Royal Opera House Covent Garden Orchestra

Composers

Biography

; England
The Orchestra of the Royal Opera House, Covent Garden, London, provides orchestral accompaniment for the Royal Opera and the Royal Ballet and performs its own concert season.

The first true opera produced in England was The Siege of Rhodes (1656), produced by William Davenant and written by a group of five composers. Davenant received a patent from King Charles II to build a theater "wherein tragedies, comedies, plays, operas, music,
Read more scenes and all other entertainment of the stage..." were to be performed.

Davenant's successor, John Rich, in 1728 had in one of the great hits in English operatic history, John Gay's The Beggar's Opera. Its profits allowed Rich to build the Theatre Royal at Covent Garden, site of an old convent (hence the name), which opened on December 7, 1732, with Congreve's The Way of the World. The theater at Covent Garden was the most popular London opera house, specializing in English opera, often including spoken dialogue. A fire in 1808 destroyed the theater.

The second Theatre Royal building opened September 18, 1809, with a production of Shakespeare's Macbeth and a musical piece called The Quaker. The Theatre Royal was better known as a theatrical venue than an operatic one until Michael Costa, conductor of Her Majesty's Theatre at the Haymarket, walked out, and took most of his musicians and singers to Covent Garden. Management remodeled the house for Costa's Royal Italian Opera, reopening with Rossini's Semiramide on April 6, 1847. The theater lasted just under nine more years, burning again on March 5, 1856. It was rebuilt and reopened on May 15, 1858, with Meyerbeer's Les Huguenots. In 1892 it was renamed the Royal Opera House. It was used by a variety of different local and visiting opera companies.

During World War I, the house was requisitioned for use as a furniture warehouse. It returned to operatic and theatrical use, but in summers was often used as a dance hall. The finances of the hall and its artistic companies were precarious during the Depression. During World War II, the Mecca Cafés Company turned it into a full-time dance hall. Mecca was on the verge of extending its lease for another five years when the music publishers Boosey & Hawkes acquired the lease and established the Covent Garden Opera Trust to run it. The post-War Labour government new arts council backed re-formation of a Covent Garden Opera Company and invited the Sadlers' Wells Ballet Company (founded in 1931) to become Covent Garden's resident ballet troupe. Austrian conductor Karl Rankl was hired to re-form the opera company. He brought in illustrious guest conductors. His successors as music director have been Rafael Kubelik, George Solti, Colin Davis, and Bernard Haitink.

The ballet company opened the house with Sleeping Beauty on February 20, 1946. The companies co-produced Purcell's The Fairy Queen in December of that year, and the opera company began with Carmen on January 14, 1947. The companies were renamed the Royal Ballet (in 1956) and Royal Opera (in 1968).

As the century ended, the 140-year-old theater was closed for extensive renovation and enlargement (particularly of its backstage facilities) from 1997 to 1999. However, the whole plan was put into question in light of the disclosure of huge deficits and other difficulties.

The Orchestra took advantage of the Royal Opera House's down time to undertake expanded touring, including participation in a highly-acclaimed concert performance of Wagner's Walküre at the Concertgebouw in Amsterdam.

The renovated Royal Opera House reopened late in 1999, to generally favorable popular and critical reaction and appeared to have regained its popularity and financial footing. Read less
Verdi: Les Vepres Siciliennes / Schrott, Haroutounian, Pappano, Royal Opera
Release Date: 02/24/2015   Label: Warner Classics  
Catalog: 2564616434   Number of Discs: 2
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There are 517 Royal Opera House Covent Garden Orchestra recordings available.

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Composers

Conductors

Biography

; England
The Orchestra of the Royal Opera House, Covent Garden, London, provides orchestral accompaniment for the Royal Opera and the Royal Ballet and performs its own concert season.

