Raymond Leppard

Biography

Born: August 11, 1927; London, England  
Raymond John Leppard, one of the foremost British conductors of the twentieth century, has also been a film score composer and a leading scholar and conductor in the movement to restore older music to the stage in performances of authentic style.

Although he was born in London, he was raised in the resort town of Bath. He graduated from Trinity College, Cambridge, in 1952. There, his teachers were Hubert Middleton and Boris Ord. While at
Read more Cambridge, he studied harpsichord and viola, was a choral conductor, and became music director of the Cambridge Philharmonic Society. His professional debut was in 1952 in London's Wigmore Hall, as a conductor.

He specialized in music of the seventeenth and eighteenth centuries, often conducting from the harpsichord as he provided inventive, even witty realizations of the harpsichord continuo parts. He also conducted in British opera houses, still socializing in Baroque and Classical era music. In 1957, he became a lecturing fellow at Trinity, remaining in that position until 1967. In 1959, he debuted at Covent Garden in a production of Handel's Samson, marking the bicentenary of that opera. He first appeared at the Glyndebourne Festival in 1962 and at Sadler's Wells in 1965.

During all this time, he had formed an association with the Goldsborough Orchestra, which later became the English Chamber Orchestra. Many of his early concert recordings and appearances were with the E.C.O. In the meantime, he embarked on two major fields of endeavor outside performing and teaching: film score composition and editing of Baroque operas. He wrote a large number of film scores, including the classic Lord of the Flies (1963). His last score was Hotel New Hampshire (1985). He edited operas of Monteverdi and Cavalli and his first such edition was a realization of Monteverdi's L'incoronazione di Poppea, which he conducted at Glyndebourne in 1962. His editions of these operas and his conducting them brought them back to the public often for the first time in 300 years and was a tremendous boost to the movement to bring back Baroque opera and other music of composers of the century before Bach.

However, Leppard is not a part of what is called the "authentic" or "period" instrument movement, working with the instruments that can be found in the world's opera orchestras of today. The period instrument adherents find points to criticize in his willingness to transpose vocal parts particularly of leading male roles from alto singers to male voice range, his restructuring of the libretti to more modern dramatic tastes, and the general richness of the orchestration. He answers these criticisms in his book Authenticity in Music. As many of his editions are published, they remain the basis for many modern productions of such works as Monteverdi's Orfeo and Il ritorno d'Ulisse in patria and Cavalli's L'Ormindo, La Calista, and L'Orione. The Italian government has honored him with the title of Commendatore for his services in bringing early Italian music back to the repertory.

Meanwhile, he expanded is activities into the standard repertory. He was principal conductor of the BBC Northern Symphony Orchestra (now the BBC Philharmonic) (1973-1980). His American debut was in 1969 with the Westminster Choir and the New York Philharmonic in a concert during which he played and conducted the Haydn D major harpsichord concerto. His theatrical debut in the U.S. was at the Santa Fe Opera in 1974, leading L'Egisto. He also conducted a memorable revival of Virgil Thomson's The Mother of Us All at Santa Fe and debuted at the Metropolitan Opera in 1978 leading Britten's Billy Budd.

He settled in the United States in 1976 and became principal guest conductor of the Saint Louis Symphony Orchestra (1984-1990). His major orchestral appointment was as music director of the Indianapolis Symphony Orchestra (1987), where he stepped down at the expiration of his latest contract in the early 2000s. His avowed purpose was to keep this 87-piece, full-time orchestra the same size (which he considers ideal for Classical repertory and that part of the Romantic and twentieth century repertory that adheres to neo-Classical symphonic tradition) and make it the best "Classical orchestra" in the world.

He has made more than 170 recordings in Britain and the U.S. on many major and independent labels, including EMI, London, Lyrita, and Koss Classics, and has won virtually every international recording prize. In Indianapolis, he has created a warm, elegant sound to add to his recognized virtues of clarity of line, lightness of rhythmic touch, and superb phrasing. Read less
Grieg: Holberg Suite, Sigurd Jorsalfar Suite, Lyric Suite / Leppard, ECO
Release Date:    Label: Philips  
Catalog: 432277   Number of Discs: 1
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Biography

Born: August 11, 1927; London, England  
Raymond John Leppard, one of the foremost British conductors of the twentieth century, has also been a film score composer and a leading scholar and conductor in the movement to restore older music to the stage in performances of authentic style.

