Riccardo Chailly

Biography

Born: February 20, 1953   Country: Italy  
Riccardo Chailly is a dynamic, and sometimes controversial, conductor known for his devotion to contemporary music, and for his attempts to modernize approaches to the traditional symphonic repertory. His many recordings for the Decca label include modern masterworks by Zemlinsky, Hindemith, and Schnittke, the symphonies of Gustav Mahler, and a number of operas.

The son of composer Luciano Chailly and a sometime rhythm and blues drummer,
Read more Chailly began his conducting career as Claudio Abbado's assistant at La Scala, cutting his teeth on the standard operatic literature. He attained considerable success as an opera conductor in his own right, making guest appearances at London's Covent Garden, the Metropolitan Opera, and numerous Italian and German houses; he also made several notable recordings, including an Andre Chénier with Luciano Pavarotti. Nevertheless, he decided to focus his energies on symphonic conducting instead, feeling that it offered a wider avenue for artistic exploration. To that end, he became the principle conductor of Berlin's Radio Symphony Orchestra in 1982, eventually leading them on their first North American tour in 1985; he was also the principal guest conductor of the London Philharmonic from 1982-1985.

In 1988, the newly rechristened Royal Concertgebouw Orchestra named the 35-year-old Chailly as its chief conductor and artistic director. This would prove to be the defining post of his career, and he would cut back on his touring and operatic engagements to make it the center of his artistic activities. The relationship with both the orchestra and its audience was rocky at first, marked by resentment toward his "modernistic" approach to the works of Bruckner, Mahler, and Brahms. (Among other things, Chailly moved the group away from its signature sound, and toward a more flexible palette of orchestral color, adaptable to the needs of each composer.) But after that adjustment, Chailly assumed a position of confident leadership over the group, maintaining its position as one of Europe's finest ensembles, but also establishing it as a source of innovation and fresh perspective. Chailly eventually left the Concertgebouw in 2004, where he was replaced by Mariss Jansons. In 2005, he assumed a new post with the Leipzig Gewandhaus Orchestra.

Chailly is a noted champion of Edgard Varèse and Alexander Zemlinsky, both of whom he feels have been under-appreciated. He also maintains an interest in the performance practice of the Baroque era, and in his performances of Bach's St. Matthew Passion he attempts to balance the sound of the modern orchestra with the style of the period. Still selectively active as an operatic conductor, Chailly has made several notable Rossini recordings, including La cenerentola, starring Cecilia Bartoli. Chailly has also assumed the leadership of the Orchestra symphonica Guiseppe Verdi, which is a professional Italian orchestra composed entirely of players between 18 and 25 years of age. Read less

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Biography

Born: February 20, 1953   Country: Italy  
Riccardo Chailly is a dynamic, and sometimes controversial, conductor known for his devotion to contemporary music, and for his attempts to modernize approaches to the traditional symphonic repertory. His many recordings for the Decca label include modern masterworks by Zemlinsky, Hindemith, and Schnittke, the symphonies of Gustav Mahler, and a number of operas.

