Robert Tear

Biography

Born: March 8, 1939; Barry, South Wales  
While too much versatility can sometimes be a curse in forging a singing identity, Welsh tenor Robert Tear established a significant career by being able to master numerous areas of the tenor repertory. A similarity in vocal quality to Benjamin Britten's companion and singer of choice, Peter Pears, permitted Tear to perform the same works with authenticity and he worked often with the composer during Britten's later years. In fact, in two of Read more Britten's "church operas, or parables," Tear appeared with Pears in the premieres, performing roles written particularly for him. Tear's voice is serviceable rather than sensuous, but his keen intelligence and sophistication in matters of style and stage deportment have made him an invaluable artist in a wide range of settings. In addition to leading roles, Tear has built a gallery of well-considered portraits in the character tenor category. He has performed extensively in oratorio, as well, and has appeared often in recitals covering territory from English song to Tchaikovsky.

Trained as a choral scholar at Kings College, Cambridge, Tear made his operatic debut as the Male Chorus in Britten's Rape of Lucretia in 1963 with the English Opera Group. This began an association with Britten leading next to roles in the second and third of the composer's church parables, The Burning Fiery Furnace (1966) and The Prodigal Son (1968). Subsequently, both of these works were recorded by Decca. Other significant premieres followed, including: Todd in Gordon Crosse's Grace of Todd (1969); the homosexual Dov in Michael Tippett's Knot Garden (1970); the Deserter in Hans Werner Henze's We Come to the River (1976); Rimbaud in John Tavener's poorly-received Therese at Covent Garden (1976); the Painter and the Negro in the Paris premiere of Friedrich Cerha's completion of the three-act version of Berg's Lulu (1979); and Ubu Rex in Krzysztof Penderecki's opera of the same name (1991).

Tear has sung memorable performances of leading roles, parts as diverse as Rakewell in Stravinsky's The Rake's Progress; the title role in Peter Grimes; Aschenbach in Death in Venice; Captain Vere in Billy Budd; Lensky in Yevgeny Onegin; Jack in Tippett's Midsummer Marriage; and Paris in the same composer's King Priam; the eponymous hero in Handel's Samson; and (on record) Sali in Delius' A Village Romeo and Juliet. Character roles have encompassed Wagner (Loge, Froh, and David), Mozart (Don Basilio in Le nozze di Figaro and Monostatos in Die Zauberflöte), Strauss' Herod, Emperor Altoum in Turandot, Shuisky in Mussorgsky's Boris Godunov (a singularly cunning and treacherous portrayal) and the Director in Lucio Berio's Un re in ascolto. Tear has continued to include both Captain Vere and Don Basilio in his twenty-first-century repertory.

In the concert realm, Tear has performed live and recorded his distinguished reading of the tenor part in Britten's War Requiem. He has embraced works as early as those of Monteverdi to compositions of the late twentieth century, such as Tippett's Mask of Time. His performances of music by J.S. Bach and his Handel singing have been liberally praised, and many samples of both have been recorded. In earlier years, he included Beethoven's Missa Solemnis in his active repertory.

Robert Tear's discography is extensive. Among his outstanding recordings are Delius' Mass of Life, a solo disc of Tchaikovsky songs, Bach's St. John Passion (sung in English and conducted by Benjamin Britten), Tippett's Knot Garden and the Britten church parables.

In 1984, Tear was made a Commander of the British Empire. Read less

There are 141 Robert Tear recordings available.