The first true opera produced in England was The Siege of Rhodes (1656), produced by William Davenant and written by a group of five composers. Davenant received a patent from King Charles II to build a theater "wherein tragedies, comedies, plays, operas, music,
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Act I: Ah! Finalmente! ... E sempre lava! (Angelotti, Sagrestano, Cavaradossi)
Act I: Dammi i colori ... Recondita armonia (Cavaradossi, Sagrestano)
Act I: Gente la dentro! (Cavaradossi, Angelotti, )
Act I: Mario! Mario! Mario! (, Cavaradossi)
Act I: Ah, quegli occhi (, Cavaradossi)
Act I: E buona la mia ... Siam soli? ... Sommo giubilo, Eccellenza! (Cavaradossi, Angelotti, Sagrestano, Chorus)
Act I: Un tal baccano in chiesa! (Scarpia, Sagrestano, Spoletta)
Act I: Or tutto e chiaro ... Mario?! Mario?! (Scarpia, , Sagrestano)
Act I: Ed io venivo a lui tutta dogliosa (, Scarpia)
Act I: Tre sbirri ... Una carrozza ... Adjutorum nostrum in nomine Domini (Scarpia, Spoletta, Chorus)
Act II: e un buon falco! (Scarpia, Sciarrone)
Act II: Ha piu forte sapore la conquista violenta ... Spoletta e giunto (Scarpia, Sciarrone, Spoletta)
Act II: Meno male! - Egli e la (Scarpia, Spoletta, Cavaradossi)
Act II: Ov'e Angelotti? ... Mario, tu qui?! (Scarpia, Cavaradossi, Spoletta, )
Act II: Ed or fra noi parliam da buoni amici Sciarrone: che dice il Cavalier? (Scarpia, , Sciarrone, Cavaradossi)
Act II: Orsu, , parlate (Scarpia, , Cavaradossi, Spoletta)
Act II: Basta, Roberti (Scarpia, Sciarrone, , Cavaradossi)
Act II: Nel pozzo del giardino ... Eccellenza, quali nuove! ... Vittoria! Vittoria! (Scarpia, Cavaradossi, , Sciarrone)
Act II: Se la giurata fede debbo tradir (Scarpia, )
Act II: Vissi d'arte (, Scarpia)
Act II: Vedi, le man giunte io stendo a te! (, Scarpia, Spoletta)
Act II: E qual via scegliete? ... , finalmente mia! (Scarpia, )
Act III: Io de' sospiri (Pastore)
Act III: Mario Cavaradossi? A voi ... (Carceriere, Cavaradossi)
Act III: E lucevan le stelle (Cavaradossi)
Act III: Ah! Franchigia a Floria ... (Cavaradossi, )
Act III: O dolci mani ... Senti ... l'ora e vicina (Cavaradossi, )
Act III: E non giungono (, Cavaradossi, Carceriere)
Act III: Come e lunga l'attesa! ()
Act III: Presto, su! Mario! Mario! ... E lei (, Sciarrone, Spoletta, Soldiers)
Overture
Act I Scene 1: Introduction: Piano, pianissimo, senza parlar (Fiorello, Conte d'Almaviva, Chorus)
Act I Scene 1: Cavatina: Ecco, ridente in cielo (Conte d'Almaviva)
Act I Scene 1: Introduction: Ehi, Fiorello? (Conte d'Almaviva, Fiorello, Chorus)
Act I Scene 1: Mille grazie, mio signore (Conte d'Almaviva, Fiorello, Chorus)
Act I Scene 1: Recitative: Gente indiscreta! (Conte d'Almaviva, Fiorello, Figaro)
Act I Scene 1: Cavatina: La ran la le ra, la ran la la ... Largo al factotum della citta (Figaro)
Act I Scene 1: Recitative: Ah, ah! che bella vita! (Figaro, Conte d'Almaviva)
Act I Scene 1: Canzone: Se il mio nome saper voi bramate (Conte d'Almaviva, Rosina, Figaro)
Act I Scene 1: Recitative: Oh cielo! (Conte d'Almaviva, Figaro)
Act I Scene 1: Duet: All'idea di quel metallo (Conte d'Almaviva, Figaro)
Act I Scene 2: Cavatina: Una voce poco fa (Rosina)
Act I Scene 2: Recitative: Si, si, la vincero (Rosina, Figaro)
Act I Scene 2: Recitative: Ah, disgraziato Figaro! (Bartolo, Rosina, Berta, Ambrogio)
Act I Scene 2: Recitative: Ah! Barbiere d'inferno (Bartolo, Basilio)
Act I Scene 2: Aria: La calunnia e un venticello (Basilio)
Act I Scene 2: Recitative: Ah! Che ne dite? (Bartolo, Basilio)
Act I Scene 2: Recitative: Ma bravi! Ma benone! (Figaro, Rosina)
Act I Scene 2: Duet: Dunque io son (Figaro, Rosina)
Act I Scene 2: Recitative: Ora mi sento meglio (Rosina, Bartolo)
Act I Scene 2: Aria: A un dottor della mia sorte (Bartolo)
Act I Scene 2: Recitative: Finora in questa camera (Berta, Conte d'Almaviva)
