Robert Holl

Biography

Born: March 10, 1947; Rotterdam, The Netherlands  
Initially known primarily as an artist devoted to music of the Baroque period, bass-baritone Robert Holl later ranged more widely, eventually finding his way to the stage works of Wagner. A favorite artist of conductor Nikolaus Harnoncourt, Holl was later (considerably later) taken into the fold of singers favored by Daniel Barenboim and was chosen by that conductor to sing the role of Hans Sachs for his recording of Die Meistersinger and live Read more performances at Bayreuth. Holl's sturdy, though not especially steady or sensuous, instrument has consistently been guided by sound training and intelligence. Following his winning first prize in the 1971 's-Hertogenbosch Vocal Competition, Holl moved to Munich to study with legendary bass-baritone Hans Hotter. After a year's work with Hotter, Holl was awarded another first prize, this time at the Munich International Competition. In 1973, he joined the Bayerischen Staatsopernchor in Munich, remaining there until 1975. Holl was introduced to a worldwide audience through the series of Bach recordings and videotaped performances he made with Harnoncourt. At the same time, he appeared in concert under other major conductors, Sawallisch, Haitink, Claudio Abbado, Giulini, Chailly, and Marriner among them. Invitations to major festivals brought Holl to Salzburg, the Vienna Festival, Prague Spring Festival, the Schubertiade Hohenems, Berliner Festwochen, the Russian Winter Festival, and the Flanders Festival. A fruitful association with the Chicago Symphony Orchestra under Daniel Barenboim began with a September 1991 concert at Chicago's Grant Park of the final movement of Beethoven's Symphony No. 9. Subsequently, Holl has appeared in complete performances of that work at Orchestra Hall and has undertaken Lieder recitals with Barenboim as accompanist. Collaborations with other musicians have included a series of performances devoted to the Bach oratorios directed by tenor/conductor Peter Schreier and Lieder recitals with a number of leading accompanists. While he has appeared on numerous recording labels, Holl has extensively explored the Lieder repertory for Preiser Records. For that label, he has performed the music of Schubert and Wolf, as well as the less-familiar songs of Hans Pfitzner, Franz Schmidt, and Max Reger. On occasion, Holl has performed with his wife, soprano Ellen van Lier. In 1990, Holl was awarded the title of Kammersänger in Vienna. Read less

