Robert Lloyd

Biography

Born: March 2, 1940; Southend-on-Sea, England  
This estimable basso cantante has achieved international fame while devoting himself to a wisely chosen repertory that embraces roles in Italian, French, German, Russian, and, of course, English. Robert Lloyd became the first British bass to sing Boris Godunov at Covent Garden, and since that 1983 production, he has performed the role in St. Petersburg, Amsterdam, Florence, and Vienna. His solid, long-ranged voice has remained in near-prime form Read more as he continued to sing leading roles into his early 60s. His Narbal in the Metropolitan Opera's 2003 production of Berlioz's Les troyens was a model of steady, imposing bass singing.

After studies at Oxford University, Lloyd entered his working life as a teacher of history. During vocal training with Otakar Kraus, Covent Garden's famous dramatic baritone, Lloyd resolved at age 28 to pursue a singing career. His debut took place with a university opera society, and within four years, he was a principal bass at Covent Garden, a relationship that has continued into the twenty-first century. Among his many memorable portrayals there, his Filippo and Padre Guardiano are well remembered. The Glyndebourne Festival welcomed him in 1972, Paris and San Francisco heard him for the first time in 1975. Since then, Lloyd has appeared in numerous European theaters, including the Staatsoper Berlin and at Salzburg, and has been a valued artist at both Chicago and New York. To the French and Italian roles of his earlier years, Lloyd has added several Wagner roles. His Gurnemanz has been heard in several theaters, as has his King Marke. He has been regarded as a leading Sarastro in recent times and for Seneca in L'Incoronazione di Poppea, he provides commanding sound and strong low notes. Among his roles in the operas of Britten, his Swallow, Superintendent Budd in Albert Herring, and Bottom (all recorded) have received high praise from critics. In addition to his stage work, Lloyd has been much in-demand for concerts, singing and recording several oratorios with the most respected conductors of the day; his recordings of choral works by Elgar have proven especially rewarding. The bass has also appeared in several acclaimed television programs, one of them devoted to his own career. In 1991, Lloyd was named a Commander of the British Empire. Read less

Biography

Born: March 2, 1940; Southend-on-Sea, England  
This estimable basso cantante has achieved international fame while devoting himself to a wisely chosen repertory that embraces roles in Italian, French, German, Russian, and, of course, English. Robert Lloyd became the first British bass to sing Boris Godunov at Covent Garden, and since that 1983 production, he has performed the role in St. Petersburg, Amsterdam, Florence, and Vienna. His solid, long-ranged voice has remained in near-prime form Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Prologue (Chorus)
Part I: And it came to pass in those days (Tenor)
Part I: The voice of Thy watchman
Part I: Shofar
Part I: It is a good thing to give thanks unto the Lord
Part I: And when it was day, He called unto Him His disciples (Tenor)
Part I: Blessed are the poor in spirit (Jesus)
Part I: And straightway Jesus constrained His disciples to get into a ship (Tenor)
Part I: O Lord Almighty, God of Israel (Mary Magdalene)
Part I: This shall ye have of Mine hand (Mary Magdalene)
Part I: When Jesus came into the parts of Cæsarea Philippi (Tenor)
Part I: Thy face, Lord, will I seek (Mary Magdalene)
Part II: Introduction
Part II: And it came to pass that He went throughout every city and village (Tenor)
Part II: Then gathered the chief Priests and Pharisees a council (Tenor and Bass)
Part II: Hail, Master! (Judas)
Part II: Thou also wast with Jesus of Nazareth
Part II: Then Judas, which had betrayed Him (Contralto)
Part II: Whither shall I go from Thy Spirit? (Judas)
Part II: Truly this was the Son of God (Chorus)
Part II: And very early in the morning they came unto the sepulchre ... (Contralto)
Part II: We trusted that it had been He which should have redeemed Israel
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I - Audience/Clem/Black Bob)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott/Rowan/Clem/Black Bob)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: III. Duet: "Now, little white boy!" (Clem/Black Bob)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IIIa Hide and Seek: "Juliet! Juliet!" (Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IV. Shanty: "Pull the rope gently" (Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: V. Ensemble: "Is he wounded?" (Sam/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children/Miss Baggott/Black Bob/Clem)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VII. Trio: "Sam! Sam!" (Black Bob/Clem/Miss Baggott)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II - Audience/Rowan/Sam)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: X. Ensemble: "O why do you weep" (Rowan/Sam/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XI. Pantomine and .....
