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During the last 10 years of his life Alfred Deller made approximately 50 recordings for Harmonia Mundi, and here, 25 years after his death in 1979, the label celebrates and commemorates the work of this uniquely gifted and influential artist. By all accounts of his colleagues (several tributes are included in this set's liner notes)--and evidenced by nearly every note he sang--Deller was a master of expression, of breath control, of the most gentle phrasing and subtle shadings of pitch, always in service of the text and in devotion to the beauty of the musical line. Anyone who closely listens and compares his singing to that of his contemporaries and successors comes away with the conviction that no one has been able to do with a song--even the simplest, most basic folksong--what Deller did. And although his voice has a bit of an edge and has a more penetrating, less-mellifluous cast than today's top countertenors, it also has a consistently clear, bell-like tone that's dead-center and impeccably tuned, and capable of the most minute variations in color and dynamics. It's simply a joy--and often a surprise--to hear. Although this four-disc set is intended as a cornucopia of highlights, several tracks stand out--for me, the simpler the better. That means the solo songs and folksongs, including "The water is wide", "Down by the sally gardens", and "I will give my love an apple", the a cappella "The Wind and the Rain" (from Shakespeare's Twelfth Night), "It was a lover and his lass", and the incomparably masterful "Miserere my Maker", an absolutely astonishing display of vocal artistry and drama. Deller also shines in the Purcell theatre pieces, especially "Fairest Isle" from King Arthur.
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| Works on This Recording | Back to Top | |||
| 1. |
Fairy Queen, Z 629: Come all ye songsters of the sky by Henry Purcell |
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Performer:
John Buttrey (Tenor),
Christina Clarke (Soprano),
Alfred Deller (Countertenor),
Mark Deller (Countertenor), Maurice Bevan (Bass), Norman Platt (Bass), Neil Jenkins (Tenor), Jean Knibbs (Soprano), Honor Sheppard (Soprano) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra, Stour Music Festival Chorus Period: Baroque Written: 1692; England |
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| 2. |
Fairy Queen, Z 629: Prelude by Henry Purcell |
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Conductor:
Alfred Deller
Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra Period: Baroque Written: 1692; England |
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| 3. |
Fairy Queen, Z 629: May the God of Wit by Henry Purcell |
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Performer:
John Buttrey (Tenor),
Honor Sheppard (Soprano),
Jean Knibbs (Soprano),
Mark Deller (Countertenor), Norman Platt (Bass), Christina Clarke (Soprano), Alfred Deller (Countertenor), Maurice Bevan (Bass), Neil Jenkins (Tenor) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra, Stour Music Festival Chorus Period: Baroque Written: 1692; England |
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| 4. |
Fairy Queen, Z 629: Now the maids and the men by Henry Purcell |
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Performer:
John Buttrey (Tenor),
Christina Clarke (Soprano),
Alfred Deller (Countertenor),
Norman Platt (Bass), Neil Jenkins (Tenor), Mark Deller (Countertenor), Maurice Bevan (Bass), Jean Knibbs (Soprano), Honor Sheppard (Soprano) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra, Stour Music Festival Chorus Period: Baroque Written: 1692; England |
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| 5. |
Fairy Queen, Z 629: Sinfonia to Act 4 by Henry Purcell |
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Conductor:
Alfred Deller
Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra Period: Baroque Written: 1692; England |
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| 6. |
Fairy Queen, Z 629: Thus, thus the gloomy world by Henry Purcell |
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Performer:
Maurice Bevan (Bass),
John Buttrey (Tenor),
Alfred Deller (Countertenor),
Honor Sheppard (Soprano), Jean Knibbs (Soprano), Neil Jenkins (Tenor), Mark Deller (Countertenor), Christina Clarke (Soprano), Norman Platt (Bass) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra, Stour Music Festival Chorus Period: Baroque Written: 1692; England |
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| 7. |
Fairy Queen, Z 629: Thus happy and free by Henry Purcell |
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Performer:
John Buttrey (Tenor),
Maurice Bevan (Bass),
Neil Jenkins (Tenor),
Norman Platt (Bass), Mark Deller (Countertenor), Alfred Deller (Countertenor), Christina Clarke (Soprano), Jean Knibbs (Soprano), Honor Sheppard (Soprano) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra, Stour Music Festival Chorus Period: Baroque Written: 1692; England |
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| 8. |
Fairy Queen, Z 629: Yes, Xansi by Henry Purcell |
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Performer:
Neil Jenkins (Tenor),
Maurice Bevan (Bass),
Mark Deller (Countertenor),
Norman Platt (Bass), Christina Clarke (Soprano), Alfred Deller (Countertenor), Jean Knibbs (Soprano), Honor Sheppard (Soprano), John Buttrey (Tenor) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra, Stour Music Festival Chorus Period: Baroque Written: 1692; England |
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| 9. |
Fairy Queen, Z 629: Monkeys' Dance by Henry Purcell |
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Conductor:
Alfred Deller
Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra Period: Baroque Written: 1692; England |
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| 10. |
King Arthur, or The British Worthy, Z 628: Act I, Scene 2 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Jane Ryan (Bass Viola da gamba),
Robert Elliott (Harpsichord)
Conductor: Alfred Deller Orchestra/Ensemble: King's Musick Period: Baroque Written: 1691; England |
Language: English |
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| 11. |
King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Wieland Kuijken (Bass Viola da gamba),
William Christie (Harpsichord)
Period: Baroque Written: 1691; England |
Language: English |
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| 12. |
Indian Queen, Z 630: Wake, Quivera by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Jane Ryan (Bass Viola da gamba),
Robert Elliott (Harpsichord)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Choir, King's Musick Period: Baroque Written: 1695; England |