The son of composer Luciano Chailly and a sometime rhythm and blues drummer,
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Allegro molto
2. Scherzo (Allegro non troppo) - Trio (Poco più moto)
3. Adagio non troppo
4. Menuetto I-II
5. Scherzo (Allegro)
6. Rondo (Allegro)
1. Allegro moderato
2. Scherzo (Vivace)
3. Adagio non troppo
4. Quasi menuetto - Trio
5. Rondo (Allegro)
1. Allegro
2. Adagio un poco mosso
3. Rondo (Allegro)
1. Un poco sostenuto - Allegro - Meno allegro
2. Andante sostenuto
3. Un poco allegretto e grazioso
4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro
1. Allegro con brio - Un poco sostenuto - Tempo I
2. Andante
3. Poco allegretto
4. Allegro
1. Allegro non troppo
2. Adagio non troppo - L'istesso tempo, ma grazioso
3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
4. Allegro con spirito
1. Allegro non troppo
2. Andante moderato
3. Allegro giocoso - Poco meno presto - Tempo I
4. Allegro energico e passionato - Più allegro
1. Alternative opening
1. Alternative opening
Theme: "Chorale St. Antoni"
Variation I: Poco più animato
Variation II: Più vivace
Variation III: Con moto
Variation IV: Andante con moto
Variation V: Vivace
Variation VI: Vivace
Variation VII: Grazioso
Variation VIII: Presto non troppo
Finale: Andante
1. Andante
1. Andante
A Midsummer Night's Dream Opus 61: No.1 Scherzo
A Midsummer Night's Dream Opus 61: No.5 Intermezzo
A Midsummer Night's Dream Opus 61: No.7 Notturno
A Midsummer Night's Dream opus 61: Wedding March
1. Molto allegro con fuoco
2. Andante
3. Presto
1. Allegro appassionato
2. Adagio. Molto sostenuto
3. Finale. Presto scherzando
Brahms: Violin Concerto in D, Op.77 - 1. Allegro non troppo
Brahms: Violin Concerto in D, Op.77 - 2. Adagio
Brahms: Violin Concerto in D, Op.77 - 3. Allegro giocoso, ma non troppo vivace - Poco più presto
Air de Ballet No.1 - Pas de Quatre
Air de Ballet No.2 - Pas de Deux
Air de Ballet No.3 - Pas Solo
Airs de Ballet No.4 Pas d'ensemble: Allegro
1. Introduction
2. Chant d'amour 1
3. Turangalîla I
4. Chant d'amour 2
5. Joie de sang des étoiles
6. Jardin du sommeil d'amour
7. Turangalîla 2
8. Développement de l'amour
9. Turangalîla 3
10. Final
1. Allegramente
2. Adagio assai
3. Presto
1. Adagio molto - Allegro con brio
2. Andante cantabile con moto
3. Menuetto (Allegro molto e vivace)
4. Finale (Adagio - Allegro molto e vivace)
1. Adagio molto - Allegro con brio
2. Larghetto
3. Scherzo (Allegro)
4. Allegro molto
1. Allegro con brio
2. Marcia funebre (Adagio assai)
3. Scherzo (Allegro vivace)
4. Finale (Allegro molto)
1. Adagio - Allegro vivace
2. Adagio
3. Allegro vivace
4. Allegro ma non troppo
1. Poco sostenuto - Vivace
2. Allegretto
3. Presto - Assai meno presto
4. Allegro con brio
1. Allegro vivace e con brio
2. Allegretto scherzando
3. Tempo di menuetto
4. Allegro vivace
1. Allegro con brio
2. Andante con moto
3. Allegro
4. Allegro
1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
2. Szene am Bach: (Andante molto mosso)
3. Lustiges Zusammensein der Landleute (Allegro)
4. Gewitter, Sturm (Allegro)
5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - Allegro ma non troppo
Overture (Sinfonia)
"Nostra patria è il mondo intero"
"Ho da far un dramma buffo"
"Ah! se di questi zingari l'arrivo"
"Vado in traccia d'una Zingara"
"Chi vuol far si astrologar"
"Ah! mia moglie"
"Brava! Intesi ogni cosa"
"Non si dà follia maggiore"
"Voga, voga"
"Bella Italia, alfin ti miro"
"Che bel Turco! avviciniamoci"
"Serva..." "Servo"
"Della Zingara amante"
"Un marito scimunito!"
"Olà: tosto il caffè"
"Siete dei Turchi"
"Io stupisco, mi sorprende"
"Come! Sì grave torto"
"Sono arrivato tardi"
"Per piacere alla signora"
"No mia vita, mio tesoro"
"Ho quasi del mio dramma"
"Gran maraviglie"
"Per la fuga è tutto lesto"
"Perché mai se non tradito"
"Evviva d'amore"
"Chi servir non brama amor"
"Qui mia moglie ha da venire"
"Ah! che il cor non m'ingannava"
"Vada via: si guardi bene"
"Quanto il vento"
"A proposito, amico"