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Biography

Born: March 8, 1939; Barry, South Wales  
While too much versatility can sometimes be a curse in forging a singing identity, Welsh tenor Robert Tear established a significant career by being able to master numerous areas of the tenor repertory. A similarity in vocal quality to Benjamin Britten's companion and singer of choice, Peter Pears, permitted Tear to perform the same works with authenticity and he worked often with the composer during Britten's later years. In fact, in two of Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Symphony
II. Comfort ye, My people
III. Ev?ry Valley shall be exalted
IV. And the glory of the Lord
V. Thus saith the Lord
VI. But who may abide the day of his coming
VII. And He shall purify the sons of Levi
VIII. Behold, a virgin shall conceive
IX. O thou that tellest good tidings to Zion
X. For behold, darkness shall cover
XI. The people that walked in darkness
XII. For unto us a Child is born
XIII. Pifa (Pastoral Symphony)
XIV. There were shepherds ? And lo, the angel of the Lord? And the angel said unto them? And suddenly
XV. Glory to God in the highest
XVI. Rejoice greatly, o daughter of Zion
XVII. Then shall the eyes of the blind
XVIII. He shall feed his Flock
XIX. His yoke is easy
XX. Behold the Lamb of God
XXI. He was despised
XXII. Surely He hath borne our griefs
XXIII. And with His stripes we are healed
XXIV. All we like sheep have gone astray
XXV. All they that see Him
XXVI. He trusted in God
XXVII. Thy rebuke hath broken His heart
XXVIII. Behold and see
XXIX. Lift up your heads
XXX. How beautiful are the feet
XXXI. Why do the nations so furiously rage together
XXXII. Let us break their bonds asunder
XXXIII. He that dwelleth in heaven ? Thou shalt break them
XXXIV. Hallelujah
XXXV. I know that me Redeemer liveth
XXXVI. Since by man came death
XXXVII. Behold, I tell you a mystery
XXXVIII. Worthy is the Lamb ? Amen
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Kyrie Eleison
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Christe Eleison
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Kyrie Eleison
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Gloria in Excelsis Deo
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Laudamus Te
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Gratias
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Domine Deus
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Qui Tollis
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Quoniam
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Cum Sancto Spiriti
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Credo in unum Deum
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Et incarnatus est
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Crucifixus
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Et resurrexit
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Sanctus
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Benedictus
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Agnus Dei
Haydn: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5 - Dona nobis pacem
Haydn: Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13 - Kyrie
Haydn: Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13 - Gloria
Haydn: Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13 - Credo
Haydn: Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13 - Sanctus
Haydn: Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13 - Benedictus
Haydn: Mass in B Flat - 'Schöpfungsmesse' - Hob. XXII: 13 - Agnus Dei
J.S. Bach: St. John Passion, BWV 245 / Part One - "Sire, Lord and Master"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Jesus Went With His Disciples"
J.S. Bach: St. John Passion, BWV 245 / Part One - "O generous Love!"
J.S. Bach: St. John Passion, BWV 245 / Part One - "So That the Word Might Be Fulfilled"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Thy Will Be Done, O God Of Love"
J.S. Bach: St. John Passion, BWV 245 / Part One - "The Band Then, Together With the Captain"
J.S. Bach: St. John Passion, BWV 245 / Part One - "To Release Me From the Prison"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Simon Peter Also Followed Jesus From Afar"
J.S. Bach: St. John Passion, BWV 245 / Part One - "I'll Follow Thee Also"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Now That Same Disciple Was Known Unto the High Priest"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Ah, Who Would Dare To Smite Thee?"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Now Annas Sent Him Bound Unto the High Priest"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Ah! Take Flight"
J.S. Bach: St. John Passion, BWV 245 / Part One - "Peter, Who Denied His Lord"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Christ, Who Gave Us Life and Light"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Then Led They Jesus From Caiaphas To the Judgement"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Ah, King Of Heaven"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And Pilate Said Unto Him"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Look Yonder, O My Soul"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Consider, How His Body"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And When the Soldiers Had Plaited a Crown Of Thorns"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Thy Bonds, O Christ, Have Set Us Free"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "But the Jews Cried Out and Said"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Haste, Ye Souls Forlorn and Weary"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And There Crucified They Him"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Within My Heart, O Saviour"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And Then Did the Soldiers"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "When His Life Had Reached Its End"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And From That Hour He Took Her Unto His Own Home"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "The End Is Nigh"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "My Dearest Saviour, Wilt Thou Answer?"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And Then Behold, the Veil Of the Temple Was Rent"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "My Heart, Behold How All the World"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "With Torrents Of Weeping"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "The Jews Therefore, Because It Was the Preparation"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Help Us, Son Of God Most High"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "And After This, Joseph Of Arimethea"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Farewell, O Weary, Broken Body"
J.S. Bach: St. John Passion, BWV 245 / Part Two - "Lord Jesus, When We Come To Die"
War Requiem, Op.66, I. Requiem aeternam: Requiem aeternam dona eis Domine
War Requiem, Op.66, I. Requiem aeternam: What passing-bells for these who die as cattle?
