Seiji Ozawa

Composers

Biography

Born: Sep 1, 1935; Manchuria, China   Country: Japan  
Seiji Ozawa, born of Japanese parents in Manchuria, began music lessons at the age of seven. At 16 he entered the Toho School of Music in Tokyo, intending to pursue a career as a professional pianist. He abandoned that plan after breaking both of his index fingers in a rugby game. It was then that he turned to conducting and composition. While still a student Ozawa gained podium experience with professional ensembles, including the NHK Symphony Read more Orchestra and the Japan Philharmonic. He graduated in 1959 with first prizes in conducting and composition and traveled to Europe to pursue further studies. There, Ozawa supported himself as a traveling salesman of Japanese motor scooters. In the course of his work he saw a notice for an international conducting competition, entered it, and won. So impressed was one of the judges -- longtime Boston Symphony conductor Charles Münch -- that he arranged for Ozawa to study at the Berkshire Music Center at Tanglewood in the summer of 1960. Ozawa won the Koussevitzky Award as well as a scholarship to work with Herbert von Karajan and the Berlin Philharmonic. During a visit to Berlin, Leonard Bernstein hired him as an assistant conductor of the New York Philharmonic. Ozawa made his debut with the orchestra in Carnegie Hall on April 14, 1961, and traveled with the ensemble on tour (including appearances in Japan). From 1964 to 1968 Ozawa served as music director of the Ravinia Festival. His career burgeoned as he became noted for his brilliant performances, penetrating musical insight, and total command of the most complex scores. He enjoyed multiple successes as music director of the Toronto Symphony Orchestra (1965-1969), including a career-making recording of Messiaen's Turangalila Symphony and Takemitsu's November Steps. In 1968 he became music advisor to the Japan Philharmonic Orchestra. In the following year he made his operatic debut at the Salzburg Festival and became principal guest conductor of the Chicago Symphony Orchestra. In 1970 he became the music director of the San Francisco Symphony, and in that post proved himself a particular advocate of new music.
At the same time, Ozawa developed ever-closer ties to Boston. He became the co-artistic adviser of the Tanglewood Music Center in 1970, and in 1972 was named music advisor of the Boston Symphony Orchestra. 1973 brought him the music directorship of the BSO as well the sole artistic directorship of Tanglewood. His tenure in Boston, which reached into the twenty-first century, was one of the longest in the history of any American orchestra.
Ozawa's career-long dedication to new music is evident from his role in the commissioning and/or premiering of works like Ligeti's San Francisco Polyphony (1975), Messiaen's opera Saint François d'Assise (1983), Davies' Symphony No. 2 (1981), and Harbison's Symphony No. 1 (1983). He assumed the post of music director of the Vienna State Opera in 2002. Read less
Berg, Stravinsky: Violin Concertos / Perlman, Ozawa
Release Date: 08/13/1996   Label: Dg The Originals  
Catalog: 447445   Number of Discs: 1
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There are 287 Seiji Ozawa recordings available.

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Composers

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Biography

Born: Sep 1, 1935; Manchuria, China   Country: Japan  
Seiji Ozawa, born of Japanese parents in Manchuria, began music lessons at the age of seven. At 16 he entered the Toho School of Music in Tokyo, intending to pursue a career as a professional pianist. He abandoned that plan after breaking both of his index fingers in a rugby game. It was then that he turned to conducting and composition. While still a student Ozawa gained podium experience with professional ensembles, including the NHK Symphony Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
"Wo bleibt Elektra?"
"Allein! Weh, ganz allein."
"Elektra!"
"Ich kann nicht sitzen und ins Dunkel starren"
"Es geht ein Lärm los."
"Was willst du? Seht doch dort!"
"Die Götter! bist doch selber eine Göttin."
"Ich will nichts hören!"
"Ich habe keine guten Nächte."
"Wenn das rechte Blutopfer unterm Beile fällt"
"Was bluten muß? Dein eigenes Genick"
"Ach! Lichter!"