"D'un bell'uso in Turchia"
"Se Fiorilla di vender bramate"
"Ed invece di pagarla"
"Credeva che questa scena"
"Non v'è piacer perfetto"
"Che Turca impertinente!"
"Credete alle femmine"
"Fermate"
"Intesi: ah! tutto intesi"
"Tu seconda il mio disegno"
"Oh sorte deplorabile!"
"Se ho da dirla avrei molto"
"Ah se nel mondo"
"Oh! che fatica!"
"Ah! sarebbe troppo dolce"
"Amor la danza mova"
"E Selim non si vede!"
Prima Ripresa del Coro
"Cara Fiorilla mia"
Seconda Ripresa del Coro
"Eccomi qui"
"Oh! guardate che accidente"
"Dunque seguitemi"
"Questo vecchio maledetto"
"Ah, poeta"
"Chi avria creduto"
"I vostri cenci vi mando"
"Squallida veste"
"Caro padre, madre amata"
"Si: mi e forza partir"
"Son la vite sul campo appassita"
"Rida a voi sereno il Cielo"
Verdi: Rigoletto - Overture (Preludio)
Verdi: Rigoletto / Act 1 - Introduzione. "Della mia bella incognita borghese"
Verdi: Rigoletto / Act 1 - "Questa o quella...Partite? Crudele!"
Verdi: Rigoletto / Act 1 - "Gran nuova! Gran nuova!" - "Tutto è gioia, tutto è festa" (Scena e Coro)
Verdi: Rigoletto / Act 1 - "Ch'io gli parti...Voi congiuraste contro noi"
Verdi: Rigoletto / Act 1 - "Quel vecchio maledivami...Va, non ho niente"
Verdi: Rigoletto / Act 1 - Scena e Duetto. "Pari siamo"
Verdi: Rigoletto / Act 1 - "Figlia..Mio padre!"..."Quanto dolor"
Verdi: Rigoletto / Act 1 - "Veglia, o donna, questa fior"
Verdi: Rigoletto / Act 1 - "Giovanni, ho dei rimorsi...E il sol dell'anima"
Verdi: Rigoletto / Act 1 - "Che m'ami, deh, ripetimi" - "Addio... speranza ed anima"
Verdi: Rigoletto / Act 1 - Scena ed Aria. "Gualtier Maldè" - "Caro nome"
Verdi: Rigoletto / Act 1 - Scena e Coro - Finale I. "Riedo!... Perché?"
Verdi: Rigoletto / Act 1 - "Zitti, zitti...Soccorso, padre mio"
Verdi: Rigoletto / Act 2 - "Ella mi fu rapita...Parmi veder le lagrime"
Verdi: Rigoletto / Act 2 - "Duca, duca!" (Scena) - "Scorrendo uniti" (Coro)
Verdi: Rigoletto / Act 2 - "Possente amor"
Verdi: Rigoletto / Act 2 - Scena ed Aria. "Povero Rigoletto!" "La rà, la rà"
Verdi: Rigoletto / Act 2 - "Cortigiani, vil razza dannata...Ebben piango"
Verdi: Rigoletto / Act 2 - "Mio padre!...Compiuto pur quanto"
Verdi: Rigoletto / Act 2 - "Schiudete, ire al carcere"
Verdi: Rigoletto / Act 3 - Scena e Canzona. "E l'ami!"
Verdi: Rigoletto / Act 3 - "La donna è mobile" - "E là il vostr'uomo"
Verdi: Rigoletto / Act 3 - Quartetto. "Un dì, se ben rammentomi"
Verdi: Rigoletto / Act 3 - "Bella figlia dell'amore"
Verdi: Rigoletto / Act 3 - "Venti scudi hai tu detto"
Verdi: Rigoletto / Act 3 - "Ah, più non ragiono!..."
Verdi: Rigoletto / Act 3 - "Della vendetta alfin...Chi è mai"
Verdi: Rigoletto / Act 3 - "V'ho ingannato" - "Lassù... in cielo"
Stravinsky: Petrouchka - Version 1947 - Scene 1 - The Shrovetide Fair - The Crowds - The Conjuring-trick
Stravinsky: Petrouchka - Version 1947 - Scene 1 - Russian Dance
Stravinsky: Petrouchka - Version 1947 - Scene 2 - Petrouchka's Room
Stravinsky: Petrouchka - Version 1947 - Scene 3 - The Moor's Room - Dance of the Ballerina
Stravinsky: Petrouchka - Version 1947 - Scene 3 - Waltz (The Ballerina and the Moor)
Stravinsky: Petrouchka - Version 1947 - Scene 4 - The Shrovetide Fair (Evening)
Stravinsky: Petrouchka - Version 1947 - Scene 4 - Dance of the Wet-nurses
Stravinsky: Petrouchka - Version 1947 - Scene 4 - Dance of the Peasant and the Bear
Stravinsky: Petrouchka - Version 1947 - Scene 4 - The Merchant and the Gipsies
Stravinsky: Petrouchka - Version 1947 - Scene 4 - Dance of the Coachmen and the Grooms
Stravinsky: Petrouchka - Version 1947 - Scene 4 - The Masqueraders
Stravinsky: Petrouchka - Version 1947 - Scene 4 - The Scuffle
Stravinsky: Petrouchka - Version 1947 - Scene 4 - Death of Petrouchka
Stravinsky: Petrouchka - Version 1947 - Scene 4 - The Police and the Charlatan
Stravinsky: Petrouchka - Version 1947 - Scene 4 - Apparition of Petrouchka's Ghost
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - Introduction
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - The Augurs Of Spring: Dances Of The Young Girls