War Requiem, Op.66, I. Requiem aeternam: Kyrie eleison
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Bugles sang, saddening the evening air
War Requiem, Op.66, II. Dies irae: Liber scriptus proferetur
War Requiem, Op.66, II. Dies irae: Out there, we've walked quite friendly up to Death
War Requiem, Op.66, II. Dies irae: Recordare Jesu pie
War Requiem, Op.66, II. Dies irae: Be slowly lifted up, thou long black arm
War Requiem, Op.66, II. Dies irae: Dies irae, dies illa
War Requiem, Op.66, II. Dies irae: Lacrimosa dies illa
War Requiem, Op.66, II. Dies irae: Move him into the sun...Pie Jesu
War Requiem, Op.66, III. Offertorium: Domine Jesu Christe
War Requiem, Op.66, III. Offertorium: So Abram rose, and clave the wood, and went
War Requiem, Op.66, IV. Sanctus: Sanctus, sanctus, sanctus
War Requiem, Op.66, IV. Sanctus: Benedictus qui venit in nomine Domini
War Requiem, Op.66, IV. Sanctus: After the blast of lightning from the East
War Requiem, Op.66: V. Agnus Dei
War Requiem, Op.66, VI. Libera me: Libera me, Domine, de morte aeterna
War Requiem, Op.66, VI. Libera me: It seemed that out of battle I escaped
War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum
A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century)
A Spring Symphony Op. 44: The merry Cuckoo (E Spencer)
A Spring Symphony Op. 44: Spring, the sweet Spring (T Nashe)
A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare)
A Spring Symphony Op. 44: The Morning Star (J Milton)
A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick)
A Spring Symphony Op. 44: Waters above! (H Vaughan)
A Spring Symphony Op. 44: Out of the lawn lie in bad (W H Auden)
A Spring Symphony Op. 44: When will my May come (Barnefield)
A Spring Symphony Op. 44: Fair and Fair (G Peele)
A Spring Symphony Op. 44: Sound the flute! (W Blake)
A Spring Symphony Op. 44: Finale: London, to thee I do present (J Beaumont, J Fletcher & anon. 13th century)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I - Audience/Clem/Black Bob)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott/Rowan/Clem/Black Bob)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: III. Duet: "Now, little white boy!" (Clem/Black Bob)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IIIa Hide and Seek: "Juliet! Juliet!" (Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IV. Shanty: "Pull the rope gently" (Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: V. Ensemble: "Is he wounded?" (Sam/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children/Miss Baggott/Black Bob/Clem)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VII. Trio: "Sam! Sam!" (Black Bob/Clem/Miss Baggott)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II - Audience/Rowan/Sam)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: X. Ensemble: "O why do you weep" (Rowan/Sam/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XI. Pantomine and .....
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XII. ..... Scena: "Ah! ..... Blackguards!" (Miss Baggott)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott/Rowan/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XIV. The Night Song: "The owk, wide-winging" (Audience Song III - Audience)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children/Sammy)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVIII. Finale: Coaching Song: "The horses are champing" (Audience Song IV - Omnes/Audience)
Ballad of Heroes, Op.14: 1. Funeral March -
Ballad of Heroes, Op.14: 2. Scherzo (Dance of Death)
Ballad of Heroes, Op.14: 3. Recitative and Choral - Epilogue (Funeral March)
Praise We Great Men (1976): 'Praise we great men' -
Praise We Great Men (1976): 'Praise we the just'
Praise We Great Men (1976): [Coda]
Manon Lescaut (1993 Remastered Version), Act I: Ave, sera gentile (Edmondo/Coro/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act I: Tra voi, belle, brune e bionde (Des Grieux/Coro)
Manon Lescaut (1993 Remastered Version), Act I: Ma bravo! (Edmondo/Coro)
Manon Lescaut (1993 Remastered Version), Act I: Discendono, vediam! (Coro/Edmondo/Lescaut/L'Oste/Des Grieux/Geronte)
Manon Lescaut (1993 Remastered Version), Act I: Cortese damigella, il priego mio accettate (Des Grieux/Manon/Lescaut)
Manon Lescaut (1993 Remastered Version), Act I: Donna non vidi mai (Des Grieux)
Manon Lescaut (1993 Remastered Version), Act I: La tua ventura ci rassicura (Edmondo/Coro/Geronte/Lescaut/L'Oste)
Manon Lescaut (1993 Remastered Version), Act I: La tua Propsperina di resisteri (Edmondo/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act I: Vedete? Io son fedele alla parola mia (Manon/Des Grieux/Lescaut)
Manon Lescaut (1993 Remastered Version), Act I: Un libertino audace (Des Grieux/Manon/Edmondo/Geronte/L'Oste/Lescaut)
Manon Lescaut (1993 Remastered Version), Act I: Cavalli pronti avete? (Lescaut/Geronte/Edmondo/Coro)
Manon Lescaut (1993 Remastered Version), Act II: Dispettosetto questo riccio! (Manon/Lescaut)
Manon Lescaut (1993 Remastered Version), Act II: Sei splendida e lucente! (Lescaut/Manon)
Manon Lescaut (1993 Remastered Version), Act II: In quelle trine morbide (Manon)
Manon Lescaut (1993 Remastered Version), Act II: Poichè tu vuoi saper (Lescaut/Manon)
Manon Lescaut (1993 Remastered Version), Act II: Che ceffi son costor? (Lescaut/Manon/Un Musico/Coro)
Manon Lescaut (1993 Remastered Version), Act II: Paga costor! (Manon/Lescaut)
Manon Lescaut (1993 Remastered Version), Act II: Vi prego, signorina (Il Maestro di Ballo/Geronte/Manon/Coro)
Manon Lescaut (1993 Remastered Version), Act II: Oh, sarò la più bella! (Manon/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act II: Ah! ... Affè madamigella (Manon/Geronte/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act II: Ah! Manon, mi tradisce (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act II: Lescaut! ... Tu qui? (Des Grieux/Manon/Lescaut/Un Sergente)
Manon Lescaut (1993 Remastered Version), Act II: Intermezzo
Manon Lescaut (1993 Remastered Version), Act III: Ansia, eterna, crudel (Des Grieux/Lescaut)
Manon Lescaut (1993 Remastered Version), Act III: Manon! ... Des Grieux! (Des Grieux/Manon/Un Lampionaio)
