Simon Rattle

Composers

Biography

Born: Jan 19, 1955; England  
Sir Simon (Denis) Rattle became one of the world's leading conductors at an unusually early age. As a boy, Rattle studied percussion; at the age of 11, he appeared as a percussionist with the Royal Liverpool Philharmonic Orchestra. He joined the National Youth Orchestra, again as a percussionist, and began conducting when he was a teenager. At fifteen, he founded and conducted the Liverpool Sinfonia.
From 1971 to 1974, Rattle studied at
Read more the Royal Academy of Music in London. In his graduation year, still in his teens, he entered the John Player International Conductors' Competition and won first prize. He was soon appointed assistant conductor of the Bournemouth Symphony Orchestra, remaining with the orchestra until 1976.
In 1976 Rattle made his United States debut on tour with the London Schools Symphony Orchestra. His first American performance with a professional orchestra was a concert with the Los Angeles Philharmonic Orchestra in 1979. In 1981 that orchestra named him principal guest conductor, a post he retained until 1994.
Rattle made his first Glyndebourne Festival appearance in 1977, and retained his association with that insititution, lead productions of operas from the Classical period on. From 1977 to 1980, he was assistant conductor of the Royal Liverpool Philharmonic. During this time, he also appeared frequently with major American orchestras.
Rattle's longest-lasting association with an orchestra began when the City of Birmingham Symphony Orchestra named him its principal conductor and artistic adviser in 1980. With a change of title to music director in 1990, Rattle remained with the group until 1998. During their time together, both orchestra and the conductor attained remarkable artistic growth; they went on frequent wide-ranging tours, including visits to Europe, Scandinavia, the Far East, and North America. Even after giving up his directorship at the CBSO, Rattle continued to conduct the orchestra's ten-year Towards the Millennium festival of modern music. In 1992 Rattle became principal guest conductor of the Orchestra of the Age of Enlightenment; his appointments also include artistic adviser of the Birmingham Contemporary Music Group.
Rattle became a well-known television figure in Britain with an award-winning series, Leaving Home, the most extensive video production ever devoted to twentieth century orchestral music. He has made over 60 recordings, and today remains an exclusive EMI artist. Particularly honored are his recordings of Mahler's Symphony No. 2 (three Gramophone Awards), Gershwin's Porgy and Bess (Gramophone, International Record Critics' , and Charles Cros Grand Prix Awards), and Szymanowski's Stabat Mater (Echo Award). His projects for the year 2000 included Szymanowski's opera King Roger, Bernstein's Wonderful Town, and Mahler's Symphony No. 10.
The conductor has frequently appeared at the Salzburg Festival, and made 55 appearances with the Berlin Philharmonic Orchestra before that ensemble announced in June 1999 that Rattle would become the orchestra's chief conductor and artistic adviser upon Claudio Abbado's retirement in 2002.
Rattle's other honors include Commander of the Order of the British Empire (1987) and a knighthood (1994). Read less
Schumann: Symphonies No 1-4 / Rattle, Berlin PO
Release Date: 09/09/2014   Label: Berlin Philharmonic  
Catalog: 140011   Number of Discs: 3
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Walton: Symphony No 1, Belshazzar's Feast / Hampson, Rattle
Release Date: 09/10/2002   Label: Warner Classics  
Catalog: 56592   Number of Discs: 1
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There are 288 Simon Rattle recordings available.

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Composers

Biography

Born: Jan 19, 1955; England  
Sir Simon (Denis) Rattle became one of the world's leading conductors at an unusually early age. As a boy, Rattle studied percussion; at the age of 11, he appeared as a percussionist with the Royal Liverpool Philharmonic Orchestra. He joined the National Youth Orchestra, again as a percussionist, and began conducting when he was a teenager. At fifteen, he founded and conducted the Liverpool Sinfonia.