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XII. ..... Scena: "Ah! ..... Blackguards!" (Miss Baggott)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott/Rowan/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XIV. The Night Song: "The owk, wide-winging" (Audience Song III - Audience)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children/Sammy)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children)
The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVIII. Finale: Coaching Song: "The horses are champing" (Audience Song IV - Omnes/Audience)
Manon Lescaut (1993 - Remaster), Act I: Ave, sera gentile (Edmondo/Coro/Des Grieux)
Manon Lescaut (1993 - Remaster), Act I: Tra voi, belle, brune e bionde (Des Grieux/Coro)
Manon Lescaut (1993 - Remaster), Act I: Ma bravo! (Edmondo/Coro)
Manon Lescaut (1993 - Remaster), Act I: Discendono, vediam! (Coro/Edmondo/Lescaut/L'Oste/Des Grieux/Geronte)
Manon Lescaut (1993 - Remaster), Act I: Cortese damigella, il priego mio accettate (Des Grieux/Manon/Lescaut)
Manon Lescaut (1993 - Remaster), Act I: Donna non vidi mai (Des Grieux)
Manon Lescaut (1993 - Remaster), Act I: La tua ventura ci rassicura (Edmondo/Coro/Geronte/Lescaut/L'Oste)
Manon Lescaut (1993 - Remaster), Act I: La tua Propsperina di resisteri (Edmondo/Des Grieux)
Manon Lescaut (1993 - Remaster), Act I: Vedete? Io son fedele alla parola mia (Manon/Des Grieux/Lescaut)
Manon Lescaut (1993 - Remaster), Act I: Un libertino audace (Des Grieux/Manon/Edmondo/Geronte/L'Oste/Lescaut)
Manon Lescaut (1993 - Remaster), Act I: Cavalli pronti avete? (Lescaut/Geronte/Edmondo/Coro)
Manon Lescaut (1993 - Remaster), Act II: Dispettosetto questo riccio! (Manon/Lescaut)
Manon Lescaut (1993 - Remaster), Act II: Sei splendida e lucente! (Lescaut/Manon)
Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)
Manon Lescaut (1993 - Remaster), Act II: Poichè tu vuoi saper (Lescaut/Manon)
Manon Lescaut (1993 - Remaster), Act II: Che ceffi son costor? (Lescaut/Manon/Un Musico/Coro)
Manon Lescaut (1993 - Remaster), Act II: Paga costor! (Manon/Lescaut)
Manon Lescaut (1993 - Remaster), Act II: Vi prego, signorina (Il Maestro di Ballo/Geronte/Manon/Coro)
Manon Lescaut (1993 - Remaster), Act II: Oh, sarò la più bella! (Manon/Des Grieux)
Manon Lescaut (1993 - Remaster), Act II: Ah! ... Affè madamigella (Manon/Geronte/Des Grieux)
Manon Lescaut (1993 - Remaster), Act II: Ah! Manon, mi tradisce (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act II: Lescaut! ... Tu qui? (Des Grieux/Manon/Lescaut/Un Sergente)
Manon Lescaut (1993 Digital Remaster), Act II: Intermezzo
Manon Lescaut (1993 - Remaster), Act III: Ansia, eterna, crudel (Des Grieux/Lescaut)
Manon Lescaut (1993 - Remaster), Act III: Manon! ... Des Grieux! (Des Grieux/Manon/Un Lampionaio)
Manon Lescaut (1993 - Remaster), Act III: All'armi! All'armi! (Coro/Lescaut/Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act III: Il passo m'aprite (Sergente/Comandante/Coro)
Manon Lescaut (1993 - Remaster), Act III: Rosetta! (Sergente/Coro/Lescaut/Manon/Des Grieux)
Manon Lescaut (1993 - Remaster), Act III: Presto il fila! Marciate! (Sergente/Des Grieux/Coro/Comandante)
Manon Lescaut (1993 - Remaster), Act III: Ah! non v'avvicinate! ... Come io piango ed imploro (Des Grieux/Comandante)
Manon Lescaut (1993 - Remaster), Act IV: Tutta su me ti posa (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act IV: Manon, senti, amor mio! ... Vedi, son io che piango (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act IV: E nulla! Nulla! (Des Grieux/Manon)
Manon Lescaut (1993 - Remaster), Act IV: Sola, perduta, abbandonata (Manon/Des Grieux)
Mozart: Requiem in D minor, K.626 - 1. Introitus: Requiem
Mozart: Requiem in D minor, K.626 - 2. Kyrie
Mozart: Requiem in D minor, K.626 - 3. Sequentia: Dies irae
Mozart: Requiem in D minor, K.626 - 3. Sequentia: Tuba mirum
Mozart: Requiem in D minor, K.626 - 3. Sequentia: Rex tremendae
Mozart: Requiem in D minor, K.626 - 3. Sequentia: Recordare
Mozart: Requiem in D minor, K.626 - 3. Sequentia: Confutatis
Mozart: Requiem in D minor, K.626 - 3. Sequentia: Lacrimosa
Mozart: Requiem in D minor, K.626 - 4. Offertorium: Domine Jesu
Mozart: Requiem in D minor, K.626 - 4. Offertorium: Hostias
Mozart: Requiem in D minor, K.626 - 5. Sanctus
Mozart: Requiem in D minor, K.626 - 6. Benedictus
Mozart: Requiem in D minor, K.626 - 7. Agnus Dei
Mozart: Requiem in D minor, K.626 - 8.Communio: Lux aeterna
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster): Prologue: Bunyan in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 1: The Pilgrim meets Evangelist
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 2: The House Beautiful
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Nocturne (Intermezzo)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 1: The Arming of the Pilgrim
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 2: The Pilgrim meets Apollyon
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: Buy! What will ye buy?