Although he was born in London, he was raised in the resort town of Bath. He graduated from Trinity College, Cambridge, in 1952. There, his teachers were Hubert Middleton and Boris Ord. While at
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Marche pour le combat
Premier air pour les combattants
Deuxième air pour les combattants - Marche (reprise)
Le sommeil
Entrée des songes agréables
Entrée des songes funestes
Gavotte en rondeau et air pour la suite de Flore
Chaconne
Prélude
Ouverture
Trio pour les habitants de l'isle enchantée
Air de trompette
Air pour les jeunes gens
Entrée de Polyphème et de sa suite
Air pour le printemps
Air à danser
Petit air gay et Bourrée pour les egyptiens
Gavotte en rondeau pour Triton
Trio des hautbois
Marche des sacrificateurs et des combattants
Marche des Masques Galantes
Air
La Forlana
Menuet
Premier Air pour les Espagnols
Sarabande
Louré
Rigaudon I & II
Passepied I & II
Air (Gavotte en Rondeau)
Prelude
Air en Rondeau
Guitar Concerto No.1 in A Major, Op.30: I. Allegro maestoso
Guitar Concerto No.1 in A Major, Op.30: II. Siciliana (Andantino)
Guitar Concerto No.1 in A Major, Op.30: III. Polonaise (Allegretto)
Guitar Concerto No.3 in F Major, Op.70: I. Allegro moderato
Guitar Concerto No.3 in F Major, Op.70: II. Andantino alla Siciliana con variazioni
Guitar Concerto No.3 in F Major, Op.70: III. Polonaise (Allegretto)
Chor: "Wachet auf, ruft uns die Stimme"
Rezitativ: "Er kommt, er kommt, der Bräutigam kommt!"
Arie (Duett): "Wann kommst du, mein Heil?"
Choral: "Zion hört die Wächter singen"
Rezitativ: "So geh' herein zu mir"
Arie: "Mein Freund ist mein!"
Choral: "Gloria sei dir gesungen"
Chor: "Ein feste Burg ist unser Gott"
Arie: "Mit unsrer Macht ist nichts getan"
Rezitativ: "Erwäge doch, Kind Gottes"
Arie: "Komm in mein Herzens Haus"
Choral: "Und wenn die Welt voll Teufel wär"
Rezitativ: "So stehe denn bei Christi blutgefärbter Fahne"
Duett: "Wie selig sind doch, die Gott im Munde tragen"
Choral: "Das Wort sie sollen lassen stahn"
I. Allegro maestoso
II. Adagio ma non troppo
III. Rondo: Tempo di menuetto
I. Allegro aperto
II. Adagio ma non troppo
III. Rondo: Allegro
1. Allegretto
2. Molto moderato
3. Allegro giusto
4. Molto maestoso
5. Allegro giusto
6. Allegro con moto
7. Allegretto grazioso
8. Un poco allegretto e grazioso
9. Andante con moto
10. Andante
1. Adagio
2. Allegro
3. Largo
4. Vivace
1. Vivace
2. Fuga (Allegro)
3. Andante
4. Allegro
1. Grave
2. Allegro
3. Sarabande (Largo)
4. Allegro
1. Largo e staccato
2. Allegro
3. Adagio
4. Allegro
1. Andante
2. Adagio
3. Allegro
1. Allegro
2. Largo - Adagio
3. Allegro - Adagio
4. Andante non presto
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Sinfonia
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Aria: Ah! Crudel nel pianto mio
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Recit: Non sdegnerai d'amor
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Aria: Di quel bel che il ciel ti diede
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Recit: Balena il cielo
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Aria: Per trofei di mia constenna
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Recit: Dietro l'orma fugmei
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Aria: Ah! crudel, e pur ten vei
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Recit: Per te mi struggo infido
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Aria: Venti, fermate mi
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Recit: Ma che parlo, che dice?
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Aria: In tanti affermi miei
1. Allegro
2. Largo
3. Allegro
4. Allegro
1. Vivace - Grave
2. Largo
3. Allegro
4. -
1. Largo e staccato
2. Allegro
3. Adagio
4. Allegro
1a. Andante
1b. Allegro - Lentemente
2. Andante
3. Allegro
4. Minuetto
1. Largo
2. Allegro
3. Largo
4. Allegro