Act I Scene 2: Finale I: Ehi, di casa, buona gente (Conte d'Almaviva, Bartolo, Rosina, Berta, Basilio)
Act I Scene 2: Finale I: Che cosa accadde (Conte d'Almaviva, Bartolo, Rosina, Berta, Basilio, Figaro, Official, Chorus)
Act I Scene 2: Finale I: Freddo ed immobile (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)
Act I Scene 2: Ma signor ... ma un dottor (Bartolo, Rosina, Basilio, Berta, Conte, Figaro, Chorus)
Act II Scene 2: Recitative: Ma vedi mio destino! (Bartolo)
Act II Scene 2: Duet: Pace e gioia sia con voi (Conte d'Almaviva, Bartolo)
Act II Scene 2: Recitative: Insomma, mio signore (Conte d'Almaviva, Bartolo)
Act II Scene 3: Recitative: Venite, signorina (Bartolo, Rosina, Conte d'Almaviva)
Act II Scene 3: Aria: Contro un cor che accende amore (Rosina, Conte d'Almaviva)
Act II Scene 3: Recitative: Bella voce! Bravissima! (Conte d'Almaviva, Rosina, Bartolo)
Act II Scene 3: Aria: Quando mi sei vicina (Bartolo)
Act II Scene 4: Recitative: Bravo, signor barbiere, ma bravo! (Bartolo, Figaro, Rosina, Conte d'Almaviva)
Act II Scene 5: Quintet: Don Basilio! ... Cosa veggo! (Rosina, Conte d'Almaviva, Figaro, Bartolo, Basilio)
Act II Scene 8: Che vecchio sospettoso! (Berta)
Act II Scene 8: Aria: Il vecchiotto cerca moglie (Berta)
Act II: Temporale - Thunderstorm Musique d'orage - Gewittermusik
Act II Scene 11: Recitative: Alfine, eccoci qua (Figaro, Conte d'Almaviva, Rosina)
Act II Scene 11: Ah! qual colpo inaspettato! (Rosina, Figaro, Conte d'Almaviva)
Act II Scene 11: Recitative: Ah disgraziati noi! (Figaro, Conte d'Almaviva, Rosina, Basilio, Official)
Act II Scene 13: Recitative: Insomma, io no tutti i torti! (Bartolo, Figaro, Conte, Rosina)
Act II Scene 13: Di si felice innesto serbiam memoria eterna? (Figaro, Bartolo, Basilio, Berta, Rosina, Conte d'Almaviva, Chorus)
Britten: Peter Grimes, Op.33 / Prologue - Interlude I: On the beach (Dawn)
Britten: Peter Grimes, Op.33 / Act 1 - Interlude II: The Storm
Britten: Peter Grimes, Op.33 / Act 2 - Interlude III: Sunday Morning
Britten: Peter Grimes, Op.33 / Act 3 - Interlude V: Evening (Moonlight)
"So, If I Dream"
"What Is It You Do To Flora?"
"You Can Pick Roses"
"If You Think We're Waxworks, You Ought To Play"
"Ca - Ca - Caliban"
"O, You Stare In Horror"
"Do, Do Not, Do Not Torment Me"
"Fear! What Do I Fear?"
"Flora: Flora, Love; Stop Crying"
"I Was Born In a Big Town"
"You Must Both Hold With Me"
"Ugh-Ugh-Ugh. -Whatever Is That?"
"Two Unruly Spirits Born!"
"Mel! O Crude, O Obscene"
"And What Are You, Mangus?"
"I Am No More Afraid"
"Goodbye Island: Goodbye Cave"
"Enough! Enough!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Introduction, Scene 1
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Duet and Quartet. "Slikhali l vi za roschei glas nochnoi"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Uzh kak po mostu, mostochku (Peasants)
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Uzh kak po mostu, mostochku (Olga)
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene. "Nu ti, moya vostrushka"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Skazhi, kotoraya Tatyana"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Ya lyublyu vas"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Closing scene. "A, vot i vi!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Letter scene. "Puskai pogilabnu ya, no pryezhde"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Duet. "Akh, noch minula"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene and Aria. "Zdyes on, zdyes on, Yevgeni!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Kogda bi zhizn domashnim krugom"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Waltz
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Waltz with Chorus. "Vot tak syurpriz!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - "A cette fête conviés"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Ti ne tantsuyesh, Lenski?
