Philip Langridge

Biography

Born: December 16, 1939; Hawkhurst   Died: March 5, 2010  
A world-class opera singer and recitalist, tenor Philip Langridge was in great demand as a performer of a wide range of operatic works, particulalry music by Britten, Janácek, and Stravinsky. Praised for his bright and penetrating voice, Langridge was a singer whose impressive vocal strength did not diminish the clarity of his diction. Born in Kent, Langridge studied at the London Royal Academy of Music, where his teachers were Celia Bizony and Read more Bruce Boyce. He worked his way up the professional ladder, from his first appearance as a Footman in Richard Strauss' Capriccio at Glyndebourne. Not long after his debut at Glyndenbourne, he appeared there in the leading roles of Don Ottavio in Mozart's Don Giovanni, Florestan in Beethoven's Fidelio, and Laca in Janácek's Jenufa. Langridge's Covent Garden debut in 1983 combined Ravel's L'enfant et les sortilèges, where he was the Teapot, and Stravinsky's Nightingale, where he sang the role of the Fisherman. In 1985, he debuted at the Metropolitan as Ferrando in Mozart's Così fan tutte, and his first Salzburg appearance was in the role of Aron in Schoenberg's Moses und Aron. Langridge went on to record the role of Aron for the Decca release of the opera under Georg Solti, a production that won a Grammy Award. Langridge frequently sang the title role in two major Stravinsky operas, Oedipus Rex and The Rake's Progress. He appeared in a production of Oedipus Rex conducted by Seiji Ozawa, which won a Japanese award for best opera production 1994. His portrayal of Zivny in Janácek's one-act opera Osud (Fate), recorded for EMI with Charles Mackerras, brought Langridge the 1984 Olivier Award. He also sang the role of Laca in Janácek's Jenufa, appearing as Albert Gregor in The Makropulos Case. Especially appreciated as an interpreter of Benjamin Britten's music, Langridge sang the title roles in Britten operas Peter Grimes, Billy Budd, Turn of the Screw, and Death in Venice. Langridge received two awards for his performances of Britten: a Gramophone Award for War Requiem and a Classic CD Award for Turn of the Screw. An enthusiastic performer of contemporary British music, he premiered several works by British composers, including Birtwistle's The Mask of Orpheus and Tippett's New Year. Langridge sang other important 20th century roles, including Andres in Berg's Wozzeck, Mark in Tippett's Midsummer Marriage, and Edrisi in Szymanowski's King Roger. However, his repertoire encompassed Baroque and Romantic opera: he sang Nerone in Monteverdi's L'incoronazione di Poppea; Shuisky in Mussorgsky's Boris Godunov; Loge in Wagner's Das Rheingold; and Benedict in Berlioz's Béatrice et Bénédict. As a recitalist, Langridge performed with world-class pianists, including Maurizio Pollini and Andras Schiff. A tour of Schubert's song cycle Winterreise, with pianist David Owens Norris, was completed by a highly acclaimed performance at the Salzburg Mozarteum. Langridge was married to mezzo-soprano Ann Murray. A recipient of many honors, Langridge became a Commander of the British Empire in 1994 and was an avid collector of watercolors. Read less

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Biography

Born: December 16, 1939; Hawkhurst   Died: March 5, 2010  
A world-class opera singer and recitalist, tenor Philip Langridge was in great demand as a performer of a wide range of operatic works, particulalry music by Britten, Janácek, and Stravinsky. Praised for his bright and penetrating voice, Langridge was a singer whose impressive vocal strength did not diminish the clarity of his diction. Born in Kent, Langridge studied at the London Royal Academy of Music, where his teachers were Celia Bizony and Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
L'Enfant et les sortilèges (2000 Digital Remaster): Introduction
L'Enfant et les sortilèges (2000 Digital Remaster): Votre serviteur humble, Bergère
L'Enfant et les sortilèges (2000 Digital Remaster): How's your mug
L'Enfant et les sortilèges (2000 Digital Remaster): Oui, c'est Elle, ta Princess enchantée
L'Enfant et les sortilèges (2000 Digital Remaster): Deux robinets coulent dans un résevoir
L'Enfant et les sortilèges (2000 Digital Remaster): Ah! Quelle joie de te retrouver, Jardin!
