Richard Arnell
Born: September 15, 1917; London, England
Died: April 10, 2009; Kent, England
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Arnell was educated at the Royal College of Music and taught at Trinity College of Music and Hofstra University. He also served as music consultant at the London Film School. Arnell's many compositions include works for nearly every medium and in many styles. His most successful works are those with a narrative character. An example of this type of work is his score for Punch and the Child. Arnell excels at characterizations in a Romantic style
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Works
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Classical Variations in C for strings, Op. 1 (1)
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Concerto for Piano, Op. 44 (1)
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Concerto for violin, Op. 70 "Capriccioso" (1)
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Concerto for Violin, Op. 9 "In one movement" (1)
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Harlequin in April, Op. 63 (1)
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Lord Byron, Op. 67 (1)
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Prelude for Orchestra, Op. 46 "Black Mountain" (1)
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Punch and the Child, Op. 49 (1)
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Quartet for Strings no 1, Op. 4 (1)
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Quartet for Strings no 2, Op. 14 (1)
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Quartet for Strings no 3 in E flat major, Op. 41 (1)
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Quartet for Strings no 4, Op. 62 (1)
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Quartet for Strings no 5, Op. 99 (1)
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Robert Flaherty Impression, Op. 87 (1)
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Sinfonia quasi variazioni (1)
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Suite for Cello solo (1)
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Symphony no 1 (1)
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Symphony no 2, Op. 33 "Rufus" (1)
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Symphony no 3, Op. 40 (1)
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Symphony no 4, Op. 52 (2)
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Symphony no 5, Op. 77 "The Gorilla" (2)
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Symphony no 6 "The Anvil" (1)
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Symphony no 7, Op. 201 "Mandela" (1)
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The Angels, Op. 81: 1st movement - Introduction (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Fluttering" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Lyrical" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Morbid" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Reflective" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Strident" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Terrified" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Theme Restated" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Theme" (1)
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The Angels, Op. 81: 1st movement - Theme and Variations "Vigorous" (1)
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The Angels, Op. 81: 2nd movement, Roundelay (1)
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The Angels, Op. 81: 3rd movement - Finale (1)
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The Angels, Op. 81: 3rd movement - Introduction (1)
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The Angels, Op. 81: 3rd movement - Transformation (1)
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The Great Detective, Op. 68: Dance of Deduction (1)
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The Great Detective, Op. 68: Detective's Mental Arithmetic (1)
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The Great Detective, Op. 68: Distressed Ladies and Doctor (1)
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The Great Detective, Op. 68: Distressed Ladies and Suspect (1)
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The Great Detective, Op. 68: Doctor's Distress (1)
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The Great Detective, Op. 68: Finale (1)
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The Great Detective, Op. 68: Overture (1)
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The Great Detective, Op. 68: Police and the Doctor (1)
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The Great Detective, Op. 68: The Distracted Ladies (1)
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The Great Detective, Op. 68: The Fiend (1)
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The Great Detective, Op. 68: The Fight (1)
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The Great Detective, Op. 68: The Victims (1)
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The Great Detective, Op. 68: Villans (1)
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The Great Detective, Op. 68: Villans and Police (1)
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The New Age (1)
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Biography |
by Lynn Vought
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| Arnell was educated at the Royal College of Music and taught at Trinity College of Music and Hofstra University. He also served as music consultant at the London Film School. Arnell's many compositions include works for nearly every medium and in many styles. His most successful works are those with a narrative character. An example of this type of work is his score for Punch and the Child. Arnell excels at characterizations in a Romantic style but continued to experiment with new techniques in his later works. |
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