"Orest! Orest ist tot!"
"Nun muß es hier von uns geschehn."
"Du! Du! Denn du bist stark! Wie stark du bist"
"Nun denn, allein!"
"Was willst du, fremder Mensch?"
"Orest!"
"Du wirst es tun? Allein? Du armes Kind?"
"Seid ihr von Sinnen"
"Ich habe ihm das Beil nicht geben können!"
"He! Lichter!"
"Elektra! Schwester!"
"Ob ich nicht höre?"
"Hörst du denn nicht"
"Schweig, und tanze."
Benvenuto Cellini: Overture
Benvenuto Cellini: Act One, "Teresa... mais où peut-elle être?" (Balducci, Teresa, Francesco, Bernardino, Chorus)
Benvenuto Cellini: Act One, "Les belles fleur! Un billet...Cellini!" (Teresa)
Benvenuto Cellini: Act One, "Quand j'aurai votre âge" (Teresa)
Benvenuto Cellini: Act One, "Cellini!... Teresa! Ne fuyez pas ma vue!" (Teresa, Cellini, Fieramosca)
Benvenuto Cellini: Act One, "Ah, mourir, chère belle" (Cellini, Teresa, Fiersmosca, Balducci)
Benvenuto Cellini: Act One, "À nous, voisines et servantes!" (Balducci, Teresa, Fieramosca, Chorus)
Benvenuto Cellini: Act One, "Une heure encore et m,a belle ma maîtresse" (Cellini)
Benvenuto Cellini: Act One, "La gloire était ma seule idole" (Cellini)
Benvenuto Cellini: Act One, "À boire, à boire, à boire" (Chorus, Bernardino, Cellini, Francesco)
Benvenuto Cellini: Act One, "Voici, messieurs, le contenu de cette liste" (Chorus, Cellini, Francesco, Bernardino, Ascanio)
Benvenuto Cellini: Act One, "Cette somme t'est due par le Pape Clément" (Ascanio, Cellini, Chorus)
Benvenuto Cellini: Act One, MEs amis, maintenant ma conscience es mette" (Ascanio, Cellini, Francesco, Bernardino, Chorus, Fieramosca, Pompeo)
Benvenuto Cellini: Act One, "Ah, qui pourrait me résister?" (Fieramosca, Pompeo)
Benvenuto Cellini: Act One, "Vous voyez, j'espère, que je suis bon père" (Balducci, Teresa, Bellini, Ascanio, Chorus)
Benvenuto Cellini: Act One, "Silence! Silence! Ssilence!" (Chorus, Balducci, Teresa, Cellini, Ascanio, Fieramosca, Pompeo)
Benvenuto Cellini: Act One, "Ah, je suis mort!" (Pompeo, Chorus, Ensemble)
Benvenuto Cellini: Act Two, "A l'atelier rentrons sans plus attendre" (Chorus)
Benvenuto Cellini: Act Two, "Il n' a pas reparu!" (Teresa, Ascanio, Chorus, Cellini)
Benvenuto Cellini: Act Two, "Tra la la la la la" (Ascanio)
Benvenuto Cellini: Act Two, "Ah, qu'est devenu? Jésus! Où peut-il être?" (Teresa. Ascanio, Chorus)
Benvenuto Cellini: Act Two, "Teresa!... Cellini!" (Cellini, Teresa, Ascanio)
Benvenuto Cellini: Act Two, "Ah le ciel, cher époux" (Teresa, Cellini)
Benvenuto Cellini: Act Two, "Quand des sommets de la montagne" (Teresa, Cellini)
Benvenuto Cellini: Act Two, "Ah, je le trouve enfin" (Balducci, Cellini, Fieramosca, Balducci, Teresa, Ascanio)
Benvenuto Cellini: Act Two, "Justice à nous, seigneur et maître" (Balducci, Fieramosca, Pope, Teresa, Cellini)