L'Enfant et les sortilèges (2000 Digital Remaster): Sauve-toi, sotte! Et la cage? La cage?
L'Enfant et les sortilèges (2000 Digital Remaster): Ah! C'est l'Enfant au couteau!
Gurrelieder, Part One: Orchestral Prelude
Gurrelieder, Part One: Nun dämfpt die Dämm'rung (Waldemar)
Gurrelieder, Part One: O, wenn des Mondes Strahlen (Tove)
Gurrelieder, Part One: Ross! Mein Ross! (Waldemar)
Gurrelieder, Part One: Sterne jubeln (Tove)
Gurrelieder, Part One: So tanzen die Engel vor Gottes Thron nicht (Waldemar)
Gurrelieder, Part One: Nun sag ich dir zum ersten mal (Tove)
Gurrelieder, Part One: Es ist Mitternachtszeit (Waldemar)
Gurrelieder, Part One: Du sendest mir einen Liebesblick (Tove)
Gurrelieder, Part One: Du wunderliche Tove! (Waldemar)
Gurrelieder, Part One: Orchestral interlude
Gurrelieder, Part One: Tauben von Gurre (Waldtaube)
Gurrelieder, Part Two: Herrgott, weisst du, was du tatest
Gurrelieder, Part Three: Erwacht, König Waldemars Mannen wert! (Waldemar)
Gurrelieder, Part Three: Deckel des Sarges klappert (Bauer & Chor)
Gurrelieder, Part Three: Gegrüsst, o König (Waldermars Männen)
Gurrelieder, Part Three: Mit Toves stimme flüstert der Wald (Waldemar)
Gurrelieder, Part Three: 'Ein seltsamer Vogel ist so'n Aal' (Klaus-Narr)
Gurrelieder, Part Three: Du strenger Richter droben (Waldemar)
Gurrelieder, Part Three: Der Hahn erhebt den Kopf zur Kraht
Gurrelieder, Des Simmerwindes wilde Jagd: Orchestral Prelude
Gurrelieder, Des Simmerwindes wilde Jagd: Herr Gänsefuss, Frau Gänsekraut (Sprecher)
Gurrelieder, Des Simmerwindes wilde Jagd: Seht die Sonne (Chor)
Symphony
"Comfort ye, My people... Ev'ry Valley shall be exalted"
"And The Glory Of the Lord"
"This said the Lord... But who may abide..."
"And He shall purify the sons of Levi"
"Behold, a virgin shall conceive...O thou that tellest good tidings"
"For behold, darkness shall cover the earth...The people that walked in darkness"
"For Unto Us A Child Is Born"
Pifa (Pastoral Symphony)
"There were shepherds... And lo, the angel of the Lord... And the angel said unto them - And suddenly"
"Glory To God In the Highest"
"Rejoice Greatly, O Daughter Of Zion"
"Then shall the eyes of the blind...He shall feed his flock"
"His yoke is easy"
"Behold the Lamb of God"
"He was despised"
"Surely He hath borne our griefs"
"And with His stripes we are healed"
"All We Like Sheep Have Gone Astray"
"All they that see him...He trusted in God"
"Thy rebuke hath broken his heart...Behold and see"
"He was cut off...But Thou didst not leave his soul in Hell"
"Lift up your heads"
"Unto which of the angels...Let all the Angels"
"Thou art gone up on high"
"The Lord gave the word"
"How beautiful are the feet"
"Their sound is gone out"
"Why do the nations...Let us break asunder"
"He that dwelleth in heaven...Thou shalt break them"
"Hallelujah"
"I Know That My Redeemer Liveth"
"Since by man came death"
"Behold, I tell you...The Trumpet shall sound"
"Then shall be brought to pass...O death...But thanks be to God"
"If God be for us"
" Worthy is the Lamb... Amen"
King Roger: Hagios! Hagios! (Chorus/Youth Chorus/Archbishop)
King Roger: Boze poblogoslaw (Chorus/Youth Chorus/Solo Tenor/Archbishop/Deaconess)
King Roger: Czys slyszal? (King Roger/Edrisi/Archbishop/Chorus/Deaconess/Roxana/Youth Chorus)
King Roger: Oto bluznierca! (Chorus/King Roger/Shepherd/Deaconess/Archbishop/Roxana)
