Seiji Ozawa

Composers

Biography

Born: Sep 1, 1935; Manchuria, China   Country: Japan  
Seiji Ozawa, born of Japanese parents in Manchuria, began music lessons at the age of seven. At 16 he entered the Toho School of Music in Tokyo, intending to pursue a career as a professional pianist. He abandoned that plan after breaking both of his index fingers in a rugby game. It was then that he turned to conducting and composition. While still a student Ozawa gained podium experience with professional ensembles, including the NHK Symphony Read more Orchestra and the Japan Philharmonic. He graduated in 1959 with first prizes in conducting and composition and traveled to Europe to pursue further studies. There, Ozawa supported himself as a traveling salesman of Japanese motor scooters. In the course of his work he saw a notice for an international conducting competition, entered it, and won. So impressed was one of the judges -- longtime Boston Symphony conductor Charles Münch -- that he arranged for Ozawa to study at the Berkshire Music Center at Tanglewood in the summer of 1960. Ozawa won the Koussevitzky Award as well as a scholarship to work with Herbert von Karajan and the Berlin Philharmonic. During a visit to Berlin, Leonard Bernstein hired him as an assistant conductor of the New York Philharmonic. Ozawa made his debut with the orchestra in Carnegie Hall on April 14, 1961, and traveled with the ensemble on tour (including appearances in Japan). From 1964 to 1968 Ozawa served as music director of the Ravinia Festival. His career burgeoned as he became noted for his brilliant performances, penetrating musical insight, and total command of the most complex scores. He enjoyed multiple successes as music director of the Toronto Symphony Orchestra (1965-1969), including a career-making recording of Messiaen's Turangalila Symphony and Takemitsu's November Steps. In 1968 he became music advisor to the Japan Philharmonic Orchestra. In the following year he made his operatic debut at the Salzburg Festival and became principal guest conductor of the Chicago Symphony Orchestra. In 1970 he became the music director of the San Francisco Symphony, and in that post proved himself a particular advocate of new music.
At the same time, Ozawa developed ever-closer ties to Boston. He became the co-artistic adviser of the Tanglewood Music Center in 1970, and in 1972 was named music advisor of the Boston Symphony Orchestra. 1973 brought him the music directorship of the BSO as well the sole artistic directorship of Tanglewood. His tenure in Boston, which reached into the twenty-first century, was one of the longest in the history of any American orchestra.
Ozawa's career-long dedication to new music is evident from his role in the commissioning and/or premiering of works like Ligeti's San Francisco Polyphony (1975), Messiaen's opera Saint François d'Assise (1983), Davies' Symphony No. 2 (1981), and Harbison's Symphony No. 1 (1983). He assumed the post of music director of the Vienna State Opera in 2002. Read less
Berlioz: The Damnation Of Faust / Ozawa, Mathis, Burrows, Mcintyre
Release Date: 03/10/2015   Label: Pentatone  
Catalog: 5186212   Number of Discs: 2
On sale! $35.99
CD: $30.49
In Stock
On sale!   $35.99   CD:  $30.49 Add CD to Cart

Berlioz: Symphonie Fantastique, Etc / Ozawa, Boston Symphony
Release Date: 03/10/2015   Label: Pentatone  
Catalog: 5186211   Number of Discs: 1
On sale!
CD: $15.99
In Stock
On sale!     CD:  $15.99 Add CD to Cart

There are 304 Seiji Ozawa recordings available.

