Peter Mattei

Biography

Born: 1965   Country: Sweden  
Peter Mattei emerged in the early 1990s as one of Sweden's most important young baritones.

After his musical studies in Stockholm, he debuted in 1990 in Stockholm in Mozart's opera La Finta giardiniera. In 1992 he sang in the little known opera Falstaff by Salieri, and in the 1994-1995 season of the Royal Stockholm Opera he sang Figaro in Mozart's Marriage of Figaro for the first time.

He has become known as one of the finest
Read more Mozart baritones. He sang Don Giovanni for the first time at the Gothenburg Opera House in the 94-95 season, and debuted in Britain in the same role in autumn of 1995, at the Scottish Opera. He was quickly invited back to sing Guglielmo in Così fan tutte.

His first appearance at the Salzburg Festival was in Fidelio, singing Don Fernando under the baton of Sir Georg Solti. Claudio Abbado selected him as the bass soloist in Bach's St. Matthew Passion with the Berlin Philharmonic Orchestra.

Other roles in his expanding repertory include Papageno in The Magic Flute, Lionel in Tchaikovsky's Joan of Arc, Papageno in The Magic Flute, and Harlekin in Richard Strauss' Ariadne auf Naxos. In the 1999-2000 season he again took the part of Figaro, this time in Rossini's Barber of Seville, and returned to Tchaikovsky in the title role of Eugene Onegin, and in 2001 was scheduled to take the role of Figaro's antagonist, the Count, in Mozart's opera, at the Salzburg Opera, and as his Metropolitan Opera debut in 2002.

He is active on the concert stage. In addition to the St. Matthew and St. John Passions of Bach he sings the Lyric Symphony of Zemlinsky, and the Mahler song cycles Des Knaben Wunderhorn and Lieder eines Fahrenden Gesellen.

He has recorded Sibelius' Kullervo and a set of songs by Stenhammar. Read less
Wilhelm Stenhammar: Songs / Peter Mattei, Bengt-åke Lundin
Release Date: 03/08/1995   Label: Bis  
Catalog: 654   Number of Discs: 1
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Duruflé: The Complete Music For Choir / Graden, Mattei, Etc
Release Date: 10/12/1994   Label: Bis  
Catalog: 602   Number of Discs: 1
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A Kaleidoscope / Peter Mattei
Release Date: 03/29/2011   Label: Bis  
Catalog: 1954   Number of Discs: 1
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Great Baritone Arias / Peter Mattei
Release Date: 04/26/2011   Label: Bis  
Catalog: 1749   Number of Discs: 1
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Biography

Born: 1965   Country: Sweden  
Peter Mattei emerged in the early 1990s as one of Sweden's most important young baritones.

After his musical studies in Stockholm, he debuted in 1990 in Stockholm in Mozart's opera La Finta giardiniera. In 1992 he sang in the little known opera Falstaff by Salieri, and in the 1994-1995 season of the Royal Stockholm Opera he sang Figaro in Mozart's Marriage of Figaro for the first time.