From 1971 to 1974, Rattle studied at
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Maestoso - Poco più moderato
2. Adagio
3. Rondo (Allegro non troppo)
I. Andante - Allegro
II. Tema con variazioni
III. Allegro ma non troppo
I. Allegro
II. Adagio - Presto - Adagio
III. Allegro molto
Component 1: The Bells (Kolokola) Op.35: I Allegro ma non tanto ('The Silver Sleigh Bells')
The Bells (Kolokola) Op.35: II Lento ('The Mellow Wedding Bells')
The Bells (Kolokola) Op.35: III Presto ('The Loud Alarum Bells')
The Bells (Kolokola) Op.35: IV Lento lugubre ('The Mournful Iron Bells')
Symphonic Dances Op.45: Non allegro
Symphonic Dances Op.45: Andante con moto (Tempo di valse)
Symphonic Dances Op.45: Lento assai - Allegro vivace - Lento assai. Come prima - Allegro vivace
War Requiem, Op.66, I. Requiem aeternam: Requiem aeternam dona eis Domine
War Requiem, Op.66, I. Requiem aeternam: What passing-bells for these who die as cattle?
War Requiem, Op.66, I. Requiem aeternam: Kyrie eleison
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Bugles sang, saddening the evening air
War Requiem, Op.66, II. Dies irae: Liber scriptus proferetur
War Requiem, Op.66, II. Dies irae: Out there, we've walked quite friendly up to Death
War Requiem, Op.66, II. Dies irae: Recordare Jesu pie
War Requiem, Op.66, II. Dies irae: Be slowly lifted up, thou long black arm
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Lacrimosa dies illa
War Requiem, Op.66, II. Dies irae: Move him into the sun...Pie Jesu
War Requiem, Op.66, III. Offertorium: Domine Jesu Christe
War Requiem, Op.66, III. Offertorium: So Abram rose, and clave the wood, and went
War Requiem, Op.66, IV. Sanctus: Sanctus, sanctus, sanctus
War Requiem, Op.66, IV. Sanctus: Benedictus qui venit in nomine Domini
War Requiem, Op.66, IV. Sanctus: After the blast of lightning from the East
War Requiem, Op.66: V. Agnus Dei
War Requiem, Op.66, VI. Libera me: Libera me, Domine, de morte aeterna
War Requiem, Op.66, VI. Libera me: It seemed that out of battle I escaped
War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum
Ballad of Heroes, Op.14: 1. Funeral March -
Ballad of Heroes, Op.14: 2. Scherzo (Dance of Death)
Ballad of Heroes, Op.14: 3. Recitative and Choral - Epilogue (Funeral March)
Praise We Great Men (1976): 'Praise we great men' -
Praise We Great Men (1976): 'Praise we the just'
Praise We Great Men (1976): [Coda]
The Miraculous Mandarin - Complete Ballet, Sz.73: Beginning -
The Miraculous Mandarin - Complete Ballet, Sz.73: First seduction game -
The Miraculous Mandarin - Complete Ballet, Sz.73: Second seduction game -
The Miraculous Mandarin - Complete Ballet, Sz.73: Third seduction game - The Mandarin appears
The Miraculous Mandarin - Complete Ballet, Sz.73: Dance of the Girl -
The Miraculous Mandarin - Complete Ballet, Sz.73: The chase -
The Miraculous Mandarin - Complete Ballet, Sz.73: Suddenly the Mandarin's head appears
The Miraculous Mandarin - Complete Ballet, Sz.73: The Mandarin falls to the floor
Concerto for Orchestra Sz116: I. Introduzione (Andante non troppo - Allegro vivace)
Concerto for Orchestra Sz116: II. Gluoco delle coppie (Allegretto scherzando)
Concerto for Orchestra Sz116: III. Elegia (Andante non troppo)
Concerto for Orchestra Sz116: IV. Intermezzo interrotto (Allegretto)
Concerto for Orchestra Sz116: V. Finale (Pesante - Presto)
