Richard Hickox

Composers

Biography

Born: March 5, 1948   Died: November 23, 2008   Country: England  
Richard Hickox was one of the most active and well-known conductors in Britain, with a strong international reputation, especially for performing music of his native country. He began conducting at the age of 16 and, after studies at the Royal College of Music and Queen's College, where he was an organ scholar, he founded the City of London Sinfonia in 1971, of which he remained musical director until his death.

In 1972 he became organist
Read more and master of music at St. Margaret's Church, Westminster, remaining in that position until 1982. In 1977 he was appointed conductor of the London Symphony Orchestra Chorus, and in 1982 became the music director of the Northern Sinfonia in Newcastle-upon-Tyne. He is credited with re-establishing that orchestra as an ensemble of stature, confirmed by a highly successful tour of the United States and a complete Beethoven symphony recording cycle for the ASV label. He was associate conductor of the San Diego Symphony Orchestra from 1982 to 1985, and took the same title at the London Symphony Orchestra in 1985. He shared leadership duties with Simon Standage for Collegium Musicum 90, a period-instrument group the two founded.

All this activity made Hickox a very familiar face on the British music scene. With his various choral and orchestral ensembles he frequently appeared at the major British music festivals and at the BBC Proms Concerts. He participated in several notable special projects, including a BBC video production of Purcell's Dido and Aeneas and an appearance in the Istanbul Festival leading a production of Mozart's The Abduction from the Seraglio inside the actual sultans' seraglio in the Topkapi Museum. He also provided music for a Ken Russell film for the BBC on the wives of great composers.

In the 1990s he increased his involvement with opera, leading new productions of Handel's Julius Caesar in Berlin, Walton's Troilus and Cressida in a live BBC broadcast of an Opera North production, and Vaughan Williams' Pilgrim's Progress at the Royal Opera House, Covent Garden. He conducted a televised production of Britten's Turn of the Screw on the BBC in 2004.

He guest conducted around the world, including frequent appearances with the Los Angeles Opera and the New Japan Philharmonic in Tokyo. He made over 300 recordings and won numerous awards, including a Gramophon Award in 1992 for his account of Britten's War Requiem, and three Gramophone Awards, a Diapason d'Or, the Deutsche Schalplattenpreis, and a Grammy for his recording of Britten's Peter Grimes in 1995 on the Chandos label, probably the most honored classical recording of the last quarter of the twentieth century. His recordings appeared on the ASV, Argo, EMI, and Virgin labels, and in the early '90s he had been an exclusive Chandos artist. More recording awards were received in 2001 and 2006 for the music of Vaughan Williams and Stanford, respectively. In 2005, he was appointed director of the Opera Australia. Hickox died of a heart attack following a recording session in Wales in November 2008. Read less
Arnold: Complete Symphonies / Hickox, Gamba, London Symphony, Bbc Philharmonic
Release Date: 04/28/2015   Label: Chandos  
Catalog: 108534   Number of Discs: 1
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There are 345 Richard Hickox recordings available.

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Composers

Ensembles

Biography

Born: March 5, 1948   Died: November 23, 2008   Country: England  
Richard Hickox was one of the most active and well-known conductors in Britain, with a strong international reputation, especially for performing music of his native country. He began conducting at the age of 16 and, after studies at the Royal College of Music and Queen's College, where he was an organ scholar, he founded the City of London Sinfonia in 1971, of which he remained musical director until his death.