Select a specific Composer, Ensemble or Label or browse recordings by Formats & Featured below


Composers

Ensembles

Biography

Born: Sep 1, 1935; Manchuria, China   Country: Japan  
Seiji Ozawa, born of Japanese parents in Manchuria, began music lessons at the age of seven. At 16 he entered the Toho School of Music in Tokyo, intending to pursue a career as a professional pianist. He abandoned that plan after breaking both of his index fingers in a rugby game. It was then that he turned to conducting and composition. While still a student Ozawa gained podium experience with professional ensembles, including the NHK Symphony Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
"Wo bleibt Elektra?"
"Allein! Weh, ganz allein."
"Elektra!"
"Ich kann nicht sitzen und ins Dunkel starren"
"Es geht ein Lärm los."
"Was willst du? Seht doch dort!"
"Die Götter! bist doch selber eine Göttin."
"Ich will nichts hören!"
"Ich habe keine guten Nächte."
"Wenn das rechte Blutopfer unterm Beile fällt"
"Was bluten muß? Dein eigenes Genick"
"Ach! Lichter!"
"Orest! Orest ist tot!"
"Nun muß es hier von uns geschehn."
"Du! Du! Denn du bist stark! Wie stark du bist"
"Nun denn, allein!"
"Was willst du, fremder Mensch?"
"Orest!"
"Du wirst es tun? Allein? Du armes Kind?"
"Seid ihr von Sinnen"
"Ich habe ihm das Beil nicht geben können!"
"He! Lichter!"
"Elektra! Schwester!"
"Ob ich nicht höre?"
"Hörst du denn nicht"
"Schweig, und tanze."
Part I: The Adoration of the Earth: Introduction
Part I: The Adoration of the Earth: Harbingers of Spring (Dances of the Adolescents)
Part I: The Adoration of the Earth: Ritual of Abduction
Part I: The Adoration of the Earth: Spring Rounds
Part I: The Adoration of the Earth: Games of the Rival Tribes
Part I: The Adoration of the Earth: Procession of the Wise Elder
Part I: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part I: The Adoration of the Earth: Dance of the Earth
Part II: The Sacrifice: Introduction (Pagan Night)
Part II: The Sacrifice: Mystic Circles of the Young Girls
Part II: The Sacrifice: Glorification of the Choosen One
Part II: The Sacrifice: Summoning of the Ancients
Part II: The Sacrifice: Ritual of the Ancients
Part II: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth - Introduction
Auguries of Spring (Dances of the Young Girls)
Mock Abduction
Spring Khorovod (Round Dance)
Games of the Rival Clans
Procession of the Wise Elder
Adoration of the Earth (The Wise Elder)
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystical Circles of the Young Girls
Glorification of the Chosen One
The Summoning of the Ancients
Ritual of the Ancients
Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part I: Introduction
Part I: Dance of the Young Boys and Girls
Part I: Mock Abduction
Part I: Spring Rounds
Part I: Games of the Rival Towns
Part I: Procession of the Wise Elders
Part I: Adoration of the Earth
Part I: Dance of the Earth
Part II: Introduction
Part II: Mystic Circles of the Young Girls
Part II: Glorification of the Chosen One
Part II: Summoning of the Ancients
Part II: Ritual of the Ancients
Part II: Sacrificial Dance
Stravinsky: Le sacre du printemps (The Rite of Spring): Le sacre du printemps: The Adoration of the Earth: Introduction
Le sacre du printemps: The Adoration of the Earth: Harbingers of Spring (Dances of the Adolescents)
Le sacre du printemps: The Adoration of the Earth: Ritual of Abduction
Le sacre du printemps: The Adoration of the Earth: Spring Rounds
Le sacre du printemps: The Adoration of the Earth: Games of the Rival Tribes
Le sacre du printemps: The Adoration of the Earth: Procession of the Wise Elder
