Listeners new to Piston's music would do well to audition this disc, as it includes a nice cross-section of the composer's output, from his first published work (Suite for Orchestra) to his last (Concerto for String Quartet). In between and opening this disc is the delightful ballet suite to The Incredible Flutist, a piece that features a slithering tango, a lusty Spanish waltz, and a spirited Circus March that concludes with a barking dog (a real one named Nori!). This quirky work--a sort of cross between Petrushka and Parade--alone belies the academic patina that has plagued Piston's name for decades. The fact that he wrote the leading textbook on orchestration should lead more people to think that maybe he actually knew something about it.

The dynamic Suite will excite anybody who loves Bartók, full as it is with resounding canonic brass fanfares, pounding percussion (watch out for the bass drum in the third movement), and chattering strings. Piston also had a flair for elegiac melodies, as evidenced by his soulful English horn writing (a bit aridly played and closely miked in this performance) in the Fantasy for English horn, harp, & strings, and by the slow, calmer parts for string quartet in the Concerto (especially the quixotic concluding viola solo).

Piston's orchestral expertise finds expression in the superbly crafted choral works that close this disc, works that are as buoyant as they are mysterious--and unforgettable. Of course, there are other superlative performances of these individual works (Bernstein's Incredible Flutist on Sony), but Schwarz's surveys remain essential listening for both lovers and newcomers to this great American composer.