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: I buy the truth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III: Scene 2: The Pilgrim in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 1: The Pilgrim meets Mister By-Ends
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Entr'acte
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: Who so dwelleth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: The Lord is my Shepherd
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 3: The Pilgrim reaches the End of his Journey
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Epilogue
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act III Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act I Nocturne
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 2
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1
"Over hill, over dale"
"Oberon is passing fell and wrath"
"Well, go thy way"
"How now my love?"
"Be it on lion, bear, or wolf, or bull"
"Welcome wanderer!"
"Is all our company here?"
"Fair love, you faint with wand'ring in the wood"
"Through the forest have I gone"
"Stay, though thou kill me, sweet Demetrius"
"Come, now a roundel and a fairy song"
"You spotted snakes with double tongue"
"What thou seest when thou dost wake"
Introduction: The wood
"Are we all met?"
"I see their knavery"
"Be kind and courteous to this gentleman"
"Hail, mortal, hail!"
"I have a reas'nable good ear in music"
"How now, mad spirit?"
"Flower of this purple dye"
"Puppet? Why so?"
"This is thy negligence"
"Up and down, up and down"
"On the ground, sleep sound"
"My gentle Robin, see'st thou this sweet sight?"
"Helena! Hermi! Demetrius! Lysander!"
"When my cue comes, call me"
"Have you sent to Bottom's house?"
"Now, fair Hippolyta"
"If we offend, it is with our good will"
"Gentles, perchance you wonder at this show"
"In this same interlude it doth befall"
"O grim-look'd night, O night with hue so black"
"O wall, full often hast thou heard my moans"
"You ladies, you whose gentle hearts do fear"
"This lanthorn doth the horned moon present"
"Sweet moon, I thank thee for thy sunny beams"
"Asleep, my love?"
"Come, your Bergomask"
"Now the hungry lion roars"
Massenet: Esclarmonde / Prologue - Dignitaires! Guerriers!
Massenet: Esclarmonde / Act 1 - Roland! Roland! Comme ce nom me trouble
Massenet: Esclarmonde / Act 1 - Parséis! - O ma soeur
Massenet: Esclarmonde / Act 1 - Ah! trop malheureuse Esclarmonde!
Massenet: Esclarmonde / Act 1 - On vient, ma soeur!
Massenet: Esclarmonde / Act 1 - C'en est fait!
Massenet: Esclarmonde / Act 1 - Esprits de l'air! Esprits de onde!
Massenet: Esclarmonde / Act 1 - Roland! Roland! Roland!
Massenet: Esclarmonde / Act 2 - "Ah! Ah!"
Massenet: Esclarmonde / Act 2 - Où suis-je?
Massenet: Esclarmonde / Act 2 - Sois bénie, ô magie
Massenet: Esclarmonde / Act 2 - Voici le divin moment
Massenet: Esclarmonde / Act 2 - Hélas! Ma bien-aimée!
Massenet: Esclarmonde / Act 2 - Ecoute encor!
Massenet: Esclarmonde / Act 2 - O glaive, à ton aspect
Massenet: Esclarmonde / Act 3 - O Blois! Misérable cité!
Massenet: Esclarmonde / Act 3 - Kyrie eleison
Massenet: Esclarmonde / Act 3 - Dieu de miséricorde
Massenet: Esclarmonde / Act 3 - Noble héros!
Massenet: Esclarmonde / Act 3 - Gloire! Chantons notre victoire! A toi, Roland
Massenet: Esclarmonde / Act 3 - Gloire! Chantons notre victoire! Gloire à Roland!
Massenet: Esclarmonde / Act 3 - La nuit bientôt sera venue
Massenet: Esclarmonde / Act 3 - Mon fils, je te bénis!
Massenet: Esclarmonde / Act 3 - Je ne m'appartiens plus
Massenet: Esclarmonde / Act 3 - "A genoux!"
Massenet: Esclarmonde / Act 3 - Ah! Roland!
Massenet: Esclarmonde / Act 3 - Regarde-les, ces yeux plus purs
Massenet: Esclarmonde / Act 3 - Non! Tu ne seras pas à mes tranports ravie!
Massenet: Esclarmonde / Act 4 - Entendez tous
Massenet: Esclarmonde / Act 4 - Oui, le délai marqué s'avance
Massenet: Esclarmonde / Act 4 - Les temps vont s'accomplir
Massenet: Esclarmonde / Act 4 - Elle a voulu choisir
Massenet: Esclarmonde / Act 4 - D'une longue torpeur
Massenet: Esclarmonde / Act 4 - Où suis-je maintenant?
