Herrn Tristan bringe meinen Gruß"
"Herr Tristan trete nah!" - "Begehrt, Herrin, was Ihr wünscht"
"Tristan! - Isolde! Treuloser Holder!"
Prelude
"Hörst du Sie noch?"
"Dem Freund zu lieb"
"Isolde! Geliebte! - Tristan! Geliebter!"
"Getäuscht von ihm"
"O sink hernieder, Nacht der Liebe"
"Einsam wachend in der Nacht"
Unsre Liebe? Tristans Liebe?
"So starben wir"
"Der öde Tag zum letzten Mal!"
"O König, das kann ich dir nicht sagen"
Prelude/Englischhorn solo/Kurwenal! He!
"Die alte Weise"
"Hei nun! Wie du kamst?"
"Dünkt dich das?"
"Noch losch das Licht nicht aus"
"Noch ist kein Schiff zu sehn!"
"Bist du nun tot?"
"O diese Sonne!"
"Ich bin's, ich bin's"
"Kurwenal! Hör!"
"Mild und leise wie er lächelt" (Isoldes Liebestod)
Mozart: Die Entführung aus dem Serail, K.384 - Ouvertüre
Mozart: Mozart: Die Entführung aus dem Serail / Act 1 - "Hier soll ich dich denn sehen...Aber wie soll ich in den Palast komm"
Mozart: Die Entführung aus dem Serail / Act 1 - "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!"
Mozart: Die Entführung aus dem Serail / Act 1 - "Solche hergelaufne Laffen" - "Was bist du nur für ein Mensch!" - "Erst geköpft, dann gehangen"
Mozart: Die Entführung aus dem Serail / Act 1 - "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Mozart: Die Entführung aus dem Serail / Act 1 - "Singt dem großen Bassa Lieder"
Mozart: Die Entführung aus dem Serail / Act 1 - "Ach ich liebte, war so glücklich"
Mozart: Die Entführung aus dem Serail / Act 1 - "Marsch! Trollt euch fort!"
Mozart: Die Entführung aus dem Serail / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Mozart: Die Entführung aus dem Serail / Act 2 - "Ich gehe, doch rate ich dir"
Mozart: Die Entführung aus dem Serail / Act 2 - Welcher Wechsel . . . Traurigkeit ward
Mozart: Die Entführung aus dem Serail / Act 2 - "Martern aller Arten"
Mozart: Die Entführung aus dem Serail / Act 2 - "Kein Bassa, keine Konstanze mehr da?"
Mozart: Die Entführung aus dem Serail / Act 2 - "Frisch zum Kampfe"
Mozart: Die Entführung aus dem Serail / Act 2 - "Vivat Bacchus! Bacchus lebe!"
Mozart: Die Entführung aus dem Serail / Act 2 - "Wenn der Freude Tränen fließen"
Mozart: Die Entführung aus dem Serail / Act 2 - "Ach Belmonte! Ach, mein Leben!"
Mozart: Die Entführung aus dem Serail / Act 3 - "Ich baue ganz auf deine Stärke"
Mozart: Die Entführung aus dem Serail / Act 3 - "In Mohrenland gefangen war"
Mozart: Die Entführung aus dem Serail / Act 3 - "Ha, wie will ich triumphieren"
Mozart: Die Entführung aus dem Serail / Act 3 - "Welch ein Geschick!"
Mozart: Die Entführung aus dem Serail / Act 3 - "Nie werd' ich deine Huld verkennen" - "Bassa Selim lebe lange"
Mozart: Die Entführung aus dem Serail / Act 3 - "Bassa Selim lebe lange"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Introduction, Scene 1
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Duet and Quartet. "Slikhali l vi za roschei glas nochnoi"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Uzh kak po mostu, mostochku (Peasants)
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Uzh kak po mostu, mostochku (Olga)
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene. "Nu ti, moya vostrushka"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Skazhi, kotoraya Tatyana"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Ya lyublyu vas"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Closing scene. "A, vot i vi!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Letter scene. "Puskai pogilabnu ya, no pryezhde"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Duet. "Akh, noch minula"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Aria. "Zdyes on, zdyes on, Yevgeni!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Kogda bi zhizn domashnim krugom"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Waltz
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Waltz with Chorus. "Vot tak syurpriz!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - "A cette fęte conviés"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Ti ne tantsuyesh, Lenski?
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Finale. "V vashem dome! V vashem dome!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - "Kuda, kuda, kuda vi udalilis"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Duel Scene. "A, vot oni!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - (Scene 1) Polonaise
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Scene and Aria. "I zdyes mnye skuchno!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Knyaginya Gremina! Smotrite!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Lyubvi vsye vozrasti pokorni"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Scene and Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Uzhel ta samaya Tatyana
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Onegin! Ya togda molozhe"
Una vela! Una vela!
Esultate!
Roderigo, ebben che pensi?
Fuoco di gioia!
Roderigo, beviam!
Inaffia l'ugola! Trinca, tracanna (Brindisi)
Capitano, v'attende la fazione ai baluardi
"Abbasso le spade!"
Giŕ nella notte densa...Venga la morte
Non ti crucciar
Vanne! la tua meta giŕ vedo
Credo in un Dio crudel
Ciň m'accora
Dove guardi splendono
D'un uom che geme sotto il tuo disdegno
Se inconscia, contro te, sposo, ho peccato
Desdemona rea!