Piano Concerto No. 1, Sz.83: Allegro moderato - Allegro - Allegro moderato
Piano Concerto No. 1, Sz.83: Andante
Piano Concerto No. 1, Sz.83: Allegro molto
Piano Concerto No. 2, Sz.95: Allegro
Piano Concerto No. 2, Sz.95: Adagio - Presto - Adagio
Piano Concerto No. 2, Sz.95: Allegro molto
Piano Concerto No. 3, Sz.119: Allegretto
Piano Concerto No. 3, Sz.119: Adagio religioso
Piano Concerto No. 3, Sz.119: Allegro vivace
Violin Concerto No.2: Allegro non troppo
Violin Concerto No.2: Andante tranquillo
Violin Concerto No.2: Allegro molto
Rhapsody No. 1, Sz.87: Lassù - moderato
Rhapsody No. 1, Sz.87: Friss - Allegro
Rhapsody No. 2 Sz90: Lassù - Moderato
Rhapsody No. 2 Sz90: Friss - Allegro
Concerto for Two Pianos, Percussion & Orchestra: I. Assai lento - Allegro molto
Concerto for Two Pianos, Percussion & Orchestra: II. Lento, ma non troppo
Concerto for Two Pianos, Percussion & Orchestra: III. Allegro non troppo
Sonata for Two Pianos & Percussion: I. Assai lento - Allegro molto
Sonata for Two Pianos & Percussion: II. Lento, ma non troppo
Sonata for Two Pianos & Percussion: III. Allegro ma non troppo
Sinfonietta, Op.60: I. Allegretto
Sinfonietta, Op.60: II. Andante
Sinfonietta, Op.60: III. Moderato
Sinfonietta, Op.60: IV. Allegretto
Sinfonietta, Op.60: V. Andante con moto
Glagolitic Mass: Uvod (Introduction)
Glagolitic Mass: Gospodi pomiluy (Kyrie eleison)
Glagolitic Mass: Slava (Gloria)
Glagolitic Mass: Veruju (Credo)
Glagolitic Mass: Svet (Sanctus)
Glagolitic Mass: Agneoe Bozij (Agnus Dei)
Glagolitic Mass: Organ solo (Postlude)
Glagolitic Mass: Intrada
Ravel: Chansons madécasses - 1. Nahandove, O belle Nahandove
Ravel: Chansons madécasses - 2. Aoua! Aoua!
Ravel: Chansons madécasses - 3. Il est doux de se coucher
Klavierkonzert a-moll op.54: I. Allegro affettuoso -
Klavierkonzert a-moll op.54: II. Intermezzo (Andantino grazioso) -
Klavierkonzert a-moll op.54: III. Allegro vivace
Klavierkonzert a-moll op.16: I. Allegro molto moderato
Klavierkonzert a-moll op.16: II. Adagio -
Klavierkonzert a-moll op.16: III. Allegro moderato molto e marcato
Symphony No.9: I. Feierlich: Misterioso
Symphony No.9: II. Scherzo: Bewegt, lebhaft
Bruckner: Symphony No.9: III. Adagio: Langsam
Symphony No.9: IV. Finale: Misterioso, nicht schell
1. Asie
2. La flûte enchantée
3. L'indifférent
The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro)
The Planets - Suite for large orchestra, Op.32: II. Venus, the Bringer of Peace (Adagio)
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace)
The Planets - Suite for large orchestra, Op.32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso)
The Planets - Suite for large orchestra, Op.32: V. Saturn, the Bringer of Old Age (Adagio)
The Planets - Suite for large orchestra, Op.32: VI. Uranus, the Magician (Allegro)
The Planets - Suite for large orchestra, Op.32: VII. Neptune, the Mystic (Andante) [with women's choir]
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: 1. The Gnome/Gnomus
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: 2. The Old Castle/Il vecchio castello
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: 3. The Tuileries/Tuileries
Pictures at an Exhibition: 4. The Ox Cart/Bydo
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: 5. Ballet of the Unhatched Chicks/Ballet des pouissins dans leurs coques