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Finale. "V vashem dome! V vashem dome!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - "Kuda, kuda, kuda vi udalilis"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Duel Scene. "A, vot oni!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - (Scene 1) Polonaise
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Scene and Aria. "I zdyes mnye skuchno!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Knyaginya Gremina! Smotrite!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Lyubvi vsye vozrasti pokorni"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Scene and Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Uzhel ta samaya Tatyana
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Onegin! Ya togda molozhe"
Prélude
Assez! Assez! M'écoutera-t-on cette fois?
"Bravo pour les enfants!"
Alors, c'est bien ici la maison du Bailli? ... Je ne sais si je veille
Jésus vient de naître! / Chers enfants!
"Arrivez donc, Brühlmann!"
Sophie! / Albert! Toi de retour"
"Elle m'aime...elle pense à moi" - Quelle prière de reconnaissance et d'amour"
Interlude
Il faut nous séparer
Mais, vou ne savez rien de moi.
Rêve...extase...bonheur!
Charlotte, Albert est de retour
Prélude - "Vivat Bacchus! Semper vivat!"
"Trois mois! Voici trois mois que nous sommes unis!"
"Un autre est son époux!"
"J'aurais sur ma poitrine"
"Si Käthchen reviendra"
Au bonheur dont mon âme est pleine ... Vous avez dit, mon âme est loyale et sincère
Frère! Voyez! Voyez le beau bouquet! ... Heureux! pourais-je l'être encore?
Ai-je dit vrai? L'amour que j'ai pour elle ... Ah! qu'il est loin, ce jour plein d'intime douceur
"N'est-il donc pas d'autre femme ici-bas"
Oui, ce qu'elle m'ordonne...Lorsque l'enfant revient d'un voyage avant l'heure
"Mais venez donc! Le cortège s'approche"
Prélude
"Werther! Werther...qui m'aurait dit la place"
Des cris joyeux d'enfants
"Bonjour, grande soeur!"
Va! Laisse couler mes larmes
Tiens, Charlotte, crois-moi, ne reste pas ici
"Ah! mon courage m'abandonne!"
Oui, c'est moi! Je reviens!
Toute mon âme est là! Pourquoi me réveiller, ô souffle de printemps
"N'achevez pas! Hélas!"
"Ah! Moi! Moi! Dans ses bras!"
"Werther est de retour"
Entr'acte
"Werther!...Rien!.."
"Qui parle?"
A cette heure suprême, je suis heureux!
Noël! Noël! ... Dieu! Ces cris joyeux!
Ah! ses yeux se ferment! ... Non Charlotte je meurs
Preludio - "Percorrete le spiaggie vicine"
"Tu sei turbato!"
"Cruda, funesta smania"
"La pietade in suo favore"
"Ancor non giunse!"
"Regnava nel silenzio"
"Quando rapito in estasi"
"Egli s'avanza"
"Sulla tomba che rinserra"
"Qui di sposa eterna...Ah! Verrano a te sull'aure"
"Lucia, fra poco a te verrà"
"Appressati, Lucia" - "Il pallor funesto, orrendo"
"Soffriva nel pianto"
"Che fia"
"Se tradirmi tu potrai"
"Ebben? - Di tua speranza"
"Ah! cedi, cedi"
"Al ben de'tuoi qual vittima"
"Per te d'immenso giubilo"
"Dov'è Lucia?"
"Chi mi frena in tal momento"
"T'allontana sciagurato"
"Orrida è questa notte"
"Qui del padre ancor respira"
"D'immenso giubilo"
"Ah! cessate quel contento"
"Oh! qual funesto avvenimento!"
Oh, giusto cielo!...Il dolce suono
"Ohimè! sorge il tremendo fantasma"
"S'avanza Enrico"
"Spargi d'amore pianto"
"Si tragga altrove"
"Tombe degli avi miei"
"Fra poco a me ricovero"
"Oh meschina!"
"Tu che a Dio spiegasti l'ali"
Overture
Act I Scene 1: Introduction: Piano, pianissimo, senza parlar (Fiorello, Conte d'Almaviva, Chorus)
Act I Scene 1: Cavatina: Ecco, ridente in cielo (Conte d'Almaviva)
Act I Scene 1: Introduction: Ehi, Fiorello? (Conte d'Almaviva, Fiorello, Chorus)
Act I Scene 1: Mille grazie, mio signore (Conte d'Almaviva, Fiorello, Chorus)
Act I Scene 1: Recitative: Gente indiscreta! (Conte d'Almaviva, Fiorello, Figaro)
Act I Scene 1: Cavatina: La ran la le ra, la ran la la ... Largo al factotum della citta (Figaro)
