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Zhou: Rhymes / Lan Shui, Singapore So, Et Al


Release Date: 09/28/2004 
Label:  Bis   Catalog #: 1322   Spars Code: n/a 
Composer:  Zhou Long
Performer:  Jonathan Fox
Conductor:  Lan Shui
Orchestra/Ensemble:  Singapore Symphony OrchestraShanghai String QuartetPhilharmonic Chamber Choir
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews

Zhou Long, born 1953 in Beijing, came to the US in the 1980s and studied at Columbia University with composers Chou Wen-Chung and Mario Davidovsky, among others. Prior to this release, two collections of his chamber music have been reviewed in Fanfare—one by myself in 22:5, and one by Peter Burwasser in 19:1. Both of us were attracted to the composer’s ability to blend the sonorities of Chinese and Western instruments and devise convincing formal designs that drew from both musical cultures. In “limiting” himself to a Western orchestra (except for additional and varied percussion) in this program, he has in a sense set himself a greater challenge, and succeeds admirably.

What impresses most about these four works are the
Read more breadth of orchestral colors Zhou manipulates, and how the musical drama grows directly out of those colors. The four Poems from Tang, for example, are purely instrumental evocations of Tang Dynasty (AD 618–907) poems (printed in English translation in the booklet), where sounds of nature as well as intimations of mist, clouds, flames, and dreams emerge within fugitive rustling, burbling, and murmuring timbres, in contrast with full ensemble passages reminiscent of Stravinsky’s orchestral palette in The Firebird. Moreover, the rhythmic insistence of Stravinsky’s Rite of Spring appears to have influenced Zhou in the remaining works; in The Rhyme of Taigu an expanded percussion section not only adds haunting colors and textures but provides an energetic, repetitious rhythmic impetus, and Da Qu, which isolates Jonathan Fox’s bells, vibraphone, and gongs against an orchestra that threatens to erupt from tranquil to volatile, near chaotic, expression in the blink of an eye, is even more exotic and vibrant. (Note to solo percussionists and adventurous orchestras: this work has great audience-wowing potential.) Even the brief transformation of a Shaanxi love song, mixed with Zhou’s recollection of farmers burning their fields, in The Future of Fire builds to thunderous Rite-like climaxes.

BIS’s engineering captures the wide dynamic range of the music vividly, and conductor Lan Shui and the Singapore musicians present everything in the best possible light.

Art Lange, FANFARE
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Works on This Recording

1. Poems from Tang by Zhou Long
Conductor:  Lan Shui
Orchestra/Ensemble:  Singapore Symphony Orchestra,  Shanghai String Quartet
Period: 20th Century 
2. The Rhyme of Taigu by Zhou Long
Conductor:  Lan Shui
Orchestra/Ensemble:  Singapore Symphony Orchestra
Period: 20th Century 
3. Da Qu by Zhou Long
Performer:  Jonathan Fox (Percussion)
Orchestra/Ensemble:  Singapore Symphony Orchestra
Period: 20th Century 
4. The Future of Fire by Zhou Long
Conductor:  Lan Shui
Orchestra/Ensemble:  Singapore Symphony Orchestra,  Philharmonic Chamber Choir
Period: 20th Century 

Sound Samples

Poems from Tang: I. Hut Among the Bamboo, by Wang Wei (701-706)
Poems from Tang: II. Old Fisherman, by Liu Zongyuan (773 - 819)
Poems from Tang: III. Hearing the Monk Xun, Play the Qin by Li Bai (701 - 762)
Poems from Tang: IV. Song of Eight Unruly Tipsy Poets, by Du Fu (712 - 770)
The Rhyme of Taigu: I. Andante
The Rhyme of Taigu: II. Lento and Accelerando
The Rhyme of Taigu: III. Presto
Da Qu: I. San Xu (Prelude in Tempo a piacere)
Da Qu: II. Zhong Xu (Middle part in Adagio)
Da Qu: III. Po (Development and Coda in Presto - Andantino)
The Future of Fire

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