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - Ritual Of Abduction
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - Spring Rounds
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - Ritual Of The Rival Tribes
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - Procession of the Sage
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 1: The Adoration of the Earth - Dance Of The Earth
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 2: The Sacrifice - Introduction
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 2: The Sacrifice - Mystic Circles Of The Young Girls
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 2: The Sacrifice - Glorification Of The Chosen One
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 2: The Sacrifice - Evocation Of The Ancestors
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 2: The Sacrifice - Ritual Action Of The Ancestors
Stravinsky: Le Sacre du Printemps - Revised version for Orchestra (published 1947) - Part 2: The Sacrifice - Sacrificial Dance (The Chosen One)
Stravinsky: Pulcinella Ballet in one Act - 1. Ouverture: Allegro moderato
Stravinsky: Pulcinella Ballet in one Act - 2. Serenata: Larghetto: "Mentre l'erbetta"
Stravinsky: Pulcinella Ballet in one Act - 3. Scherzino: Allegro
Stravinsky: Pulcinella Ballet in one Act - 4. Allegro
Stravinsky: Pulcinella Ballet in one Act - 5. Andantino
Stravinsky: Pulcinella Ballet in one Act - 6. Allegro
Stravinsky: Pulcinella Ballet in one Act - 7. Ancora poco meno: "Contento forse vivere"
Stravinsky: Pulcinella Ballet in one Act - 8. Allegro assai
Stravinsky: Pulcinella Ballet in one Act - 9. Allegro - alla breve: "Con queste paroline"
Stravinsky: Pulcinella Ballet in one Act - 10. Andante: "Sento dire no'ncè pace"
Stravinsky: Pulcinella Ballet in one Act - 11. Allegro: "Ncè sta quaccuna po" - "Una te falan" zemp
Stravinsky: Pulcinella Ballet in one Act - 12. Presto: "Una te fa la zemprece"
Stravinsky: Pulcinella Ballet in one Act - 13. Allegro - alla breve
Stravinsky: Pulcinella Ballet in one Act - 14. Tarantella
Stravinsky: Pulcinella Ballet in one Act - 15. Andantino: "Se tu m'ami"
Stravinsky: Pulcinella Ballet in one Act - 16. Allegro
Stravinsky: Pulcinella Ballet in one Act - 17. Gavotta con due variazioni
Stravinsky: Pulcinella Ballet in one Act - 18 Vivo
Stravinsky: Pulcinella Ballet in one Act - 19. Tempo di minuetto: "Pupillette, fiammette d'amore"
Stravinsky: Pulcinella Ballet in one Act - 20. Allegro assai
Stravinsky: Apollon musagète (1947 Version) - 1. Birth Of Apollo
Stravinsky: Apollon musagète (1947 Version) - 2. Variation Of Apollo (Apollo And The Muses)
Stravinsky: Apollon musagète (1947 Version) - 3. Pas d'action (Apollo And The 3 Muses)
Stravinsky: Apollon musagète (1947 Version) - 4. Variation Of Calliope (The Alexandrine)
Stravinsky: Apollon musagète (1947 Version) - 5. Variation Of Polyhymnia
Stravinsky: Apollon musagète (1947 Version) - 6. Variation Of Terpsichore
Stravinsky: Apollon musagète (1947 Version) - 7. Variation Of Apollo
Stravinsky: Apollon musagète (1947 Version) - 8. Pas de deux (Apollo And Terpsichore)
Stravinsky: Apollon musagète (1947 Version) - 9. Coda
Stravinsky: Apollon musagète (1947 Version) - 10. Apotheosis
1. Allegro
2. Adagio
3. Allegro
1. Allegro
2. Siciliano
3. Allegro
1. Allegro
2. Adagio e piano sempre
3. Allegro
1. Allegro
2. Largo
3. Presto
Prelude
"Si può? Signore! Signori!"
"Son qua! Ritornano"
"Un grande spettacolo!"
"Un tal gioco, credetemi"
"I zampognari!"
Qual fiamma avea nel guardo..Stridono lassù
"Sei là" - "So ben che difforme" - "Oh! lasciami"
"Nedda! Silvio, a quest'ora"
"Decidi il mio destin"
Non mi...tentar
"E allor perché, di', tu m'hai stregato"
"Cammina adagio" - "Derisione e scherno!" - "Padron! che fate!"
"Recitar!" - "Vesti la giubba"
Intermezzo
"Presto, affrettiamoci"
"Pagliaccio, mio marito"
Di fare il segno convenuto
"Arlecchin! Colombina!" - "Prendi questo narcotico"