Benvenuto Cellini: Act Two, "Ah ça, démon!" (Pope, Cellini, Fieramosca, Cellini, Bernardino, Francesco, Teresa, Pope, Balducci, Chorus)
Benvenuto Cellini: Act Two, "Seul pour lutter... Sur les monts les plus sauvages" (Cellini)
Benvenuto Cellini: Act Two, "Du métal! Il leur faut du métal" (Fieramosca, Cellini, Pope, Teresa, Chorus, Balducci)
Bizet: Carmen - Overture (Prelude)
Bizet: Carmen / Act 1 - "Sur la place, chacun passe"
Bizet: Carmen / Act 1 - "Regardez donc cette petite"
Bizet: Carmen / Act 1 - "Avec la garde montante"
Bizet: Carmen / Act 1 - "Il y a une jolie fille"
Bizet: Carmen / Act 1 - "Et la garde descendante"
Bizet: Carmen / Act 1 - "Dites-moi, brigadier"
Bizet: Carmen / Act 1 - "La cloche a sonné"
Bizet: Carmen / Act 1 - "Dans l'air, nous suivons des yeux la fumée"
Bizet: Carmen / Act 1 - "Mais nous ne voyons pas la Carmencita"
Bizet: Carmen / Act 1 - "Quand je vous aimerai?...L'amour est un oiseaux rebelle" (Habanera)
Bizet: Carmen / Act 1 - "Carmen! sur tes pas nous nous pressons tous!"
Bizet: Carmen / Act 1 - "Qu'est-ce que ça veut dire"
Bizet: Carmen / Act 1 - "Parle-moi de ma mère!"
Bizet: Carmen / Act 1 - "Ma mère, je la vois"
Bizet: Carmen / Act 1 - "Attends un peu maintenant"
Bizet: Carmen / Act 1 - "Au secours!"
Bizet: Carmen / Act 1 - "Voyons, brigadier.."
Bizet: Carmen / Act 1 - "Avez-vous quelque chose à repondre?" - Tra la la la. Coupe-moi, brûle-moi"
Bizet: Carmen / Act 1 - "Où me conduirez-vous?"
Bizet: Carmen / Act 1 - "Près des remparts de Séville...Tais-toi"
Bizet: Carmen / Act 1 - "Le lieutenant... prenéz garde!" - "Voici l'ordre"
Bizet: Carmen - Entracte (between Act I & II)
Bizet: Carmen / Act 2 - "Les tringles des sistres tintaient"
Bizet: Carmen / Act 2 - "Vous avez quelque chose à nous dire" - "Vivat! vivat le torero" - "Qu'est-ce c'est que ça?"
Bizet: Carmen / Act 2 - "Votre toast, je peux vous le rendre" - "Toréador, en garde"
Bizet: Carmen / Act 2 - "Messieurs les officiers, je vous en prie" - Marche
Bizet: Carmen / Act 2 - "Le Dancaïre et le Remendado ont à vous parler"
Bizet: Carmen / Act 2 - "Nous avons en tête une affaire!"
Bizet: Carmen / Act 2 - "En voilà assez" - "Halte-là! Qui va là? Dragon d'Alcala! - "Enfin... te voilà..."
Bizet: Carmen / Act 2 - "Je vais danser en votre honneur"
Bizet: Carmen / Act 2 - "Au quartier! pour l'appel!"
Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée"
Bizet: Carmen / Act 2 - "Non, tu ne m'aimes pas!"
Bizet: Carmen / Act 2 - "Holà! Carmen! Holà!"
Bizet: Carmen / Act 2 - "Bel officier"
Bizet: Carmen - Entracte (between Act II & III)
Bizet: Carmen / Act 3 - "Écoute, compagnon, écoute!"
Bizet: Carmen / Act 3 - "Halte! nous allons nous arrêter ici!"
Bizet: Carmen / Act 3 - "Mêlons! Coupons!"
Bizet: Carmen / Act 3 - "Carreau! Pique!... La mort!"