In 1972 he became organist
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Prologue (Chorus)
Part I: And it came to pass in those days (Tenor)
Part I: The voice of Thy watchman
Part I: Shofar
Part I: It is a good thing to give thanks unto the Lord
Part I: And when it was day, He called unto Him His disciples (Tenor)
Part I: Blessed are the poor in spirit (Jesus)
Part I: And straightway Jesus constrained His disciples to get into a ship (Tenor)
Part I: O Lord Almighty, God of Israel (Mary Magdalene)
Part I: This shall ye have of Mine hand (Mary Magdalene)
Part I: When Jesus came into the parts of Cæsarea Philippi (Tenor)
Part I: Thy face, Lord, will I seek (Mary Magdalene)
Part II: Introduction
Part II: And it came to pass that He went throughout every city and village (Tenor)
Part II: Then gathered the chief Priests and Pharisees a council (Tenor and Bass)
Part II: Hail, Master! (Judas)
Part II: Thou also wast with Jesus of Nazareth
Part II: Then Judas, which had betrayed Him (Contralto)
Part II: Whither shall I go from Thy Spirit? (Judas)
Part II: Truly this was the Son of God (Chorus)
Part II: And very early in the morning they came unto the sepulchre ... (Contralto)
Part II: We trusted that it had been He which should have redeemed Israel
I. Allegro, assai vivace
II. Quasi lento: teneramente
III. Allegro vivo: ritmico e giocoso
I. Allegro deciso
II. Siciliano Elegiaco: Con moto, ma tenerezza
III. Alla Menuetto: Allegro moderato
IV. Rondo: Allegro assai brioso
Stabat Mater
Cujus animam gementem
Quis est homo
Pro peccatis
Eja, Mater, fons amoris
Sancta Mater
Fac ut portem
Inflammatus et accensus
Quando corpus morietur
In sempiterna saecula
Part I: Introduction
Part I: The Merry Cuckoo
Part I: Spring, the Sweet Spring
Part I: The Driving Boy
Part I: The Morning Star
Part II: Welcome Maids of Honour
Part II: Waters above
Part II: Out on the Lawn I lie in Bed
Part III: When will my May come
Part III: Fair and Fair
Part III: Sound the Flute
Part IV: Finale
No. 1. March
No. 2. Jig
No. 3. Roundel
No. 4. Modulation
No. 5. Canon
I. Prelude: Slow - Appassionata
II. How still this quiet cornfield is tonight!
III. Only a man harrowing clods
IV. We who are left, how shall we look again
Beati misericordes
Iesu parabola iam nobis fiat fabula
Bono nunc animo es, viator
En alter in conspectum venit
Ecce, tertius apparet
Theme A: Allegro maestoso e largamente
Theme B: -
Theme C: -
Theme D: -
Theme E: -
Theme F: Presto
Variation A [The Flutes]
Variation B [The Oboes]
Variation C [The Clarinets]
Variation D [The Bassoons]
Variation E [The Violins]
Variation F [The Violas] -
Variation G [The Cellos]
Variation H [The Double Basses]
Variation I [The Harp]
Variation J [The Horns]
Variation K [The Trumpets]
Variation L [The Trombones and Bass Tuba]
Variation M [Percussions]
Fugue: Allegro molto
I. Cakes and Ale
II. The Bitter Withy
III. Hankin Booby
IV. Hunt the Squirrel
V. Lord Melbourne
I. Overture: Andante maestoso
II. Introduction and Incinerator's Dance: Lento
II. Introduction and Incinerator's Dance: Single Clerk: Allegro -
II. Introduction and Incinerator's Dance: Incinerators' Ballet
III. Spider Dance: Spider and the Fly
IV. Approach of Death and Finale: Poco lento -
IV. Approach of Death and Finale: Funeral Music -
IV. Approach of Death and Finale: End Music: Andante poco lento
No. 1. Dawn
No. 2. Sunday Morning
No. 3. Moonlight
No. 4. Storm
Part I: Prelude
Part I: Jesu, Maria - I am near to death (Gerontius)
Part I: Kyrie eleison (Chorus)
Part I: Rouse thee, my fainting soul (Gerontius)
Part I: Be merciful, be gracious (Chorus)
Part I: Sanctus fortis, Sanctus Deus (Gerontius)
Part I: I can no more; for now it comes again (Gerontius)
Part I: Rescue him, O Lord (Chorus)
Part I: Novissima hora est (Gerontius)
Part I: Profiscere, anima Christiana (The Priest)
Part I: Go, in the name of Angels (Chorus)
Part II: I went to sleep (The Soul of Gerontius)
Part II: My work is done (The Angel, The Soul of Gerontius)
Part II: All hail, my child! (The Angel, The Soul of Gerontius)
Part II: Low-born clods of brute earth (Chorus)
Part II: It is the restless panting of their being (The Angel)
Part II: The mind bold and independent (Chorus)
Part II: I see not those false spirits (The Soul of Gerontius, The Angel)
Part II: Praise to the Holiest (Chorus, Angel)
Part II: We now have passed the gate (Angel, The Soul of Gerontius)