1. (without tempo indication)
2. Fuga (Allegro)
3. Adagio
4. Allegro, ma non troppo
5. Allegro
1. Vivace
2. Allegro
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Introduction
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Early one morning... (Peter)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Suddenly, something caught Peter's attention (The Cat)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): No sooner had Peter gone (The Wolf)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): And now, this is how things stood
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Meanwhile, Peter made a lasso
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then... (The Hunters)
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): And now...imagine the triumphant procession!
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Spoken introduction
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Theme: Allegro maestoso e largamente
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Woodwind
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Brass
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Strings
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Percussion
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Full orchestra
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): A: Flutes & piccolo - Presto
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): B: Oboes - Lento
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): C: Clarinets - Moderato
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): D: Bassoons - Allegro con marcia
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): E: Violins - Brillante, alla polacca
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): F: Violas - Meno mosso
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): G: Cellos - L'istesso tempo
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): H: Double basses - Cominciando lento ma poco a poco accelerando al allegro
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): I: Harp - Maestoso
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): J: Horns - L'istesso tempo
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): K: Trumpets - Vivace
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): L: Trombones & bass tuba - Allegro pomposo
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): M: Percussion - Moderato
The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Fugue: Allegro molto - Con slancio (L'istesso tempo) (full orchestra)
Handel: Water Music Suite No.1 in F, HWV 348 - 1. Ouverture (Grave - Allegro - Adagio e staccato)
Handel: Water Music Suite No.1 in F, HWV 348 - 2. Allegro - Andante - Allegro
Handel: Water Music Suite No.1 in F, HWV 348 - 3. Passepied
Handel: Water Music Suite No.1 in F, HWV 348 - 4. Air
Handel: Water Music Suite No.1 in F, HWV 348 - 5. Bourrée
Handel: Water Music Suite No.1 in F, HWV 348 - 6. Allegro
Handel: Water Music Suite No.1 in F, HWV 348 - 7. Hornpipe
Handel: Water Music Suite No.1 in F, HWV 348 - 8. Menuet
Handel: Water Music Suite No.2 in D, HWV 349 - 1. Allegro
Handel: Water Music Suite No.2 in D, HWV 349 - 2. Hornpipe
Handel: Water Music Suite No.2 in D, HWV 349 - 3. Lentement
Handel: Water Music Suite No.2 in D, HWV 349 - 4. Bourrée
Handel: Water Music Suite No.2 in D, HWV 349 - 5. Menuet
I. Allegro
II. Andante
III. Finale. Allegro
Concerto for Trumpet and Orchestra in E Major: I. Allegro con spirito
II. Andante
III. Rondo
Concerto in D Major for Trumpet and Orchestra: I. Adagio
II. Allegro
Concerto in C Major for Two Trumpets and Strings, RV 537: I. Allegro
II. Largo
III. Allegro
I. Allegro
II. Andante
III. Allegro
Concerto in D Major for Trumpet and Orchestra: I. Adagio
II. Allegro moderato
Concerto in E-flat Major for Trumpet and Orchestra: I. Allegro con spirito
II. Andante