Pictures at an Exhibition: 6. Samule Goldenberg & Schmuÿle
Pictures at an Exhibition: 7. The marketplace in Limoges/ Limoges - Le Marché
Pictures at an Exhibition: 8. The Catacombs/Catacombae Sepulcrum Romanum
Pictures at an Exhibition: Cum mortuis in lingua mortua
Pictures at an Exhibition: 9.The Hut on Fowl's Legs (Baba-Yaga)/La Cabane sur des pattes de poule
Pictures at an Exhibition: 10. The Great Gate of Kiev/La grande porte de Kiev
Piano Quartet No.1 in G Minor: I. Allegro
Piano Quartet No.1 in G Minor: II. Intermezzo (Allegro ma non troppo)
Piano Quartet No.1 in G Minor: III. Andante con moto
Piano Quartet No.1 in G Minor: IV. Rondo alla Zingarese
Chamber Symphony No. 1, Op.9b: I. Lento - Allegro molto
Chamber Symphony No. 1, Op.9b: II. Con fuoco - Tempo primo - Poco meno mosso - Presto
Chamber Symphony No. 1, Op.9b: III. Lento - Molto lento - Più moto - Tempo primo
Chamber Symphony No. 1, Op.9b: IV. Tempo primo - Animato poco a poco - Tempo primo - Molto vivace
Concerto for Orchestra Sz116: I. Introduzione (Andante non troppo - Allegro vivace)
Concerto for Orchestra Sz116: II. Gluoco delle coppie (Allegretto scherzando)
Concerto for Orchestra Sz116: III. Elegia (Andante non troppo)
Concerto for Orchestra Sz116: IV. Intermezzo interrotto (Allegretto)
Concerto for Orchestra Sz116: V. Finale (Pesante - Presto)
Concerto for Two Pianos, Percussion & Orchestra: I. Assai lento - Allegro molto
Concerto for Two Pianos, Percussion & Orchestra: II. Lento, ma non troppo
Concerto for Two Pianos, Percussion & Orchestra: III. Allegro non troppo
Pulcinella - Ballet avec chante (1986 - Remaster): Overture
Pulcinella - Ballet avec chante (1986 - Remaster): Mentre l' erbetta pasce l' agnella (Tenor)
Pulcinella - Ballet avec chante (1986 - Remaster): Contento forse vivere (Soprano)
Pulcinella - Ballet avec chante (1986 - Remaster): Con queste paroline (Bass)
Pulcinella - Ballet avec chante (1986 - Remaster): Sento dire no' nce pace (Trio)
Pulcinella - Ballet avec chante (1986 - Remaster): Una te falan zemprece (Tenor)
Pulcinella - Ballet avec chante (1986 - Remaster): Se tu m' ami (Soprano)
Pulcinella - Ballet avec chante (1986 - Remaster): Gavotta
Pulcinella - Ballet avec chante (1986 - Remaster): Variation 1
Pulcinella - Ballet avec chante (1986 - Remaster): Variation 2
Pulcinella - Ballet avec chante (1986 - Remaster): Pupillette fiammette (Trio)
Symphony in Three Movements: I. [crotchet] = 160
Symphony in Three Movements: II. Andante ([quaver] = 76) - Interlude (L'istesso tempo)
Symphony in Three Movements: III. Con moto ([crotchet] = 180)
Two Suites (1987 - Remaster), Suite No. 1: I. Andante
Two Suites (1987 - Remaster), Suite No. 1: II. Napolitana
Two Suites (1987 - Remaster), Suite No. 1: III. Española
Two Suites (1987 - Remaster), Suite No. 1: IV. Balalaïka
Symphony in Three Movements: I. [crotchet] = 160
Symphony in Three Movements: II. Andante ([quaver] = 76) - Interlude (L'istesso tempo)
Symphony in Three Movements: III. Con moto ([crotchet] = 180)
Two Suites (1987 - Remaster), Suite No. 2: I. Marche
Two Suites (1987 - Remaster), Suite No. 2: II. Valse
Two Suites (1987 - Remaster), Suite No. 2: III. Polka
Two Suites (1987 - Remaster), Suite No. 2: IV. Galop
Ebony Concerto: I. Allegro moderato
Ebony Concerto: II. Andante
Ebony Concerto: III. Moderato - Con moto