Bizet: Carmen / Act 3 - "Eh! bien?..."
Bizet: Carmen / Act 3 - "Quant au douanier, c'est notre affaire!"
Bizet: Carmen / Act 3 - "C'est ici"
Bizet: Carmen / Act 3 - "Je dis que rien ne m'épouvante"
Bizet: Carmen / Act 3 - "Mais... je ne me trompe pas..."
Bizet: Carmen / Act 3 - "Je suis Escamillo"
Bizet: Carmen / Act 3 - "Holà! holà! José!"
Bizet: Carmen / Act 3 - "Halte! quelqu'un est là"
Bizet: Carmen / Act 3 - Entracte (between Scene 1 & 2)
Bizet: Carmen / Act 3 - "A dos cuartos!"
Bizet: Carmen / Act 3 - "Qu'avez-vous donc fait de la Carmencita?"
Bizet: Carmen / Act 3 - "Les voici! voici la quadrille!"
Bizet: Carmen / Act 3 - "Si tu m'aimes, Carmen"
Bizet: Carmen / Act 3 - "C'est toi!" "C'est-moi!"
Ravel: Rapsodie espagnole, M.54 - 1. Prélude à la nuit
Ravel: Rapsodie espagnole, M.54 - 2. Malagueña
Ravel: Rapsodie espagnole, M.54 - 3. Habanera
Ravel: Rapsodie espagnole, M.54 - 4. Feria
Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 in E flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegro marziale animato
Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato - Allegro deciso
Liszt: Piano Concerto No.2 in A, S.125 - 3. Marziale un poco meno allegro
Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato - Stretto (molto accelerando)
Capriccio for Piano and Orchestra (1991 Remastered Version): Presto doppio movimento
Capriccio for Piano and Orchestra (1991 Remastered Version): Andante rapsodico
Capriccio for Piano and Orchestra (1991 Remastered Version): Allegro capriccioso, ma tempo giusto
Jeux d'enfants - Petite Suite Op. 22: I. Marche (Trompette et tambour)
Jeux d'enfants - Petite Suite Op. 22: II. Berceuse (La Poupée)
Jeux d'enfants - Petite Suite Op. 22: III. Impromptu (La Toupie)
Jeux d'enfants - Petite Suite Op. 22: IV. Duo (Petit mari, petite femme)
Jeux d'enfants - Petite Suite Op. 22: V. Galop (Le Bal)
Capriccio for Piano and Orchestra (1991 Remastered Version): Presto doppio movimento
Capriccio for Piano and Orchestra (1991 Remastered Version): Andante rapsodico
Capriccio for Piano and Orchestra (1991 Remastered Version): Allegro capriccioso, ma tempo giusto
Carmen: Entr'acte, Act 3 (Intermezzo)
Carmen: Entr'acte, Act 3 (Intermezzo)
Violin Concerto in D Op. 35: I. Allegro moderato
Violin Concerto in D Op. 35: III. Finale (Allegro vivacissimo)