Tu?! Indietro! fuggi!
Ora e per sempre addio
Pace, signor
Era la notte, Cassio dormia
Oh! mostruosa colpa!...Ah! mille vite
Si, pel ciel marmoreo giuro!
La vedetta del porto
Continua
Dio ti giocondi, o sposo
Esterrefatta fisso
Dio! mi potevi scagliar
Cassio č lŕ!
Vieni; l'aula č deserta
"...e intanto, giacchč non si stanca mai"
Quest'č il segnale
Il Doge ed il Senato salutano
Messeri! Il Doge
"A terra!...si...nel livido fango"
Quell' innocente un fremito
Fuggite!
Era piů calmo?
Mia madre aveva una povera ancella
"Piangea cantando nell'erma landa..."
"Ave Maria, piena di grazia"
(Otello compare)
Diceste questa sera le vostre preci?
"Aprite! Aprite!"
Niun mi tema
Overture
"Notte e giorno faticar"
"Leporello, ove sei?"
Ma qual mai s'offre, o Dei
"Orsů, spicciati presto"
"Ah! chi mi dice mai" - "Udisti? qualche bella"
"Chi č lŕ?"
"Madamina, il catalogo č questo"
"Giovinette, che fate all'amore"
"Manco male, č partita"
"Ho capito, signor sě!"
"Alfin siam liberati"
"Lŕ ci darem la mano"
"Fermati, scellerato!"
"Ah, fuggi il traditor"
"Mi par ch'oggi il demonio si diverta"
"Non ti fidar, o misera"
"Don Ottavio... son morta!"
"Or sai chi l'onore"
"Come mai creder deggio"
"Io deggio ad ogni patto"
"Masetto... senti un po'..."
"Fin ch'han dal vino"
"Batti, batti, o bel Masetto"
"Guarda un po' come seppe questa strega"
"Presto, presto... pria ch'ei venga"
"Bisogna aver corragio"
"Protegga il giusto cielo"
"Riposate, vezzose ragazze"
"Venite pur avanti"
"Ecco il birbo che t'ha offesa"
"Eh via, buffone, non mi seccar"
"Leporello!"
"Ah! taci, ingiusto core"
"Amico, che ti par?"
"Deh! vieni alla finestra"
"V'č gente alla finestra"
"Metŕ di voi qua vadano"
"Zitto... Lascia ch'io senta... Ottimamente"
"Vedrai, carino"
"Di molte faci il lume"
"Sola, sola in buio loco"
Mille torbidi pensieri
"Dunque quello sei tu"
"Ferma, perfido; ferma"
"Il mio tesoro intanto"
In quali eccessi, o numi
"Mi tradě quell'alma ingrata" (K540c, Aria)
"Ah! ah! ah! questa č buona!"
"O statua gentilissima"
"Calmatevi, idol mio"
"Crudele? Ah no! mio bene!"
"Giŕ la mensa č preparata"
"L'ultima prova"
"Don Giovanni, a cenar teco m'invitasti"
"Ah! dov'č il perfido?"
"Questo č il fin di chi fa mal!"
Overture
"La mia Dorabella"
"Fuor la spada"
E la fede delle femminine
Scioccerie di poeti
"Una bella serenata"
"Ah, guarda, sorella"
"Mi par che stamattina"
"Vorrei dir, e cor non ho"
Stelle! Per caritŕ, signor Alfonso
"Sento, oh Dio, che questo piede"
"Non piangere, idol mio!"
"Al fato dan legge"
"La commedia č graziosa"
Bella vita militar!
Non vč piů tempo, amici
"Di scrivermi ogni giorno"
"Bella vita militar!"
"Dove son?"
"Soave sia il vento"
"Non son cattivo comico"
"Che vita maledetta" - "Madame, ecco la vostra colazione"
"Ah, scostati!"
"Smanie implacabili"
"Signora Dorabella"
"In uomini, in soldati"
"Che silenzio!"
"Alla bella Despinetta"
"Che sussurro! Che strepito!"
"Temerari! Sortite!"
"Come scoglio"
"Ah, non partite"
"Non siate ritrosi"
"E voi ridete?" - "La cagion di quel riso?"
Si puň sapere un poco la cagion di quel riso?
"Un'aura amorosa"
"Oh, la saria da ridere!"
"Ah, che tutta in un momento"
"Si mora, sě, si mora"
"Eccovi il medico"
"Dammi un bacio"
"Andate lŕ"
"Una donna a quindici anni"
"Sorella, cosa dici?"
"Prenderň quel brunettino"
"Ah, correte al giardino"
"Secondate, aurette amiche"
"Il tutto deponete"
"La mano a me date"
"Oh che bella giornata!"
"Il cor vi dono"
"Barbara! Perché fuggi?"
"Ah, lo veggio"
"Ei parte... senti... ah no!"
"Per pietŕ, ben mio, perdona"
"Amico, abbiamo vinto!"
"Donne mie, la fate a tanti"
"In qual fiero contrasto"
"Tradito, schernito"
"Bravo, questa č costanza"
"Ora vedo che siete"
"E amore un ladroncello"
"Come tutto congiura" - "L'abito di Ferrando"
"Fra gli amplessi in pochi istanti"
"Oh poveretto me"


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