Massenet: Esclarmonde / Act 4 - Donc, pour sauver la vie
Massenet: Esclarmonde / Act 4 - Il vient! Ah! quel supplice!
Massenet: Esclarmonde / Act 4 - Ne plus te voir!
Massenet: Esclarmonde / Epilogue - Dignitaires! Guerriers! Sous ces augustes voûtes
Giovanna d'Arco: Sinfonia
Giovanna d'Arco, Prologue: Qual v'ha speme? (Borghigiani/Ufficiali)
Giovanna d'Arco, Prologue: Il Re! (Delil/Borghigiani/Ufficiali/Carlo)
Giovanna d'Arco, Prologue: Sotto una quercia parvemi (Carlo/Borghigiani/Ufficiali/Carlo)
Giovanna d'Arco, Prologue: V'ha dunque un loco simile (Carlo/Borghigiani/Ufficiali)
Giovanna d'Arco, Prologue: Pondo è letal, martiro (Carlo/Coro)
Giovanna d'Arco, Prologue: Gelo, terrore m'invade! (Giacomo)
Giovanna d'Arco, Prologue: Oh, ben s'addice questo torbido cielo (Giovanna)
Giovanna d'Arco, Prologue: Sempre all'alba ed alla sera (Giovanna)
Giovanna d'Arco, Prologue: Paventi, Carlo, tu forse? (Carlo)
Giovanna d'Arco, Prologue: Tu sei bella (Coro)
Giovanna d'Arco, Prologue: Pronta sono!...Son guerriera (Giovanna/Carlo/Giacomo)
Giovanna d'Arco, Act I: Ai lari!...Alla patria! (Soldati/Talbot)
Giovanna d'Arco, Act I: Questa rea che vi percuote (Giacomo/Talbot/Soldati)
Giovanna d'Arco, Act I: Franco son io, ma in core (Giacomo/Soldati/Talbot/Coro)
Giovanna d'Arco, Act I: So che per via di triboli (Giacomo/Coro)
Giovanna d'Arco, Act I: Qui! qui...dove più s'apre libero il cielo (Giovanna)
Giovanna d'Arco, Act I: O faticida foresta (Giovanna)
Giovanna d'Arco, Act I: Ho risolto (Giovanna/Carlo/Voci eteree)
Giovanna d'Arco, Act I: T'arretri e palpiti! (Carlo/Giovanna)
Giovanna d'Arco, Act I: Taci!...Le vie traboccano (Carlo/Ufficiali/Delil/Giovanna)
Giovanna d'Arco, Act I: Vieni al tempio (Carlo/Giovanna/Coro)
Giovanna d'Arco, Act II: Dal cielo a noi chi viene (Coro)
Giovanna d'Arco, Act II: Ecco il luogo....Speme al vecchio era una figlia (Giacomo)
Giovanna d'Arco, Act II: Te, Dio, lodiam (Coro)
Giovanna d'Arco, Act II: Compiuto è il rito!...Non fuggir, donzella! (Giacomo/Carlo/Coro/Giovanna)
Giovanna d'Arco, Act II: No! forme d'angelo...L'amaro calice sommessa io bevo (Giacomo/Carlo/Coro/Giovanna)
Giovanna d'Arco, Act II: Ti discolpa!...Imbianca e tace! (Giacomo/Carlo/Coro/Giovanna)
Giovanna d'Arco, Act III: I Franchi!...Oh qual mi scuote rumor di guerra? (Sentinelle interne/Giovanna/Giacomo)
Giovanna d'Arco (1989 Digital Remaster), Act 3: A lui pensa!...Amai, ma un solo istante
Giovanna d'Arco, Act III: Tu che all'eletto Sàulo (Giacomo/Giovanna)
Giovanna d'Arco, Act III: Or dal padre benedetta (Giacomo/Giovanna)
Giovanna d'Arco, Act III: Ecco! Ella vola (Giacomo/Coro)
Giovanna d'Arco, Act III: Di novel prodigo il ciel ne arrise (Carlo/Giacomo/Delil)
Giovanna d'Arco, Act III: Qual più fido amico (Carlo)
Giovanna d'Arco, Act III: Un suon funero (Coro/Carlo/Giacomo)
Giovanna d'Arco, Act III: Che mai fu?...S'apre il cielo (Giovanna/Carlo/Giacomo/Coro)
Lucia di Lammermoor, Act I, Scena prima: Cruda, funesta smania ... (Enrico/Normanno/Raimondo)