Language: English |
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| 13. |
Indian Queen, Z 630: Act 3 Trumpet Overture by Henry Purcell |
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Conductor:
Alfred Deller
Orchestra/Ensemble: Deller Consort, Stour Music Festival Orchestra Period: Baroque Written: 1695; England |
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| 14. |
Indian Queen, Z 630: Ah! how happy we are by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Jane Ryan (Bass Viola da gamba),
Robert Elliott (Harpsichord)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Choir, King's Musick Period: Baroque Written: 1695; England |
Language: English |
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| 15. |
Indian Queen, Z 630: I attempt from Love's sickness to fly by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Wieland Kuijken (Bass Viola da gamba),
William Christie (Harpsichord)
Period: Baroque Written: 1695; England |
Language: English |
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| 16. |
Olinda in the shades unseen, Z 404 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
William Christie (Harpsichord),
Desmond Dupré (Bass Viola da gamba)
Period: Baroque Written: England |
Language: English |
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| 17. |
Old Bachelor, Z 607: Thus to a ripe, consenting maid by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Bass Viola da gamba),
William Christie (Harpsichord)
Period: Baroque Written: 1693; England |
Language: English |
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| 18. |
O how happy's he, Z 403 by Henry Purcell |
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Performer:
Desmond Dupré (Bass Viola da gamba),
Alfred Deller (Countertenor),
William Christie (Harpsichord)
Period: Baroque Written: 1690; England |
Language: English |
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| 19. |
Leçons de ténèbres: Lamentatione Jeremiae Prophetae by Anonymous |
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Performer:
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort Period: Medieval |
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| 20. |
Te lucis ante terminum by Thomas Tallis |
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Performer:
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort Period: Renaissance Written: 16th Century; England |
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| 21. |
Leçons de tenébres: Douzième leçon by François Couperin |
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Performer:
Alfred Deller (Countertenor),
Michel Chapuis (Organ),
Raphaël Perulli (Bass Viola da gamba),
Philip Todd (Tenor) Period: Baroque Written: France |
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| Notes: Composition written: France (1713 - 1717). | |||||
| 22. |
Jubilate Domino, omnis terra, BuxWV 64 by Dietrich Buxtehude |
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Performer:
Alfred Deller (Countertenor),
Philip Todd (Tenor),
Michel Chapuis (Organ),
Raphaël Perulli (Bass Viola da gamba) Period: Baroque Written: ?1672; Lübeck, Germany |
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| 23. |
In guilty night, Z 134 by Henry Purcell |
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Performer:
Maurice Bevan (Baritone),
Robert Elliott (Organ),
Honor Sheppard (Soprano),
Alfred Deller (Countertenor), Anne Shuttleworth (Cello) Period: Baroque Written: 1693; England |
Language: English |
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| 24. |
Great King of Gods by Orlando Gibbons |
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Performer:
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Jaye Consort of Viols Period: Renaissance Written: 17th Century; England |
Language: English |
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| 25. |
Ave verum corpus by Giovanni Palestrina |
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Performer:
Robert Elliott (Organ),
Alfred Deller (Countertenor)
Period: Renaissance Written: 16th Century; Italy |
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| 26. |
Il primo libro de motetti: Cantabo Domino by Alessandro Grandi |
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Performer:
Robert Elliott (Organ),
Alfred Deller (Countertenor)
Period: 20th Century |
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| 27. |
The wind and the rain by Anonymous |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Baroque Written: England |
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| 28. |
First Booke of Ayres: It was a lover and his lasse by Thomas Morley |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: 1600; England |
Language: English |
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| 29. |
O mistress mine, where are you roaming by Thomas Morley |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: England |
Language: English |
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| 30. |
Willow Song by Anonymous |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: England |
Language: English |
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| 31. |
Caleno custure me by Anonymous |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: England |
Language: English |
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| 32. |
Miserere my maker by Anonymous |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: England |
Language: English |
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| 33. |
I care not for these ladies by Thomas Campion |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: by 1601; England |
Language: English |
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| 34. |
Of all the birds that I do know by John Bartlett |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: by 1606; England |
Language: English |
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| 35. |
What then is love but mourning? by Philip Rosseter |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Lute)
Period: Renaissance Written: England |
Language: English |
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| 36. |
It is not that I love you less "The Self-banish'd" by John Blow |
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Performer:
Alfred Deller (Countertenor),
Robert Elliott (Organ),
Desmond Dupré (Bass Viola da gamba)
Period: Baroque Written: by 1700; England |
Language: English |
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| 37. |
The Glory of the Arcadian groves by Jeremiah Clarke |
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Performer:
Richard Lee (Recorder),
David Munrow (Recorder),