Act I Scene 1: Recitative: Ah, ah! che bella vita! (Figaro, Conte d'Almaviva)
Act I Scene 1: Canzone: Se il mio nome saper voi bramate (Conte d'Almaviva, Rosina, Figaro)
Act I Scene 1: Recitative: Oh cielo! (Conte d'Almaviva, Figaro)
Act I Scene 1: Duet: All'idea di quel metallo (Conte d'Almaviva, Figaro)
Act I Scene 2: Cavatina: Una voce poco fa (Rosina)
Act I Scene 2: Recitative: Si, si, la vincero (Rosina, Figaro)
Act I Scene 2: Recitative: Ah, disgraziato Figaro! (Bartolo, Rosina, Berta, Ambrogio)
Act I Scene 2: Recitative: Ah! Barbiere d'inferno (Bartolo, Basilio)
Act I Scene 2: Aria: La calunnia e un venticello (Basilio)
Act I Scene 2: Recitative: Ah! Che ne dite? (Bartolo, Basilio)
Act I Scene 2: Recitative: Ma bravi! Ma benone! (Figaro, Rosina)
Act I Scene 2: Duet: Dunque io son (Figaro, Rosina)
Act I Scene 2: Recitative: Ora mi sento meglio (Rosina, Bartolo)
Act I Scene 2: Aria: A un dottor della mia sorte (Bartolo)
Act II Scene 13: Di si felice innesto serbiam memoria eterna? (Figaro, Bartolo, Basilio, Berta, Rosina, Conte d'Almaviva, Chorus)
Sinfonia
Act I Scene 1: Presti al tempio! (Maddalena, Antonio, Chorus)
Act I Scene 1: Ambo nati in questa valle (Antonio, Maddalena)
Act I Scene 2: Viva! Viva! (Antonio, Maddalena, Marchese, Intendente, Chorus)
Act I Scene 2: Oh! gia in collera non sono (Marchese, Antonio, Maddalena, Intendente, Chorus)
Act I Scene 3: Ah! tardai troppo (Linda)
Act I Scene 3: Qui, si, pria della partenza (Linda, Pierotto, Chorus)
Act I Scene 4: Non so: quella canzon mi intenerisce (Linda, Carlo)
Act I Scene 5: Qui, buon Antonio, qui soli (Prefetto, Antonio)
Act I Scene 5: Corro a dispor la moglie (Antonio, Prefetto, Linda, Maddalena)
Act I Scene 7: O tu/Gran Dio che regoli gli umani eventi (All)
"Peter Grimes!"
"You sailed your boat"
"Peter Grimes, I here advise you!"
"The truth...the pity..."
Interlude I: On the beach
"Oh, hang at open doors"
"Hi! give us a hand"
"I have to go from pub to pub"
"Let her among you"
"Look, the storm cone!"
"And do you prefer the storm"
"What harbour shelters peace"
Interlude II: The Storm
"Past time to close!"
"We live and let live"
"Have you heard?"
"Now the Great Bear and Pleiades"
"Old Joe has gone fishing"
Interlude III: Sunday morning by the beach
"Glitter of waves"
"Let this be a holiday"
"This unrelenting work"
"Fool to let it come to this!"
"What is it?"
"People!...No! I will speak!"
"We planned that their lives"
"Swallow! Shall we go"
"Now is gossip put on trial"
"From the gutter"
Interlude IV: Passacaglia
"Go there!"
"Now!...Now!"
"Peter Grimes! Nobody here?"
Interlude V: Evening
"Assign your prettiness to me"
"Pah!"
"Come along, Doctor!"
"Embroidery in childhood"
"Mr.Swallow!"
"Who holds himself apart"
Interlude VI: Fog
"Grimes! Grimes!"
"Peter, we've come to take you home"
"To those who pass the Borough"
Overture
1. Fair is rose as bright as May day
2. Sir Rupert Murgatroyd, his leisure and his riches
3. If somebody there chanced to be
I know a youth who loves a little maid
5. From the briny sea...I shipp'd, d'ye see
6. Hornpipe
7. My boy, you may take it from me
8. The battle's roar is over
9. In sailing o'er life's ocean wide
10. Cheerily carols the lark...To a garden full ... fposies
11. Welcome, gentry
12. Oh why am I moody and sad?
13. You understand? I think I do
14. Hail the bride of seventeen summers
15. Hold, bride and bridegroom
Overture, Original version
16. I once was as meek as a newborn lamb
17. Happily coupled are we
18. In bygone days I had thy love
19. Painted emblems of a race
When the night wind howls
21. He yields! He yields!
22. I once was a very abandon'd person
My eyes are fully open to my awful situation
24. There grew a little flower
25. Oh, happy the lily when kiss'd by the bee
My Boy, You May Take It From Me
I Know A Youth Who Loves A Little Maid
There Grew A Little Flower
The Battle's Roar Is Over