He has become known as one of the finest
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Overture
Jetzt, Schätchen, jetz sind wir allein
Seit Fidelio bei uns ist
O wär' ich schon mit dir vereint
Ich täusche die Menschen
Mir ist so wunderbar
Marzelline und Fidelio haben sich offensichtlich recht lieb
Hat man nicht aud Gold beineben
In den finstersten Gewolben sitzt ein Gefangener
Gut, Sohnchen, gut
Marsch
Etwas Neues vorgefallen?
Ha! Welch ein Augenblick!
Und nun zu dir mein lieber Rocco
Jetzt, Alter, hat es Eile!
Abscheulicher! Wo eilst du hin?
Wie Fidelio das wieder geschafft hatte war mir ein Rätsel
O welche Lust
Nun sprecht, wie ging's?
Ach, Vater, eilt!
Verwegener Alter
Leb wohl, du warmes Sonnenlicht
Gott! - Welch Dunkel hier!
Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben
Ihr habt wieder geruht
Euch werde Lohn in bessern Welten
Ist alles bereit?
Er sterbe!
O namenlose Freude!
Heil se idem Tag, Heil sei der Stunde
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): I. Introduction - Allegro moderato
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): II. Kullervo's ungdom (Kullervo's youth) - Grave
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): III. Kullervo och hans syster (Kullervo and his sister) - Allegro vivace
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): IV. Kullervo tagar ut till strid (Kullervo goes to War) - Alla marcia
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): V. Kullervos dod (Kullervo's Death) - Andante
Kullervo - Symphonisches Gedicht, Op.7, fur Soli, Chor und Orchester: I. Introduction - Allegro moderato
Kullervo - Symphonisches Gedicht, Op.7, fur Soli, Chor und Orchester: II. Kullervo's ungdom (Kullervo's youth) - Grave
Kullervo - Symphonisches Gedicht, Op.7, fur Soli, Chor und Orchester: III. Kullervo och hans syster (Kullervo and his sister) - Allegro vivace
Kullervo - Symphonisches Gedicht, Op.7, fur Soli, Chor und Orchester: IV. Kullervo tagar ut till strid (Kullervo goes to War) - Alla marcia
Kullervo - Symphonisches Gedicht, Op.7, fur Soli, Chor und Orchester: V. Kullervos dod (Kullervo's Death) - Andante
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Veni creator spiritus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Imple superna gratia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Infirma nostri corporis"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Accende lumen sensibus"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Veni, Creator...Da gaudiorum praemia"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus" - "Gloria sit Patri Domino"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - Poco adagio: Waldung, sie schwankt heran
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Ewiger Wonnebrand"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Wie Felsenabgrund mir zu Füßen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Gerettet ist das edle Glied"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Höchste Herrscherin der Welt"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Dir, der Unberührbaren"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Bei der Liebe, die den Fussen"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Neige, neige, du Ohnegleiche"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Komm! Komm!"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick"
Mahler: Symphony No.8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche"
Peer Gynt (incidental music): No. 1 I bryllupsgården/At the Wedding (Prelude to Act 1)
Peer Gynt (incidental music): No 2. Halling
Peer Gynt (incidental music): No. 4 Bruderovert Ingrids klage/The Abduction of the Bride (Prelude to Act 2)
Peer Gynt (incidental music): No. 6 Peer Gynt og Den grønnkledte/Peer Gynt and the Woman in Green
Peer Gynt (incidental music): No. 7 Peer Gynt "Pa redestellet skal storfolk kjendes!"/"You can tell great men by the style of their mounts"
Peer Gynt (incidental music): No. 3 Springar
Peer Gynt (incidental music): No. 8 I Dovregubbens hall/In the Hall of the Mountain King (Choir)
Peer Gynt (incidental music): No. 9 Dans av Dovregubbens datter/Dance of the Mountain King's daughter
Peer Gynt (incidental music): No. 12 Åses død/The death of Ase (Prelude to Act 3)
Peer Gynt (incidental music): No. 13 Morgenstemning/Morning Mood (prelude to Act 4)
Peer Gynt (incidental music): No. 15 Aribisk dans/Arabian Dance (Choir/Anitra)
Peer Gynt (incidental music): No. 16 Anitras dans/Anitra's Dance
Peer Gynt (incidental music): No. 17 Peer Gynts serenade (Peer Gynt)
Peer Gynt (incidental music): No. 19 Solveigs sang/Solveig's song (Solveig)
Peer Gynt (incidental music): No. 20 Peer Gynt ved Memnonstøtten/Peer Gynt at the statue of Memnon
Peer Gynt (incidental music): No. 21 Peer Gynts hjemfart. Stormful aften på havet/Peer Gynt's homecoming. Stormy evening on the Sea (prelude to Act 5)