Part II: Glory to Him (Chorus)
Part II: They sing of thy approaching agony (The Angel, The Soul of Gerontius)
Part II: But hark! A grand mysterious harmony (The Soul of Gerontius)
Part II: And now the threshold (The Angel)
Part II: Praise to the Holiest (Chorus)
Part II: The judgment now is near (The Angel, The Soul of Gerontius)
Part II: Jesu! By that shuddering dread (The Angel of the Agony)
Part II: I go before my Judge (The Soul of Gerontius, Chorus)
Part II: Praise to His Name! (The Angel)
Part II: Take me away (The Soul of Gerontius)
Part II: Lord, Thou hast been our refuge (Chorus)
Part II: Softly and gently (The Angel, Chorus)
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Lord Jesus, think on me
Noye's Fludde, Op.59 The Chester Miricle Play set to music: I, God, that all this world hath wroughte
Noye's Fludde, Op.59 The Chester Miricle Play set to music: O, Lorde, I thanke thee lowde and still
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Now in the name of God I will begyne
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Wyffe, in this vessell we shall be kepte
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Noye, Noye, take thou thy company
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Sir! heare are lions, lepardes, in
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Wiffe, come in! why standes thou their?
Noye's Fludde, Op.59 The Chester Miricle Play set to music: It is good for to be still
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Eternal Father, strong to save
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Now forty dayes are fullie gone
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Noye, take thy wife anone
Noye's Fludde, Op.59 The Chester Miricle Play set to music: Noye, heare I behette thee a heste
Noye's Fludde, Op.59 The Chester Miricle Play set to music: The spacious firmament on high
I. Maestoso
II. Larghetto
III. Allegro vivace
I. Danse rustique
II. Valse
III. Scene de nuit
IV. Carnival
When boughs are green in April (Louis, Alison) -
When rainbows follow flying showers (Alison) -
Piggy, piggy, piggy! (Father Philippe, Alison) -
Someone is coming! (Alison, Father Philippe, Pierre) -
Before that I was twenty (Pierre, Father Philippe, Alison) -
Learned? Comely? (Father Philippe, Pierre, Alison) -
Heigho, a pretty knave! (Alison, Father Philippe) -
He'll lie all day in the sun (Louis, Pierre, Alison) -
As I was walking here to-day (Pierre, Louis, Alison)
Meditation
Chorus and Solo: Seek Him that maketh the seven stars (Chorus, Tenor)
Recitative and Chorus: As Jesus passed by (Contralto, Women's Chorus)
Solo: Be not extreme, O Lord (Soprano)
Solo: Neither hath this man sinned (Baritone)
Light out of darkness (Chorus)
Recitative: And when He had thus spoken (Contralto, Baritone)
Women's Chorus: Doubt not thy Father's care! (Chorus)
Solo and Chorus: He went his way therefore (Contralto, Tenor, Chorus)
Solo: As a spirit didst Thou pass before mine eyes (Tenor)
Recitative and Chorus: They brought him to the Pharisees (Contralto, Tenor, Chorus)
Solo: Thou only hast the words of life (Contralto)
Soli and Chorus: But the Jews did not believe (Soprano, Contralto, Tenor, Chorus)
Solo and Women's Chorus: Woe to the shepherds of the flock (Soprano, Women's Chorus)
Recitative and Soli: Jesus heard that they had cast him out (Contralto, Tenor, Baritone)
Solo: I am the Good Shepherd (Baritone)
Light of the World, we know Thy praise (Chorus)
I. Preludio
II. Requiem aeternam (Chorus, Soprano)
III. The Lord is my Shepherd (Soprano, Tenor, Chorus)
IV. Sanctus: I will lift up mine eyes (Chorus, Soprano, Tenor)
V. I Heard a Voice from Heaven (Tenor, Chorus, Soprano)
VI. Holy is the True Light (Chorus, Soprano, Tenor)
I. Lento
II. Allegro vivo
III. Meno mosso, con tenerezza
IV. Allegro ritmico
The Men of Cotsall (Chorus)
Sweet Little Linnet (Hugh)
Hugh's Song of the Road (Chorus, Hugh)
Love at First Sight (Hugh, Mary, Chorus)
The Best Man in England (Baritone solo, Chorus)
Alone and Friendless (Hugh)
The Fight and its Sequel (Baritone solo, Mary, Hugh, Chorus)
Hugh in the Stocks (Hugh)
Mary Escapes (Mary, Chorus)
Freedom at last (Hugh, Mary, Chorus)
Prelude: Largo - Andantino - Adagio -
Lento -
Allegro -
Lento - Andante tranquillo - Lento -
Moderato -
Allegro -
Lento
No. 1. The Open Air
No. 2. The Story of My Heart
No. 1. Act I: Prelude: Allegretto moderato - Lento