Lucia di Lammermoor, Act I, Scena seconda: Regnava nel silenzio alta la notte e bruna (Lucia/Alisa)
Lucia di Lammermoor, Act I, Scena seconda: Quando, rapito in estasi (Lucia)
Lucia di Lammermoor, Act I, Scena seconda: Sulla tomba che rinserra il tradito genitore (Edgardo/Lucia)
Lucia di Lammermoor, Act I, Scena seconda: Qui di sposa eterna fede ... Ah, soltanto il nostro foco (Edgardo/Lucia)
Lucia di Lammermoor, Act I, Scena seconda: Verrano a te sull'aura i miei sospiri ardenti (Lucia/Edgardo)
Lucia di Lammermoor, Act II, Scena prima: Soffriva nel pianto ... Une folle t'accese (Lucia/Enrico)
Lucia di Lammermoor: Che fia?...Se tradirmi tu portrai...Tu che vedi il pianto mio (Lucia/Enrico)
Lucia di Lammermoor, Act II, Scena seconda: Per te d'immenso giubilo ... Per poco fra la tenebre (Coro/Arturo)
Lucia di Lammermoor, Act II, Scena seconda: Chi mi frena in tal momento (Edgardo/Enrico/Lucia/Raimondo/Arturo/Alisa/Coro)
Lucia di Lammermoor: Oh, giusto cielo!...Il dolce suono...Ardon gli incensi...(Lucia/Raimondo/Normanno/Coro)
Lucia di Lammermoor, Act III, Scena seconda: Spargi d'amaro pianto (Raimondo/Enrico/Coro/Lucia)
Lucia di Lammermoor, Act III, Scena terza: Fra poco a me ricovero darà negletto avello (Edgardo)
Lucia di Lammermoor, Act III, Scena terza: Tu che a Dio spiegasti l'ali (Coro/Edgardo/Raimondo)
Saint-Saëns: Samson et Dalila / Act 1 - "Dieu! Dieu d'Israël!"
Saint-Saëns: Samson et Dalila / Act 1 - "Arrêtez, ô mes Frères!"
Saint-Saëns: Samson et Dalila / Act 1 - "Qui donc élève ici la voix?"
Saint-Saëns: Samson et Dalila / Act 1 - "C'est toi que sa bouche invective..."
Saint-Saëns: Samson et Dalila / Act 1 - "Que vois-je? Abimélech frappé par les esclaves!"
Saint-Saëns: Samson et Dalila / Act 1 - "Hymne de joie"
Saint-Saëns: Samson et Dalila / Act 1 - Voici le printemps...
Saint-Saëns: Samson et Dalila / Act 1 - Je viens célébrer la victoire...
Saint-Saëns: Samson et Dalila / Act 1 - Danse des Prêtresses de Dagon
Saint-Saëns: Samson et Dalila / Act 1 - "Printemps qui commence"
Saint-Saëns: Samson et Dalila / Act 2 - Prelude
Saint-Saëns: Samson et Dalila / Act 2 - "Samson, recherchant ma présence"
Saint-Saëns: Samson et Dalila / Act 2 - "J'ai gravi la montagne"
Saint-Saëns: Samson et Dalila / Act 2 - "Oui... déjà par trois fois..."
Saint-Saëns: Samson et Dalila / Act 2 - Se pourrait-il que sur son coeur
Saint-Saëns: Samson et Dalila / Act 2 - "En ces lieux, malgré moi, m'ont ramenée mes pas"
Saint-Saëns: Samson et Dalila / Act 2 - "Mon coeur s'ouvre à ta voix"
Saint-Saëns: Samson et Dalila / Act 2 - Mais!...Non! Que dis-je, hélas!
Saint-Saëns: Samson et Dalila / Act 3 - "Vois ma misère, hélas!"
Saint-Saëns: Samson et Dalila / Act 3 - Interlude / Zwischenspiel / Intermezzo
Saint-Saëns: Samson et Dalila / Act 3 - "L'aube qui blanchit déjà les coteaux"
Saint-Saëns: Samson et Dalila / Act 3 - Bacchanale
Saint-Saëns: Samson et Dalila / Act 3 - "Salut! salut au juge d'Israël"
Saint-Saëns: Samson et Dalila / Act 3 - "Gloire à Dagon vainqueur!"
