Notes and Editorial Reviews
Else Marie Pade (b. 1924) is one of the pioneers of electronic music in Denmark. From the beginning of the 1950s, she, in close co-operation with technicians and assistants on Radio Denmark, produced a substantial amount of concrete and electronic music, partly in the shape of independent works for radio broadcasts, partly in the shape of accompaniments to various radio dramas. She started taking private lessons in composition from both Vagn Holmboe, Jan Maegaard and Leif Kayser.
It was in 1952 that Pade discovered the means by which she could bring into being her universe of sound. The impulse came from a broadcast on Radio Denmark about Pierre Schaeffer, the originator of the new movement within the French field of
electronic music: musique concrète. After visiting Schaeffer in 1952, Pade began to study the concrete aesthetics of music and the technique behind it. In the latter half of the 1950s, Pade, together with Lauridsen, organised an interimistic electronic sound studio at Radio Denmark, where one could work with both concrete and synthetically produced sound material - a synthesis which was also a prominent issue in the new Italian sound studio, Studio de Fonologia Musicale, where people like Luciano Berio, Henri Posseur and John Cage were working. From 1957 until the middle of 1960s, Pade experienced a productive period in which she created a long series of electronic works and thereby made a name for herself, both in Denmark and to a certain extent in international electronic circles. To new listeners, the works on the present album have a mystical, beautiful dreamlike quality with tone colours reminiscent of Varese's Poème électronique or Louis and Bebe Barron's Forbidden Planet film score.
Works on This Recording
Aquarellen über das Meer no 1-21 by Else Marie Pade
Richard Krug (Spoken Vocals),
Helen Davies (Harp),
Gert Sorensen (Percussion)
Period: 20th Century
Notes: Composition written: Denmark (1968 - 1971).
Be the first to review this title