Symphony No. 5 in B Flat, Op.100: I. Andante
Symphony No. 5 in B Flat, Op.100: II. Allegro marcato
Symphony No. 5 in B Flat, Op.100: III. Adagio
Symphony No. 5 in B Flat, Op.100: IV. Allegro giocoso
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto
Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): I. Rondo (Andante) und Hymne
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): II. Ostinato (Allegro)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): III. Lied der Lulu (Comodo)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): IV. Variationen (Moderato)
Lulu Suite (Symphonic Pieces from the opera 'Lulu'): V. Adagio
Symphony No. 5 in C Sharp Minor: I. Trauermarsch (In gemessenen Schritt. Streng. Wie ein Kondukt)
Symphony No. 5 in C Sharp Minor: II. Stürmisch bewegt. Mit grosser Vehemenz
Symphony No. 5 in C Sharp Minor: III. Scherzo (Kräftig, nicht zu schnell)
Symphony No. 5 in C sharp minor: IV. Adagietto. Sehr langsam
Symphony No. 5 in C Sharp Minor: V. Rondo-Finale (Allegro)
Part I: Adoration of the Earth: Introduction -
Part I: Adoration of the Earth: The Augurs of Spring - Dances of the Young Girls -
Part I: Adoration of the Earth: Ritual of Abduction -
Part I: Adoration of the Earth: Spring Rounds -
Part I: Adoration of the Earth: Ritual of the River Tribes -
Part I: Adoration of the Earth: Procession of the Sage -
Part I: Adoration of the Earth: The Sage -
Part I: Adoration of the Earth: Dance of the Earth
Part II: The Sacrifice: Introduction -
Part II: The Sacrifice: Mystic Circles of the Young Girls -
Part II: The Sacrifice: Glorification of the Chosen One -
Part II: The Sacrifice: Evocation of the Ancestors -
Part II: The Sacrifice: Ritual Action of the Ancestors -
Part II: The Sacrifice: Sacrificial Dance
Cello Concerto in E minor Op. 85: I. Adagio - Moderato
Cello Concerto in E Minor, Op.85: II. Lento - Allegro molto
Cello Concerto in E minor Op. 85: III. Adagio
Cello Concerto in E Minor, Op.85: IV. Allegro - Moderato - Allegro, ma non troppo
Cello Symphony, Op.68: I. Allegro maestoso
Cello Symphony, Op.68: II. Presto inquieto
Cello Symphony, Op.68: III. Adagio
Cello Symphony, Op.68: IV. Passacaglia - Andante allegro
Symphony No. 1 in C minor Op. 68: I. Un poco sostenuto - Allegro
Symphony No. 1 in C minor Op. 68: II. Andante sostenuto
Symphony No. 1 in C minor Op. 68: III. Un poco allegretto e grazioso
Symphony No. 1 in C minor Op. 68: IV. Adagio - Allegro non troppo ma con brio
Symphony No. 3 in F Op. 90: II. Andante
Symphony No. 3 in F Op. 90: II. Andante
Symphony No. 3 in F Op. 90: III. Poco allegretto
Symphony No. 3 in F Op. 90: III. Poco allegretto
Symphony No. 3 in F Op. 90: IV. Allegro - Un poco sostenuto
Symphony No. 3 in F Op. 90: IV. Allegro - Un poco sostenuto
Symphony No. 4 in E minor Op. 98: I. Allegro non troppo
Symphony No. 4 in E minor Op. 98: II. Andante moderato
Symphony No. 4 in E minor Op. 98: III. Allegro giocoso
Symphony No. 4 in E minor Op. 98: IV. Allegro energico e passionato
L'Enfant et les sortilèges: Introduction
L'Enfant et les sortilèges: Votre serviteur humble, Bergère
L'Enfant et les sortilèges: How's your mug
L'Enfant et les sortilèges: Oui, c'est Elle, ta Princess enchantée
L'Enfant et les sortilèges: Deux robinets coulent dans un résevoir
L'Enfant et les sortilèges: Ah! Quelle joie de te retrouver, Jardin!