Manon Lescaut (1993 Remastered Version), Act III: All'armi! All'armi! (Coro/Lescaut/Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act III: Il passo m'aprite (Sergente/Comandante/Coro)
Manon Lescaut (1993 Remastered Version), Act III: Rosetta! (Sergente/Coro/Lescaut/Manon/Des Grieux)
Manon Lescaut (1993 Remastered Version), Act III: Presto il fila! Marciate! (Sergente/Des Grieux/Coro/Comandante)
Manon Lescaut (1993 Remastered Version), Act III: Ah! non v'avvicinate! ... Come io piango ed imploro (Des Grieux/Comandante)
Manon Lescaut (1993 Remastered Version), Act IV: Tutta su me ti posa (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act IV: Manon, senti, amor mio! ... Vedi, son io che piango (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act IV: E nulla! Nulla! (Des Grieux/Manon)
Manon Lescaut (1993 Remastered Version), Act IV: Sola, perduta, abbandonata (Manon/Des Grieux)
Te Deum (2008 Digital Remaster): Te Deum laudamus (choir/solo quartet)
Te Deum (2008 - Remaster): Te ergo quaesumus (solo quartet)
Te Deum (2008 - Remaster): Aeterna fac cum sanctis tuis (solo quartet/choir)
Te Deum (2008 - Remaster): Salvum fac populum tuum (solo quartet/choir)
Te Deum (2008 - Remaster): In te, Domine, speravi (choir/solo quartet)
Part I: Waldmachen (Forest Legend)
Part II: Der Spielmann (The Minstrel)
Part III: Hochzeitsstuck (Wedding Piece)
Britten: The Turn of the Screw, Op.54 - original version - Prologue
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Theme - Scene 1: The Journey
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation I - Scene 2: The Welcome
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation II - Scene 3: The Letter
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation III - Scene 4: The Tower
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation IV - Scene 5: The Window
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation V - Scene 6: The Lesson
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation VI - Scene 7: The Lake
Britten: The Turn of the Screw, Op.54 - original version - Act One - Interlude: Variation VII - Scene 8: At Night
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation VIII - Scene 1: Colloquy and So- lioquy
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation IX - Scene 2: The Bells
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation X - Scene 3: Miss Jessel
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation XI - Scene 4: The Bedroom
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation XII - Scene 5: Quint
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation XIII - Scene 6: The Piano
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation XIV - Scene 7: Flora
Britten: The Turn of the Screw, Op.54 - original version - Act Two - Interlude: Variation XV - Scene 8: Miles
I. Prologue -
I. Prologue [figure 2]
II. The Knight
III. The Squire
IV. The Nun
V. The Monk
VI. The Clerk of Oxenford
VII. The Haberdasher and his Fraternity. The Merchant
Te Deum (2000 - Remaster): Te Deum laudamus (choir/solo quartet)
Te Deum (2000 - Remaster): Te ergo quaesumus (solo quartet)
Te Deum (2000 - Remaster): Aeterna fac cum sanctis tuis (solo quartet/choir)
Te Deum (2000 - Remaster): Salvum fac populum tuum (solo quartet/choir)
Te Deum (2000 - Remaster): In te, Domine, speravi (choir/solo quartet)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: (Allegro ma non troppo, con vigore) - Straight on, my plough, straight on! (orchestra, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: 'Tis such a shame to let good land lie waste (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: Come, Vrenchen, come! (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: The children are nearby (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: How strange the song of the wind (Vrenchen, The Dark Fiddler, Sali, Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: Listen, my children, you need have no fear! (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene I. September. A piece of land on a hill: (Sehr langsam) - We two will be the only bidders for that land (Marti, Manz)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene II. Six years later. Outside Marti's house: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene II. Six years later. Outside Marti's house: Vrenchen!...Sali! (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene II. Six years later. Outside Marti's house: If only we two always stand together (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: (Poco meno) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: (Tranquillo) - Sali!...Vrenchen! (orchestra, Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: You here? I'm not surprised (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: O Sali, I'm afraid! (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene III. The Wildland: (Molto lento) - Shameless hussy! (orchestra, Marti, Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: (Lento molto) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, the darkness has come (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: O Sali, I should have died (Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: What will you do? Where will you go? (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: The Dream of Sali and Vrenchen (orchestra, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene IV. Interior of Marti's house: Ah, 'twas all a dream! (Vrenchen, Sali, Peasants)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: (Con moto) (orchestra, fairground women & men, chorus, Peasants)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Oh, Sali, look at those lovely, lovely things! (Vrenchen, Sali, fairground women & men, Peasants)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Well well! What do I see? (First Woman & Man, Vrenchen, Sali, Second Man & Woman, Peasants, fairground women & man, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: Come, my Vrenchen! (Sali, Vrenchen, chorus)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene V. The Fair: The Walk to the Paradise Garden (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Dance and song, all day long! (Vagabonds)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: (Lento) (orchestra)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: So I must tell you (The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: The twilight closes round the garden (Sali, Vrenchen, The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: (Moderato) - Vagabonds and comrades! (orchestra, Vagabonds, Vrenchen, Sali, The Dark Fiddler)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Come with us...live in freedom! (Vagabonds, Vrenchen, The Dark Fiddler, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Halleo! halleo! (First & Second Bargees, Vrenchen, Sali)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: Passing strangers, drifting by (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: See, the silver moonlight kisses the woods (Sali, Vrenchen)
