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Sigismund Thalberg
Born: January 8, 1812; Paquis, Switzerland   Died: April 27, 1871; Posillipo, Italy  
Considered one of the finest virtuoso pianists of the mid-1800s, Sigismund Thalberg's entire life was intimately and professionally connected with the opera. He made a name for himself as a composer and performer by almost restricting his playing to his own fantasias on famous opera arias, many of which were by Mozart, Rossini, Meyerbeer, and Verdi, among others. He also arranged opera productions, married the daughter of the opera singer Luigi ...
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Thalberg - Opera Fantasias For Piano Duet / Duo Egri-pertis
Release Date: 06/29/2004   Label: Hungaroton   Catalog: 32154   Number of Discs: 1
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Works
Andante final from Donizetti's "Lucia di Lammermoor", Op. 44 (1)
Concerto for Piano in F minor, Op. 5 (2)
Deutsche Lieder (6) (1)
Etudes (12) for piano, Op. 26 (1)
Etudes (12) for Piano,Op. 26 (1)
Fantaisie on Donizetti's "La fille du régiment", Op. 68 (1)
Fantaisie on Donizetti's "Lucrezia Borgia", Op. 50 (1)
Fantasia and Variations on Mozart's Serenade and Minuet, Op. 42 (1)
Fantasia on "Casta diva" from Bellini's "Norma", Op. 70 (1)
Fantasia on Verdi's "Il Trovatore", Op. 77 (1)
Fantasia on Verdi's "La Traviata", Op. 78 (2)
Fantasie on Bellini's "Beatrice di Tenda", Op. 49 (3)
Fantasie on Bellini's "La Straniera", Op. 9 (2)
Fantasy on Meyerbeer's "Les Huguenots", Op. 20 (2)
Fantasy on Meyerbeer's "Robert le Diable", Op. 6 (1)
Grande caprice on Bellini's "La Sonnambula', Op. 46 (2)
Grande fantaisie on Donizetti's "Don Pasquale", Op. 67 (2)
Grande fantasie and Var on Bellini's "Norma", Op. 12 (1)
Grande fantasie and Variations on Bellini's "Norma", Op. 12 (1)
Grande Fantasie and Variatons on Bellini's "I Capuletti", Op. 10 (3)
Home Sweet Home (1)
Impromptu on "Le siège de Corinthe", Op. 3 (1)
Introduction and Variations on Donizetti's "Elisir d'amore", Op. 66 (1)
Lacrimosa for Piano from Mozart's "Requiem" (2)
Lacrimosa From Mozart's "Requiem" for piano (1)
Les soirées de Pausilippe, Op. 75 (2)
Mélodie variée for Piano "Un Soupir" (1)
Nocturne for piano in B major, Op. 51b (1)
Nocturne in E major, Op. 28 (1)
Pieces (10) for Piano, Op. 36: no 5, Canzonette italienne (1)
Romance variée en forme d'étude "Le départ" (1)
Souvenir de "Rigoletto", Op. 82 (1)
Souvenir de "Un ballo in maschera", Op. 81 (1)
Souvenir de Beethoven, Op. 39 (1)
Variation on Themes from Rossini's "Moïse," Op. 33 (4)
Variations on Themes from Rossini's "Il barbiere di Siviglia," Op. 63 (3)
Variations on Themes from Rossini's "La donna del lago," Op. 40bis (3)
Variations on Themes from Rossini's "Semiramide", Op. 51 (2)
Biography by Meredith Gailey
Considered one of the finest virtuoso pianists of the mid-1800s, Sigismund Thalberg's entire life was intimately and professionally connected with the opera. He made a name for himself as a composer and performer by almost restricting his playing to his own fantasias on famous opera arias, many of which were by Mozart, Rossini, Meyerbeer, and Verdi, among others. He also arranged opera productions, married the daughter of the opera singer Luigi Lablache, Mme. Boucher, and even wrote two of his own operas, Florinda (1851) and Cristina di Svzia (1855), both of which had little success.

Details of Thalberg's upbringing remain unclear, especially those regarding his ethnicity and actual birth parents, who are thought to be either Prince Moritz Dietrichstein and the Baroness von Wetzlar or Joseph Thalberg and Fortunée Stein. While studying at the Polytechnic School in Vienna in 1822 and preparing for work in the government, he took up music, and his early teachers include Johann Nepomuk Hummel, Mittag, and Simon Sechter. He began performing in public at the age of 14 and his appearances of this type in the late 1820s led to an 1830 tour of Germany and his appointment as Kammervirtuoso to the Austrian emperor in 1834. Between the late 1830s and 1850s Thalberg toured the world over with artists such as Bernard Ullmann, Strakosch, and Henri Vieuxtemps, traveling to the United States, Brazil, Belgium, Holland, Russia, and Spain. He finally settled in the 1860s in Posillipo and died there in 1871.

Aside from his dozens of piano compositions, many with orchestral accompaniment, Thalberg wrote several Lieder and two chamber works, all of which are of uncertain value. His reputation as a lyrical, clear performer greatly exceeds that as a composer; for example, at one time Liszt remarked that "Thalberg is the only artist who can play the violin on the keyboard." Indeed the younger pianist's talents were exceptional as he devised a two-handed piano technique that produced the effect of several dozens of fingers on the piano (although credit for is also given to Francesco Pollini and Parish Alvars). Whereas his orchestral and chamber works are only occasionally recorded, his instrumental pieces can be heard under the ASV, Marco Polo, Philips, Danacord, and Vanguard Classics labels.
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