Rafael Kubelik

Biography

Born: June 29, 1914   Died: August 11, 1996   Country: Czechoslovakia  
A top conductor of large orchestral works of the late nineteenth century, Rafael Kubelik was born near Prague in 1914. The son of violinist Jan Kubelik (1880-1940), he studied violin, piano, composition, and conducting at the Prague Conservatory. He made his debut before the Czech Philharmonic Orchestra at age 19, and in 1939 became the music director of the National Opera in Brno, Czechoslovakia. In 1941, he became the music director of the Read more Czech Philharmonic Orchestra, a post he held until 1948. In 1948, with the establishment of a Communist dictatorship in Czechoslovakia, Kubelik left his homeland and became an exile for the next 40 years.

Kubelik's three years with the Chicago Symphony Orchestra, beginning in 1950, were frustrating. A persuasive rather than a dictatorial figure and a diplomat rather than a martinet, he lacked the ability to control the orchestra. Additionally, Kubelik's musical sensibilities had been shaped in the early twentieth century rather than the late nineteenth, as had been the case with his immediate predecessors, and he programmed far too much modern music for the taste of critics and subscribers. Kubelik was fortunate that his appointment coincided with the orchestra making its first move into long-playing records for the Mercury label. Among his two dozen recordings with the Chicago Symphony Orchestra was a riveting performance of Mussorgsky's Pictures at an Exhibition and one of Smetana's My Fatherland. Ultimately the fit just wasn't right between Kubelik and the orchestra, and he gave up the appointment.

Kubelik served for three years, from 1955 through 1958, as music director of the Covent Garden Opera in London, where he conducted the British premieres of Janácek's Jenufa and Berlioz's Les troyens. From 1961 until 1979, he was music director of the Bavarian Radio Symphony in Munich, with which he also recorded extensively (for Deutsche Grammophon), and was the principal conductor of the Metropolitan Opera in New York during the 1973-1974 season as well. He was a most-welcomed guest conductor in Chicago on many occasions throughout his later career, appeared with virtually all of the world's major orchestras, and recorded extensively in England, America, and Germany. In 1973, he became a Swiss citizen.

Rafael Kubelik embodied a tradition of robust post-Romantic music-making that was ideally suited to the recording medium as well as the concert hall. He was celebrated as a master of rich orchestral color, which was brought out most vividly in the late Romantic and post-Romantic scores for which he was most popular. This included much of the Russian repertory and virtually all of the nationalist music of the era, especially the work of his fellow countrymen Antonin Dvorák, Leos Janácek, and Bedrich Smetana. He recorded the latter's Má Vlast at least four times on as many different labels, the last at a live performance in Prague during 1990 at a concert commemorating the liberation of the country from Communist rule released on the Supraphon label. The sheer number of his recordings that remain in print, and their equal distribution between the "historical" and modern sections of classical music departments, speaks volumes about his enduring popularity and the validity of his performances and interpretations. His complete Beethoven and Mahler cycles remained in print for many years. Although relatively little of his operatic work was preserved on record, the small number of these are also well-regarded, especially his Rigoletto.

With the fall of the Communist dictatorship, Kubelik, who had been intermittently ill for several years, returned to Czechoslovakia for the first time in four decades with the intention of resuming composing full-time. As it was, he had authored five operas, several symphonies, and various works for soloist and orchestra, vocal works, and chamber pieces. Read less

There are 212 Rafael Kubelik recordings available.