L'Enfant et les sortilèges: Sauve-toi, sotte! Et la cage? La cage?
L'Enfant et les sortilèges: Ah! C'est l'Enfant au couteau!
Ma Mère l'Oye: Prelude
Ma Mère l'Oye: I. Danse de rouet et Scéne: Allegro - Un peu moins animé
Ma Mère l'Oye: II. Pavane de la Belle au bois dormant: Lent - Allegro - Mouvements de Valse modéré
Ma Mère l'Oye: III. Les entretiens de la Belle et de la Bête: Mouvement de Valse modéré - Lent
Ma Mère l'Oye: IV. Petit Poucet: Tres modéré - Lent
Ma Mère l'Oye: V. Laideronnette, impératrice des Pagodes: Mouvement de Marche - Allegro - Trés modéré
Ma Mère l'Oye: VI. (Apothéose:) Le jardin féerique: Lent et grave
Ballad of Heroes, Op.14: 1. Funeral March -
Ballad of Heroes, Op.14: 2. Scherzo (Dance of Death)
Ballad of Heroes, Op.14: 3. Recitative and Choral - Epilogue (Funeral March)
Diversions for piano (left hand) and orchestra, Op.21: Theme -
Diversions for piano (left hand) and orchestra, Op.21: Var.I Recitative -
Diversions for piano (left hand) and orchestra, Op.21: Var.II Romance -
Diversions for piano (left hand) and orchestra, Op.21: Var.III March -
Diversions for piano (left hand) and orchestra, Op.21: Var.IV Arabesque
Diversions for piano (left hand) and orchestra, Op.21: Var.V Chant -
Diversions for piano (left hand) and orchestra, Op.21: Var.VI Nocturne -
Diversions for piano (left hand) and orchestra, Op.21: Var.VII Badinerie
Diversions for piano (left hand) and orchestra, Op.21: Var.VIII Burlesque
Diversions for piano (left hand) and orchestra, Op.21: Var.IX Toccata I - Toccata II -
Diversions for piano (left hand) and orchestra, Op.21: Var.X Adagio
Diversions for piano (left hand) and orchestra, Op.21: Var.XI Tarantella
Praise We Great Men (1976): 'Praise we great men' -
Praise We Great Men (1976): 'Praise we the just'
Praise We Great Men (1976): [Coda]
Suite on English Folk Tunes: 'A time there was...' Op.90: I. Cakes and Ale
Suite on English Folk Tunes: 'A time there was...' Op.90: II. The Bitter Withy
Suite on English Folk Tunes: 'A time there was...' Op.90: III. Hankin Booby
Suite on English Folk Tunes: 'A time there was...' Op.90: IV. Hunt the Squirrel
Suite on English Folk Tunes: 'A time there was...' Op.90: V. Lord Melbourne
Quatre Chansons françaises (1928): 1. Nuits de juin (wds. Victor Hugo)
Quatre Chansons françaises (1928): 2. Sagesse (wds. Paul Verlaine)
Quatre Chansons françaises (1928): 3. L'Enfance (wds. Victor Hugo)
Quatre Chansons françaises (1928): 4. Chanson d'automne (wds. Paul Verlaine)
Sinfonia da Requiem, Op.20: I. Lacrymosa (Andante ben misurato) -
Sinfonia da Requiem, Op.20: II. Dies irae (Allegro con fuoco) -
Sinfonia da Requiem, Op.20: III. Requiem aeternam (Andante molto tranquillo)
Les Illuminations, Op.18: I. Fanfare