In Sailing O'er Life's Ocean Wide
Otello: Niun mi tema (Act 4)
Otello: Niun mi tema (Act 4)
I Capuleti e i Montecchi: Sinfonia
I Capuleti e i Montecchi, Act I - Scene 1: Aggiorna appena ... (Coro)
I Capuleti e i Montecchi, Act I - Scene 1: O di Capellio, generosi amici (Tebaldo/Coro/Cappellio/Lorenzo)
I Capuleti e i Montecchi, Act I - Scene 1: E' serbata a questa acciaro (Tebaldo)
I Capuleti e i Montecchi, Act I - Scene 1: Si: m'abbraccia
I Capuleti e i Montecchi, Act I - Scene 1: L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Vanne Lorenzo (Capellio/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Lieto del dolce incarco (Romeo/Tebaldo/Capellio/Coro)
I Capuleti e i Montecchi, Act I - Scene 1: Ascolta. Se Romeo t'uccise un figlio (Romeo)
I Capuleti e i Montecchi, Act I - Scene 1: Riedi al campo
I Capuleti e i Montecchi, Act I - Scene 1: La tremenda ultrice spada (Capellio/Romeo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 2: Eccomi in lieta vesta
I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta)
I Capuleti e i Montecchi, Act I - Scene 2: Propizia è l'ora (Lorenzo/Giulietta/Romeo)
I Capuleti e i Montecchi, Act I - Scene 2: Si fuggire: a noi non resta
I Capuleti e i Montecchi, Act I - Scene 2: Odi tu? L'altar funesto
I Capuleti e i Montecchi, Act I - Scene 2: Vieni, ah!, vieni, e in me riposa (Romeo/Giulietta)
I Capuleti e i Montecchi, Act II - Scene 3: O tu, mia sola speme (Romeo/Giulietta)
I Capuleti e i Montecchi, Act II - Scene 3: Ah! crudel! che mai facesti? (Giulietta/Romeo/Coro/Capellio/Lorenzo)
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca)
"Vissi d'arte, vissi d'amore"
Don Carlo (2000 Digital Remaster): Su Cacciator! pronti o la belva (Coro)
Don Carlo (2000 Digital Remaster): Fontainebleau! foresta immensa e solitaria!
Don Carlo (2000 Digital Remaster): Io la vidi e al suo sorriso (Carlo)
Don Carlo (2000 Digital Remaster): Il suon del corno alfin nel bosco tace (Carlo/Tebaldo/Elisabetta)
Don Carlo (2000 Digital Remaster): Al mio pie', perchè?
Don Carlo (2000 Digital Remaster): Di qual amor, di quanto ardor (Elisabetta/Carlo)
Don Carlo (2000 Digital Remaster): Al fedel ch'ora viene, o signora (Tebaldo/Elisabetta/Carlo)
Don Carlo (2000 Digital Remaster): L'ora fatale è suonata (Elisabetta/Carlo)
Don Carlo (2000 Digital Remaster): Inni di festa lieti echeggiate (Coro/Elisabetta/Carlo)
Don Carlo (2000 Digital Remaster): Il glorioso Re di Francia (Conte di Lerma/Coro/Elisabetta)
Don Carlo (2000 Digital Remaster): Vi benedica, Iddio dal ciel! (Coro/Elisabetta/Carlo)
Don Carlo (2000 Digital Remaster): Preludio (Orchestra)
Don Carlo (2000 Digital Remaster): Carlo, il sommo Imperatore (Coro/Un Frate)
Don Carlo (2000 Digital Remaster): Al chiostro di San Giusto (Carlo/Un Frate)
Don Carlo (2000 Digital Remaster): E lui! desso! I'Infante!
Don Carlo (2000 Digital Remaster): Questo arcano dal Re non fu sorpreso ancora? (Rodrigo/Carlo)
Don Carlo (2000 Digital Remaster): Dio, che nell'alma infondere amor (Carlo/Rodrigo/Coro/Un Frate)
Don Carlo (2000 Digital Remaster): Sotto ai folti, immensi abeti (Coro di Dame/Tebaldo)
Don Carlo (2000 Digital Remaster): Tra queste mura pie la Regina (Eboli/Dame)
Don Carlo (2000 Digital Remaster): Nei giardin del bello (Eboli/Tebaldo/Dame)
Don Carlo (2000 Digital Remaster): La Regina!...Un'arcana mestizia...(Dame/Eboli/Elisabetta/Tebaldo/Rodrigo)
Don Carlo (2000 Digital Remaster): Che mai si fa nel suol francese
Don Carlo (2000 Digital Remaster): Carlo, ch'è sol il nostro amore (Eboli/Rodrigo/Elisabetta)
Don Carlo (2000 Digital Remaster): Io vengo a domandar
Don Carlo (2000 Digital Remaster): Perduto ben, mio sol tesor
Don Carlo (2000 Digital Remaster): Oh! Carlo! oh! Carlo! (Carlo/Elisabetta)
Don Carlo (2000 Digital Remaster): Il Re!...Perchè sola è la Regina? (Tebaldo/Filippo/Coro)
Don Carlo (2000 - Remaster): Non pianger, mia compagna (Elisabetta/Rodrigo/Coro/Filippo)
