Rosemarie Lang

Biography

Country: Germany  
Rosemarie Lang is a well-known German dramatic soprano. She was born in Erzgebirge, studied singing at the Leipzig Musikhochschule, and won a first prize at an international singing competition while still a student.

She joined the opera companies of Altenburg and Leipzig. She sings the Strauss roles of Octavian (Rosenkavalier) and the Composer (Ariadne auf Naxos), Gluck's Clytemnestra, Rosina in The Barber of Seville, Verdi's Azucena,
Read more and the Wagnerian roles of Brangäne, Venus, Fricka, and Waltraute, as well as the Countess Geschwitz in Berg's Lulu.

She is also active as a recording, recital, and concert artist, and has sung in Bach oratorios. Read less

There are 35 Rosemarie Lang recordings available.

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Formats & Featured

Biography

Country: Germany  
Rosemarie Lang is a well-known German dramatic soprano. She was born in Erzgebirge, studied singing at the Leipzig Musikhochschule, and won a first prize at an international singing competition while still a student.

She joined the opera companies of Altenburg and Leipzig. She sings the Strauss roles of Octavian (Rosenkavalier) and the Composer (Ariadne auf Naxos), Gluck's Clytemnestra, Rosina in The Barber of Seville, Verdi's Azucena,
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Act I Scene 1: Prelude
Act I Scene 1: Schonste, ungnad' ge Dame (Silla)
Act I Scene 2: Ighino, gut, dass ich dich seh! (Silla, Ighino)
Act I Scene 2: Schonste, ungnad'ge Dame - Scene 3: Seltsamliche Gerausche hort man hier (Silla, Borromeo, )
Act I Scene 4: Der letzte Freund ()
Act I Scene 5: Part I: Fur ihn! Sein Wesen will's (The Masters, )
Act I Scene 5: Part II: Nicht ich - schwach bin ich (, The Masters, The Master in Monk's Clothing)
Act I Scene 6: Allein in dunkler Tiefe (, The Angel, The Angels, Lukrezia, First Angel)
Act I Scene 7: Ighino, sieh doch, komm herein (Silla, Ighino)
Act II Scene 1: Prelude
Act II Scene 1: Noch eine Bank! Und schnell! (Sevorolus, Novagerio, The Servants)
Act II Scene 2: Morone ist von inssbruck schon herein (Novagerio, Madruscht, Borromeo)
Act II Scene 3: Ein liebreich wurd'ger Herr (Borromeo, Novagerio)
Act II Scene 4: Zahlreich wird heut' die heilige Versammlung (Lorraine, Madruscht, Novagerio, Brus, Luna, The Spaniards, Budoja, Budoja's Group, Theophilus, Grosseto, A Doctor, Morone, Severolus)
Act II Scene 5: Den Heil'gen Geist (Morone, Budoja, Voices from the Assembled Company, Severolus, Luna, The Holy Fathers, Avosmediano, Lorraine, The Italians, Some Others, Avosmediano, Novagerio, ...)
Act II Scene 6: Was nun! Was nun! (Morone, Novagerio, Budoja, Lorraine)
Act II Scene 7: Habt ihr's gesehn? (The Spaniards, The Germans and Italians, Madruscht)
Act III Scene 1: Prelude
Act III Scene 1: Wie lange sie bleiben (Singers, , Ighino)
Act III Scene 2: Ist , der Meister, hier? (Papal Singers, The New Group, Pope Pius The Fourth, Borromeo, Ighino, Voices from the Street)
Act III Scene 3: Nun schmiede mich ()
Kyrie
Gloria: Gloria in excelsis
Gloria: Qui tollis peccata mundi
Gloria: Quoniam tu solus sanctus
Gloria: In Gloria Dei Patris
Credo: Credo in unum Deum
Credo: Et incarnatus est
Credo: Crucifixus
Credo: Et resurrexit
Credo: Et in spiritum sanctum
Credo: Et expecto
Credo: Et vitam venturi
Sanctus: Sanctus
Sanctus: Hossanna in excelsis
Benedictus: Benedictus
Benedictus: Hossanna in excelsis
Agnus Dei: Agnus Dei
Agnus Dei: Dona nobis pacem
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile
IV. Finale: Presto
Mozart: Missa in C, K.66 "Dominicus" - 1. Kyrie
Mozart: Missa in C, K.66 "Dominicus" - 2. Gloria
Mozart: Missa in C, K.66 "Dominicus" - 3. Credo
Mozart: Missa in C, K.66 "Dominicus" - 4. Sanctus
Mozart: Missa in C, K.66 "Dominicus" - 5. Benedictus
Mozart: Missa in C, K.66 "Dominicus" - 6. Agnus Dei
Mozart: Missa brevis in G, K.49 - 1. Kyrie