1. Orchestral Prelude
2. Waldemar: Nun dämpft die Dämmerung
3. Tove: O, wenn des Mondes Strahlen
4. Waldemar: Ross! Mein Ross!
5. Tove: Sterne jubeln
6. Waldemar: So tanzen die Engel
7. Tove: Nun sag ich dir zum ersten Mal
8. Waldemar: Es ist Mitternachtszeit
9. Tove: Du sendest mir einen Liebesblick
10. Waldemar: Du wunderliche Tove!
11. Voice of the Wood-dove: Doves of Gurre
12. Waldemar: Herrgott, weisst du, was du tatest
13. Waldemar: Erwacht, König Waldemars Mannen wert!
14. Peasant: Deckel des Sarges Klappert
15. Waldemar's Men: Gegrüsst, o König
16. Waldemar: Mit Toves Stimme flüstert der Wald
17. Klaus the Jester: Ein seltsamer Vogel
18. Waldemar: Du strenger Richter
19. Waldemar's Men: Der Hahn erhebt den Kopf
20. Orchestral Prelude
21. Speaker: Herr Gänsefuss, Frau Gänsekraut
22. Mixed Chorus: Seht die Sonne
Liszt: Piano Concerto No.1 in E flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 in E flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 in E flat, S.124 - 3. Allegro marziale animato
Liszt: Piano Concerto No.2 in A, S.125 - 1. Adagio sostenuto assai - Allegro agitato assai
Liszt: Piano Concerto No.2 in A, S.125 - 2. Allegro moderato - Allegro deciso
Liszt: Piano Concerto No.2 in A, S.125 - 3. Marziale un poco meno allegro
Liszt: Piano Concerto No.2 in A, S.125 - 4. Allegro animato - Stretto (molto accelerando)
Mahler: Symphony No.9 in D - 1a. Andante comodo -
Mahler: Symphony No.9 in D - 1b. - Mit Wut (Allegro risoluto) -
Mahler: Symphony No.9 in D - 1c. -Tempo I
Mahler: Symphony No.9 in D - 2a. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -
Mahler: Symphony No.9 in D - 2b. -Poco più mosso subito -
Mahler: Symphony No.9 in D - 2c. - Ländler, ganz langsam
Mahler: Symphony No.9 in D - 3a. Rondo. Burleske (Allegro assai. Sehr trotzig -
Mahler: Symphony No.9 in D - 3b. - Presto
Mahler: Symphony No.9 in D - 4. Adagio (Sehr langsam)
Part One: Hymnus "Veni creator spiritus"
Poco adagio
"Waldung, sie schwankt heran"
"Uns bleibt ein Erdenrest"
"Dir, der Unberührbaren"
"Blicket auf zum Retterblick"
"Alles Vergängliche"
Orff: Carmina Burana / Fortuna Imperatrix Mundi - "O Fortuna"
Orff: Carmina Burana / Fortuna Imperatrix Mundi - "Fortune plango vulnera"
Orff: Carmina Burana / 1. Primo vere - "Veris leta facies"
Orff: Carmina Burana / 1. Primo vere - "Omnia Sol temperat"
Orff: Carmina Burana / 1. Primo vere - "Ecce gratum"
Orff: Carmina Burana / Uf dem Anger - Dance
Orff: Carmina Burana / Uf dem Anger - "Floret silva nobilis"
Orff: Carmina Burana / Uf dem Anger - "Chramer, gip die varwe mir"
Orff: Carmina Burana / Uf dem Anger - "Swaz hie gat umbe" - "Chume, chum geselle min"
Orff: Carmina Burana / Uf dem Anger - "Were diu werlt alle min"
Orff: Carmina Burana / 2. In Taberna - "Estuans interius"
Orff: Carmina Burana / 2. In Taberna - "Olim lacus colueram"
Orff: Carmina Burana / 2. In Taberna - "Ego sum abbas"
Orff: Carmina Burana / 2. In Taberna - "In taberna quando sumus"
Orff: Carmina Burana / 3. Cour d'amours - "Amor volat undique"
Orff: Carmina Burana / 3. Cour d'amours - "Dies, nox et omnia"
Orff: Carmina Burana / 3. Cour d'amours - "Stetit puella"
Orff: Carmina Burana / 3. Cour d'amours - "Circa mea pectora"
Orff: Carmina Burana / 3. Cour d'amours - "Si puer cum puellula"
Orff: Carmina Burana / 3. Cour d'amours - "Veni, veni, venias"
Orff: Carmina Burana / 3. Cour d'amours - "In trutina"
Orff: Carmina Burana / 3. Cour d'amours - "Tempus est iocundum"
Orff: Carmina Burana / 3. Cour d'amours - "Dulcissime"
Orff: Carmina Burana / Blanziflor et Helena - "Ave formosissima"