King Roger: Mój Bóg jest piekny (Shepherd/Chorus)
King Roger: Wjego usmiechu! (Roxana/King Roger/Shepherd/Deaconess/Archbishop/Edrisi)
King Roger: Niech odejdzie Pasterz (King Roger/Chorus/Roxana/Shepherd/Solo Tenor)
King Roger: Start
King Roger: Niepokój bladych gwiazd (King Roger/Chorus/Edrisi)
King Roger: A/Roxana! jej spiew! (King Roger/Roxana/Edrisi/Chorus)
King Roger: Ktos mglisty przeszedl (King Roger/Edrisi/Chorus/Shepherd)
King Roger: Vivace. Allegramente. - O przychodze sam (Shepherd/King Roger)
King Roger: A A uspij swoj lek (Roxana/Shepherd/King Roger/Edrisi)
King Roger: Tajemmych glebin (Shepherd)
King Roger: Shepherd's Dance
King Roger: Roxana's entrance - W Radosnym (Chorus/Roxana/Shepherd/King Roger)
King Roger: Kto smie mój czar (Shepherd/Roxana/Chorus)
King Roger: Sluchajcie (Shepherd/Roxana/Chorus/King Roger/Edrisi)
King Roger: Appendix: Roxana's Aria [with concert ending] - A/Roxana! jej spiew! (King Roger/Roxana/Edrisi/Chorus)
King Roger: Start (introduction)
King Roger: Wokól martwota (King Roger/Edrisi)
King Roger: Rogerze! Rogerze! (Roxana/Edrisi/King Roger/Chorus/Solo Soprano/Solo Soprano)
King Roger: Nasad, nasad (Chorus/King Roger/Shepherd/Edrisi/Roxana)
King Roger: Syc ofiarny wartky plomien! (Roxana/King Roger/Shepherd/Chorus/Edrisi)
King Roger: Edrisi, juz swit! (King Roger)
King Roger: Slonce! Slonce! (King Roger)
"Einziger, ewiger, allgegenwärtiger"
"Du Sohn meiner Väter"
"Ich hab'ihn gesehn...Ein lieblicher Gott!"
"Bringt ihr Erhörung...In der Wüste wird euch die Reinheit!"
"Wo ist Moses?"
"Vierzig Tage!"
"Wo ist Moses?...Volk Israels!"
"Dieses Bild bezeugt...Götter, die ihr Seele schenket"
"Moses steigt vom Berg herab!"
"Aron, was hast du getan?...Unvorstellbarer Gott!"
Prologue
Homage to Judy
Resolve I
Passion Chorale I
Toccata I B
Pretty Polly's Rhapsody I
Sinfonia
War-Cry
Toccata II B
Pretty Polly's Rhapsody II
1. Lament for a Dead Infant
2. Fussy Mummy and Auntie
3. Lullaby
4. Before a Long Separation
5. A Warning
6. The Deserted Father
7. A Song of Poverty
8. Winter
9. The Good Life
10. A Girl's Song
11. Happiness
Lord! I married me a wife
She's like the swallow
Lemady
Bonny at morn
Bugeilio'r Gwenith Gwyn
Dafydd y Garreg Wen
The False Knight upon the Road
Bird Scarer's Song
No. 1. The Big Chariot
No. 2. The Old Lute
No. 3. The Autumn Wind
No. 4. The Herd-Boy
No. 5. Depression
No. 6. Dance Song
Act I Scene 1: My mind beats on (Aschenbach)
Act I Scene 1: Who's that? (Aschenbach)
Act I Scene 1: I have always kept a close watch over my development (Aschenbach)
Act I Scene 2: Hey there, hey there, you! (Youths)
Act I Scene 2: Overture
Act I Scene 3: Ah Serenissima! (Aschenbach)
Act I Scene 3: Mysterious gondola (Aschenbach)
Act I Scene 4: We are delighted to greet the Signore (Hotel Manager)
Act I Scene 4: So I am led to Venice once again (Aschenbach)
Act I Scene 4: The Lido is so charming, is it not? (Hotel Guests)
Act I Scene 4: How does such beauty come about? (Aschenbach)
Act I Scene 5: The wind is from the West (Aschenbach)
Act I Scene 5: Le bele fragole (Strawberry Seller)
Act I Scene 5: Ah, how peaceful to contemplate the sea (Aschenbach)
Act I Scene 5: Adziu, Adziu! (Chorus)
Act I Scene 5: As one who strives to create beauty (Aschenbach)
Act I Scene 6: Aou'! Stagando, aou'! (Gondolier)