Don Carlo (2000 Digital Remaster): Restate!...Al mio regal cospetto
Don Carlo (2000 Digital Remaster): O Signor, di Fiandra arrivo
Don Carlo (2000 Digital Remaster): Quest'è la pace che voi date al mondo?
Don Carlo (2000 Digital Remaster): Osò lo sguardo tuo penetrar il mio soglio (Filippo/Rodrigo)
Don Carlo (2000 Digital Remaster): VII: Preludio (Orchestra)
Don Carlo (2000 Digital Remaster): A mezzanotte, ai giardin della Regina
Don Carlo (2000 Digital Remaster): Ciel! Non è la Regina! (Carlo/Eboli)
Don Carlo (2000 Digital Remaster): Che disse mai? (Rodrigo/Eboli)
Don Carlo (2000 Digital Remaster): Al mio furor sfuggite invano
Don Carlo (2000 Digital Remaster): Ed io, che tremava al suo aspetto!
Don Carlo (2000 Digital Remaster): Tema per te, falso figliuolo (Eboli/Rodrigo/Carlo)
Don Carlo (2000 Digital Remaster): Carlo! se mai su te fogli importanti serbi (Rodrigo/Carlo)
Don Carlo (2000 Digital Remaster): Spuntato ecco il dì d'esultanza (Coro)
Don Carlo (2000 Digital Remaster): Il corteggio reale (Orchestra/Coro)
Don Carlo (2000 Digital Remaster): Schiusa or sia la porta del tempio! (L'Araldo/Coro)
Don Carlo (2000 Digital Remaster): Nel posar sul mio capo la corona (Filippo/Coro/Elisabetta/Carlo/Rodrigo/Deputati)
Don Carlo (2000 Digital Remaster): A Dio voi foste infidi, infidi al vostro Re (Filippo/Coro/Elisabetta/Tebaldo/Carlo/Rodrigo/Deputati)
Don Carlo (2000 Digital Remaster): Sire! egli è tempo ch'io viva! (Carlo/Filippo/Elisabetta/Tebaldo/Rodrigo/Coro)
Don Carlo (2000 Digital Remaster): O ciel! Tu! Rodrigo! (Carlo/Coro/Elisabetta/Filippo/Voce dal Cielo/Deputati)
Don Carlo (2000 Digital Remaster): Introduzione (Orchestra)
Don Carlo (2000 Digital Remaster): Ella giammai m'amò!
Don Carlo (2000 Digital Remaster): Dormirò sol nel manto mio regal (Filippo)
Don Carlo (2000 Digital Remaster): Il Grand' Inquisitor! (Conte di Lerma/L'Inquisitore/Filippo)
Don Carlo (2000 Digital Remaster): Nell' ispano suol mai l'eresia dominò
Don Carlo (2000 Digital Remaster): Mio padre, che tra noi la pace alberghi ancor (L'Inquisitore/Filippo)
Don Carlo (2000 Digital Remaster): Giustizia, giustizia, Sire! (Elisabetta/Filippo)
Don Carlo (2000 Digital Remaster): Ardita troppo voi favellate!
Don Carlo (2000 Digital Remaster): Ah! si maledetto, sospetto fatale (Filippo/Elisabetta/Eboli/Rodrigo)
Don Carlo (2000 Digital Remaster): Pietà! Pietà! perdon! (Eboli/Elisabetta)
Don Carlo (2000 Digital Remaster): Ah! più non vedrò la Regina! O don fatale, o don crudel
Don Carlo (2000 Digital Remaster): O mia Regina, io t'immolai (Eboli)
Don Carlo (2000 Digital Remaster): Son io, mio Carlo (Rodrigo/Carlo)
Don Carlo (2000 Digital Remaster): Per me giunto è il dì supremo (Rodrigo)
Don Carlo (2000 Digital Remaster): Che parli tu di morte? (Carlo/Rodrigo)
Don Carlo (2000 Digital Remaster): O Carlo, ascolta, la madre....
Don Carlo (2000 Digital Remaster): Io morrò, ma lieto in core (Rodrigo)
Don Carlo (2000 Digital Remaster): Mio Carlo, a te la spade io rendo (Filippo/Carlo/Conte di Lerma/Eboli/L'Inquisitore)
Don Carlo (2000 Digital Remaster): Introduzione (Orchestra)
Don Carlo (2000 - Remaster): Tu che le vanità
Don Carlo (2000 Digital Remaster): Carlo qui verrà! Sì!
Don Carlo (2000 Digital Remaster): Addio! Addio, bei sogni d'ôr
Don Carlo (2000 Digital Remaster): Tu che le vanità (Elisabetta)
Don Carlo (2000 Digital Remaster): E dessa!...Un detto, un sol
Don Carlo (2000 Digital Remaster): Vago sogno m'arrise!
Don Carlo (2000 Digital Remaster): Ma lassù ci vedremo (Carlo/Elisabetta)
Don Carlo (2000 Digital Remaster): Sì, per sempre! (Filippo/L'Inquisitore/Elisabetta/Carlo/Un Frate/Familiari)
Tristan und Isolde, Act I: Einleitung (Orchester)
Tristan und Isolde, Act I, Erster Szene: Westwärts scheift der Blick...Wer wagt mich zu höhnen (Seemann/Isolde/Brangäne)