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Biography

Born: June 29, 1914   Died: August 11, 1996   Country: Czechoslovakia  
A top conductor of large orchestral works of the late nineteenth century, Rafael Kubelik was born near Prague in 1914. The son of violinist Jan Kubelik (1880-1940), he studied violin, piano, composition, and conducting at the Prague Conservatory. He made his debut before the Czech Philharmonic Orchestra at age 19, and in 1939 became the music director of the National Opera in Brno, Czechoslovakia. In 1941, he became the music director of the Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Allegro energico, ma non troppo. Heftig aber Markig
2. Scherzo (Wuchtig)
3. Andante moderato
4. Finale (Allegro moderato)
1. Sostenuto assai - Un poco piů vivace - Allegro ma non troppo - Con fuoco
2. Scherzo (Allegro vivace)
3. Adagio espresssivo
4. Allegro molto vivace
1. Ziemlich langsam - Lebhaft
2. Romanze (Ziemlich langsam)
3. Scherzo. Lebhaft
4. Langsam - Lebhaft - Schneller - Presto
Wir sind am Ziele (Bluebeard, Judith)
Dies ist also Blaubarts Feste (Judith, Bluebeard)
Gross schweigende Turen (Judith, Bluebeard)
Erste Tur: Weh! - Was siehst du? (Bluebeard, Judith)
Zweite Tur: Was siehst du? - Tausend schaurig scharfe Waffen (Bluebeard, Judith)
Dritte Tur: Oh, welche Pracht! (Judith, Bluebeard)
Vierte Tur: Ein Blumenmeer, ein einziger Duft (Judith, Bluebeard)
Funfte Tur: Ah! Sieh, so weit die Blicke reichen (Judith, Bluebeard)
Sechste Tur: Weisses stilles Wasser sech ich (Judith, Bluebeard)
Herzog Blaubart, lass Dich fragen... (Judith, Bluebeard)
Siebente Tur: Schau, die fruher'n Frauen alle (Bluebeard, Judith)
Fruh am Morgen kam die erste (Bluebeard, Judith)
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile
IV. Presto - allegro assai
1. Adagio - Allegro molto
2. Largo
3. Scherzo (Molto vivace)
4. Allegro con fuoco
I. Gemassigt, mehr bewegt, misterioso
II. Andante - Bewegt, feierlich, quasi Adagio
III. Scherzo: Ziemlich schnell
IV. Finale: Allegro
Mahler: Symphony No.1 In D - 1. Langsam. Schleppend
Mahler: Symphony No.1 In D - 2. Kräftig bewegt
Mahler: Symphony No.1 In D - 3. Feierlich und gemessen, ohne zu schleppen
Mahler: Symphony No.1 In D - 4. Stürmisch bewegt
Mathis Der Maler: Vorspiel: Concert of Angels
Mathis Der Maler, 1st Tableau, Scene 1: Sonniges Land. Mildes Drängen schon nahen Sommers (Mathis)
Mathis Der Maler, 1st Tableau, Scene 1: Rector potens, verax Deus (Brüder/Mathis)
Mathis Der Maler, 1st Tableau, Scene 2: Aufmachen! Helft uns! (Scwalb/Regina/Mathis)
Mathis Der Maler, 1st Tableau, Scene 2: Woher kommt ihr denn?
Mathis Der Maler, 1st Tableau, Scene 2: "Es wollt ein Maidlein..." (Mathis/Regina)
Mathis Der Maler, 1st Tableau, Scene 2: Was redest du da? (Schwalb/Mathis)
Mathis Der Maler, 1st Tableau, Scene 2: Denk an dein eigenes Blut (Schwalb)
Mathis Der Maler, 1st Tableau, Scene 2: Was reißest du kaum vernarbte Wunden auf? (Mathis/Schwalb)
Mathis Der Maler, 1st Tableau, Scene 3: Staub am Himmel (Regina/Schwalb/Mathis)
Mathis Der Maler, 1st Tableau, Scene 4: Raus, Schwarzröcke, aus eurem Genistel (Sylvester/Brüder/Mathis)
Mathis Der Maler, 2nd Tableau, Scene 1: Dem Volk stopft man die falschen Lehren ins Maul (Päpstliche/Pommersfelden/Lutherische/Capito/Studenten)
Mathis Der Maler, 2nd Tableau, Scene 2: Nach dem Lärm vieler Orte (Albrecht/Chor/Capito/Pommersfelden)
Mathis Der Maler, 2nd Tableau, Scene 3: Man fühlt den Segen (Albrecht/Ursula)
Mathis Der Maler, 2nd Tableau, Scene 3: Gewinnst du auch mein Herz (Albrecht/Mathis/Ursula/Riedinger)
Mathis Der Maler, 2nd Tableau, Scene 3: Dürfen wir sagen, was uns bedrängt? (Riedinger/Albrecht/Pommersfelden)
Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito)
Mathis Der Maler, 2nd Tableau, Scene 5: Was gibt's? - Eine Botschaft (Albrecht/Sylvester/Mathis)
Mathis Der Maler, 2nd Tableau, Scene 5: Meiner Brüder Angstschrei (Mathis/Albrecht/Capito/Pommersfelden/Sylvester)
Mathis Der Maler, 3rd Tableau, Scene 1: In dieser Arche wird unsere Habe (Lutherische/Riedinger)
Mathis Der Maler, 3rd Tableau, Scene 1: Ihr wißt, daß hier nichts finden könnt
Mathis Der Maler, 3rd Tableau, Scene 1: Es ist meine Meinung (Riedinger/Lutherische/Capito)
Mathis Der Maler, 3rd Tableau, Scene 2: Man könnte päpstlich werden (Lutherische/Ursula/Riedinger)
Mathis Der Maler, 3rd Tableau, Scene 3: Was bin ich anderes in dieser Männerwelt?