Orff: Carmina Burana / Fortuna Imperatrix Mundi - "O Fortuna"
1. Moderato
2. Adagio
3. Adagio - Allegro
1. Nicht zu schnell (Allegro non troppo)
2. Langsam (Lento)
3. Sehr lebhaft (Molto vivace)
Serenade: I. Phaedrus: Pausanias (Lento - Allegro marcato)
Serenade: II. Aristophanes (Allegretto)
Serenade: III. Eryximachus (Presto)
Serenade: IV. Agathon (Adagio)
Serenade: V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace)
Violin Concerto, Op.14: I. Allegro
Violin Concerto, Op.14: II. Andante
Violin Concerto, Op.14: III. Presto in moto perpetuo
Mahler: Symphony No.2 in C minor - "Resurrection" - 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No.2 in C minor - "Resurrection" - 2. Andante moderato. Sehr gemächlich
Mahler: Symphony No.2 in C minor - "Resurrection" - 3. Scherzo: In ruhig fliessender Bewegung
Mahler: Symphony No.2 in C minor - "Resurrection" - 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5a. Im Tempo des Scherzos. Wild herausfahrend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5c. Sehr langsam und gedehnt -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (Etwas bewegter) Text after F.G. Klopstock: "Auferstehung"
1. Allegramente
2. Adagio assai
3. Presto
Mahler: Symphony No.4 in G - 1. Bedächtig. Nicht eilen - Recht gemächlich
Mahler: Symphony No.4 in G - 2. In gemächlicher Bewegung. Ohne Hast
Mahler: Symphony No.4 in G - 3. Ruhevoll (Poco adagio)
Mahler: Symphony No.4 in G - 4. Sehr behaglich: "Wir genießen die himmlischen Freuden"
1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
3. Scherzo (Kräftig, nicht zu schnell)
4. Adagietto (Sehr langsam)
5. Rondo-Finale (Allegro)
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 1. Allegro ma non troppo
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 2. Larghetto
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 3. Finale (Allegro molto)
Shostakovich: Cello Concerto No.2, Op.126 - 1. Largo
Shostakovich: Cello Concerto No.2, Op.126 - 2. Allegretto
Shostakovich: Cello Concerto No.2, Op.126 - 3. Allegretto
1. Orchestral Prelude
2. Waldemar: Nun dämpft die Dämmerung
3. Tove: O, wenn des Mondes Strahlen
4. Waldemar: Ross! Mein Ross!
5. Tove: Sterne jubeln
6. Waldemar: So tanzen die Engel
7. Tove: Nun sag ich dir zum ersten Mal
8. Waldemar: Es ist Mitternachtszeit
9. Tove: Du sendest mir einen Liebesblick
10. Waldemar: Du wunderliche Tove!
11. Voice of the Wood-dove: Doves of Gurre
12. Waldemar: Herrgott, weisst du, was du tatest
13. Waldemar: Erwacht, König Waldemars Mannen wert!
14. Peasant: Deckel des Sarges Klappert
15. Waldemar's Men: Gegrüsst, o König
16. Waldemar: Mit Toves Stimme flüstert der Wald
17. Klaus the Jester: Ein seltsamer Vogel
18. Waldemar: Du strenger Richter
19. Waldemar's Men: Der Hahn erhebt den Kopf
20. Orchestral Prelude
21. Speaker: Herr Gänsefuss, Frau Gänsekraut
22. Mixed Chorus: Seht die Sonne
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Stravinsky: Oedipus Rex - Prologue: Spectateurs, vous allez entendre
Stravinsky: Oedipus Rex / Actus primus - Caedit nos pestis
Stravinsky: Oedipus Rex / Actus primus - Liberi, vos liberabo
Stravinsky: Oedipus Rex / Actus primus - Voici Créon
Stravinsky: Oedipus Rex / Actus primus - Respondit deus
Stravinsky: Oedipus Rex / Actus primus - Non reperias vetus scelus
Stravinsky: Oedipus Rex / Actus primus - Oedipe interroge la fontaine de vérité
Stravinsky: Oedipus Rex / Actus primus - Delie exspectamus
Stravinsky: Oedipus Rex / Actus primus - Dicere non possum
Stravinsky: Oedipus Rex / Actus primus - Invidia fortunam odit
Stravinsky: Oedipus Rex / Actus primus - Gloria!