No. 2. Act II: Intermezzo: Andantino
No. 3. Act III: Intermezzo: Allegretto [marziale]
No. 4. Act III: Prelude: Lento
No. 5. Entr'acte between Act II and Act III: Moderato
I. Seascape
II. Sea-foam
III. Moonlight
IV. Storm
I. Prelude
II. Intermezzo
III. Nocturne
IV. Finale
No.1. I praise the tender flower
No. 2. Thou didst delight my eyes
No. 1. Andante molto moderato e tranquillo
No. 2. Tempo di valse - Animato
I. Prologue -
I. Prologue [figure 2]
II. The Knight
III. The Squire
IV. The Nun
V. The Monk
VI. The Clerk of Oxenford
VII. The Haberdasher and his Fraternity. The Merchant
Refrain: The Unfolding of the Great Mystery
Ikon I
Ikon II
Ikon III - Refrain
Ikon IV
Ikon V - Refrain
Ikon VI
Ikon VII - Refrain
Ikon VIII
Ikon IX
The Tomb
Ikon X
Ikon XI
To this shrine of the first Christians (Son) -
Ask me not. Never search the inexpressible mystery of death (Mother) -
Wait! Do not forsake your grieving son (Son)
Section 1 -
Section 2
Summer Night on the River
Summer Evening
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: [Largo] - Allegro
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: [Largo] - Allegro
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Musette
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Musette
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 1, Overture: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 1: Recit.: Oh Dèi! quivi non scorgo alcun sentiero! (Bradamante, Melisso, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 1: Recit.: Oh Dèi! quivi non scorgo alcun sentiero! (Bradamante, Melisso, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 1: Aria: O s'apre al riso (Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 1: Aria: O s'apre al riso (Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Chorus: Questo è il cielo de' contenti
Alcina - Opera in three acts HWV34, Act I, Scene 2: Chorus: Questo è il cielo de' contenti
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Sarabande
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Sarabande
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Gavotte I
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: Menuet
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: [Gavotte II]
Alcina - Opera in three acts HWV34, Act I, Scene 2, Ballet: [Gavotte II]
Alcina - Opera in three acts HWV34, Act I, Scene 2: Recit.: Ecco l'infido (Bradamante, Melisso, Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Recit.: Ecco l'infido (Bradamante, Melisso, Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Aria: Di', cor mio, quanto t'amai (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 2: Aria: Di', cor mio, quanto t'amai (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Recit.: Generosi guerrier, deh! (Oberto, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Recit.: Generosi guerrier, deh! (Oberto, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Aria: Chi m'insegna il caro padre? (Oberto)
Alcina - Opera in three acts HWV34, Act I, Scene 3: Aria: Chi m'insegna il caro padre? (Oberto)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Recit.: Mi ravvisi, Ruggier, dimmi? (Bradamante, Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Recit.: Mi ravvisi, Ruggier, dimmi? (Bradamante, Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Aria: Di te mi rido, semplice stolto (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scene 4: Aria: Di te mi rido, semplice stolto (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: (5) Recit.: Qua dunque ne veniste (Oronte, Bradamante) - (6) Recit.: Io sono tua difesa (Morgana, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: (5) Recit.: Qua dunque ne veniste (Oronte, Bradamante) - (6) Recit.: Io sono tua difesa (Morgana, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: Aria: È gelosia (Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 5 & 6: Aria: È gelosia (Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scene 7: Recit.: Io dunque (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 7: Recit.: Io dunque (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Recit.: La cerco in vano (Ruggiero, Oronte)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Recit.: La cerco in vano (Ruggiero, Oronte)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Aria: Semplicetto! a donna credi? (Oronte)