Mathis Der Maler, 3rd Tableau, Scene 3: Wir sind im innersten Grund verbunden (Ursula/Mathis)
Mathis Der Maler, 3rd Tableau, Scene 3: Ich kann nicht mehr malen (Mathis/Ursula/Lutherische/Päpstliche)
Mathis Der Maler, 3rd Tableau, Scene 4: Unsre Schande leuchte in des Feuers Schein (Riedinger/Ursula/Lutherische)
Mathis Der Maler, 4th Tableau, Scene 1: Marsch (Orchester)...Du hast uns lange getreten (Bauern/Gräfin/Pfeifer)
Mathis Der Maler, 4th Tableau, Scene 2: Wer heiß euchden Grafen ermorden?
Mathis Der Maler, 4th Tableau, Scene 2: Heilige Jungfrau, erlöse mich (Gräfin/Mathis/Bauern)
Mathis Der Maler, 4th Tableau, Scene 3: Das sieht euch gleich (Schwalb/Bauern/Mathis/Regina/Gräfin)
Mathis Der Maler, 4th Tableau, Scene 3: Regina, liebestes Kind (Schwalb/Bauern/Mathis)
Mathis Der Maler, 4th Tableau, Scene 4: Marsch (Orchester)...Flohen nicht alle? (Trucheseß/Sylvester/Gräfin)
Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis)
Mathis Der Maler, 5h Tableau, Scene 1: Wollt ihr mich denn entmündigen?
Mathis Der Maler, 5h Tableau, Scene 1: Vielleicht hast du recht (Albrecht/Capito)
Mathis Der Maler, 5h Tableau, Scene 2: Du, Ursula!
Mathis Der Maler, 5h Tableau, Scene 2: Tiefste Scham steigt in mir auf (Ursula/Albrecht)
Mathis Der Maler, 5h Tableau, Scene 3: Ihr wollt das Ergebnis (Albrecht/Riedinger/Ursula/Capito)
Mathis Der Maler, 5h Tableau, Scene 3: Mein Freund, schmäht eure Tochter nicht (Albrecht/Ursula)
Mathis Der Maler, 6th Tableau, Scene 1: Einleitung (Orchester)... Du wirst mich verlieren
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis)
Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis)
Mathis Der Maler, 6th Tableau, Scene 1: Es sungen drei Engel/Wei bereit er ist (Regina/Mathis)
Mathis Der Maler, 6th Tableau, Scene 2: Das kann nicht der gleiche Mann sein (Mathis)... Du hast ihn verschleudet (Üppigkeit (Gräfin)/Antonius (Üppigkeit))
Mathis Der Maler, 6th Tableau, Scene 2: Ja, fauler Reichtum (Kaufmann (Pommersfelden)/Antonius (Üppigkeit))
Mathis Der Maler, 6th Tableau, Scene 2: Gibst du noch so viel (Bettlerin (Ursula)/Antonius/Buhlerin (Ursula))
Mathis Der Maler, 6th Tableau, Scene 2: Über die Lust hinaus wächst nur der Schmerz (Märtyrerin (Ursula)/Antonius)
Mathis Der Maler, 6th Tableau, Scene 2: Und dich hat der Tod veressen (Gelehrter (Capito)/Antonius)
Mathis Der Maler, 6th Tableau, Scene 2: Wer rettet mich? (Antonius/Kreigsherr (Schwalb)
Mathis Der Maler, 6th Tableau, Scene 2: Dein Ärgster Feind sitzt in dir selbst (Dämonen)
Mathis Der Maler, 6th Tableau, Scene 2: Gib auf den Widerstand (Dämonen/Antonius/Märtyrerin/Üppigkeit/Kreigsherr/Gelehrter/Kaufmann)
Mathis Der Maler, 6th Tableau, Scene 3: Mein Bruder, entreiße dich der höllentiefen Qual.