Le sacre du printemps: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Le sacre du printemps: The Adoration of the Earth: Dance of the Earth
Le sacre du printemps: The Sacrifice: Introduction (Pagan Night)
Le sacre du printemps: The Sacrifice: Mystic Circles of the Young Girls
Le sacre du printemps: The Sacrifice: Glorification of the Choosen One
Le sacre du printemps: The Sacrifice: Summoning of the Ancients
Le sacre du printemps: The Sacrifice: Ritual of the Ancients
Le sacre du printemps: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth - Introduction
Auguries of Spring (Dances of the Young Girls)
Mock Abduction
Spring Khorovod (Round Dance)
Games of the Rival Clans
Procession of the Wise Elder
Adoration of the Earth (The Wise Elder)
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystical Circles of the Young Girls
Glorification of the Chosen One
The Summoning of the Ancients
Ritual of the Ancients
Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part I: The Adoration of the Earth: Introduction
Part I: The Adoration of the Earth: Harbingers of Spring (Dances of the Young Girls)
Part I: The Adoration of the Earth: Mock Abduction
Part I: The Adoration of the Earth: Spring Khorovod (Round Dances)
Part I: The Adoration of the Earth: Games of the Rival Tribes
Part I: The Adoration of the Earth: Procession of the Wise Elder
Part I: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part I: The Adoration of the Earth: Dance of the Earth
Part II: The Sacrifice: Introduction
Part II: The Sacrifice: Mystic Circles of the Young Girls
Part II: The Sacrifice: Glorification of the Chosen Victim
Part II: The Sacrifice: Summoning of the Ancestors
Part II: The Sacrifice: Ritual of the Ancestors
Part II: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Introduction (1947 version)
Danses des adolescentes (1947 version)
Jeu du rapt (1947 version)
Rondes printanieres (1947 version)
Jeux des cites rivales (1947 version)
Cortege du sage (1947 version)
L'Adoration de la terre (1947 version)
Danse de la terre (1947 version)
Introduction (1947 version)
Cercles mysterieux des adolescentes (1947 version)
Glorification de l'Elue (1947 version)
Evocation des ancetres (1947 version)
Action rituelle des ancetres (1947 version)
Danse sacrale - L'Elue (1947 version)
The Rite of Spring (Scenes of Pagan Russia in two parts): Part One - Adoration of the Earth: Introduction. Lento
Part One - Adoration of the Earth: The Augurs of Spring
Part One - Adoration of the Earth: Mock Abduction
Part One - Adoration of the Earth: Spring Round Dances
Part One - Adoration of the Earth: Games of the Rival Tribes
Part One - Adoration of the Earth: Procession of the Wise Elders
Part One - Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part One - Adoration of the Earth: Dance of the Earth
Part Two - The Sacrifice: Introduction. Largo
Part Two - The Sacrifice: Mystical Circles of the Young Girls
Part Two - The Sacrifice: Glorification of the Chosen Victim
Part Two - The Sacrifice: Summoning of the Ancestors
Part Two - The Sacrifice: Ritual of the Ancestors
Part Two - The Sacrifice: Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part One: The Adoration of the Earth - Introduction
The Augurs of Spring - Dances of the Young Girls
Ritual of Abduction
Spring Rounds
Ritual of the Rival Tribes
Procession of the Sage
The Sage
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystic Cycle of the Young Girls
Glorification of the Chosen One
Evocation of the Ancestors
Ritual Action of the Ancestors
Sacrificial Dance (The Chosen One)
Le sacre du printemps (The Rite of Spring): Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Introduction