Stravinsky: Oedipus Rex / Actus secundus - La dispute des princes attire Jocasta
Stravinsky: Oedipus Rex / Actus secundus - Gloria!
Stravinsky: Oedipus Rex / Actus secundus - Nonn' erubescite, reges
Stravinsky: Oedipus Rex / Actus secundus - Trivium, trivium...
Stravinsky: Oedipus Rex / Actus secundus - Le témoin du meurtre sort de l'ombre
Stravinsky: Oedipus Rex / Actus secundus - Adest omniscius pastor
Stravinsky: Oedipus Rex / Actus secundus - In monte reppertus est
Stravinsky: Oedipus Rex / Actus secundus - Et maintenant, vous allez entendre
Stravinsky: Oedipus Rex / Actus secundus - Divum Jocastae caput mortuum
Stravinsky: Oedipus Rex / Actus secundus - Ecce! Regem Oedipoda
Introduktion (Mässiges Zeitmass)
Thema: Don Quixote (Mässig); Sancho Panza (Maggiore)
Variation I (Gemächlich)
Variation II (Kriegerisch)
Variation III (Mässiges Zeitmass)
Variation IV (Etwas breiter)
Variation V (Sehr langsam)
Variation VI (Schnell)
Variation VII (Ein wenig ruhiger als vorher)
Variation VIII (Gemächlich)
Variation IX (Schnell und stürmisch)
Variation X (Viel breiter)
Finale: Sehr ruhig
1. Prélude à la nuit
2. Malagueña
3. Habanera
4. Feria
1. Allegro non troppo
2. Andante tranquillo
3. Allegro molto
Symphony in C: I. Allegro - Allegro vivo
Symphony in C: II. Andante - Adagio (Michel Croquenoy, oboe)
Symphony in C: III. Scherzo (Allegro vivace)
Symphony in C: IV. Final (Allegro vivace)
Jeux d'enfants - Petite Suite Op. 22: I. Marche (Trompette et tambour)
Jeux d'enfants - Petite Suite Op. 22: II. Berceuse (La Poupée)
Jeux d'enfants - Petite Suite Op. 22: III. Impromptu (La Toupie)
Jeux d'enfants - Petite Suite Op. 22: IV. Duo (Petit mari, petite femme)
Jeux d'enfants - Petite Suite Op. 22: V. Galop (Le Bal)
Carmen Suite No. 1: V. Prélude
Carmen Suite No. 1: I. Prélude
Carmen Suite No. 1: II. Entr'acte
Carmen Suite No. 1: III. Entr'acte to Act III
O Fortuna
Fortune plango vulnera
Veris leta facies
Omnia sol temperat
Ecce gratum
Tanz
Floret silva
Chramer, gip die varwe mir
Reie: Swaz hie gat umbe; Chume, chum, geselle min
Were diu werlt alle min
Estuans interius
Olim lacus colueram
Ego sum abbas
In taberna quando sumus
Amor volat undique
Dies, nox et omnia
Stetit puella
Circa mea pectora
Si puer cum puellula
Veni, veni, venias
In trutina
Tempus est iocundum
Dulcissime
Ave formosissima
O Fortuna
Shostakovich: Violin Concerto No.2 Op.129 - 1. Moderato
Shostakovich: Violin Concerto No.2 Op.129 - 2. Adagio
Shostakovich: Violin Concerto No.2 Op.129 - 3. Adagio - Allegro
Rachmaninov: Piano Concerto No.1 in F sharp minor, Op.1 - 1. Vivace
Rachmaninov: Piano Concerto No.1 in F sharp minor, Op.1 - 2. Andante
Rachmaninov: Piano Concerto No.1 in F sharp minor, Op.1 - 3. Allegro vivace
Rachmaninov: Piano Concerto No.2 in C minor, Op.18 - 1. Moderato
Rachmaninov: Piano Concerto No.2 in C minor, Op.18 - 2. Adagio sostenuto