III. Rondo. Allegro molto
1. Präludium (Allegro vivace)
2. Sarabande (Andante)
3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte
4. Air (Andante religioso)
5. Rigaudon (Allegro con brio)
I. Allegro
II. Andante
III. Finale. Allegro
Concerto for Trumpet, 2 Oboes, Strings and Continuo in D Major: I. Allegro
II. Largo
III. Allegro (moderato)
Concerto for Trumpet and Orchestra in E Major: I. Allegro con spirito
II. Andante
III. Rondo
Concerto in D Major for Trumpet and Orchestra: I. Adagio
II. Allegro
Mozart: Exsultate, jubilate, K.165 - 1. Exsultate, jubilate
Mozart: Exsultate, jubilate, K.165 - 2. Fulget amica dies
Mozart: Exsultate, jubilate, K.165 - 3. Tu virginum corona
Mozart: Exsultate, Jubilate, K.165 - 4. Alleluia
I. Allegro
II. Andante
III. Allegro
Overture: Allegro - Adagio
Overture: Alla gavotta
"Vezzi, lusinghe, e brio"
"Ami dunque, o signora?" - "Ginevra?"
"Orrida agli occhi miei"
"Orgogliosa beltade!"
"Apri le luci, e mira"
"Mie speranze, che fate?"
"Coperta la frode"
"Qui d'amor"
"T'amerò dunque sempre"
"Prendi da questa mano" - "Non vi turbate"
"Volate, amori"
"Vanne pronto, Odoardo"
"Voli colla sua tromba"
"Oh! felice mio core!" - "Con l'ali di costanza"
"Conosco il merto tuo"
"Spero per voi"
"Dalinda, in occidente"
"Del mio sol vezzosi rai"
"Ah! che quest'alma amante" - "Il primo ardor"
"Pare, ovunque m'aggiri" - "E qual propizia stella"
Sinfonia pastorale
"Se rinasce nel mio cor" - "Si godete al vostro amor"
Musette I (Lentement)
Musette II (Andante)
Allegro
"Si godete al vostro amor"
Prelude (Notte con lume di luna)
"Di Dalinda l'amore" - "Eccolo o amico"
"Tu preparati a morire"
"Ginevra?"
"Tu vivi, e punito"
"E vivo ancora?"
"Scherza infida in grembo al drudo"
"Lo stral ferì nel segno"
"Se tanto piace al cor"
"Felice fu il mio inganno" - "Se l'inganno sortisce felice"
"Andiam, fidi, al consiglio"
"Invida sorte avara"
"Mi palpita il core"
"Sta'lieta, o principessa!" - "Mio Re!"
"Il tuo sangue"
"Quante sventure un giorno sol ne porta!"
"A me impudica?"
"Il mio crudel martoro"
Entrée des Songes agréables
Entrée des Songes funestes
Entrée des Songes agréables affligés
Combat des Songes funestes et agréables
"Che vidi? Oh Dei!"
"Numi! Lasciarmi vivere"
"Perfidi! io son tradita!"
"Cieca notte, infidi sguardi"
"Ingrato Polinesso!" - "Neghittosi, or voi che fate?"
"Sire, deh, non negare"
"Dover, giustizia, amor"
"Or venga a me la figlia" - "Ecco la figlia"
"Io ti bacio"
"Figlia, da dubbia sorte"
"Al sen ti stringo"
"Così mi lascia il padre?"
"Si, morrò, ma l'onor mio"
"Arrida il cielo alla giustizia" - "Ferma, signor" - "E Dalinda dov'è?"
"Dopo notte, atra e funesta"
"Dalinda! ecco risorge"
"Dite spera, e son contento"
"Da dubbia infausta sorte"
"Manca, oh Dei!"
"Figlia! innocente figlia!"
"Bramo aver mille vite..."
"Ognuno acclami bella virtute"
Alla gavotta
Rondeau
"Sa trionfar ognor"
1. Allegro
2. Adagio ma non troppo
3. Allegro ma non troppo
1. Allegro
2. Adagio
3. Allegro
1. --
2. Adagio e piano sempre
3. Allegro
1. (Allegro)
2. Largo
3. Presto
1. --
2. Andante
3. Allegro assai
1. --
2. Andante
3. Allegro assai
1. (Allegro)
2. Siciliano
3. Allegro
1. (Allegro moderato)
2. Larghetto
3. Allegro ma non tanto
1. Allegro
2. Adagio
3. Allegro
1. (Allegro)
2. Adagio
3. Vivace
1. (Allegro)
2. Andante e piano
3. Allegro assai
1. Allegro
2. Adagio ma non tanto e dolce
3. Tempo di Allabreve
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Sinfonia
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Aria: Ah! Crudel nel pianto mio
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Recit: Non sdegnerai d'amor
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Aria: Di quel bel che il ciel ti diede
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Recit: Balena il cielo
Italian Cantata No.1 - Ah! crudel nel pianto mio (2001 Digital Remaster): Aria: Per trofei di mia constenna