Bizet: Carmen - Overture (Prelude)
Bizet: Carmen / Act 1 - Introduction: "Sur la place chacun passe"
Bizet: Carmen / Act 1 - Regardez donc cette petite (Moralès, Les Soldats, Micaela)
Bizet: Carmen / Act 1 - Avec la garde montante (Choeur des Gamins)
Bizet: Carmen / Act 1 - Repos! (Zuniga, Moralès, Don José)
Bizet: Carmen / Act 1 - Allons! Allons! (Zuniga, Choeur des Gamins)
Bizet: Carmen / Act 1 - Dites-moi, brigadier? (Zuniga, Don José)
Bizet: Carmen / Act 1 - La cloche a sonné (Les Jeunes Gens, Les Soldats, Les Cigarières)
Bizet: Carmen / Act 1 - Mais nous ne voyons pas la Carmencita (Les Soldats, Les Jeunes Gens)
Bizet: Carmen / Act 1 - "Quand je vous aimerai?" - "L'amour est un oiseau rebelle" (Havanaise) (Carmen, Choeur)
Bizet: Carmen / Act 1 - Carmen, sur tes pas, nous nous pressons tous (Les Jeunes Gens, Les Cigarières, Don José)
Bizet: Carmen / Act 1 - "Monsieur le brigadier?" - "Parle-moi de ma mère!" (Micaela, Don José / Don José, Micaela)
Bizet: Carmen / Act 1 - Votre mère avec moi sortait de la chapelle (Micaela, Don José)
Bizet: Carmen / Act 1 - Ma mère, je la vois.. (Don José, Micaela)
Bizet: Carmen / Act 1 - "Que son fils l'aime et la vénère" - "Eh bien, eh bien!" (Don José, Micaela / Zuniga)
Bizet: Carmen / Act 1 - Au secours! (Les Cigarières, Zuniga, Les Soldats)
Bizet: Carmen / Act 1 - "Voyons, brigadier..." - "Tra la la la..." (Zuniga, Don José, Carmen / Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)
Bizet: Carmen / Act 1 - Chanson et Duo: "Près des remparts de Séville"
Bizet: Carmen / Act 1 - Le lieutenant!... Prenez garde. (Don José, Zuniga, Carmen)
Bizet: Carmen - Entracte (between Act I & II)
Bizet: Carmen / Act 2 - Les tringles des sistres tintaient (Carmen, Mercédès, Frasquita)
Bizet: Carmen / Act 2 - Vous avez quelque chose à nous dire (Zuniga, Pastia, Frasquita, andrès, Mercédès, Carmen)
Bizet: Carmen / Act 2 - "Tout est bien alors" - "Vivat! vivat le toréro!" (Carmen, Zuniga / Choeur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia)
Bizet: Carmen / Act 2 - "Votre toast... je peux..." - "Toréador, en garde" (Escamillo , tout le monde , Pastia , Zuniga , Carmen/ Choeur, Frasquita, Pastia, Dancaire,
Bizet: Carmen / Act 2 - Nous avons en tête une affaire! (Dancaire, Frasquita, Mercédès, Remendado, Carmen)
Bizet: Carmen / Act 2 - "Amoureuse... ce n'est pas une raison" - "Halte-là! Qui va là?" (Dancaire,Remendado,Frasquita,Mercédès, Carmen/Don José,Mercédès,Frasquita,Dancaire,Carmen)
Bizet: Carmen / Act 2 - Je vais danser en votre honneur (Carmen, Don José)
Bizet: Carmen / Act 2 - La fleur que tu m'avais jetée (Don José)
Bizet: Carmen / Act 2 - Non, tu ne m'aimes pas! (Carmen, Don José)
Bizet: Carmen / Act 2 - Holà! Carmen! Holà! (Zuniga, Don José, Carmen, Dancaire, Remendado, Les Bohémiens)
Bizet: Carmen / Act 2 - Suis-nous à travers la campagne (Frasquita, Mercédès, Dancaire, Remendado, Les Bohémiens, Les Bohémiennes)
Bizet: Carmen - Entracte (Between Act II & III)
Bizet: Carmen / Act 3 - Écoute, compagnon, écoute! (les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaire, Remendado)
Bizet: Carmen / Act 3 - Halte! nous allons nous arrêter ici! (Dancaire, Remendado, Don José, Carmen)
Bizet: Carmen / Act 3 - "Mêlons!"/"Mêlons!"/"Coupons!" (Frasquita, Mercédès)
Bizet: Carmen / Act 3 - Carreau! Pique!... La mort! (Carmen)
Bizet: Carmen / Act 3 - Parlez encore, parlez, mes belles (Frasquita, Mercédès, Carmen)
Bizet: Carmen / Act 3 - Eh! bien, j'avais raison. (Dancaire, Carmen, Remendado, Frasquita, Mercédès, Don José)
Bizet: Carmen / Act 3 - Quant au douanier, c'est notre affaire! (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaire, Remendado)
Bizet: Carmen / Act 3 - Nous y sommes (Le Guide, Micaela)
Bizet: Carmen / Act 3 - Je dis que rien ne m'épouvante (Micaela)
Bizet: Carmen / Act 3 - "Mais... je ne me trompe pas..." - "Je suis Escamillo, toréro de Grenade." (Micaela, Escamillo, Don José / Escamillo, Don José)
Bizet: Carmen / Act 3 - Holà, José! (Carmen, Escamillo, Dancaire, Don José, Les Contrebandiers, Les Contrebandières)
Bizet: Carmen / Act 3 - Halte! quelqu'un est là qui cherche à se cacher. (Remendado, Carmen, Dancaire, Don José, Micaela, Choeur)
Bizet: Carmen / Act 3 - Entr'acte
Bizet: Carmen / Act 3 - Choeur: "A dos cuartos!"
