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Reveriano Soutullo
Born: April 11, 1880; Puenteareas, Pontevedra   Died: October 29, 1929; Madrid, Spain  
Reveriano Soutullo received his first musical instruction from his father, a local bandmaster, and later from local teachers. He was somewhat a prodigy, directing a choir at the age of 14. In 1900, he entered the Madrid Conservatory, where he won several prizes. After his graduation in 1906, he studied with both Maurice Ravel and Camille Saint-Saëns before returning to Madrid. There, he was encouraged as a zarzuela composer by Ruperto Chapi, and ...
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Works
(El) Último romántico: SCORE ORDER NOT KNOWN - Bella enamorada (1)
(La) Del Soto del Parral: Ya mis horas felices (2)
El ultimo romantico, zarzuela: Romanza de Encarnacion (1)
El último romántico: Bella enamorada (2)
El último romántico: Noche de amor (5)
El último romántico: Romanza de Encarnación (1)
La del soto del parral, zarzuela: Quiero desterrar de tu pecho el temor (1)
La del soto del parral: Al fin de la faena busca mi mozo "Lovers Patrol" (1)
La del soto del parral: Excerpt(s) (1)
La del soto del parral: Quiero desterrar de tu pecho (4)
La del soto del parral: Ya mis horas felices (2)
La leyenda del beso (1)
La leyenda del beso: Amor, mi raza sabe conquistar (3)
La leyenda del beso: Hecho de un rayo de luna (1)
La leyenda del beso: Intermezzo (2)
Biography by Anne Feeney
Reveriano Soutullo received his first musical instruction from his father, a local bandmaster, and later from local teachers. He was somewhat a prodigy, directing a choir at the age of 14. In 1900, he entered the Madrid Conservatory, where he won several prizes. After his graduation in 1906, he studied with both Maurice Ravel and Camille Saint-Saëns before returning to Madrid. There, he was encouraged as a zarzuela composer by Ruperto Chapi, and his first, La paloma del barrio, premiered in 1911. In 1919, he had his first collaboration (El Caprico de una Reina) with Juan Vert, with whom he later wrote some of his masterworks, including El ultimo romantico and La leyenda del beso. He was a particularly prolific composer, producing more than 100, as well as an opera, La devocion de la Cruz, and symphonic music. Despite this prodigious output, his early death, as well as Vert's, represented a major loss to the zarzuela field.
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