Act I Scene 6: Naturally Signore, I understand (Hotel Manager)
Act I Scene 6: There you are, Signore, just in time (Hotel Porter)
Act I Scene 6: I am become like one of my early heroes (Aschenbach)
Act I Scene 6: A thousand apologies to the Signore (Hotel Manager)
Act I Scene 7: Beneath a dazzling sky the sea ... (Chorus of Hotel Guests)
Act I Scene 7: No boy, but Phoebus of the golden hair (Chorus)
Act I Scene 7: See where Hyacinthus plays (Chorus)
Act I Scene 7: Phaedrus learned what beauty is (Chorus)
Act II Scene 17: Ah, no! (Aschenbach)
"Over Hill, Over Dale"
"Oberon Is Passing Fell and Wrath"
"Well, Go Thy Way"
"How Now My Love?"
"Be It On Lion, Bear, Or Wolf, Or Bull"
"Welcome Wanderer!"
"Is All Our Company Here?"
"Fair Love, You Faint With Wand'ring In the Wood"
"Through the Forest Have I Gone"
"Stay, Though Thou Kill Me, Sweet Demetrius"
"Come, Now A Roundel and A Fairy Song"
"You Spotted Snakes With Double Tongue"
"What Thou Seest When Thou Dost Wake"
Introduction: The wood
"Are We All Met?"
"I See Their Knavery"
"Be Kind and Courteous To This Gentleman"
"Hail, Mortal, Hail!"
"I Have A Reas'nable Good Ear In Music"
"How Now, Mad Spirit?"
"Flower Of This Purple Dye"
"Puppet? Why So?"
"This Is Thy Negligence"
"Up and down, Up and Down"
"On the Ground, Sleep Sound"
"My Gentle Robin, See'st Thou This Sweet Sight?"
"Helena! Hermi! Demetrius! Lysander!"
"When My Cue Comes, Call Me"
"Have You Sent To Bottom's House?"
"Now, Fair Hippolyta"
"If We Offend, It Is With Our Good Will"
"Gentles, Perchange You Wonder At This Show"
"In This Same Interlude It Doth Befall"
"O Grim-Look'd Night, O Night With Hue So Black"
"O Wall, Full Often Hast Thou Heard My Moans"
"You Ladies, You Whose Gentle Hearts Do Fear"
"This Lanthorn Doth the Horned Moon Present"
"Sweet Moon, I Thank Thee For Thy Sunny Beams"
"Asleep, My Love?"
"Come, Your Bergomask"
"Now the Hungry Lion Roars"
1. Prelude
2. The Tornament
3. Recitative & Fight
4. Entrance of the Queen
5. Recitative
6. The two Lords' Explanation
7. Raleigh's Song
8. Ensemble of Reconciliation
9. Recitative & Final March
10. Prelude & Dialogue
11. The Queen's Song
12. Cecil's Song of Government
13. Recitative & Essex's Entry
14. First Lute Song
15. Second Lute Song
16. The First Duet for the Queen & Essex
17. Soliloquy & Prayer
18. Prelude & Welcome
19. The Masque
20. Finale
21. Prelude & Song
22. Duet
23. Double Duet
24. Quartet
25. Pavane
26. Conversation
27. Galliard
28. Conversation & the Queen's Entrance
29. Lavolta
30. Conversation
31. Morris dance
32. Recitative
33. The Queen's Burlesque
34. Quartet
35. March
36. The Queen's Announcement
37. Ensemble
38. Coranto
39. Prelude & Chatter
40. Essex's Intrusion
41. The Second Duet of the Queen & Essex
42. The Dressing-Table Song
43. The Entrance of Cecil
44. Cecil's Report
45. Discussion
46. The Queen's Decision
47. Ballad - Rondo
48. Prelude & Verdict
49. Cecil's Warning
50. The Queen's Dilemma
51. Trio
52. Lady Essex's Pleading
53. Penepole Rich's Pleading
54. Epilogue
Prologue
Pastoral
Nocturne
Elegy
Dirge
Hymn
Sonnet
Epilogue (off stage)
On a poet's lips I slept
Below the thunders of the upper deep
Encintured with a twine of leaves
Midnight's bell goes ting, ting, ting, ting
But that night when on my bed I lay
She sleeps on soft, last breaths; but no ghost looms
What is more gentle than a wind in summer?