Bizet: Carmen / Act 3 - Les voici! voici le quadrille! (Choeur)
Bizet: Carmen / Act 3 - Si tu m'aimes, Carmen (Escamillo, Carmen, Frasquita, Mercédès)
Bizet: Carmen / Act 3 - "C'est toi!" "C'est-moi!"
Requiem: Requiem aeternam
Dies irae: Dies irae, dies illa
Dies irae: Tuba mirum
Dies irae: Liber scriptus
Dies irae: Quid sum miser
Dies irae: Rex tremendae
Dies irae: Recordare
Dies irae: Ingemisco
Dies irae: Confutatis
Dies irae: Lacrymosa
Mozart: La clemenza di Tito, K.621 - Overture
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ma che? sempre l'istesso"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Come ti piace imponi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, il passo affretta"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh se piacer mi vuol" - "Chi ciecamente crede"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, ecco il momento" - "Deh prendi un dolce amplesso"
Mozart: La clemenza di Tito, K.621 / Act 1 - Marcia
Mozart: La clemenza di Tito, K.621 / Act 1 - "Serbate, oh Dei custodi" - "Te della patria" - Marcia
Mozart: La clemenza di Tito, K.621 / Act 1 - "Adesso, oh Sesto, parla per me"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Del più sublime soglio"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Non ci pentiam"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ah perdona al primo affetto"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Servilia! Augusta!"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ah, se fosse intorno al trono"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Felice me!" - "Ancora mi schernisce?"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Parto, ma tu ben mio" - "Guardami e tutto oblio"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Vedrai, Tito, vedrai"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Vengo... aspettate... Sesto!..."
Mozart: La clemenza di Tito, K.621 / Act 1 - "Oh Dei, che smania è questa"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh conservate, oh Dei" - "Sesto!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Sesto, come tu credi"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Torna di Tito a lato"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Partir deggio, o restar?" - "Sesto! - Che chiedi?"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Se al volto mai ti senti"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ah grazie si rendano"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Già de' pubblici giuochi"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tardi s'avvede"
Mozart: La clemenza di Tito, K.621 / Act 2 - "No, così scellerato"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tu fosti tradito"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Che orror! che tradimento!" - "Ingrato!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Quello di Tito è il volto!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Odimi, oh Sesto; siam soli"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Deh per questo istante solo" - "Disperato vado a morte"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Dove s'intese mai più contumace infedeltà?" - "Publio. - Cesare."
Mozart: La clemenza di Tito, K.621 / Act 2 - "Se all'impero"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Non giova lusingarsi"
Mozart: La clemenza di Tito, K.621 / Act 2 - "S'altro che lagrime"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ecco il punto, oh Vitellia"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Non più di fiori" - "Infelice! qual orrore!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Che del ciel, che degli Dei"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Sesto, de' tuoi delitti"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ma che giorno è mai questo?"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tu, è ver, m'assolvi, Augusto"
Mozart: Die Entführung aus dem Serail, K.384 - Ouvertüre
Mozart: "Hier soll ich dich denn sehen" [Die Entführung aus dem Serail, K.384 / Act 1]
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Aber wie soll ich in den Palast kommen?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Allah sei Dank!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Solche hergelaufne Laffen" - "Was bist du nur für ein Mensch!" - "Erst geköpft, dann gehangen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Geh nur, verwünschter Aufpasser"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Singt dem großen Bassa Lieder"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Immer noch traurig, geliebte Konstanze?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Ach ich liebte, war so glücklich"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Undankbare!" - "Ihr Schmerz, ihr Tränen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Marsch! Trollt euch fort!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ei seht doch mal"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ich gehe, doch rate ich dir"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welcher Kummer herrscht in meiner Seele"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Traurigkeit ward mir zum Lose"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Nun, Konstanze, hast du dich entschieden?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - Introduktion - "Martern aller Arten" - "Doch du bist entschlossen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Kein Bassa, keine Konstanze mehr da?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welche Wonne, welche Lust"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ah, daß es schon vorbei wäre!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Frisch zum Kampfe"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ha! Geht's hier so lustig zu?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Vivat Bacchus! Bacchus lebe!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Hör, Alter, trink nicht zu viel"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn der Freude Tränen fließen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ach Belmonte! Ach, mein Leben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn unsrer Ehre wegen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ich baue ganz auf deine Stärke"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Alles liegt auf dem Ohr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "In Mohrenland gefangen war"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Endlich, sie macht auf, Herr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ha, wie will ich triumphieren"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Was ist das für ein Lärm?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Welch ein Geschick!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Meinetwegen willst du sterben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nun, Belmonte Lostados!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nie werd' ich deine Huld verkennen" - "Bassa Selim lebe lange"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Introduction. "J'ai pas envie de faire ma page"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Bébé a été sage?