Alfred Deller (Countertenor),
Robert Elliott (Harpsichord), Desmond Dupré (Bass Viola da gamba) Period: Baroque Written: England |
Language: English |
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| 38. |
Second Booke of Songes or Ayres: no 12, Fine knacks for ladies by John Dowland |
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Performer:
Desmond Dupré (Guitar),
Alfred Deller (Countertenor)
Period: Renaissance Written: 1600; England |
Language: English |
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| 39. |
Second Booke of Songes or Ayres: no 2, Flow, my teares by John Dowland |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance Written: 1600; England |
Language: English |
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| 40. |
If music be the food of love, Z 379 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Wieland Kuijken (Bass Viola da gamba),
William Christie (Harpsichord)
Period: Baroque Written: 1692-1695; England |
Language: English |
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| 41. |
Don Quixote, Z 578: From rosie bow'rs by Henry Purcell |
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Performer:
Wieland Kuijken (Bass Viola da gamba),
Alfred Deller (Countertenor),
William Christie (Harpsichord)
Period: Baroque Written: 1694-1695; England |
Language: English |
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| 42. |
O solitude, my sweetest choice, Z 406 by Henry Purcell |
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Performer:
Jane Ryan (Bass Viola da gamba),
Alfred Deller (Countertenor),
Robert Elliott (Organ)
Period: Baroque Written: by 1687; England |
Language: English |
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| 43. |
Pien d'amoroso affetto by Giulio Caccini |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Baroque Written: 1614; Italy |
Language: Italian |
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| 44. |
Pallidetto qual viola by Claudio Saracini |
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Performer:
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Period: Renaissance |
Language: Italian |
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| 45. |
Le nuove musiche: Amarilli mia bella by Giulio Caccini |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Lute)
Period: Baroque Written: by 1602; Italy |
Language: Italian |
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| 46. |
Infirmata vulnerata by Alessandro Scarlatti |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Bass Viola da gamba),
Robert Elliott (Harpsichord)
Period: Baroque Written: 1702; Italy |
Language: Latin |
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| 47. |
The three ravens by Traditional |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Lute),
Desmond Dupré (Guitar)
Period: Baroque Written: England |
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| 48. |
Black is the color of my true love's hair by Traditional |
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Performer:
Desmond Dupré (Guitar),
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
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| 49. |
Sweet nymph by Traditional |
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Performer:
Alfred Deller (Countertenor),
Mark Deller (Countertenor),
Desmond Dupré (Guitar),
Desmond Dupré (Lute) |
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| 50. |
I go before my darling by Traditional |
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Performer:
Mark Deller (Countertenor),
Desmond Dupré (Guitar),
Alfred Deller (Countertenor),
Desmond Dupré (Lute) |
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| 51. |
The oak and the ash by Traditional |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Lute),
Desmond Dupré (Guitar)
Period: Renaissance |
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| 52. |
Barbara Allen by Traditional |
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Performer:
Desmond Dupré (Guitar),
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Written: England |
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| 53. |
Lord Rendall by Traditional |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Lute),
Desmond Dupré (Guitar)
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| 54. |
Water is wide by Traditional |
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Performer:
Desmond Dupré (Guitar),
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
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| 55. |
The tailor and the mouse by Traditional |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Guitar),
Desmond Dupré (Lute)
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| 56. |
Down by the Salley Gardens by Traditional |
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Performer:
Desmond Dupré (Guitar),
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
Written: Ireland |
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| 57. |
I will give my love an apple by Traditional |
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Performer:
Desmond Dupré (Guitar),
Desmond Dupré (Lute),
Alfred Deller (Countertenor)
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| 58. |
Miraculous love's wounding by Traditional |
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Performer:
Desmond Dupré (Guitar),
Desmond Dupré (Lute),
Mark Deller (Countertenor),
Alfred Deller (Countertenor) |
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| 59. |
Sweet Kate by Robert Jones |
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Performer:
Mark Deller (Countertenor),
Desmond Dupré (Lute),
Alfred Deller (Countertenor),
Desmond Dupré (Guitar) Period: Renaissance Written: by 1609; England |
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| 60. |
Bushes and Briars by Traditional |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Lute),
Desmond Dupré (Guitar)
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| 61. |
The foggy, foggy dew by Traditional |
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Performer:
Alfred Deller (Countertenor),
Desmond Dupré (Guitar),
Desmond Dupré (Lute)
Written: England |
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| 62. |
She moved through the fair by Traditional |
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Performer:
Desmond Dupré (Lute),
Desmond Dupré (Guitar),
Alfred Deller (Countertenor)
Written: Ireland |
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| 63. |
Evening prayer by Traditional |
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Performer:
Desmond Dupré (Guitar),
Alfred Deller (Countertenor),
Desmond Dupré (Lute)
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