Tristan und Isolde, Act I, Zweiter Szene: Frisch weht der Wind...Mir ekoren, mir veloren (Seemann/Isolde/Brangäne)
Tristan und Isolde, Act I, Zweiter Szene: Hab acht, Tristan! Botschaft von Isolde (Kurwenal/Tristan/Brangäne/Schiffsvolk Ritter und Knappen)
Tristan und Isolde, Act I, Sritte Szene: Weh, ach wehe! Dies zu dulden! (Brangäne/Isolde)
Tristan und Isolde, Act I, Sritte Szene: Welcher Wahn! Welch eitles Zürnen! (Brangäne/Isolde/Schiffvolk Ritter und Knappen)
Tristan und Isolde, Act I, Sritte Szene: Ho! he! ha! he!/Am Untermast die Segel ein!...(Schiffsvolk Ritter und Knappen/Isolde) ... Auf! Auf! Ihre Frauen! Frisch und froh! (Kurwenal/Isolde/Brangäne)
Tristan und Isolde, Act I, Vierte Szene: Herr Tristan trete nah (Isolde) ... Begehrt, herrin, was ihr wünscht (Tristan/Isolde)
Tristan und Isolde, Act I, Fünfte Szene: War Morold dir so wert (Tristan/Isolde/Schiffsvolk Ritter und Knappen)
Tristan und Isolde, Act I, Fünfte Szene: Tristan!/Isolde!/Treuloser Holder (Isolde/Tristan/Schiffsvolk Ritter und Knappen/Brangäne/Kurwenal)
Tristan und Isolde, Act II: Einleitung (Orchester)
Tristan und Isolde, Act II, Erster Szene: Hörst du sie noch? Mir schwand schon fern der Klang (Isolde/Brangäne)
Tristan und Isolde, Act II, Zweite Szene: Isolde!/Tristan! Geliebter! (Tristan/Isolde)
Tristan und Isolde, Act II, Zweite Szene: Getäuscht von ihm, der dich getäuscht (Isolde/Tristan)
Tristan und Isolde, Act II, Zweite Szene: O sink hernieder, Nacht der Liebe (Tristan)
Tristan und Isolde, Act II, Zweite Szene: Lausch, Geliebter!/Laß mich sterben! (Isolde/Tristan)
Tristan und Isolde, Act II, Zweite Szene: So starben wir, um ungetrennt (Tristan/Isolde/Brangäne)
Tristan und Isolde, Act II, Dritte Szene: Rette dich, Tristan! (Kurwenal/Tristan/Melot)
Tristan und Isolde, Act II, Dritte Szene: Tatest du's wirklich? Wähnst du das?...Wo zu die Dienste ohne Zahl! (Marke/Tristan)
Tristan und Isolde, ZWEITER AUFZUG, Dritte Szene: O König, das kann ich dir nicht sagen...Als für ein frem des Land (Tristan/Isolde)
Tristan und Isolde, Act II, Dritte Szene: Verräter! Ha! zu Rache, König! (Melot/Tristan)
Tristan und Isolde, Act III: Einleitung (Orchester)
Tristan und Isolde, Act III, Erster Szene: Kurwenal! He! Sag, Kurwenal! (Hirt/Kurwenal)
Tristan und Isolde, Act III, Erster Szene: Die alte weise; was weckt sie mich? (Tristan/Kurwenal)
Tristan und Isolde, Act III, Erster Szene: Dünkt dich das? Ich weiß es anders (Tristan/Kurwenal)
Tristan und Isolde, Act III, Erster Szene: Der einst ich trotzt, aus Treu' zu dir (Kurwenal/Tristan)
Tristan und Isolde, Act III, Erster Szene: Noch ist kein Schiff zo sehn! (Kurwenal/Tristan)
Tristan und Isolde, Act III, Erster Szene: Bist du nun tot? Lebst du noch? (Kurwenal/Tristan)
Tristan und Isolde, Act III, Erster Szene: Wie schön bist du!...Und Kurwenal, wie, du sähst sie nicht? (Kurwenal/Tristan)
Tristan und Isolde, DRITTER AUFZUG, Zweite Szene: O diese Sonne! Ha, dieser Tag! (Tristan/Isolde)
Tristan und Isolde, Act III, Zweite Szene: Ich bin's, süßester Freund! (Isolde)
Tristan und Isolde, Act III, Dritte Szene: Kurwenal! Hör! Ein zweites Schiff (Der Hirt/Kurwenal/Der Steuermann/Brangäne/Melot/Marke)
Tristan und Isolde, Act III, Dritte Szene: Mild und leise wie er lächelt (Isolde)
Overture
"Notte e giorno faticar" - "Leporello, ove sei?"
"Ah! del padre in periglio" - "Ma qual mai s'offre, o Dei"
"Fuggi, crudele, fuggi!"
"Orsù, spicciati presto"
"Ah! chi mi dice mai" - "Udisti? qualche bella"
"Chi è là?"
"Madamina, il catalogo è questo"
"Giovinette, che fate all'amore" - "Manco male, è partita..."
"Ho capito, signor sì!"
"Alfin siam liberati"
"Là ci darem la mano" - "Fermati, scellerato!"
"Ah, fuggi il traditor"
"Mi par ch'oggi il demonio si diverta"
"Non ti fidar, o misera" - "Povera sventurata"
"Don Ottavio... son morta!"
"Or sai chi l'onore"
"Come mai creder deggio"


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