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Robert Russell Bennett
Born: June 15, 1894; Kansas City, MO   Died: August 18, 1981; New York, NY  
Bennett studied with Busch in Kansas City and with Boulanger in Paris. He composed a wide variety of music, including several symphonies and orchestral works, music for chamber groups and wind bands, two operas and a ballet-opera. However, Bennett's recognition stems from his work in orchestration. This career started with a commission in 1919 by the publishers T.B. Harms to orchestrate songs for the theatre. One of his earliest efforts was Cole ...
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Robert Russell Bennett titles in:
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Works
Abraham Lincoln Symphony (1)
Concerto for Violin (1)
Five Impromptus for guitar (1)
Gershwin in Hollywood (2)
Hexapoda "5 Studies in Jitteroptera" (4)
Hexapoda "5 Studies in Jitteroptera": Jim Jives (1)
Many Moods of Christmas, suite No. 3: Hark! the herald Angels Sing / Bring a Torch, Jeanette, Isabel (1)
Northern Lights (1)
Revolutionary Etude (1)
Rose Variations (2)
Rose Variations for trumpet & piano (1)
Sights and Sounds (1)
Sonata for Organ in G major (2)
Song Sonata (2)
Suite for Flute and Clarinet (1)
Suite of old American Dances (7)
Suite of Old American Dances for band (1)
Suite of old American Dances: Rag (1)
Symphonic Picture from "Porgy and Bess" (2)
Symphonic Songs for Band (5)
Symphonic Songs for Band: 3rd movement, Celebration (1)
The Many Moods of Christmas (1)
Biography by Lynn Vought
Bennett studied with Busch in Kansas City and with Boulanger in Paris. He composed a wide variety of music, including several symphonies and orchestral works, music for chamber groups and wind bands, two operas and a ballet-opera. However, Bennett's recognition stems from his work in orchestration. This career started with a commission in 1919 by the publishers T.B. Harms to orchestrate songs for the theatre. One of his earliest efforts was Cole Porter's =An Old Fashioned Garden= (1919). He went on to become the leading orchestrator for Broadway musicals from the 1920s to the 60s. He scored some 300 productions, including the works of Kern, Gershwin, Berlin, Rodgers and Lowe. His efforts established criteria for other orchestrators to follow, and elevated the status of the orchestrator to equal to that of the authors and composers. =Instrumentally Speaking= (Melville, NY, 1975), is the title of his book on orchestration.
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