Mozart: Missa brevis in G, K.49 - 2. Gloria
Mozart: Missa brevis in G, K.49 - 3. Credo
Mozart: Missa brevis in G, K.49 - 4. Sanctus
Mozart: Missa brevis in G, K.49 - 5. Benedictus
Mozart: Missa brevis in G, K.49 - 6. Agnus Dei
Kyrie
Gloria: Gloria in excelsis
Gloria: Qui tollis peccata mundi
Gloria: Quoniam tu solus sanctus
Gloria: In Gloria Dei Patris
Credo: Credo in unum Deum
Credo: Et incarnatus est
Credo: Crucifixus
Credo: Et resurrexit
Credo: Et in spiritum sanctum
Credo: Et expecto
Credo: Et vitam venturi
Sanctus
Sanctus: Hossanna in excelsis
Benedictus
Benedictus: Hossanna in excelsis
Agnus Dei
Agnus: Dona nobis pacem
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Part I: Overture
Part I: Recitative: Twas at the Royal Feast (Tenor)
Part I: Aria: Happy, Happy, Happy Pair (Tenor)
Part I: Recitative: Timotheus plac'd on high (Tenor)
Part I: The song began from Jove (Soprano)
Part I: The list'ning Crowd (Chorus)
Part I: Aria: With ravish'd ears (Soprano)
Part I: Recitative: The praise of Bacchus (Tenor)
Part I: Aria and Chorus: Bacchus, ever fair and young (Bass and Chorus)
Part I: Recitative: Sooth'd with the sound (Tenor)
Part I: He chose a mournful Muse (Soprano)
Part I: Aria: He sung Darius Great and Good (Soprano)
Part I: With downcast Looks (Soprano)
Part I: Behold Darius, great and good (Chorus)
Part I: Recitative: The mighty master smil'd to see (Tenor)
Part I: Softly sweet (Soprano)
Part I: Aria: War, he sung, is toil and trouble (Soprano)
Part I: The many rend the skies (Chorus)
Part I: Aria: The Prince, unable to conceal (Soprano)
Part II: Now strike the Golden Lyre (Tenor, Chorus)
Part II: Aria: Revenge, revenge, Timotheus cries (Bass)
Part II: Give the Vengeance due (Tenor)
Part II: Aria: The Princes applaud with a furious Joy (Tenor)
Part II: Aria and Chorus: Thais led the way (Soprano, Chorus)
Part II: Thus long ago (Tenor)
Part II: Let old Timotheus yield the Prize (Tenor, Bass)
Part II: Let old Timotheus yield the Prize (Chorus, Bass, Tenor, Alto, Soprano)
Part I: Orchestral Prelude
Part I: Nun dampft die Dammrung jeden Ton (Waldemar)
Part I: O, wenn des Mondes Strahlen leise gleiten (Tove)
Part I: Ross! Mein Ross! Was schleichst du so trag! (Waldemar)
Part I: Sterne jubeln, das Meer, es leuchtet (Tove)
Part I: So tanzen die Engel vor Gottess Thron nicht (Waldemar)
Part I: Nun sag' ich dir zum ersten Mal (Tove)
Part I: Es ist Mitternachtzeit (Waldemar)
Part I: Du sendest mir einen Liebesblick (Tove)
Part I: Du wunderliche Tove! (Waldemar)
Part I: Orchestral Interlude
Part I: Tauben von Gurre! Sorge qualt mich (Voice of the Wood Dove)
Part I: Vor Edens Tor im Morgenprangen (Alto)
Part I: Wie glucklich sie wandeln, die sel'gen Geister (Peri)
Part I: Der hehre Engel, der die Pforte (Tenor, Engel)
Part I: Wo find' ich sie? Wo bluht, wo liegt (Peri)
Part I: Sa sann sie nach und schwang die Flugel (Tenor, Soprano, Alto, Baritone)
Part I: Doch seine Strome sind jetzt rot von (Chorus)
Part I: Und einsam steht ein Jungling noch (Tenor, Chorus, Gazna, Jungling)
Part I: Weh, weh, er fehlte das Ziel (Chorus)
Part I: Die Peri sah das Mal der Wunde (Tenor, Peri, Chorus)
Part II: Die Peri tritt mit schuchterner Gebarde (Tenor, Engel, Chorus)
Part II: Ihr erstes Himmelschoffen schwand (Tenor, Chorus, Peri)
Part II: Fort streift von hier das Kind der Lufte (Tenor, Peri)
Part II: Die Peri weint, von ihrer Trane scheint (Tenor, Soprano, Alto, Bass)
Part II: Im Waldesgrun am stillen See (Alto, Jungling)
Part II: Verlassener Jungling, nur das Eine (Mezzo-soprano, Tenor, Jungling)
Part II: O lass mich von der Luft durchdringen (Jungfrau, Tenor)
Part II: Schlaf nun und ruhe in Traumen voll Duft (Peri, Chorus)
Part III: Schmucket die Stufen zu Allahs Thron (Chorus)
Part III: Dem Sang von Ferne lauschend, schwingt (Tenor, Engel)
Part III: Verstossen! Verschlossen (Peri)