Mathis Der Maler, 6th Tableau, Scene 3: Wenn du demütig dem Bruder dich bogst (Paulus (Albrecht)/Antonius)
Mathis Der Maler, 7th Tableau, Scene 1: Das ist der Kreuzweg (Ursula)
Mathis Der Maler, 7th Tableau, Scene 1: Ursula...Mein Kind (Regina/Ursula)
Mathis Der Maler, 7th Tableau, Scene 1: Bald. Ich bitte dich um eins (Regina)
Mathis Der Maler, 7th Tableau, Scene 1: Zwischenspiel: Grablegung (Orchester)
Mathis Der Maler, 7th Tableau, Scene 2: Du bringst es über dich, mein Freund
Mathis Der Maler, 7th Tableau, Scene 2: Mein Glück wollt ihr (Albrecht/Mathis)
Mathis Der Maler, 7th Tableau, Final Scene: Auf denn zum lezten Stück des Wegs (Mathis)
Schumann: Piano Concerto In A Minor, Op.54 - 1. Allegro affettuoso
Schumann: Piano Concerto In A Minor, Op.54 - 2. Intermezzo (Andantino grazioso)
Schumann: Piano Concerto In A Minor, Op.54 - 3. Allegro vivace
Schumann: Konzertstuck pour piano et orchestre en sol majeur, Op.92 - Introduction
Schumann: Konzertstuck pour piano et orchestre en sol majeur, Op.92 - Allegro appassionato
I. Langsam, schleppend
II. Kraftig bewegt, doch nicht zu schnell
III. Feierlich und gemessen, ohne zu schleppen
IV. Sturmisch bewegt
Part I, Veni, creator spiritus: Veni, creator spiritus
Part II, Final Scene from Faust: Poco adagio
Part II, Final Scene from Faust: Ausserst langsam - Adagissimo
1. Andante un poco maestoso - Allegro molto vivace
2. Larghetto
3. Scherzo (Molto vivace)
4. Allegro animato e grazioso
1. Sostenuto assai - Un poco piů vivace - Allegro ma non troppo - Con fuoco
2. Scherzo (Allegro vivace)
3. Adagio espresssivo
4. Allegro molto vivace
1. Lebhaft
2. Scherzo (Sehr mäßig)
3. Nicht schnell
4. Feierlich
5. Lebhaft
1. Ziemlich langsam - Lebhaft
2. Romanze (Ziemlich langsam)
3. Scherzo. Lebhaft
4. Langsam - Lebhaft - Schneller - Presto
Dvorák: Symphony No.8 In G, Op.88, B. 163 - 1. Allegro con brio
Dvorák: Symphony No.8 In G, Op.88, B. 163 - 2. Adagio
Dvorák: Symphony No.8 In G, Op.88, B. 163 - 3. Allegretto grazioso - Molto vivace
Dvorák: Symphony No.8 In G, Op.88, B. 163 - 4. Allegro ma non troppo
Dvorák: Symphony No.9 In E Minor, Op.95, B.178 - "From The New World" - 1. Adagio - Allegro molto
Dvorák: Symphony No.9 In E Minor, Op.95, B.178 - "From The New World" - 2. Largo
Dvorák: Symphony No.9 In E Minor, Op.95, B.178 - "From The New World" - 3. Scherzo (Molto vivace)
Dvorák: Symphony No.9 In E Minor, Op.95, B.178 - "From The New World" - 4. Allegro con fuoco
Verdi: Rigoletto / Act 1 - Preludio
Verdi: Rigoletto / Act 1 - Della mia bella incognita borghese (Duca, Borsa)
Verdi: Rigoletto / Act 1 - "Questa o quella" - "Partite? ... Crudele" - "In testa che avete, Signor di Ceprano?" - "Gran nuova! Gran nuova!" - "Ah, piů di Ceprano"
Verdi: Rigoletto / Act 1 - Ch'io gli parli (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)
Verdi: Rigoletto / Act 1 - Duetto. "Quel vecchio maledivami!" (Rigoletto, Sparafucile)
Verdi: Rigoletto / Act 1 - Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto)
Verdi: Rigoletto / Act 1 - "Figlia!" / "Mio padre!" (Rigoletto, Gilda)
Verdi: Rigoletto / Act 1 - "Giŕ da tre lune son qui venuta" - "Olá?"/"Signor?" - Ah! veglia, o donna, questo fiore
Verdi: Rigoletto / Act 1 - Scena e Duetto. "Giovanna, ho dei rimorsi" (Gilda, Giovanna, Duca)
Verdi: Rigoletto / Act 1 - "E il sol dell'anima"
Verdi: Rigoletto / Act 1 - "Che m'ami, deh! ripetimi" - "Addio... speranza ed anima" (Duca, Gilda, Ceprano, Borsa, Giovanna)
Verdi: Rigoletto / Act 1 - "Gualtier Maldč...Caro nome che il mio cor" - "Č lŕ"/"Miratela"
Verdi: Rigoletto / Act 1 - Scena e Coro - Finale I. "Riedo!... perché?" / "Silencio...all'opra" (Rigoletto, Borsa, Ceprano, Marullo)
