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Bach, Tchaikovsky / Mengelberg, Concertgebouw Orchestra

Release Date: 11/21/2006 
Label:  Opus Kura   Catalog #: 7021   Spars Code: n/a 
Composer:  Johann Sebastian BachPeter Ilyich Tchaikovsky
Performer:  Jo VincentIlona DurigoLouis Van TulderHermann Schey,   ... 
Conductor:  Willem Mengelberg
Orchestra/Ensemble:  Royal Concertgebouw OrchestraAmsterdam Toonkunst ChorusZanglust Boys Choir
Number of Discs: 3 
Recorded in: Mono 
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Works on This Recording

Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:  Jo Vincent (Soprano), Ilona Durigo (Alto), Louis Van Tulder (Tenor),
Hermann Schey (Baritone), Piet Van Egmond (Organ), Louis Zimmermann (Violin),
Hubert Barwahser (Flute), Johannes den Hertog (Harpsichord), G. Blanchard (Oboe da caccia),
W. Peddemors (Oboe da caccia), Willem Ravelli (Bass), Karl Erb (Tenor)
Conductor:  Willem Mengelberg
Orchestra/Ensemble:  Royal Concertgebouw Orchestra,  Amsterdam Toonkunst Chorus,  Zanglust Boys Choir
Period: Baroque 
Written: Circa 1727; Leipzig, Germany 
Date of Recording: 04/02/1939 
Language: German 
Notes: This selection is a mono recording. 
Symphony no 6 in B minor, Op. 74 "Pathétique" by Peter Ilyich Tchaikovsky
Conductor:  Willem Mengelberg
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1893; Russia 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Neither in Stereo March 25, 2014 By Charles W. (Tyler, TX) See All My Reviews "The listing has the Tchaikovsky listed as Stereo. Mengelberg's last recordings were made in the mid 1940's long before the stereo era began so the recording cannot be in stereo. I did not listen to these specific disks but I have listened to both works in other versions and the are great performances....especially the Tchaikovsky. Mengelberg's way with Tchaikovsky would be considered very wayward today....very similar to the way Stokowski or Nikish would have conducted. Lots of rubato and portamento and changes of tempo and many augmentations of the original score...In Tchaikovsky is was wonderful....In Bach not so much. His Bach is severely romanticized and tempos are measured and pulled out of shape. Still,it was a landmark recoding for the 1930's The orchestral virtuosity is from a bygone era and not to be heard today. There were no limits to rehearsal time and few unions and Mengelberg was a virtual dictator who ran the orchestra from 1895 to the end of WWII when he was fired and exiled to Switzerland for being a Nazi collaborator. I have various copies of these performances and they vary from fairly decent to poor. I cannot speak for the above disks as I have not heard these particular transfers." Report Abuse
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