Notes and Editorial Reviews
A subtle balance of well-crafted music, lost innocence, joyfulness and happiness and imagination.
The liner-notes give a very good description of what this CD is all about: it is worth quoting: ‘The word ‘confetti’ describes small pieces of paper, of various shapes and colours, often thrown by guests at weddings. In musical terms it can equally apply to an assortment of pieces in different styles, conveying a variety of moods and emotions. In other words, almost a haphazard collection of tunes with no particular theme, except perhaps that they are all a little different.’
One of the delights of the
Golden Age of Light Music series is the fact that the compilers have endeavoured to ‘theme’ each
successive release. Inevitably, they came across many pieces of music that did not quite ‘fit’ with the chosen topics. Yet it would have been a pity to have ignored these numbers, so
Kaleidoscope before it, aims to ‘sweep up’ some of these ‘lost’ works. It is a job well done.
This is not music that needs to be analysed: its raison d’être is simply to be enjoyed. However there is an interesting balance between composers who are well-known to the average listener and those that are only celebrated by the light music specialist or enthusiast. One surprise is
Market Day by Wilfred Josephs, a composer who is perhaps better known for his concert, film and television scores. Yet this jolly piece from the late fifties, is both enjoyable and well-wrought: it certainly succeeds in providing a good mental image of its subject.
Other big names include Robert Farnon’s imaginative
Manhattan Playboy – who would not like to be associated with this glamorous character? Frederic Curzon’s
Mischief is exactly that: a little piece that is slightly naughty but not wicked.
How does one listen to this CD? I guess that it is like a finger buffet: a little nibble here and there. It would be a pity to just through-play this disc with no reference to the track listing. Some of the joys of light music are the titles and the moods that they can evoke in an imaginative mind. Who will not be impressed by romantic notions such as
Violins in Velvet,
Musik Klingt Durch Die Nacht (Music sounds through the night) and
Confetti? Or there are the topographical images of
Champs Elysées Café with romantic tune accordion and car horns, and the previously mentioned
Market Day? Then there are the novelty numbers such as
Who Killed Cock Robin?
Bees a Buzzin’,
Bluebell Polka and
Treble Chance. And finally
Joey’s Song pushes gently towards a soft Rock and Roll complete with electric guitar.
And then the musicals are not ignored on this CD: Rodgers and Hammerstein contribute
Getting to Know You, Cole Porter is represented with
I Concentrate on You and the music for the show
Dear Miss Phoebe is by Harry Parr-Davies.
A number of delightful dance numbers include Camerata’s
Pizzicato Rumba, Joseph Kuhn’s
Montevideo Bolero and F. Stanley’s
Bluebell Polka. There are many other pieces that make up this smorgasbord of delights
Yet it is the overall ambience of virtually all of this music that will appeal to most listeners. It is a subtle balance between well-crafted music, a feeling of lost innocence, a mood of joyfulness and happiness and an appeal to the imagination that characterises this music. On all these accounts this is a highly successful and enjoyable disc.
-- John France, MusicWeb International
Works on This Recording
In My Memoirs, song by James Francis McHugh
Length: 2 Minutes 23 Secs.
Lina, song by Francis Lopez
Mitch Miller (Oboe)
Length: 2 Minutes 52 Secs.
Joey's Song by Joe Reisman
Length: 2 Minutes 13 Secs.
Florella, song by L.E. Defrancesco
Length: 1 Minutes 51 Secs.
Bluebell Polka by Fred Stanley
Length: 2 Minutes 23 Secs.
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