When most I wink, then do mine eyes best see
Prologue - Fanfare: Where are the seeds of the Universal Fire
Reading: The earth of my heart was broken and gaped low - Fanfare
Reading: In the hour when the sapphire of the bone
Song: We are the darkness in the heat of the day
Reading: In such a heat of the earth
Reading: I see Christ's wounds weep in the Rose on the wall
Epilogue - Fanfare: So, out of the dark
Sonnet VI: Oh my blacke Soule!
Sonnet XIV: Batter my heart
Sonnet III: O might those sighes and teares
Sonnet XIX: Oh, to vex me
Sonnet XIII: What if this present
Sonnet XVII: Since she whom I lov'd
Sonnet VII: At the round earth's imagin'd corners
Sonnet I: Thou hast made me
Sonnet X: Death, be not proud
Sonetto XVI: Si come nella penna e nell'inchiostro
Sonetto XXXI: A che piu debb'io mai l'intensa voglia
Sonetto XXX: Veggio co' be' vostri occhi un dolce lume
Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai
Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume
Sonetto XXXII: S'un casto amor, s'una pieta superna
Sonetto XXIV: Spirto ben nato, in cui si specchia e vede
At Day-close in November
Midnight on the Great Western
Wagtail and Baby
The Little Old Table
The Choirmaster's Burial
Proud Songsters
At the Railway Station, Upway
Before Life and After
Berg: Wozzeck / Act 1 - Scene 1: The Captain's room. "Langsam, Wozzeck, langsam!"
Berg: Wozzeck / Act 1 - Scene 2: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"
Berg: Wozzeck / Act 1 - Scene 3: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!"
Berg: Wozzeck / Act 1 - Scene 4: The Doctor's study. "Was erleb ich, Wozzeck?"
Berg: Wozzeck / Act 1 - Scene 5: Street before Marie's door. "Geh einmal vor Dich hin!"
Berg: Wozzeck / Act 2 - Scene 1: Marie's room. "Was die Steine glänzen?"
Berg: Wozzeck / Act 2 - Scene 2: Street In Town. "Wohin so eilig"
Berg: Wozzeck / Act 2 - Scene 3: Street Before Marie's Door. "Guten Tag, Franz"
Berg: Wozzeck / Act 2 - Scene 4: Tavern Garden. "Ich hab' ein Hemdlein an, das ist nicht mein"
Berg: Wozzeck / Act 2 - Scene 5: Guardroom In The Barracks. "Oh oh Andres! Andres! Ich kann nicht schlafen"
Berg: Wozzeck / Act 3 - Scene 1: Marie's Room. "Und ist kein Betrug"
Berg: Wozzeck / Act 3 - Scene 1: "Und kniete hin zu seinen Fuessen"
Berg: Wozzeck / Act 3 - Scene 2: Forest Path By A Pool. "Dort links geht's in die Stadt"
Berg: Wozzeck / Act 3 - Scene 3: A Low Tavern. "Tanzt Alle"
Berg: Wozzeck / Act 3 - Scene 4: Forest Path By A Pool. "Das Messer? Wo ist das Messer?"