Verdi: Rigoletto / Act 1 - Zitti, zitti, muoviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro)
Verdi: Rigoletto / Act 2 - Ella mi fu rapita! (Duca)
Verdi: Rigoletto / Act 2 - Parmi veder le lagrime (Duca)
Verdi: Rigoletto / Act 2 - Scena con coro: "Duca,duca!"/"Ebben?" (Tutti, Duca)
Verdi: Rigoletto / Act 2 - Possente amor mi chiama (Duca, Borsa, Marullo, Ceprano, Coro)
Verdi: Rigoletto / Act 2 - Scena ed Coro: "Povero Rigoletto!" (Marullo, Rigoletto, Borsa, Ceprano, Paggio, Coro)
Verdi: Rigoletto / Act 2 - Cortigiani, vil razza dannata (Rigoletto)
Verdi: Rigoletto / Act 2 - Scena e Duetto: "Mio padre!" / "Dio! Mia Gilda!" (Gilda, Rigoletto, Borsa, Marullo, Ceprano, Coro)
Verdi: Rigoletto / Act 2 - Tutte le feste al tempio (Gilda, Rigoletto)
Verdi: Rigoletto / Act 2 - "Ah! solo per me l'infamia" - "Ah! Piangi, fanciulla"/"Padre, in voi parla un angelo" - Schiudete ...ire al carcere
Verdi: Rigoletto / Act 2 - "Poiché fosti invano da me maledetto" - "Sě, vendetta"/"O mio padre"
Verdi: Rigoletto / Act 3 - "E l'ami?" / "Sempre" (Rigoletto, Gilda, Duca, Sparafucile)
Verdi: Rigoletto / Act 3 - "La donna č mobile" - "E lŕ il vostr'uomo" (Duca / Sparafucile, Rigoletto)
Verdi: Rigoletto / Act 3 - Quartetto. "Un dě, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
Verdi: Rigoletto / Act 3 - Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto)
Verdi: Rigoletto / Act 3 - "M'odi, ritorna a casa" - "Venti scudi, hai tu detto?" (Rigoletto, Gilda / Rigoletto, Sparafucile)
Verdi: Rigoletto / Act 3 - "Maddalena?" / "Aspettate" (Duca, Maddalena, Sparafucile)
Verdi: Rigoletto / Act 3 - Č amabile invero cotal giovinotto (Maddalena, Sparafucile, Gilda)
Verdi: Rigoletto / Act 3 - Della vendetta alfin giunge l'istante (Rigoletto, Sparafucile, Duca)
Verdi: Rigoletto / Act 3 - Chi č mai, chi č qui in sua vece? (Rigoletto, Gilda)
Verdi: Rigoletto / Act 3 - "V'ho ingannato"
Les Fresques de Pietro della Francesca (1955) for large orchestra (1994 - Remaster): I. Andante poco moderato
Les Fresques de Pietro della Francesca (1955) for large orchestra (1994 - Remaster): II. Adagio
Les Fresques de Pietro della Francesca (1955) for large orchestra (1994 - Remaster): III. Poco allegro
Tempo Giusto
Adagio Non Troppo
Allegro
Presto
Andante Poco Tranquillo
Allegro
Concerto for Orchestra Sz116 (1994 Digital Remaster): I. Introduzione (Andante non troppo - Allegro vivace)
Concerto for Orchestra Sz116 (1994 Digital Remaster): II. Gluoco delle coppie (Allegretto scherzando)
Concerto for Orchestra Sz116 (1994 Digital Remaster): III. Elegia (Andante non troppo)
Concerto for Orchestra Sz116 (1994 Digital Remaster): IV. Intermezzo interrotto (Allegretto)
Concerto for Orchestra Sz116 (1994 Digital Remaster): V. Finale (Pesante - Presto)
Handel: Music for the Royal Fireworks, HWV351 (1749) - Overture
Handel: Music for the Royal Fireworks, HWV351 (1749) - Bourée
Handel: Music for the Royal Fireworks, HWV351 (1749) - La paix
Handel: Music for the Royal Fireworks, HWV351 (1749) - La Réjouissance
Handel: Music for the Royal Fireworks, HWV351 (1749) - Minuet
Handel: Music for the Royal Fireworks, HWV351 (1749) - Minuet
Weber: Oberon - Ouvertüre
Weber: Oberon / Act 1 - Lasst mich erzählen
Weber: Oberon / Act 1 - Introduktion: "Leicht, wie Feentritt nur geht"
Weber: Oberon / Act 1 - Dialog: "Fort mit euch"
Weber: Oberon / Act 1 - Arie: "Schreckensschwur! - Dein wildes Quälen"
Weber: Oberon / Act 1 - Dialog: "Erlaube uns, grosser König"
Weber: Oberon / Act 1 - Vision: "Warum musst du schlafen"
Weber: Oberon / Act 1 - Dialog: "Genug!" - "Hilfe, Herr Hüon!"