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Les augures printaniers, Danses des adolescentes (The Augurs of Spring, Dances of the Young Girls)
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Jeu du rapt (Ritual of Abduction)
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Rondes printanières (Spring Rounds)
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Jeux des cités rivales (Ritual of the Rival Tribes)
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Cortège du sage (Procession of the Sage)
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Le sage (The Sage)
Première partie: L'adoration de la terre (Part I: Adoration of the Earth): Danse de la terre (Dance of the Earth)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Introduction
Seconde partie: Le sacrifice (Part II: The Sacrifice): Cercles mysterieux des adolescentes (Mystic Circles of the Young Girls)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Glorification de l'élue (Glorification of the Chosen One)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Evocation des ancêtres (Evocation of the Ancestors)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Action rituelle des ancêtres (Ritual Action of the Ancestors)
Seconde partie: Le sacrifice (Part II: The Sacrifice): Danse sacrale, L'élue (Sacrificial Dance, The Chosen One)
Overture (Prelude)
"Sur la place, chacun passe"
"Regardez donc cette petite"
"Avec la garde montante"
"Il y a une jolie fille"
"Et la garde descendante"
"Dites-moi, brigadier"
"La cloche a sonné"
"Dans l'air, nous suivons des yeux la fumée"
"Mais nous ne voyons pas la Carmencita"
"Quand je vous aimerai?...L'amour est un oiseaux rebelle" (Habanera)
"Carmen! sur tes pas nous nous pressons tous!"
"Qu'est-ce que ça veut dire"
"Parle-moi de ma mère!"
"Ma mère, je la vois"
"Attends un peu maintenant"
"Au secours!"
"Voyons, brigadier.."
"Avez-vous quelque chose à repondre?" - Tra la la la. Coupe-moi, brûle-moi"
"Où me conduirez-vous?"
"Près des remparts de Séville...Tais-toi"
"Le lieutenant... prenéz garde!" - "Voici l'ordre"
Entracte (between Act I & II)
"Les tringles des sistres tintaient"
"Vous avez quelque chose à nous dire" - "Vivat! vivat le torero" - "Qu'est-ce c'est que ça?"
"Votre toast, je peux vous le rendre" - "Toréador, en garde"
"Messieurs les officiers, je vous en prie" - Marche
"Le Dancaïre et le Remendado ont à vous parler"
"Nous avons en tête une affaire!"
"En voilà assez" - "Halte-là! Qui va là? Dragon d'Alcala! - "Enfin... te voilà..."
"Je vais danser en votre honneur"
"Au quartier! pour l'appel!"
"La fleur que tu m'avais jetée"
"Non, tu ne m'aimes pas!"
"Holà! Carmen! Holà!"
"Bel officier"
Entracte (between Act II & III)
"Écoute, compagnon, écoute!"
"Halte! nous allons nous arrêter ici!"
"Mêlons! Coupons!"
"Carreau! Pique!... La mort!"
"Eh! bien?..."
"Quant au douanier, c'est notre affaire!"
"C'est ici"
"Je dis que rien ne m'épouvante"
"Mais... je ne me trompe pas..."
"Je suis Escamillo"
"Holà! holà! José!"
"Halte! quelqu'un est là"
Entracte (between Scene 1 & 2)
"A dos cuartos!"
"Qu'avez-vous donc fait de la Carmencita?"
"Les voici! voici la quadrille!"
"Si tu m'aimes, Carmen"
"C'est toi!" "C'est-moi!"
Ravel: Rapsodie espagnole, M.54 - 1. Prélude à la nuit
Ravel: Rapsodie espagnole, M.54 - 2. Malagueña
Ravel: Rapsodie espagnole, M.54 - 3. Habanera
Ravel: Rapsodie espagnole, M.54 - 4. Feria
Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 in E flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegro marziale animato
Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato - Allegro deciso
Liszt: Piano Concerto No.2 in A, S.125 - 3. Marziale un poco meno allegro
Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato - Stretto (molto accelerando)