Rachmaninov: Piano Concerto No.2 in C minor, Op.18 - 3. Allegro scherzando
Introit et Kyrie
Offertoire
Sanctus
Pie Jesu
Agnus Dei
Libera me
In Paradisum
Serenade: I. Phaedrus: Pausanias (Lento - Allegro marcato)
Serenade: II. Aristophanes (Allegretto)
Serenade: III. Eryximachus (Presto)
Serenade: IV. Agathon (Adagio)
Serenade: V. Socrates: Alcibiades (Molto tenuto - Adagio - Allegro molto vivace)
Concerto for Violin and Orchestra, Op. 14: I - Allegro
Concerto for Violin and Orchestra, Op. 14: II - Andante
Concerto for Violin and Orchestra, Op. 14: III - Presto in moto perpetuo
3 American Pieces: Early Song (Andante)
3 American Pieces: Dedication (Lento)
3 American Pieces: Composer's Holiday (Allegro)
Introduction
Prologue: "D'anciennes haines endormies"
Strophe 1: "Premiers transports que nul n'oublie"
Récitatif et Scherzetto: "Bientôt de Roméo" - "Mab! la messagère" - "Bientôt la mort est souveraine"
Roméo seul - Tristesse - Concert et bal.
"Ohé! Capulets" - Scène d'amour
Scherzo. La Reine Mab ou la Fée des songes
Convoi funebre "Jetez des fleurs pour la vierge expirée"
Romeo au tombeau des Capulets
Invocation - Réveil de Juliette
Joie délirante,désespoir "Dernières angoisses et mort"
Final. "Quoi! Roméo de retour! Roméo"
Final. "Pauvres enfants que je pleure"
Final. "Mais notre sang rougit leur glaive"
Final. "Jurez donc, par l'auguste symbole"
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 1. Allegro ma non troppo
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 2. Larghetto
Poulenc: Concerto for 2 Pianos and Orchestra in D minor - 3. Finale (Allegro molto)
Concerto for Piano and Orchestra No. 3 in D minor, Op. 30: I. Allegro ma non tanto
II. Intermezzo. Adagio
III. Finale. Alla breve
"Wo bleibt Elektra?"
"Allein! Weh, ganz allein."
"Elektra!"
"Ich kann nicht sitzen und ins Dunkel starren"
"Es geht ein Lärm los."
"Was willst du? Seht doch dort!"
"Die Götter! bist doch selber eine Göttin."
"Ich will nichts hören!"
"Ich habe keine guten Nächte."
"Wenn das rechte Blutopfer unterm Beile fällt"
"Was bluten muß? Dein eigenes Genick"
"Ach! Lichter!"
"Orest! Orest ist tot!"
"Nun muß es hier von uns geschehn."
"Du! Du! Denn du bist stark! Wie stark du bist"
"Nun denn, allein!"
"Was willst du, fremder Mensch?"
"Orest!"
"Du wirst es tun? Allein? Du armes Kind?"
"Seid ihr von Sinnen"
"Ich habe ihm das Beil nicht geben können!"
"He! Lichter!"
"Elektra! Schwester!"
"Ob ich nicht höre?"
"Hörst du denn nicht"
"Schweig, und tanze."
Symphonie espagnole in D Minor, Op. 21: I. Allegro non troppo
Symphonie espagnole, Op.21: II. Scherzando (Allegro molto)
Symphonie espagnole in D Minor, Op. 21: III. Intermezzo (Allegretto non troppo)
Symphonie espagnole, Op.21: IV. Andante
Symphonie espagnole, Op.21: V. Rondo (Allegro)


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