Weber: Oberon / Act 1 - Emsemble: "Ehre und Heil dem, der treu ist"
Weber: Oberon / Act 1 - Dialog: "Immer voran, Herr Hüon!"
Weber: Oberon / Act 1 - Arie: "Von Jugend auf in dem Kampfgefild'"
Weber: Oberon / Act 1 - Finale: "Eil, edler Held!"
Weber: Oberon / Act 1 - Duettino: "O welches Glück!"
Weber: Oberon / Act 1 - "Dunkel ist es schon und spät"
Weber: Oberon / Act 2 - Chor: "Ehre! Ehre sei dem mächt'gen Kalifen"
Weber: Oberon / Act 2 - Dialog: "Grosser Herrscher aller Gläubigen!"
Weber: Oberon / Act 2 - Ballett
Weber: Oberon / Act 2 - Dialog:"Während des Tanzes treten Hüon und Scherasmin"
Weber: Oberon / Act 2 - Ariette:"Arabiens einsam Kind"
Weber: Oberon / Act 2 - Dialog: "Das ist schön von dir, Fatime"
Weber: Oberon / Act 2 - Quartett: "Über die blauen Wogen"
Weber: Oberon / Act 2 - Solo,Chor u. Sturm:"Geister der Luft und Erd' und See"
Weber: Oberon / Act 2 - Gebet: "Vater! Hör' mich flehn zu dir!"
Weber: Oberon / Act 2 - Dialog: "Rezia! Du lebst!"
Weber: Oberon / Act 2 - Rezitativ und Arie: "Ozean, du Ungeheuer!"
Weber: Oberon / Act 2 - Doch Rezia hat sich getäuscht
Weber: Oberon / Act 2 - Oberons Ankunft (und Dialog)
Weber: Oberon / Act 2 - "Sieh, die Meermädchen!" - "O wie wogt es sich schön"
Weber: Oberon / Act 2 - Wer blieb' im korallenen Schacht
Weber: Oberon / Act 3 - Dialog: "Du siehst ja reizend aus, Fatime!"
Weber: Oberon / Act 3 - Arie: "Arabien, mein Heimatland"
Weber: Oberon / Act 3 - Dialog: "Oho! Glaubst du, nur bei euch geht es so lustig zu"
Weber: Oberon / Act 3 - Duett: "An dem Strande der Garonne"
Weber: Oberon / Act 3 - Dialog: "Erwache, Hüon!"
Weber: Oberon / Act 3 - Terzett: "So muss ich mich verstellen?"
Weber: Oberon / Act 3 - Kavatine: "Trauere, mein Herz"
Weber: Oberon / Act 3 - Dialog: "Wie kann man nur so traurig sein" - "Weit weniger geduldig"
Weber: Oberon / Act 3 - Chor, Solo und Ballett: "Für dich hat Schönheit sich geschmücket"
Weber: Oberon / Act 3 - Dialog: "Hüon reisst sich von Roschana los"-"Erhabener Herr"
Weber: Oberon / Act 3 - Finale (Teil 1): "Horch! Welch Wunderklingen!"