"Versa il filtro ne la tazza sua!"
"No, Pagliaccio non son" - "Suvvia, cosi terribile"
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 1. Allegro ma non tanto
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 2. Intermezzo (Adagio)
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 3. Finale (Alla breve)
Catfish Row
Porgy Sings
Fugue
Hurricane
Good Morning, Brother (Sistuh)
1. Allegro
2. Adagio
3. Allegro agitato
Mahler: Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke - 1. Adagio
Mahler: Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke - 2. Scherzo
Mahler: Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke - 3. Purgatorio
Mahler: Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke - 4. Scherzo
Mahler: Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke - 5. Finale
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist: "Da das der König Herodes hörte"
No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
No.53 Choral: "Zwar ist solche Herzensstube"
No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
No.58 Evangelist: "Als sie nun den König gehöret hatten"
No.59 Chorale: "Ich steh an deiner Krippen hier"
No.60 Evangelist: "Und Gott befahl ihnen im Traum"
No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
No.64 Choral: "Nun seid ihr wohl gerochen"
No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
No.5 Recitative (Alto): "Du lieber Heiland du"
No.6 Aria (Alto): "Buss und Reu"
No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
No.8 Aria (Soprano): "Blute nur, du liebes Herz"
No.9 Evangelist:"Aber am ersten Tage der süssen Brot"
No.10 Choral: "Ich bin's, ich sollte büssen"
No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
No.15 Choral: "Erkenne mich, mein Hüter"
No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
No.17 Choral: "Ich will hier bei dir stehen"
No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
No.21 Evangelist, Jesus: "Und ging hin ein wenig"
No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
No.23 Aria (Bass): "Gerne will ich mich bequemen"
No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
No.29 Choral: "O Mensch, bewein dein Sünde groß"
No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
No.31 Evangelist: "Die aber Jesum gegriffen hatten"
No.32 Choral: "Mir hat die Welt trüglich gericht"
No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
No.35 Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen"
No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
No.37 Choral: "Wer hat dich so geschlagen"
No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
No.39 Aria (Alto): "Erbarme dich"
No.40 Choral: "Bin ich gleich von dir gewichen"
No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
No.44 Choral: "Befiehl du deine Wege"
No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
No.48 Recitative (Soprano): "Er hat uns allen wohlgetan"
No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
No.51 Recitative (Alto): "Erbarm es Gott"
No.52 Aria (Alto): "Können Tränen meiner Wangen"
No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
No.54 Choral: "O Haupt voll Blut und Wunden"
No.55 Evangelist: "Und da sie ihn verspottet hatten"
No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
No.57 Aria (Bass): "Komm, süsses Kreuz"
No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
No.59 Recitative (Alto): "Ach Golgatha"
No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand"
No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an"
No.62 Choral: "Wenn ich einmal soll scheiden"
No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss"
No.64 Recitative (Bass): "Am Abend, da es kühle war"
No.65 Aria (Bass): "Mache dich, mein Herze, rein"
No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib"
No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht"
No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
1. (Allegro)
2. Adagio


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