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Ca m'est égal!
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Votre serviteur humble, Bergère"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Ding, ding, ding, ding
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - How's your mug?
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Keng-ca-fou, Mah-jong
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Oh! Ma belle tasse chinoise!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Arrière! Je réchauffe les bons
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Adieu, pastourelles!
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Ah! C'est Elle! C'est Elle!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Toi, le coeur de la rose
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Deux robinets coulent dans un réservoir!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Oh! Ma tête!
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Duo miaulé
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Musique d'insectes, de rainettes
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Ah! Quelle joie de te retrouver, Jardin!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Où es-tu? Je te cherche ...
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Ronde des Chauves-Souris "Rends-la moi...tsk,tsk..."
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Danse des rainettes
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Sauve-toi, sotte! Et la cage? La cage?
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - La Cage, c'était pour mieux voir ta pretesse
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Ah! C'est l'Enfant au couteau"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Il a pansé la plaie ...
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Il est bon, l'Enfant, il est sage
Mass No. 18 in C Minor, K.427: I. Kyrie
Mass No. 18 in C Minor, K.427, II. Gloria: 1. Gloria in excelsis Deo
Mass No. 18 in C Minor, K.427, II. Gloria: 2. Laudamus te
Mass No. 18 in C Minor, K.427, II. Gloria: 3. Gratias agimus tibi
Mass No. 18 in C Minor, K.427, II. Gloria: 4. Domine Deus
Mass No. 18 in C Minor, K.427, II. Gloria: 5. Qui tollis
Mass No. 18 in C Minor, K.427, II. Gloria: 6. Quoniam tu solus sanctus
Mass No. 18 in C Minor, K.427, II. Gloria: 7. Jesu Christe - Cum Sancto Spiritu
Mass No. 18 in C Minor, K.427, III. Credo: 1. Credo in unum Deum
Mass No. 18 in C Minor, K.427, III. Credo: 2. Et incarnatus est
Mass No. 18 in C Minor, K.427: IV. Sanctus - Osanna
Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna
Overture (Preludio)
Coro di Streghe: "Che faceste? dite su!"
Scena e Duetto: "Giorno non vidi mai"
Coro di Streghe: "S'allontanarono!"
Scena e Cavatina: "Nel dì della vittoria io le incontrai"
Scena e Marcia: "Oh donna mia"
Gran Scena e Duetto: "Sappia la sposa mia"
Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose"
Scena: "Perché mi sfuggi"
Aria: "La luce langue"
Coro di Sicari: "Chi v'impose unirvi a noi?"
Gran Scena: "Studia il passo, o mio figlio!"
Finale II: "Salve o re"
Coro d'Introduzione - Incantesimo: "Tre volte miagola la gatta in fregola"
Ballabile I
Ballabile II
Ballabile III (Valzer)
Gran Scena della Apparizioni: "Finché appelli, silenti m'attendete!"
Coro e Ballabile: "Ondine e Silfidi"
Scena e Duetto - Finale III: "Ove son io?"
Coro di Profughi Scozzesi: "Patria oppressa"
Aria: "O figli, o figli miei!"
Scena: "Dove siam?"
Gran Scena del Sonnambulismo: "Vegliammo invan due notti"
Scena ed Aria: "Perfidi!" - "Pietà, rispetto, amore"
Scena e Battaglia: "Via le fronde"
Inno di Vittoria - Finale: "Vittoria!"
Massenet: Esclarmonde / Prologue - Dignitaires! Guerriers!
Massenet: Esclarmonde / Act 1 - Roland! Roland! Comme ce nom me trouble
Massenet: Esclarmonde / Act 1 - Parséis! - O ma soeur
Massenet: Esclarmonde / Act 1 - Ah! trop malheureuse Esclarmonde!
Massenet: Esclarmonde / Act 1 - On vient, ma soeur!
Massenet: Esclarmonde / Act 1 - C'en est fait!
Massenet: Esclarmonde / Act 1 - Esprits de l'air! Esprits de onde!
Massenet: Esclarmonde / Act 1 - Roland! Roland! Roland!
Massenet: Esclarmonde / Act 2 - "Ah! Ah!"
Massenet: Esclarmonde / Act 2 - Où suis-je?
Massenet: Esclarmonde / Act 2 - Sois bénie, ô magie
Massenet: Esclarmonde / Act 2 - Voici le divin moment
Massenet: Esclarmonde / Act 2 - Hélas! Ma bien-aimée!
Massenet: Esclarmonde / Act 2 - Ecoute encor!
Massenet: Esclarmonde / Act 2 - O glaive, à ton aspect
Massenet: Esclarmonde / Act 3 - O Blois! Misérable cité!
Massenet: Esclarmonde / Act 3 - Kyrie eleison
Massenet: Esclarmonde / Act 3 - Dieu de miséricorde


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