Weber: Oberon / Act 3 - Marsch
Weber: Oberon / Act 3 - Finale (Teil 2): "O Herr! Seinem geschworenen Eid getreu" - Chor: "Heil sei dem Helden"
1. Allegro affettuoso
2. Intermezzo (Andantino grazioso)
3. Allegro vivace
1. Ziemlich langsam - Lebhaft
2. Romanze (Ziemlich langsam)
3. Scherzo. Lebhaft
4. Langsam - Lebhaft - Schneller - Presto
Schumann: Piano Concerto in A minor, Op.54 - 1. Allegro affettuoso
Schumann: Piano Concerto in A minor, Op.54 - 2. Intermezzo (Andantino grazioso)
Schumann: Piano Concerto in A minor, Op.54 - 3. Allegro vivace
1. Adagio - Allegro
2. Andante
3. Finale (Presto)
1. Adagio - Allegro molto
2. Largo
3. Scherzo (Molto vivace)
4. Allegro con fuoco
1. Vysehrad (The High Castle)
3. Sarka
5. Tábor
Promenade
Gnomus
Promenade
The Old Castle
Promenade
The Tuileries Gardens
Bydlo
Promenade
Ballet of the Chickens in Their Shells
Samuel Goldenberg and Schmuyle
The Market-place at Limoges
The Catacombs (Sepulchrum romanum)
Cum mortuis in lingua mortua
The Hut on Fowl's Legs (Baba-Yaga)
The Great Gate of Kiev
1. Andante tranquillo
2. Allegro
3. Adagio
4. Allegro molto
1. Allegro
2. Turandot (Scherzo)
3. Andantino
4. Marsch
1. Vorgefühle
2. Vergangenes
3. Sommermorgen an einem See
4. Peripetie
5. Das obligate Rezitativ
Preludio
Della mia bella incognita borghese (Duca, Borsa)
"Questa o quella" - "Partite? ... Crudele" - "In testa che avete, Signor di Ceprano?" - "Gran nuova! Gran nuova!" - "Ah, piů di Ceprano"
Ch'io gli parli (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)
Duetto. "Quel vecchio maledivami!" (Rigoletto, Sparafucile)
Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto)
"Figlia!" / "Mio padre!" (Rigoletto, Gilda)
"Giŕ da tre lune son qui venuta" - "Olá?"/"Signor?" - Ah! veglia, o donna, questo fiore
Scena e Duetto. "Giovanna, ho dei rimorsi" (Gilda, Giovanna, Duca)
"E il sol dell'anima"
"Che m'ami, deh! ripetimi" - "Addio... speranza ed anima" (Duca, Gilda, Ceprano, Borsa, Giovanna)
"Gualtier Maldč...Caro nome che il mio cor" - "Č lŕ"/"Miratela"
Scena e Coro - Finale I. "Riedo!... perché?" / "Silencio...all'opra" (Rigoletto, Borsa, Ceprano, Marullo)
Zitti, zitti, muoviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro)
Ella mi fu rapita! (Duca)
Parmi veder le lagrime (Duca)
Scena con coro: "Duca,duca!"/"Ebben?" (Tutti, Duca)
Possente amor mi chiama (Duca, Borsa, Marullo, Ceprano, Coro)
Scena ed Coro: "Povero Rigoletto!" (Marullo, Rigoletto, Borsa, Ceprano, Paggio, Coro)
Cortigiani, vil razza dannata (Rigoletto)
Scena e Duetto: "Mio padre!" / "Dio! Mia Gilda!" (Gilda, Rigoletto, Borsa, Marullo, Ceprano, Coro)
Tutte le feste al tempio (Gilda, Rigoletto)
"Ah! solo per me l'infamia" - "Ah! Piangi, fanciulla"/"Padre, in voi parla un angelo" - Schiudete ...ire al carcere
"Poiché fosti invano da me maledetto" - "Sě, vendetta"/"O mio padre"
"E l'ami?" / "Sempre" (Rigoletto, Gilda, Duca, Sparafucile)
"La donna č mobile" - "E lŕ il vostr'uomo" (Duca / Sparafucile, Rigoletto)
Quartetto. "Un dě, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto)
"M'odi, ritorna a casa" - "Venti scudi, hai tu detto?" (Rigoletto, Gilda / Rigoletto, Sparafucile)
"Maddalena?" / "Aspettate" (Duca, Maddalena, Sparafucile)
Č amabile invero cotal giovinotto (Maddalena, Sparafucile, Gilda)
Della vendetta alfin giunge l'istante (Rigoletto, Sparafucile, Duca)
Chi č mai, chi č qui in sua vece? (Rigoletto, Gilda)
"V'ho ingannato"
I. Allegro con brio
II. Largo
III. Rondo: Allegro scherzando
Symphony No.4, H305: I Poco moderato - Poco allegro - Allegro
Symphony No.4, H305: II Scherzo. Allegro vivo - Trio. Moderato
Symphony No.4, H305: III Largo
Symphony No.4, H305: IV Poco Allegro
Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro
Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot: Scherzo. Moderato - Lebhaft