A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: See, our marriage bed awaits us! (Sali, Vagabonds, Vrenchen, First & Third Bargees)
Frederick Delius: An Illustrated Talk by Eric Fenby: 'It is strange that as the years go by...' - Florida Suite (III)/Beecham -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'Though Delius had by this time...' - A Mass of Life/Groves -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'I never hear that music...' - Paris/Groves -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'The peak of this complicated type of writing...' - Florida Suite (III)/Beecham -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'I must confess...' - Appalachia/Barbirolli -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'Surely one can feel there...' - In a Summer Garden/Barbirolli -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'It has been said that Delius is a mood...' - Cello Concerto/du Pré, Sargent -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'Delius was certainly the least professional...[demonstrates dictation process at piano]' - Cynara/Shirley-Quirk, Groves -
Frederick Delius: An Illustrated Talk by Eric Fenby: 'When Delius died in 1934...' - An Arabesque/Shirley-Quirk, Groves
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Prologue
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Pastoral - The Day's Grown Old
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Nocturne - The Splendour Falls On Castle Walls
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Elegy - O Rose, Thou Art Sick
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Dirge - This Ae Nighte
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Hymn - Queen And Huntress Chaste And Fair
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Sonnet - O Soft Embalmer Of The Still Midnight
Britten: Serenade For Tenor, Horn & Strings, Op.31 - Epilogue
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Akh, Nye Spitsa Ból'she, Popróbuyu (Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: V dyévkakh lúchshe býlo (Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Gribki sevódnya búdut? (Boris, Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Prigotóv otrávu dlya krys (Boris, Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Govorl! ...Plotinu-to na...(Zinoviy, Mill-hand,Boris, Chorus, Sergey,Coachman, Aksinya)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Proshcháy, Katerina (Zinoviy, Boris, Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Chevó vstal? Chevó ostanovilsa? (Aksinya, Boris)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 1, Erster Szene, Première Scène: Interlude (Orchestra)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 2, Zweite Szene, Deuxième Scène: Ay! Ay! Ay! (Aksinya, Shabby peasant, Porter, Chorus, Steward, Sergey)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 2, Zweite Szene, Deuxième Scène: Bárynya!...Ay...Shto s tobóyu? (Shabby peasant, Aksinya, Katerina, Sergey)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 2, Zweite Szene, Deuxième Scène: A nu-s, pozvól'te rúku-s (Sergey, Katerina, Shabby peasant, Boris)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 2, Zweite Szene, Deuxième Scène: Interlude (Orchestra)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 3, Dritte Szene, Troisième Scène: Spat' porá. Dyen proshól (Katerina, Boris)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 3, Dritte Szene, Troisième Scène: Zherebyónok k kobýlke torópitsa (Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 3, Dritte Szene, Troisième Scène: Kto éto, kto, kto stuchit? (Katerina, Sergey)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 1, Erster Akt, Premier Acte, Scene 3, Dritte Szene, Troisième Scène: Ya poydù...Proshcháy (Sergey, Katerina, Boris)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Shto znáchit stárost' (Boris)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Pod óknami u chuzhikh (Boris)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Proshcháy, Kátya, proscháay! (Sergey,Boris,Katerina,Chorus,Shabby peasant, Porter)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Ustál!....Prikázhete mnye postegát'? (Boris, Porter, Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: V kladovúyu Sergéya záperli (Boris, Porter, Katerina)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Vidno, skóro uzh zaryá (Chorus, Boris, Foremen, Priest)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Bátya, ispovyédatsa (Boris, Priest, Foremen)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Akh, Boris Timoféyevich (Katerina, Priest)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 2, Zweiter Akt, Deucième Acte, Scene 4, Vierte Szene, Quatrième Scène: Interlude (Orchestra)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 4, Vieter Akt, Quatrième Acte, Scene 9, Neunte Szene, Neuvième Scène: Znáesh li, Sonyétka (Sergey, Sonyetka)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 4, Vieter Akt, Quatrième Acte, Scene 9, Neunte Szene, Neuvième Scène: Vstaváy! Po mestám! Zh'vo (Officer, Chorus, Old convict)
Lady Macbeth of Mtsensk (2002 Remastered Version), Act 4, Vieter Akt, Quatrième Acte, Scene 9, Neunte Szene, Neuvième Scène: Akh!...Bózhe moy! Shto takóe? (Sonyetka, Chorus, Officer, Old convict)
Mozart: Lo sposo deluso, K.430 - Overture
Mozart: Lo sposo deluso, K.430 / Act 1 - "Ah, ah che ridere!"