Capriccio for Piano and Orchestra (1991 Digital Remaster): Presto doppio movimento
Capriccio for Piano and Orchestra (1991 Digital Remaster): Andante rapsodico
Capriccio for Piano and Orchestra (1991 Digital Remaster): Allegro capriccioso, ma tempo giusto
Jeux d'enfants - Petite Suite Op. 22: I. Marche (Trompette et tambour)
Jeux d'enfants - Petite Suite Op. 22: II. Berceuse (La Poupée)
Jeux d'enfants - Petite Suite Op. 22: III. Impromptu (La Toupie)
Jeux d'enfants - Petite Suite Op. 22: IV. Duo (Petit mari, petite femme)
Jeux d'enfants - Petite Suite Op. 22: V. Galop (Le Bal)
Violin Concerto in D Op. 35: I. Allegro moderato
Violin Concerto in D Op. 35: III. Finale (Allegro vivacissimo)
Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 in E flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegro marziale animato
Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato - Allegro deciso
Liszt: Piano Concerto No.2 in A, S.125 - 3. Marziale un poco meno allegro
Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato - Stretto (molto accelerando)
1a. Andante comodo -
1b. - Mit Wut (Allegro risoluto) -
1c. -Tempo I
2a. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -
2b. -Poco più mosso subito -
2c. - Ländler, ganz langsam
3a. Rondo. Burleske (Allegro assai. Sehr trotzig -
3b. - Presto
4. Adagio (Sehr langsam)
Part One: Hymnus "Veni creator spiritus"
Poco adagio
"Waldung, sie schwankt heran"
"Uns bleibt ein Erdenrest"
"Dir, der Unberührbaren"
"Blicket auf zum Retterblick"
"Alles Vergängliche"
"O Fortuna"
"Fortune plango vulnera"
"Veris leta facies"
"Omnia Sol temperat"
"Ecce gratum"
Dance
"Floret silva nobilis"
"Chramer, gip die varwe mir"
"Swaz hie gat umbe" - "Chume, chum geselle min"
"Were diu werlt alle min"
"Estuans interius"
"Olim lacus colueram"
"Ego sum abbas"
"In taberna quando sumus"
"Amor volat undique"
"Dies, nox et omnia"
"Stetit puella"
"Circa mea pectora"
"Si puer cum puellula"
"Veni, veni, venias"
"In trutina"
"Tempus est iocundum"
"Dulcissime"
"Ave formosissima"
"O Fortuna"
1. Moderato
2. Adagio
3. Adagio - Allegro
1. Nicht zu schnell (Allegro non troppo)
2. Langsam (Lento)
3. Sehr lebhaft (Molto vivace)
Serenade: I. Phaedrus: Pausanias (Lento - Allegro marcato)
Serenade: II. Aristophanes (Allegretto)
Serenade: III. Eryximachus (Presto)
Serenade: IV. Agathon (Adagio)
Serenade: V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace)
Violin Concerto, Op.14: I. Allegro
Violin Concerto, Op.14: II. Andante
Violin Concerto, Op.14: III. Presto in moto perpetuo
Mahler: Symphony No.2 in C minor - "Resurrection" - 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No.2 in C minor - "Resurrection" - 2. Andante moderato. Sehr gemächlich
Mahler: Symphony No.2 in C minor - "Resurrection" - 3. Scherzo: In ruhig fliessender Bewegung
Mahler: Symphony No.2 in C minor - "Resurrection" - 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5a. Im Tempo des Scherzos. Wild herausfahrend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5c. Sehr langsam und gedehnt -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (Etwas bewegter) Text after F.G. Klopstock: "Auferstehung"
1. Allegramente
2. Adagio assai
3. Presto
Shostakovich: Cello Concerto No.2, Op.126 - 1. Largo
Shostakovich: Cello Concerto No.2, Op.126 - 2. Allegretto
Shostakovich: Cello Concerto No.2, Op.126 - 3. Allegretto
1. Orchestral Prelude
2. Waldemar: Nun dämpft die Dämmerung
3. Tove: O, wenn des Mondes Strahlen
4. Waldemar: Ross! Mein Ross!
5. Tove: Sterne jubeln
6. Waldemar: So tanzen die Engel
7. Tove: Nun sag ich dir zum ersten Mal
8. Waldemar: Es ist Mitternachtszeit
9. Tove: Du sendest mir einen Liebesblick