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Recit: Dietro l'orma fugmei
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Aria: Ah! crudel, e pur ten vei
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Recit: Per te mi struggo infido
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Aria: Venti, fermate mi
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Recit: Ma che parlo, che dice?
Cantata No.13 - Armida abbandonata (2001 Digital Remaster): Aria: In tanti affermi miei
I. Allegro maestoso from Concerto No. 1 in G, K. 313
II. Adagio non troppo from Concerto No. 1 in G, K 313
III. Rondo (Temp di Menuetto) from Concerto No. 1 in G, K. 313
I. Allegro aperto from Concerto No. 2 in D, K. 314
II. Andante ma non troppo from Concerto No. 2 in D K. 314
Flute Concerto No. 2 in D K314/285d: III. Rondeau (Allegro)
Lamento d'Arianna (Madrigals Book IV) (1967 Digital Remaster): I: Lasciatemi morire
Lamento d'Arianna (Madrigals Book IV) (1967 Digital Remaster): II: O Teseo, Teseo mio
Lamento d'Arianna (Madrigals Book IV) (1967 Digital Remaster): III: Dove, dove è la fede
Lamento d'Arianna (Madrigals Book IV) (1967 Digital Remaster): Ahi, che non pur risponde
Grieg: Peer Gynt Suite No.1, Op.46 - 1. Morning mood
Grieg: Peer Gynt Suite No.1, Op.46 - 2. Aase's death
Grieg: Peer Gynt Suite No.1, Op.46 - 3. Anitra's dance
Grieg: Peer Gynt Suite No.1, Op.46 - 4. In the Hall of the Mountain King
Grieg: Peer Gynt Suite No.2, Op.55 - 1. The Abduction (Ingrid's lament)
Grieg: Peer Gynt Suite No.2, Op.55 - 2. Arabian dance
Grieg: Peer Gynt Suite No.2, Op.55 - 3. Peer Gynt's return
Grieg: Peer Gynt Suite No.2, Op.55 - 4. Solveig's song
Grieg: 4 Norwegian Dances, Op.35 - Orchestrated by Hans Sitt - No. 1 in D minor (Allegro marcato)
Grieg: 4 Norwegian Dances, Op.35 - Orchestrated by Hans Sitt - No. 2 in A (Allegretto tranquillo e grazioso)
Grieg: 4 Norwegian Dances, Op.35 - Orchestrated by Hans Sitt - No. 3 in G (Allegro moderato alla Marcia)
Grieg: 4 Norwegian Dances, Op.35 - Orchestrated by Hans Sitt - No. 4 in D (Allegro molto)
Grieg: Holberg Suite, Op.40 - 1. Präludium (Allegro vivace)
Grieg: Holberg Suite, Op.40 - 2. Sarabande (Andante)
Grieg: Holberg Suite, Op.40 - 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte
Grieg: Holberg Suite, Op.40 - 4. Air (Andante religioso)
Grieg: Holberg Suite, Op.40 - 5. Rigaudon (Allegro con brio)
Grieg: Sigurd Jorsalfar, three Orchestral pieces Op.56 - 1. Prelude: In the King's Hall (Op.22 No.1)
Grieg: Sigurd Jorsalfar, three Orchestral pieces Op.56 - 2. Intermezzo: Borghild's Dream (Op.22 No.2)
Grieg: Sigurd Jorsalfar, three Orchestral pieces Op.56 - 3. Homage March (Op.22 No.4)
Grieg: Old Norwegian Romance, Op.51 - Poco tranquillo
Grieg: Old Norwegian Romance, Op.51 - Variations
Grieg: Old Norwegian Romance, Op.51 - Finale
Grieg: Symphonic Dances, Op.64 - 1. No. 1 in G
Grieg: Symphonic Dances, Op.64 - 2. No. 2 in A
Grieg: Symphonic Dances, Op.64 - 3. No. 3 in D
Grieg: Symphonic Dances, Op.64 - 4. No. 4 in A minor
Chor: "Wachet auf, ruft uns die Stimme"
Rezitativ: "Er kommt, er kommt, der Bräutigam kommt!"
Arie (Duett): "Wann kommst du, mein Heil?"
Choral: "Zion hört die Wächter singen"
Rezitativ: "So geh' herein zu mir"
Arie: "Mein Freund ist mein!"
Choral: "Gloria sei dir gesungen"
1. Allegro assai con spirito
2. Adagio
3. Menuetto
1. Grave - Allegro assai
2. Andantino
3. Minué amoroso
4. Presto assai
1. Allegro con molto
2. Andantino amoroso
3. Tempo di minué
4. Presto ma non tanto
1. Andante sostenuto - Allegro assai
2. Andantino con moto
3. Andante sostenuto - Allegro con molto
1. Allegro maestoso
2. Grave -
3. Allegro con molto
1. Allegro con spirito
2. Adagio non tanto
3. Minuetto
4. Prestissimo
1. Allegro assai
2. Larghetto
3. Minuetto con moto
4. Grave - Allegro assai


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