Mozart: Lo sposo deluso, K.430 / Act 1 - "Nacqui all'aria trionfale"
Mozart: Lo sposo deluso, K.430 / Act 1 - "Dove mai trovai quel ciglio?"
Mozart: Lo sposo deluso, K.430 / Act 1 - "Che accidenti!"
Mozart: Le nozze di Figaro, K.492 - Overture
Mozart: Le nozze di Figaro / Act 1 - "Cinque... deci... venti..." - "Cosa stai misurando"
Mozart: Le nozze di Figaro / Act 1 - "Se a caso Madama" - "Or bene, ascolta, e taci"
Mozart: Le nozze di Figaro / Act 1 - "Se vuol ballare" - "Ed aspettaste il giorno"
Mozart: Le nozze di Figaro / Act 1 - "La vendetta" - "Tutto ancor non ho perso"
Mozart: Le nozze di Figaro / Act 1 - "Via resti servita" - "Va là, vecchia pedante"
Mozart: Le nozze di Figaro / Act 1 - "Non so più cosa son, cosa faccio"
Mozart: Le nozze di Figaro / Act 1 - "Ah, son perduto!"
Mozart: Le nozze di Figaro / Act 1 - "Cosa sento! tosto andate" - "Basilio, in traccia tosto"
Mozart: Le nozze di Figaro / Act 1 - "Giovani liete" - "Cos'è questa commedia?" - "Giovani liete" - "Evviva!"
Mozart: Le nozze di Figaro / Act 1 - "Non più andrai"
Mozart: Le nozze di Figaro / Act 2 - "Porgi amor"
Mozart: Le nozze di Figaro / Act 2 - "Vieni, cara Susanna" - "Quanto duolmi, Susanna"
Mozart: Le nozze di Figaro / Act 2 - "Voi che sapete" - "Bravo! che bella voce!"
Mozart: Le nozze di Figaro / Act 2 - "Venite... inginocchiatevi..."
Mozart: Le nozze di Figaro / Act 2 - "Quante buffonerie!" - "Che novità!"
Mozart: Le nozze di Figaro / Act 2 - "Susanna, or via, sortite" - "Dunque, voi non aprite"
Mozart: Le nozze di Figaro / Act 2 - "Aprite, presto" - "O guarda il demonietto!" - "Tutto è come io lasciai"
Mozart: Le nozze di Figaro / Act 2 - "Esci, ormai, garzon malnato" - "Susanna!... Signore!"
Mozart: Le nozze di Figaro / Act 2 - "Signore, di fuori" - "Ah! signore... signor!"
Mozart: Le nozze di Figaro / Act 2 - "Voi signor, che giusto siete"
Mozart: Le nozze di Figaro / Act 3 - "Che imbarazzo è mai questo" - "Via, fatti core"
Mozart: Le nozze di Figaro / Act 3 - "Crudel! perché finora" - "E perché fosti meco"
Mozart: Le nozze di Figaro / Act 3 - "Hai già vinta la causa" - "Vedrò mentr'io sospiro"
Mozart: Le nozze di Figaro / Act 3 - "Andiamo, andiam, bel paggio"
Mozart: Le nozze di Figaro / Act 3 - "E Susanna non vien!...Dove sono"
Mozart: Le nozze di Figaro / Act 3 - "E decisa la lite"
Mozart: Le nozze di Figaro / Act 3 - "Riconosci in questo amplesso" - "Eccovi, o" - "Io vi dico"
Mozart: Le nozze di Figaro / Act 3 - "Cosa mi narri!" - "Che soave zefiretto" - "Piegato è il foglio"
Mozart: Le nozze di Figaro / Act 3 - "Ricevete, o padroncina" - "Queste sono, Madama"
Mozart: Le nozze di Figaro / Act 3 - "Ecco la marcia... andiamo." - "Amanti costanti"
Mozart: Le nozze di Figaro / Act 3 - Fandango - "Eh già, solita usanza"
Mozart: Le nozze di Figaro / Act 4 - "L'ho perduta... me meschina!"