Alcina - Opera in three acts HWV34, Act I, Scene 8: Aria: Semplicetto! a donna credi? (Oronte)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: (9) Recit.: Ah, infedele, infedel! (Ruggiero, Alcina) - (10) Recit.: Regina: il tuo soggiorno (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: (9) Recit.: Ah, infedele, infedel! (Ruggiero, Alcina) - (10) Recit.: Regina: il tuo soggiorno (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: Aria: Sì: son quella! (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scenes 9 & 10: Aria: Sì: son quella! (Alcina)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: (11) Recit.: Se nemico mi fossi (Bradamante, Ruggiero) - (12) Recit.: Bradamante favella? (Ruggiero, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: (11) Recit.: Se nemico mi fossi (Bradamante, Ruggiero) - (12) Recit.: Bradamante favella? (Ruggiero, Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: Aria: La bocca vaga, quell'occhio nero (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 11 & 12: Aria: La bocca vaga, quell'occhio nero (Ruggiero)
Alcina - Opera in three acts HWV34, Act I, Scenes 13-15: (13) Recit.: A quai strani perigli (Melisso, Bradamante) - (14) Recit.: Fuggi, cor mio, ti affretta! (Morgana, Bradamante) - (15) Recit.: È forse il mio? (Morgana, Bradamante)
Alcina - Opera in three acts HWV34, Act I, Scenes 13-15: (13) Recit.: A quai strani perigli (Melisso, Bradamante) - (14) Recit.: Fuggi, cor mio, ti affretta! (Morgana, Bradamante) - (15) Recit.: È forse il mio? (Morgana, Bradamante)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act I, Scenes 13-15: Aria: Tornami a vagheggiar (Morgana)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Remastered Version), Act I, Scenes 13-15: Aria: Tornami a vagheggiar (Morgana)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Col celarvi a chi v'ama un momento (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Col celarvi a chi v'ama un momento (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Taci, taci, codardo (Melisso, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Taci, taci, codardo (Melisso, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Qual portento mi richiama (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Qual portento mi richiama (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Atlante, dove sei? (Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Recit.: Atlante, dove sei? (Ruggiero, Melisso)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Pensa a chi geme (Melisso)
Alcina - Opera in three acts HWV34, Act II, 1986Scene 1: Aria: Pensa a chi geme (Melisso)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Recit.: Qual odio ingiusto contro me? (Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Recit.: Qual odio ingiusto contro me? (Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Aria: Vorrei vendicarmi (Bradamante)
Alcina - Opera in three acts HWV34, Act II, Scene 2: Aria: Vorrei vendicarmi (Bradamante)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Recit.: Chi scopre al mio pensiero (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Recit.: Chi scopre al mio pensiero (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 3: Aria: Mi lusinga il dolce affetto (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: (4) Recit.: S'acquieti il rio sospetto (Alcina, Morgana) - (5) Recit.: E la tua pace (Morgana, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: (4) Recit.: S'acquieti il rio sospetto (Alcina, Morgana) - (5) Recit.: E la tua pace (Morgana, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: Aria: Ama, sospira (Morgana)
Alcina - Opera in three acts HWV34, Act II, Scenes 4 & 5: Aria: Ama, sospira (Morgana)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Recit.: Non scorgo nel tuo viso (Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Recit.: Non scorgo nel tuo viso (Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Aria: Mio bel tesoro (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 6: Aria: Mio bel tesoro (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Recit.: Reina: io cerco in vano (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Recit.: Reina: io cerco in vano (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Aria: Tra speme e timore (Oberto)