Les Illuminations, Op.18: II. Villes
Les Illuminations, Op.18: IIIa. Phrase
Les Illuminations, Op.18: IIIb. Antique
Les Illuminations, Op.18: IV. Royauté
Les Illuminations, Op.18: V. Marine
Les Illuminations, Op.18: VI. Interlude
Les Illuminations, Op.18: VII. Being Beauteous
Les Illuminations, Op.18: VIII. Parade
Les Illuminations, Op.18: IX. Départ
Serenade for tenor, horn and strings, Op.31 (1943): Prologue
Serenade for tenor, horn and strings, Op.31 (1943): Pastoral (Charles Cotton)
Serenade for tenor, horn and strings, Op.31 (1943): Nocturne (Alfred, Lord Tennyson)
Serenade for tenor, horn and strings, Op.31 (1943): Elegy (William Blake)
Serenade for tenor, horn and strings, Op.31 (1943): Dirge (anon. 15th century)
Serenade for tenor, horn and strings, Op.31 (1943): Hymn (Ben Jonson)
Serenade for tenor, horn and strings, Op.31 (1943): Sonnet (John Keats)
Serenade for tenor, horn and strings, Op.31 (1943): Epilogue
Nocturne, Op.60 (1958): Prometheus Unbound (Shelley)
Nocturne, Op.60 (1958): The Kraken (Tennyson)
Nocturne, Op.60 (1958): The Wanderings of Cain (Coleridge)
Nocturne, Op.60 (1958): Blurt, Master Constable (Middleton)
Nocturne, Op.60 (1958): The Prelude (1805) (Wordsworth)
Nocturne, Op.60 (1958): The Kind Ghosts (Owen)
Nocturne, Op.60 (1958): Sleep and Poetry (Keats)
Nocturne, Op.60 (1958): Sonnet 43 (Shakespeare)
The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente)
The Young Person's Guide to the Orchestra, Op.34: Var.A: Flutes and piccolo
The Young Person's Guide to the Orchestra, Op.34: Var.B: Oboes (Lento)
The Young Person's Guide to the Orchestra, Op.34: Var.C: Clarinets (Moderato)
The Young Person's Guide to the Orchestra, Op.34: Var.D: Bassoons (Allegro alla marcia)
The Young Person's Guide to the Orchestra, Op.34: Var.E: Violins (Brillante: alla polacca)
The Young Person's Guide to the Orchestra, Op.34: Var.F: Violas (Meno mosso)
The Young Person's Guide to the Orchestra, Op.34: Var.G: Cellos
The Young Person's Guide to the Orchestra, Op.34: Var.H: Double basses (Cominciando lento ma poco a poco accel. al Allegro)
The Young Person's Guide to the Orchestra, Op.34: Var.I: Harp (Maestoso)
The Young Person's Guide to the Orchestra, Op.34: Var.J: Horns (L'istesso tempo)
The Young Person's Guide to the Orchestra, Op.34: Var.K: Trumpets (Vivace)
The Young Person's Guide to the Orchestra, Op.34: Var.L: Trombones and bass tuba (Allegro pomposo)
The Young Person's Guide to the Orchestra, Op.34: Var.M: Percussion (Moderato)
The Young Person's Guide to the Orchestra, Op.34: Fugue (Allegro molto)
Sinfonietta Op. 60: I. Allegretto
Sinfonietta Op. 60: II. Andante
Sinfonietta Op. 60: III. Moderato
Sinfonietta Op. 60: IV. Allegretto