Berg: Wozzeck / Act 3 - Scene 5: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz"
Act I: The Prologue
Act I: Theme: The Journey
Act I: Variation 1: The Welcome
Act I: Variation 2: The Letter
Act I: Variation 3: The Tower
Act I: Variation 4: The Window
Act I: Variation 6: The Lesson
Act I: Variation 6: The Lake
Act I: Variation 7: At Night
Persephone
Things lovelier
Now in these fairylands
A little music
The thought
The floral bandit
Envoi
The dream-city
Journey's end
In the street of lost time
Rhyme
Betelgeuse
Introduction
The Birth of Nicolas
Nicolas devotes himself to God
He journeys to Palestine
He comes to Myra and is chosen Bishop
Nicolas from Prison
Nicolas and the Pickled Boys
His Piety and Marvellous Works
The Death of Nicolas
I. Lauds (Among the leaves the small birds sing)
II. O Lurcher-loving collier
III. What's in your mind, my dove, my coney?
IV. Eyes look into the well
V. Carry her over the water
Let the florid music praise
Now the leaves are falling fast
Seascape
Nocturne
As it is, plenty
I. Our birth is but a sleep (Chorus)
II. Rise, O my soul (Contralto, Semi-chorus)
III. O whither shall my troubled muse incline (Bass, Chorus)
IV. Night hath no wings (Tenor, Semi-chorus)
V. O timely happy, timely wise (Quartet, Chorus, Semi-chorus)
Gurrelieder, Part One: Orchestral Prelude
Gurrelieder, Part One: Nun dämfpt die Dämm'rung (Waldemar)
Gurrelieder, Part One: O, wenn des Mondes Strahlen (Tove)
Gurrelieder, Part One: Ross! Mein Ross! (Waldemar)
Gurrelieder, Part One: Sterne jubeln (Tove)
Gurrelieder, Part One: So tanzen die Engel vor Gottes Thron nicht (Waldemar)
Gurrelieder, Part One: Nun sag ich dir zum ersten mal (Tove)
Gurrelieder, Part One: Es ist Mitternachtszeit (Waldemar)
Gurrelieder, Part One: Du sendest mir einen Liebesblick (Tove)
Gurrelieder, Part One: Du wunderliche Tove! (Waldemar)
Gurrelieder, Part One: Orchestral interlude
Gurrelieder, Part One: Tauben von Gurre (Waldtaube)
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Dans la crèche, en ce temps, Jésus venait de naître
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Scène 1: Marche nocturne
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Qui vient? - Reprise de la marche nocturne
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Scène 2: Air d'Herode: Toujours ce rêve - O misère des rois!
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Scène 3: Seigneur!
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Scène 4: Les sages de Judée
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - (Evolutions cabalistiques)
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - La voix dit vrai, Seigneur
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Eh bien, par le fer qu'ils périssent!
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Scène 5: Duo: O mon cher fils, donne cette herbre tendre
Berlioz: L'Enfance du Christ, Op.25 / Partie 1: Le songe d'Hérode - Scène 6: Joseph! Marie! Ecoutez-nous
Berlioz: L'Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte - Ouverture
Berlioz: L'Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte - Il s'en va loin de la terre
Berlioz: L'Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte - Le repos de la Sainte Famille - Les pèlerins étant venus
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Depuis trois jours, malgré l'ardeur du vent
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Scène 1: Dans cette ville immense
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Scène 2: Entrez, entrez, pauvres Hébreux - Grand dieux! Quelle détresse!
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - (Les Ismaélites se dispersent)
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Sur vos traits fatigués
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Allegro moderato - Andante espressivo
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Allegro vivo
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Andante
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Vous pleurez, jeune mère
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - Epilogue: Lento (orchestral) - Ce fut ainsi que par un infidèle
Berlioz: L'Enfance du Christ, Op.25 / Partie 3: L'arrivée à Sais - O mon âme, pour toi que reste-t-il à faire
Overture
Comfort Ye My People
Every Valley Shall Be Exalted
And The Glory Of The Lord
Thus Saith The Lord
But Who May Abide The Day Of His Coming?
And He Shall Purify
Behold, A Virgin Shall Conceive
O Thou That Tellest Good Tidings To Zion
For, Behold, A Darkness Shall Cover The Earth
The People That Walked In Darkness
For Unto Us A Child Is Born
Pastoral Symphony
There Were Shepherds Abiding In The Field
And The Angel Said Unto Them
And Suddenly There Was With The Angel
Glory To God
Rejoice Greatly, O Daughter Of Zion
Then Shall The Eyes Of The Blind Be Opened
He Shall Feed His Flock Like A Shepherd
His Yoke Is Easy, And His Burthen Is Light
Behold The Lamb Of God
He Was Despised
But Thanks Be To God
If God Be For Us, Who Can Be Against Us?