Alcina - Opera in three acts HWV34, Act II, Scene 7: Aria: Tra speme e timore (Oberto)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Recit.: Reina, sei tradita (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Recit.: Reina, sei tradita (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Aria: Ah! mio cor! schernito sei! (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 8: Aria: Ah! mio cor! schernito sei! (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: (9) Recit.: Or, che dici, Morgana? (Oronte, Morgana) - (10) Recit.: All'offesa, il disprezzo giunge l'ingrata? (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: (9) Recit.: Or, che dici, Morgana? (Oronte, Morgana) - (10) Recit.: All'offesa, il disprezzo giunge l'ingrata? (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: Aria: È un folle, è un vile affetto (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 9 & 10: Aria: È un folle, è un vile affetto (Oronte)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: (11) Recit.: Ed è ver che mi narri? (Oberto, Bradamante) - (12) Recit.: Eccomi a' piedi tuoi (Ruggiero, Bradamante, Morgana)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: (11) Recit.: Ed è ver che mi narri? (Oberto, Bradamante) - (12) Recit.: Eccomi a' piedi tuoi (Ruggiero, Bradamante, Morgana)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: Aria: Verdi prati, selve amene (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scenes 11 & 12: Aria: Verdi prati, selve amene (Ruggiero)
Alcina - Opera in three acts HWV34, Act II, Scene 13: Recit.: Ah! Ruggiero crudel (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 13: Recit.: Ah! Ruggiero crudel (Alcina)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act II, Scene 13: Aria: Ombre pallide, lo so, mi udite (Alcina)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Remastered Version), Act II, Scene 13: Aria: Ombre pallide, lo so, mi udite (Alcina)
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes funestes
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes funestes
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables effrayés
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Entrée des songes agréables effrayés
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Le combat des songes funestes et agréables
Alcina - Opera in three acts HWV34, Act II, Scene 13, Ballet: Le combat des songes funestes et agréables
Alcina - Opera in three acts HWV34, Act III: Sinfonia
Alcina - Opera in three acts HWV34, Act III: Sinfonia
Alcina - Opera in three acts HWV34, Act III, Scene 1: Recit.: Voglio amar e disamar (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Recit.: Voglio amar e disamar (Oronte, Morgana)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Aria: Credete al mio dolore (Morgana)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Aria: Credete al mio dolore (Morgana)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Recit.: M'inganna, me n'avveggo (Oronte)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Recit.: M'inganna, me n'avveggo (Oronte)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Aria: Un momento di contento (Oronte)
Alcina - Opera in three acts HWV34, Act III, Scene 1: Aria: Un momento di contento (Oronte)
Alcina - Opera in three acts HWV34, Act III, Scene 2: Recit.: Molestissimo incontro! (Ruggiero, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 2: Recit.: Molestissimo incontro! (Ruggiero, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 2: Aria: Ma quando tornerai (Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 2: Aria: Ma quando tornerai (Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 3: Recit.: Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 3: Recit.: Tutta d'armate squadre (Melisso, Ruggiero, Bradamante)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Digital Remaster), Act III, Scene 3: Aria: Sta nell'Ircana pietrosa tana (Ruggiero)
Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett) (2006 Remastered Version), Act III, Scene 3: Aria: Sta nell'Ircana pietrosa tana (Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scene 4: Recit.: Vanne tu seco ancora (Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 4: Recit.: Vanne tu seco ancora (Melisso, Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 4: Aria: All'alma fedel (Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 4: Aria: All'alma fedel (Bradamante)