10. Waldemar: Du wunderliche Tove!
11. Voice of the Wood-dove: Doves of Gurre
12. Waldemar: Herrgott, weisst du, was du tatest
13. Waldemar: Erwacht, König Waldemars Mannen wert!
14. Peasant: Deckel des Sarges Klappert
15. Waldemar's Men: Gegrüsst, o König
16. Waldemar: Mit Toves Stimme flüstert der Wald
17. Klaus the Jester: Ein seltsamer Vogel
18. Waldemar: Du strenger Richter
19. Waldemar's Men: Der Hahn erhebt den Kopf
20. Orchestral Prelude
21. Speaker: Herr Gänsefuss, Frau Gänsekraut
22. Mixed Chorus: Seht die Sonne
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Prologue: Spectateurs, vous allez entendre
Caedit nos pestis
Liberi, vos liberabo
Voici Créon
Respondit deus
Non reperias vetus scelus
Oedipe interroge la fontaine de vérité
Delie exspectamus
Dicere non possum
Invidia fortunam odit
Gloria!
La dispute des princes attire Jocasta
Gloria!
Nonn' erubescite, reges
Trivium, trivium...
Le témoin du meurtre sort de l'ombre
Adest omniscius pastor
In monte reppertus est
Et maintenant, vous allez entendre
Divum Jocastae caput mortuum
Ecce! Regem Oedipoda
Introduktion (Mässiges Zeitmass)
Thema: Don Quixote (Mässig); Sancho Panza (Maggiore)
Variation I (Gemächlich)
Variation II (Kriegerisch)
Variation III (Mässiges Zeitmass)
Variation IV (Etwas breiter)
Variation V (Sehr langsam)
Variation VI (Schnell)
Variation VII (Ein wenig ruhiger als vorher)
Variation VIII (Gemächlich)
Variation IX (Schnell und stürmisch)
Variation X (Viel breiter)
Finale: Sehr ruhig
1. Prélude à la nuit
2. Malagueña
3. Habanera
4. Feria
1. Allegro non troppo
2. Andante tranquillo
3. Allegro molto
Symphony in C: I. Allegro - Allegro vivo
Symphony in C: II. Andante - Adagio (Michel Croquenoy, oboe)
Symphony in C: III. Scherzo (Allegro vivace)
Symphony in C: IV. Final (Allegro vivace)
Jeux d'enfants - Petite Suite Op. 22: I. Marche (Trompette et tambour)
Jeux d'enfants - Petite Suite Op. 22: II. Berceuse (La Poupée)
Jeux d'enfants - Petite Suite Op. 22: III. Impromptu (La Toupie)
Jeux d'enfants - Petite Suite Op. 22: IV. Duo (Petit mari, petite femme)
Jeux d'enfants - Petite Suite Op. 22: V. Galop (Le Bal)
Carmen Suite No. 1: V. Prélude
Carmen Suite No. 1: I. Prélude
Carmen Suite No. 1: II. Entr'acte
Carmen Suite No. 1: III. Entr'acte to Act III
O Fortuna
Fortune plango vulnera
Veris leta facies
Omnia sol temperat
Ecce gratum
Tanz
Floret silva
Chramer, gip die varwe mir
Reie: Swaz hie gat umbe; Chume, chum, geselle min
Were diu werlt alle min
Estuans interius
Olim lacus colueram
Ego sum abbas
In taberna quando sumus
Amor volat undique
Dies, nox et omnia
Stetit puella
Circa mea pectora
Si puer cum puellula
Veni, veni, venias
In trutina
Tempus est iocundum
Dulcissime
Ave formosissima
O Fortuna
1. Moderato
2. Adagio
3. Adagio - Allegro
1. Vivace
2. Andante
3. Allegro vivace
1. Moderato
2. Adagio sostenuto
3. Allegro scherzando
Introit et Kyrie
Offertoire
Sanctus
Pie Jesu
Agnus Dei
Libera me
In Paradisum
Serenade: I. Phaedrus: Pausanias (Lento - Allegro marcato)
Serenade: II. Aristophanes (Allegretto)
Serenade: III. Eryximachus (Presto)
Serenade: IV. Agathon (Adagio)
Serenade: V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace)
Concerto for Violin and Orchestra, Op. 14: I - Allegro
Concerto for Violin and Orchestra, Op. 14: II - Andante
Concerto for Violin and Orchestra, Op. 14: III - Presto in moto perpetuo
3 American Pieces: Early Song (Andante)
3 American Pieces: Dedication (Lento)
3 American Pieces: Composer's Holiday (Allegro)
Introduction
Prologue: "D'anciennes haines endormies"


YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $19.95/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Already a subscriber? Sign In