Worthy Is The Lamb
1. Dixit Dominus Domino meo (Ps. 109/110)
2. Confitebor tibi, Domine (Ps. 110/111)
3. Beatus vir qui timet Dominum (PS. 111/112)
4. Laudate pueri Dominum (Ps. 112/113)
Laudate Dominum omnes gentes (Ps. 116/117)
6. Magnificat anima mea (Luc. 1:46-55)
Prologue: I am an old man ... (Vere)
Act I Scene 1: Pull, me bantams! (First Mate, Second Mate, Sailing Master, Sailor, Bosun, Midshipmen, Donald, Maintop, Deck, Novice, Men, Squeak, Chorus)
Act I Scene 1: Boat ahoy! (Maintop, Voice, Midshipmen, Sailing Master, First Lieutenant, Bosun, Ratcliffe)
Act I Scene 1: First man forward! (Claggart, Red Whiskers, First Lieutenant, Sailing Master, Jones)
Act I Scene 1: Your name? (Claggart, Billy, First Lieutenant, Sailing Master)
Act I Scene 1: Billy Budd, king of the birds! (Billy, Sailing Master, First Lieutenant, Ratcliffe)
Act I Scene 2: Gentlemen, the King! (Vere, First Lieutenant, Sailing Master)
Act I Scene 2: Ay, at Spithead ... (Vere, Sailing Master, First Lieutenant)
Act I Scene 2: We are, sir. Claggart is an able one. (First Lieutenant, Vere, Sailing Master, Ratcliffe)
Act I Scene 3: Blow her away. (Red Whiskers, Chorus, Billy, Donald, Dansker)
Act I Scene 3: We're off to Samoa ... (Donald, Chorus, Red Whiskers, Billy, Dansker)
Act I Scene 3: Hi! You ... a ... a ... ! (Billy, Dansker, Red Whiskers, Donald, Squeak, Billy, Claggart, Boy, Chorus)
Act I Scene 3: Over the water ... (Claggart, Chorus)
Act I Scene 3: Come here. (Claggart, Novice)
Act I Scene 3: Billy! ... Hist! Billy Budd! (Novice, Billy)
Act I Scene 3: Dansker, old friend ... (Billy, Dansker)
Act I: Orchestra
Act I: Orchestra (Music from the bandstand) - Free as a bird I bask in the sunshine (A poet)
Act I: Heavens, it's him! (Mila)
Act I: Is it your child you've come for? (Mila)
Act I: Sun in the heavens up on high (Dr Suda)
Act I: We're back too late (Zivny)
Act I: The sun's vanished (Mila)
Act I: Never will I forget this fleeting moment! (Engineer)
Act II: Orchestra - Slumber on undisturbed in the shadow (Zivny)
Act II: Piano - I do, I do! (Mila)
Act II: We're married now (Zivny)
Act II: Mummy, Mummy! (Doubek)
Act II: Unspoken thoughts go far beyond words (Míla's mother)
Act III: Orchestra - Listen to the thunder over the horizon (Students)
Act III: Endless the pain I must suffer (Hrazda)
Act III: Orchestra - Enough of that! (Verva)
Act III: Mummy, Mummy! Do you know what love is? (Verva)
Act III: People said it must have been his falling in love (Zivny)
Act III: Bitter memories! (Zivny)
Act III: It seems to be so clear (Zivny)
King Roger: Hagios! Hagios! (Chorus/Youth Chorus/Archbishop)
King Roger: Boze poblogoslaw (Chorus/Youth Chorus/Solo Tenor/Archbishop/Deaconess)
King Roger: Czys slyszal? (King Roger/Edrisi/Archbishop/Chorus/Deaconess/Roxana/Youth Chorus)
King Roger: Oto bluznierca! (Chorus/King Roger/Shepherd/Deaconess/Archbishop/Roxana)
King Roger: Mój Bóg jest piekny (Shepherd/Chorus)


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