Sinfonietta Op. 60: V. Andante con moto
Glagolitic Mass: Uvod (Introduction)
Glagolitic Mass: Gospodi pomiluy (Kyrie eleison)
Glagolitic Mass: Slava (Gloria)
Glagolitic Mass: Veruju (Credo)
Glagolitic Mass: Svet (Sanctus)
Glagolitic Mass: Agneoe Bozij (Agnus Dei)
Glagolitic Mass: Organ solo (Postlude)
Glagolitic Mass: Intrada
Symphonie fantastique Op. 14: I. Rêveries - Passions
Symphonie fantastique Op. 14: II. Un bal
Symphonie fantastique Op. 14: III. Scène aux champs
Symphonie fantastique Op. 14: IV. Marche au supplice
Symphonie fantastique Op. 14: V. Songe d'une nuit du Sabbat
Beethoven: Piano Concerto No.4 in G, Op.58 - 1. Allegro moderato
Beethoven: Piano Concerto No.4 in G, Op.58 - 2. Andante con moto
Beethoven: Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace)
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 1. Allegro
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 2. Adagio un poco mosso
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 3. Rondo (Allegro)
Fidelio: Ouvertüre
Fidelio, ACT 1: Nr 1 Duet: Jetzt, Schätzchen, jetzt sind wir allein (Jaquino/Marzelline)
Fidelio, ACT 1: Recit: Armer Jacquino (Marzelline)
Fidelio, ACT 1: Nr. 2 Arie: O wär' ich schon mit dir vereint (Marzelline)
Fidelio, ACT 1: Recit: 'Marzelline, ist Fidelio noch nicht zurückgekmmomen?!' (Rocco/Marzelline/Leonore)
Fidelio, ACT 1: Nr. 3 Quartett: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino)
Fidelio, ACT 1: Recit: Höre, Fidelio (Rocco)
Fidelio, ACT 1: Nr. 4 Aria: Hat man nicht auch Gold beineben (Rocco)
Fidelio, ACT 1: Recit: Ihr könnt das leicht sagen, Meister Rocco (Leonore/Rocco/Marzelline)
Fidelio, ACT 1: Nr. 5 Trio: Gut, Söhnchen, gut (Rocco/Leonore/Marzelline)
Fidelio, ACT 1: Nur auf der Hut, dann geht es gut (Rocco, Leonore, Marzelline)
Fidelio, ACT 1: Nr. 6: Marsch (Orchester)
Fidelio, ACT 1: Recit: Wo sind die Depeschen? (Pizarro/Rocco)
Fidelio, ACT 1: Nr. 7 Arie mit Chor: Ha! Welch ein Augenblick! (Pizarro/Chor)
Fidelio, ACT 1: Recit: Hauptmann, Besteigen Sie mit einem Trompeter sogleich den Turm' (Pizarro/Rocco)
Fidelio, ACT 1: Nr. 8 Duett: Jetzt, Alter, jetzt has es Eile! (Pizaro/Rocco)
Fidelio, ACT 1: Nr. 9 Recit: Abscheulicher! Wo eilst du hin? (Leonore)
Fidelio, ACT 1: Aria: Komm, Hoffnung, lass den letzen Stern (Leonore)
Fidelio, ACT 1: Recit: Meister Rocco, ihr verspracht so oft (Leonore, Rocco, Marzelline)
Fidelio, ACT 1: Nr. 10 Finale: O, welche Lust! (Chor/zwei Gefangene)
Fidelio, ACT 1: Nun sprecht, wie ging's? (Leonore/Rocco)
Fidelio, ACT 1: Ach! Vater, eilt! (Marzelline/Rocco/Jaquino/Leonore/Pizarro)
Fidelio, ACT 1: Leb' wohl, du warmes Sonnenlicht (Chorus/Marzelline, Leonore, Jaquino, Pizzaro, Rocco)


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