Mozart: Le nozze di Figaro / Act 4 - "Barbarina, cos'hai?" - "Madre... Figlio." - "Presto, avvertiam Susanna"
Mozart: Le nozze di Figaro / Act 4 - "Il capro e la capretta"
Mozart: Le nozze di Figaro / Act 4 - "Nel padiglione a manca"
Mozart: Le nozze di Figaro / Act 4 - "In quegli anni in cui val poco"
Mozart: Le nozze di Figaro / Act 4 - "Tutto è disposto" - "Aprite un po' quegli occhi"
Mozart: Le nozze di Figaro / Act 4 - "Signora, ella mi disse"
Mozart: Le nozze di Figaro / Act 4 - "Giunse alfin il momento" - "Deh vieni non tardar"
Mozart: Le nozze di Figaro / Act 4 - "Perfida! e in quella forma meco mentia?"
Mozart: Le nozze di Figaro / Act 4 - "Pian pianin le andrò più presso"
Mozart: Le nozze di Figaro / Act 4 - "Tutto è tranquillo e placido" - "Pace, pace mio dolce tesoro"
Mozart: Le nozze di Figaro / Act 4 - "Gente, gente, all'armi"
Mozart: Die Entführung aus dem Serail, K.384 - Ouvertüre
Mozart: "Hier soll ich dich denn sehen" [Die Entführung aus dem Serail, K.384 / Act 1]
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Aber wie soll ich in den Palast kommen?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Allah sei Dank!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Solche hergelaufne Laffen" - "Was bist du nur für ein Mensch!" - "Erst geköpft, dann gehangen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Geh nur, verwünschter Aufpasser"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Singt dem großen Bassa Lieder"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Immer noch traurig, geliebte Konstanze?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Ach ich liebte, war so glücklich"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Undankbare!" - "Ihr Schmerz, ihr Tränen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Marsch! Trollt euch fort!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ei seht doch mal"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ich gehe, doch rate ich dir"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welcher Kummer herrscht in meiner Seele"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Traurigkeit ward mir zum Lose"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Nun, Konstanze, hast du dich entschieden?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - Introduktion - "Martern aller Arten" - "Doch du bist entschlossen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Kein Bassa, keine Konstanze mehr da?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welche Wonne, welche Lust"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ah, daß es schon vorbei wäre!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Frisch zum Kampfe"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ha! Geht's hier so lustig zu?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Vivat Bacchus! Bacchus lebe!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Hör, Alter, trink nicht zu viel"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn der Freude Tränen fließen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ach Belmonte! Ach, mein Leben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn unsrer Ehre wegen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ich baue ganz auf deine Stärke"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Alles liegt auf dem Ohr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "In Mohrenland gefangen war"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Endlich, sie macht auf, Herr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ha, wie will ich triumphieren"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Was ist das für ein Lärm?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Welch ein Geschick!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Meinetwegen willst du sterben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nun, Belmonte Lostados!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nie werd' ich deine Huld verkennen" - "Bassa Selim lebe lange"
Mozart: Die Zauberflöte, K.620 - Overture
Mozart: Die Zauberflöte, K.620 / Act 1 - "Zu Hilfe! Zu Hilfe!" - Dialog "Wo bin ich?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Der Vogelfänger bin ich ja"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "He da!"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Dies Bildnis ist bezaubernd schön"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Rüste dich mit Mut und Standhaftigkeit"
Mozart: Die Zauberflöte, K.620 / Act 1 - "O zittre nicht" - Dialog "Betäuben mich meine Sinne?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Hm! hm! hm! hm!"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Haha... Pst... Was soll denn das Lachen?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Du feines Täubchen, nur herein"
Mozart: Die Zauberflöte, K.620 / Act 1 - Dialog "Mutter! Mutter!... Bin ich nicht ein Narr"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Bei Männern, welche Liebe fühlen"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Zum Ziele führt dich diese Bahn"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Die Weisheitslehre dieser Knaben"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Wo willst du kühner Fremdling hin?"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Wie stark ist nicht dein Zauberton"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Schnelle Füße, rascher Mut"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Es lebe Sarastro! Sarastro lebe!"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Herr, ich bin zwar Verbrecherin"
Mozart: Die Zauberflöte, K.620 / Act 1 - "Wenn Tugend und Gerechtigkeit"
Mozart: Die Zauberflöte, K.620 / Act 2 - Marsch der Priester
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Ihr, eingeweihte Diener" - Der dreimalige Akkord: Dialog "Sarastro dankt euch"
Mozart: Die Zauberflöte, K.620 / Act 2 - "O Isis und Osiris"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Papageno! Wo denkst du, daß wir uns befinden?"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Bewahret euch vor Weibertücken" - Dialog "He, Lichter her!"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Wie? Wie? Wie?"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Heil dir, Jüngling"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Alles fühlt der Liebe Freuden"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Zurück!"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Der Hölle Rache kocht in meinem Herzen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Morden soll ich?"