Part III: Jetzt sank des Abends gold'ner Schein (Bass)
Part III: Und wie sie niederwarts sich schwingt (Tenor, Chorus, Baritone)
Part III: Hinab zu jenem Sonnentempel! (Peri, Tenor, Mezzo-soprano, Mann)
Part III: O heil'ge Tranen inniger Reue (Chorus, Soprano, Alto, Tenor, Bass)
Part III: Es fallt ein Tropfen aufs Land (Peri, Tenor, Chorus)
Part III: Freud', ew'ge Freude, mein Werk ist getan (Peri, Chorus)
Sonatina
Gottes Zeit ist die allerbeste Zeit (Chorus)
Arioso: Ach Herr, lehre uns bedenken (Tenor)
Arioso: Bestelle dein Haus (Bass)
Es ist der alte Bund (Chorus)
Aria: In deinen hande befehle ich meinen Geist (Alto)
Arioso: Heute wirst du mit mir im Paradies sien (Bass) - Chorale: Mit Fried und Freud ich fahr dahin (Alto)
Glorie, Lob, Ehr und Herrlichkeit (Chorus)
I. Kyrie
II. Gloria
III. Credo
IV. Sanctus
V. Agnus Dei
No. 1. Der Engel (The Angel)
No. 2. Stehe still (Stand Still)
No. 3. Im Treibhaus (In the Hothouse)
No. 4. Schmerzen (Pain)
No. 5. Traume (Dreams)
I. Ute i skaren (Among the Rocks)
II. Nocturne
III. Havets visa (Sea Song)
IV. Jag har ett hem vid havet (I have a Home by the Sea)
V. Jag vantar manen (I am Awaiting the Moon)
I. Sea Slumber-Song
II. In Haven (Capri)
III. Sabbath Morning at Sea
IV. Where Corals Lie
V. The Swimmer
Prelude
Act I Scene 1: Schonste, ungnad' ge Dame (Silla)
Act I Scene 2: Ighino, gut, dass ich dich seh! (Silla, Ighino)
Act I Scene 3: Schonste, ungnad'ge Dame (Silla, Borromeo, )
Act I Scene 4: Der letzte Freund ()
Act I Scene 5: Part I: Fur ihn! Sein Wesen will's (The Masters, )
Act II Scene 3: Ein liebreich wurd'ger Herr (Borromeo, Novagerio)
Act II Scene 4: Zahlreich wird heut' die heilige Versammlung (Lorraine, Madruscht, Novagerio, Brus, Luna, The Spaniards, Budoja, Budoja's Group, Theophilus, Grosseto, A Doctor, Morone, Master of ...)
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Introduction
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Slikhali l vi za roschei glas nochnoi"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Peasants' Chorus And Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene And Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene. "Nu ti, moya vostrushka"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene And Quartet. "Mesdames! Ya na sebya vzyal smyelost"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene And Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Closing Scene. "A, vot i vi!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - (Scene 2) Introduction And Scene. "Nu, zaboltalas ya!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - "Puskai pogilabnu ya, no pryezhde"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene And Duet. "Akh, noch minula"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"
Tchaikovsky: Eugene Onegin, Op.24 / Act 1 - Scene And Aria. "Zdyes on, zdyes on, Yevgeni!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - (Scene 1) Entr'acte And Waltz With Chorus. "Vot tak syurpriz!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Scene And Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Mazurka And Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - Finale. "V vashem dome! V vashem dome!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - (Scene 2) Introduction, Scene And Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis"
Tchaikovsky: Eugene Onegin, Op.24 / Act 2 - "A, vot oni!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - (Scene 1) Polonaise
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Scene And Aria. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - "Lyubvi vsye vozrasti pokorni"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - Scene And Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana"
Tchaikovsky: Eugene Onegin, Op.24 / Act 3 - (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!"


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