Symphonic Metamorphoses on Themes by Carl Maria von Weber: III . Andantino
Symphonic Metamorphoses on Themes by Carl Maria von Weber: IV. Marsch
Symphony No. 3 in D major D 200 (2004 Digital Remaster): I. Adagio maestoso - Allegro con brio
Symphony No. 3 in D major D 200 (2004 Digital Remaster): II. Allegretto
Symphony No. 3 in D major D 200 (2004 Digital Remaster): III. Menuetto (Vivace) & Trio
Symphony No. 3 in D major D 200 (2004 Digital Remaster): IV. Presto vivace
Sinfonietta: I Fanfares. Allegretto - Allegro- Maestoso
Sinfonietta: II Andante - Allegretto - Maestoso
Sinfonietta: III Moderato
Sinfonietta: IV : Allegretto
Sinfonietta: V : Andante con moto - Maestoso
1. Allegro molto moderato
2. Adagio
3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
No.1 In C (Presto)
No.2 In E Minor (Allegretto scherzando)
No.3 In A Flat (Poco allegro)
No.4 In F (Tempo di minuetto)
No.5 In A (Allegro vivace)
No.6 In D (Allegretto scherzando)
No.7 In C Minor (Allegro assai)
No.8 In G Minor (Presto)
No.1 In B (Molto vivace)
No.2 In E Minor (Allegretto grazioso)
No.3 In F (Allegro)
No.4 In D Flat (Allegretto grazioso)
No.5 In B Flat Minor (Poco adagio)
No.6 In B Flat (Moderato, quasi minuetto)
No.7 In C (Allegro vivace)
No.8 In A Flat (Lento grazioso, ma non troppo, quasi tempo di valse)
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - Overture
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No.1 Scherzo
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No. 2 Scene - Fairies' March
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No.3 Song With Chorus: "Bunte Schlangen, zweigezüngt"
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No.5 Intermezzo
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No. 7 Notturno
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No. 9 Wedding March
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No. 10b) Funeral March
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - No.11 Dance Of The Clowns
Mendelssohn: A Midsummer Night's Dream, Op.61 Incidental Music - Finale: "Bei des Feuers mattem Flimmern"
1. Allegro maestoso
2. Poco adagio
3. Scherzo (Vivace)
4. Finale (Allegro)
1. Adagio - Allegro molto
2. Largo
3. Scherzo (Molto vivace)
4. Allegro con fuoco
Beethoven: Symphony No.7 In A, Op.92 - 1. Poco sostenuto - Vivace
Beethoven: Symphony No.7 In A, Op.92 - 2. Allegretto
Beethoven: Symphony No.7 In A, Op.92 - 3. Presto - Assai meno presto
Beethoven: Symphony No.7 In A, Op.92 - 4. Allegro con brio
Beethoven: Symphony No.8 In F, Op.93 - 1. Allegro vivace e con brio
Beethoven: Symphony No.8 In F, Op.93 - 2. Allegretto scherzando
Beethoven: Symphony No.8 In F, Op.93 - 3.Tempo di menuetto
Beethoven: Symphony No.8 In F, Op.93 - 4. Allegro vivace
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 4. Presto - Allegro assai
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" / 4. - Presto- "O Freunde, nicht diese Töne!" -Allegro assai
1. Maestoso - Allegro
2. Adagio di molto
3. Allegretto
4. Finale (Allegro animato)
1. Allegro
2. Andante sostenuto e molto cantabile
3. Scherzo (Allegro feroce)
4. Finale (Allegro con brio)
1. Allegro con moto
2. Poco adagio
3. Scherzo (Allegro con brio)
4. Finale (Allegro con fuoco)
1. Allegro moderato
2. Adagio molto, tempo di marcia
3. Finale (Allegro vivace)
1. Allegro, ma non troppo
2. Andante con moto
3. Andante con moto - Allegro scherzando
4. Allegro molto
1. Allegro non tanto
2. Adagio
3. Scherzo (Furiant: Presto)
4. Finale (Allegro con spirito)
1. Allegro maestoso
2. Poco adagio
3. Scherzo (Vivace)
4. Finale (Allegro)
1. Allegro con brio
2. Adagio
3. Allegretto grazioso - Molto vivace
4. Allegro ma non troppo
1. Adagio - Allegro molto
2. Largo
3. Scherzo (Molto vivace)
4. Allegro con fuoco


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