Mozart: Die Zauberflöte, K.620 / Act 2 - "In diesen heil'gen Hallen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Hier seid ihr euch beide allein überlassen"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Seid uns zum zweiten Mal willkommen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Tamino, wollen wir nicht speisen?"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Ach, ich fühl's"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Nicht wahr, Tamino"
Mozart: Die Zauberflöte, K.620 / Act 2 - "O Isis und Osiris, welche Wonne!"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Prinz, dein Betragen"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Soll ich dich, Teurer, nicht mehr sehn?"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Tamino! Willst du mich denn"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Ein Mädchen oder Weibchen"
Mozart: Die Zauberflöte, K.620 / Act 2 - Dialog "Da bin ich schon, mein Engel"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Bald prangt, den Morgen zu verkünden"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Der, welcher wandelt diese Straße voll Beschwerden"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Wir wandelten durch Feuersgluten"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Papagena! Papagena!"
Mozart: Die Zauberflöte, K.620 / Act 2 - "Nur stille, stille" - "Die Strahlen der Sonne"
Alexander's Feast (2002 Digital Remaster), Part 1: Overture
Alexander's Feast (2002 Digital Remaster), Part 1: `t was at the royal feast
Alexander's Feast (2002 Digital Remaster), Part 1: Happy pair!
Alexander's Feast (2002 Digital Remaster), Part 1: Timotheus, plac`d on high
Alexander's Feast (2002 Digital Remaster), Part 1: The song began from Jove
Alexander's Feast (2002 Digital Remaster), Part 1: The list`ning crowd
Alexander's Feast (2002 Digital Remaster), Part 1: With ravish`d ears
Alexander's Feast (2002 Digital Remaster), Part 1: The praise of Bacchus
Alexander's Feast (2002 Digital Remaster), Part 1: Bacchus, ever fair and young
Alexander's Feast (2002 Digital Remaster), Part 1: Sooth`d with the sound
Alexander's Feast (2002 Digital Remaster), Part 1: He chose a mournful Muse
Alexander's Feast (2002 Digital Remaster), Part 1: He sung Darius, great and good
Alexander's Feast (2002 Digital Remaster), Part 1: With downcast looks
Alexander's Feast (2002 Digital Remaster), Part 1: Behold Darius great and good
Alexander's Feast (2002 Digital Remaster), Part 1: The mighty master, mild smil`d to see
Alexander's Feast (2002 Digital Remaster), Part 1: Softly sweet in Lydian measures
Alexander's Feast (2002 Digital Remaster), Part 1: War, he sung, is toil and trouble
Alexander's Feast (2002 Digital Remaster), Part 1: The many rend the skies
Alexander's Feast (2002 Digital Remaster), Part 1: The prince, unable to conceal
Alexander's Feast (2002 Digital Remaster), Part 1: The many rend the skies Part II
Alexander's Feast (2002 Digital Remaster), Part 2: Now strike the golden Lyre again
Alexander's Feast (2002 Digital Remaster), Part 2: Revenge Timotheus cries
Alexander's Feast (2002 Digital Remaster), Part 2: Give this vengeance due
Alexander's Feast (2002 Digital Remaster), Part 2: The princes applaud
Alexander's Feast (2002 Digital Remaster), Part 2: Thais led the way
Alexander's Feast (2002 Digital Remaster), Part 2: Thus, long ago
Alexander's Feast (2002 Digital Remaster), Part 2: Let old Timotheus yield the prize
Alexander's Feast (2002 Digital Remaster), Part 2: Let old Timotheus Yield the prize
Alexander's Feast (2002 Digital Remaster), Part 2: Your voices tune
Alexander's Feast (2002 Digital Remaster), Part 2: Let`s imitate her notes above
Alexander's Feast (2002 Digital Remaster), Part 2: Your voices tune and raise
Part I: Jesu Maria - O Lord into Thy hands
Part I: Proficiscere, anima Christiana - through the same, through Christ our Lord
Part II: I went to sleep - and Heaven begun
Part II: But hark, upon my sense comes a fierce hubbub - In all His ways!
Part II: Thy judgement now is near - Amen
Ballad of Heroes, Op.14: 1. Funeral March -
Ballad of Heroes, Op.14: 2. Scherzo (Dance of Death)
Ballad of Heroes, Op.14: 3. Recitative and Choral - Epilogue (Funeral March)


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