Biography

Born: March 10, 1947; Rotterdam, The Netherlands  
Initially known primarily as an artist devoted to music of the Baroque period, bass-baritone Robert Holl later ranged more widely, eventually finding his way to the stage works of Wagner. A favorite artist of conductor Nikolaus Harnoncourt, Holl was later (considerably later) taken into the fold of singers favored by Daniel Barenboim and was chosen by that conductor to sing the role of Hans Sachs for his recording of Die Meistersinger and live Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohlgetan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist, No.7 Choral
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist, No.26 Chor, No.27 Rezitativ (Baß)
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist, No.45 Chor
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist, No.49 Rezitativ (Alt)
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
No.53 Choral: "Zwar ist solche Herzensstube"
No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
No.58 Evangelist: "Als sie nun den König gehöret hatten"
No.59 Chorale: "Ich steh an deiner Krippen hier"
No.60 Evangelist: "Und Gott befahl ihnen im Traum"
No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
No.64 Choral: "Nun seid ihr wohl gerochen"
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse': Kyrie
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Gloria: Gloria in excelsis Deo
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Gloria: Qui tollis
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Gloria: Quoniam tu solus Sanctus
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Credo: Credo in unum Deum
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Credo: Et incarnatus est
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Credo: Et resurrexit
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse': Sanctus
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Benedictus: Benedictus
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Benedictus: Osanna
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Agnus Dei: Agnus Dei
Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Agnus Dei: Dona nobis pacem
Mass in B Minor, BWV 232, Missa: Kyrie eleison (chorus)
Mass in B Minor, BWV 232, Missa: Christe eleison (soprano I & II)
Mass in B Minor, BWV 232, Missa: Kyrie eleison (chorus)
Mass in B Minor, BWV 232, Missa: Gloria in excelsis (chorus)
Mass in B Minor, BWV 232, Missa: Et in terra pax (chorus)
Mass in B Minor, BWV 232, Missa: Laudamus te (soprano II)
Mass in B Minor, BWV 232, Missa: Gratias agimus tibi (chorus)
Mass in B Minor, BWV 232, Missa: Domine Deus (soprano I & tenor)
Mass in B Minor, BWV 232, Missa: Qui tollis peccata mundi (chorus)
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto)
Mass in B Minor, BWV 232, Missa: Quoniam tu solus sanctus (bass)
Mass in B Minor, BWV 232, Missa: Cum Sancto Spiritu (chorus)
Mass in B Minor, BWV 232, Symbolum Nicenum: Credo in unum Deum (chorus)
Mass in B Minor, BWV 232, Symbolum Nicenum: Patrem omnipotentem (chorus)
Mass in B Minor, BWV 232, Symbolum Nicenum: Et in unum Dominum (soprano I & alto)
Mass in B Minor, BWV 232, Symbolum Nicenum: Et incarnatus est (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Crucifixus (chorus)
Mass in B Minor, BWV 232, Symbolum Nicenum: Et resurrexit (chorus)
Mass in B Minor, BWV 232, Symbolum Nicenum: Et in Spiritum Sanctum Dominum (bass)
Mass in B Minor, BWV 232, Symbolum Nicenum: Confiteor (chorus)
Mass in B Minor, BWV 232, Symbolum Nicenum: Et expecto (chorus)
Mass in B Minor, BWV 232, Sanctus: Sanctus (chorus)
Mass in B Minor, BWV 232, Sanctus: Osanna in excelsis (chorus)
Mass in B Minor, BWV 232, Sanctus: Benedictus (tenor)
Mass in B Minor, BWV 232, Sanctus: Osanna in excelsis (chorus)
Mass in B Minor, BWV 232, Agnus Dei: Agnus Dei (alto)
Mass in B Minor, BWV 232, Agnus Dei: Dona nobis pacem (chorus)
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9: Kyrie
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Gloria: Gloria in excelsis Deo
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Gloria: Qui tollis peccata mundi
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Gloria: Quoniam tu solus sanctus
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Credo: Credo in unum Deum
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Credo: Et incarnatus est
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Credo: Et resurrexit tertia die
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Credo: Et vitam venturi saeculi
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9: Sanctus
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9: Benedictus
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Agnus Dei: Agnus Dei
Mass No. 10 in C 'Missa in tempore belli' (Paukenmesse) H XXII:9, Agnus Dei: Dona nobis pacem
Mass in B minor BWV232, Missa: Kyrie eleison (chorus)
Mass in B minor BWV232, Missa: Christe eleison (soprano I & II)
Mass in B minor BWV232, Missa: Kyrie eleison (chorus)
Mass in B minor BWV232, Missa: Gloria in excelsis (chorus)
Mass in B minor BWV232, Missa: Et in terra pax (chorus)
Mass in B minor BWV232, Missa: Laudamus te (soprano II)
Mass in B minor BWV232, Missa: Gratias agimus tibi (chorus)
Mass in B minor BWV232, Missa: Domine Deus (soprano I & tenor)
Mass in B minor BWV232, Missa: Qui tollis peccata mundi (chorus)
Mass in B minor BWV232, Missa: Qui sedes ad dextram Patris (alto)
Mass in B minor BWV232, Missa: Quoniam tu solus sanctus (bass)
Mass in B minor BWV232, Missa: Cum Sancto Spiritu (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Credo in unum Deum (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Patrem omnipotentem (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Et in unum Dominum (soprano I & alto)
Mass in B minor BWV232, Symbolum Nicenum: Et incarnatus est (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Crucifixus (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Et resurrexit (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Et in Spiritum Sanctum Dominum (bass)
Mass in B minor BWV232, Symbolum Nicenum: Confiteor (chorus)
Mass in B minor BWV232, Symbolum Nicenum: Et expecto (chorus)
Mass in B minor BWV232, Sanctus: Sanctus (chorus)
Mass in B minor BWV232, Sanctus: Osanna in excelsis (chorus)
Mass in B minor BWV232, Sanctus: Benedictus (tenor)
Mass in B minor BWV232, Sanctus: Osanna in excelsis (chorus)
Mass in B minor BWV232, Agnus Dei: Agnus Dei (alto)
Mass in B minor BWV232, Agnus Dei: Dona nobis pacem (chorus)
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Presto -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - "O Freunde nicht diese Töne" -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Allegro assai -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Alla marcia (Allegro vivace assai) -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Andante maestoso - Adagio non troppo, ma divoto -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Allegro energico, sempre ben marcato -
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. - Allegro ma non tanto
I. Kyrie - Andante Moderato
II. Gloria - Allegro vivace
II. Gloria - Laudamus te - Allegro aperto
II. Gloria - Gratias agimus tibe - Allegro
II. Gloria - Domine - Allegro moderato
II. Gloria - Qui tollis - Largo
II. Gloria - Quoniam - Allegro
II. Gloria - Jesu Christe - Adagio
III. Credo - Cum sancto spiritu
III. Credo - Allegro maestoso
III. Credo - Et incarnatus est
IV. Sanctus
V. Benedictus - Allegro comodo
Schubert: Mass No.6 In E Flat, D.950 - Kyrie - "Kyrie eleison" - Andante con moto
Schubert: Mass No.6 In E Flat, D.950 - Gloria - "Gloria in excelsis Deo" - Allegro moderato ..
Schubert: Mass No.6 In E Flat, D.950 - Gloria - "Domine Deus" - Andante con moto
Schubert: Mass No.6 In E Flat, D.950 - Gloria - "Quoniam tu solus sanctus" - Tempo I
Schubert: Mass No.6 In E Flat, D.950 - Gloria - "Cum Sancto spiritu" - Moderato
Schubert: Mass No.6 In E Flat, D.950 - Credo - "Credo in unum Deum" - Moderato
Schubert: Mass No.6 In E Flat, D.950 - Credo - "Et incarnatus est" - Andante
Schubert: Mass No.6 In E Flat, D.950 - Credo - "Et resurrexit" - Tempo I
Schubert: Mass No.6 In E Flat, D.950 - Sanctus - "Sanctus, Sanctus, Sanctus Dominus"-Adagio
Schubert: Mass No.6 In E Flat, D.950 - Sanctus - "Osanna in excelsis" - Allegro, ma non ... troppo
Schubert: Mass No.6 In E Flat, D.950 - Benedictus - "Benedictus, qui venit" - Andante
Schubert: Mass No.6 In E Flat, D.950 - Benedictus - "Osanna in excelsis" - Allegro, ma non...
Schubert: Mass No.6 In E Flat, D.950 - Agnus Dei - "Agnus Dei,qui tollis peccata mundi"
Schubert: Mass No.6 In E Flat, D.950 - Agnus Dei - "Dona nobis pacem" - Andante
Schubert: Mass No.6 In E Flat, D.950 - Agnus Dei - "Agnus Dei, qui tollis peccata mundi"
Schubert: Mass No.6 In E Flat, D.950 - Agnus Dei - "Dona nobis pacem" - Andantino


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