Alcina - Opera in three acts HWV34, Act III, Scene 5: Recit.: Niuna forza lo arresta (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 5: Recit.: Niuna forza lo arresta (Oronte, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 5: Aria: Mi restano le lagrime (Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 5: Aria: Mi restano le lagrime (Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 6: Chorus: Sin per le vie del sole
Alcina - Opera in three acts HWV34, Act III, Scene 6: Chorus: Sin per le vie del sole
Alcina - Opera in three acts HWV34, Act III, Scene 6: Recit.: Già vicino è il momento (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 6: Recit.: Già vicino è il momento (Oberto, Alcina)
Alcina - Opera in three acts HWV34, Act III, Scene 6: Aria: Barbara! Io ben lo so (Oberto)
Alcina - Opera in three acts HWV34, Act III, Scene 6: Aria: Barbara! Io ben lo so (Oberto)
Alcina - Opera in three acts HWV34, Act III, Scene 7: Recit.: Le lusinghe, gl'inganni, non udir più (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scene 7: Recit.: Le lusinghe, gl'inganni, non udir più (Bradamante, Alcina, Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scene 7: Trio: Non è amor, nè gelosia (Alcina, Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scene 7: Trio: Non è amor, nè gelosia (Alcina, Bradamante, Ruggiero)
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: (8) Recit.: Prendi, e vivi (Ruggiero, Oronte) - (9) Recit.: Ah mio Ruggier, che tenti? (Alcina, Ruggiero, Bradamante) - (10) Recit.: Misera, ah, no! (Alcina, Morgana) - (Final scene)
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: (8) Recit.: Prendi, e vivi (Ruggiero, Oronte) - (9) Recit.: Ah mio Ruggier, che tenti? (Alcina, Ruggiero, Bradamante) - (10) Recit.: Misera, ah, no! (Alcina, Morgana) - (Final scene)
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: Chorus: Dall'orror di notte cieca
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: Chorus: Dall'orror di notte cieca
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11, Ballet: Entrée
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11, Ballet: Entrée
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11, Ballet: Tamburino
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11, Ballet: Tamburino
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: Chorus: Doppo tante amare pene
Alcina - Opera in three acts HWV34, Act III, Scenes 8-11: Chorus: Doppo tante amare pene
Alcina - Opera in three acts HWV34, Appendix 1: Recit.: Vo cercando la bella cagion (Ruggiero)
Alcina - Opera in three acts HWV34, Appendix 1: Recit.: Vo cercando la bella cagion (Ruggiero)
Alcina - Opera in three acts HWV34, Appendix 1: Aria: Bramo di trionfar (Ruggiero)
Alcina - Opera in three acts HWV34, Appendix 1: Aria: Bramo di trionfar (Ruggiero)
Alcina - Opera in three acts HWV34, Appendix 2: Chorus: Questo è il cielo de' contenti
Alcina - Opera in three acts HWV34, Appendix 2: Chorus: Questo è il cielo de' contenti
Psalm 42, for chorus, soprano and orchestra Op. 42: 1. Chorus: Wie der Hirsch schraeit nach frischem Wasser
Psalm 42, for chorus, soprano and orchestra Op. 42: 2. Aria: Meine Seele dürstet nach Gott
Psalm 42, for chorus, soprano and orchestra Op. 42: 3. Recitative and Aria: Meine Tränen sind meine Speise Tag und Nacht
Psalm 42, for chorus, soprano and orchestra Op. 42: 4. Chorus: Was betrübst de dich, meine Seele
Psalm 42, for chorus, soprano and orchestra Op. 42: 5. Recitative: Mein Gott, betrübt ist meine Seele in Mir
Psalm 42, for chorus, soprano and orchestra Op. 42: 6. Quintet: Der Herr hat des Tages verheissen seine Güte
Psalm 42, for chorus, soprano and orchestra Op. 42: 7. Chorus: Was betrübt de dich, meine Seele
Sinfonietta, I. Allegro con brio: II. Tema con variazioni:
Sinfonietta, I. Allegro con brio: II. Tema con variazioni:
An English Suite: I. Prelude
An English Suite: I. Prelude
An English Suite: II. In Minuet Style
An English Suite: II. In Minuet Style
An English Suite: III. Saraband
An English Suite: III. Saraband
An English Suite: IV. Caprice
An English Suite: IV. Caprice
An English Suite: V. Pastoral
An English Suite: V. Pastoral
An English Suite: VI. Air
An English Suite: VI. Air
An English Suite: VII. Frolic
An English Suite: VII. Frolic
Elegy Op. 58
Elegy Op. 58
Sospiri Op. 70
Sospiri Op. 70


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