Peer Gynt (incidental music): No. 22 Skipsforliset/The Shipwreck
Peer Gynt (incidental music): No. 23 Solveig synger I hytten/Solveig sings in the hut (Solveig)
Peer Gynt (incidental music): No. 25 Pinsesalme: "Velsignede morgen"/Whitsun Hymn: "O Blessed Morning" (Choir)
Peer Gynt (incidental music): No. 26 Solveigs vuggevise/Solveig's Cradle song (Solveig/Choir)
Act I: Introduction and Chorus: Su, cacciator! (Hunters)
Act I: Narrative: Fontainebleau! foresta immensa (Don Carlos)
Act I: Romance: Io la vidi e al suo sorriso (Don Carlos)
Act I: Scene: Il suon del corno (Don Carlos, Tebaldo, Elisabeth)
Act I: Duet: Che mai fate voi? (Elisabeth, Don Carlos)
Act I: Di qual amor (Elisabeth, Don Carlos)
Act I: Scene: Al fedel ch'ora viene (Tebaldo, Elisabeth, Don Carlos)
Act I: Finale: Inni di festa (Elisabeth, Don Carlos, Count of Lerma, People)
Act II: Prelude
Act II Scene 1: Scene and Prayer: Carlo, il sommo imperatore (Old Monk, Monks)
Act II Scene 1: Scene: Al chiostro di San Giusto (Don Carlos, Old Monk)
Act II Scene 1: Duet: E lui! desso! l'infante (Rodrigo, Don Carlos)
Act II Scene 1: Dio, che nell'alma infondere (Don Carlos, Rodrigo, Old Monk, Monks)
Act II Scene 2: Chorus: Sotto ai folti (Ladies-in-waiting, Tebaldo, Princess Eboli)
Act II Scene 2: Veil Song: Nel giardin del bello (Eboli, Tebaldo, Ladies)
Act II Scene 2: Scene: La regina (Eboli, Elisabeth, Tebaldo, Rodrigo, Ladies)
Act II Scene 2: Romance: Carlo, ch'e sol il nostro amore (Rodrigo, Elisabeth, Eboli)
Act II Scene 2: Duet: Io vengo a domandar (Don Carlos, Elisabeth)
Act II Scene 2: Perche accusar il cor (Elisabeth, Don Carlos)
Act II Scene 2: Sotto al mio pie (Don Carlos, Elisabeth)
Act II Scene 2: Scene: Il Re! - Perche sola e la Regina (Tebaldo, Philip, Courtiers, Ladies)
Act II Scene 2: Romance: Non pianger, mia compagna (Elisabeth, Rodrigo, Philip, Ladies, Courtiers)
Act II Scene 2: Scene: Restate! - Presso alla mia persona (Philip, Rodrigo)
Act II Scene 2: Duet: O signor, di Fiandra arrivo (Rodrigo, Philip)
Act II Scene 2: Quest'e la pace che voi date (Rodrigo, Philip)
Act II Scene 2: Oso lo sguardo tuo penetrar (Philip, Rodrigo)
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): I - Introduction - Allegro moderato
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): II - Kullervo's ungdom (Kullervo's youth) - Grave
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): III - Kullervo och hans syster (Kullervo and his sister) - Allegro vivace
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): IV - Kullervo tagar ut till strid (Kullervo goes to War) - Alla marcia
Kullervo - Symphonisches Gedicht, Op. 7, fur Soli, Chor und Orchester (Kalevala): V - Kullervos dod (Kullervo's Death) - Andante
Les Troyens: Act I, No. 1 - ?Ha, Ha! Apres dix ans?
Les Troyens: Act I, No. 2 - ?Les Grecs ont disparu?
Les Troyens: Act I, No. 2 - ?Malheureux roi!?
Les Troyens: Act I, No. 3 - ?C'est lui!?
Les Troyens: Act I, No. 3 - ?Reviens a toi... Pauvre ame... si tu m'aimes... mais le ciel et la terre... quitte-nous des ce soir?
Les Troyens: Act I, No. 4 - ?Dieux protecteurs de la ville eternelle?
Les Troyens: Act I, No. 5 - Combat de ceste - pas de lutteurs
Les Troyens: Act I, No. 6 - Pantomime
Les Troyens: Act I, No. 7 - ?Du peuple et des soldats?
Les Troyens: Act I, No. 8 - ?Chatiment effroyable!?
Les Troyens: Act I, No. 9 - ?Que la deesse... a cet objet sacre?
Les Troyens: Act I, No. 10 - ?Non, je ne verrai pas la deplorable fete?
Les Troyens: Act I, No. 11 - ?De mes sens eperdus Marche Troyenne?
Les Troyens: Act II, No. 12a - Scene et recitatif: introduction
Les Troyens: Act II, No. 12b - Scene et recitatif: introduction
Les Troyens: Act II, No. 12 - ?O lumiere de troie... Ah! Fuis, fils de Venus?
Les Troyens: Act II, No. 13 - ?Quelle esperance... Le salut des Vaincus...?
Les Troyens: Act II, No. 14 - ?Ha, puissante Cybele?
Les Troyens: Act II, No. 15 - ?Tous ne periront pas... Oh digne soeur d'Hector?
Les Troyens: Act II, No. 16 - ?Coplices de sa gloire... Le tresor!?
Les Troyens: Act III, No. 17 - ?De Carthage les cieux?
Les Troyens: Act III, No. 18 - Chant national ?Gloire a Didon?
Les Troyens: Act III, No. 19a - ?Nous avons vu finir sept ans a peine?
Les Troyens: Act III, No. 19b - ?Chers tyriens?
Les Troyens: Act III, No. 20 - Entree des constructeurs
Les Troyens: Act III, No. 21 - Entree des matelots
Les Troyens: Act III, No. 22 - Entree des laboureurs
Les Troyens: Act III, No. 23 - ?Peuple! Tous les honneurs?
Les Troyens: Act III, No. 24 - Les chants joyeux
Les Troyens: Act III, No. 25a - ?Echappes a grand peine?
Les Troyens: Act III, No. 25b - ?Errante sur les mers?
Les Troyens: Act III, No. 26 - ?J'eprouve une soudaine et vive impatience?
Les Troyens: Act III, No. 27 - ?Auguste reine, un peuple errant et malheureux?
Les Troyens: Act III, No. 28 - ?J'ose a peine annoncer ... Reine! Je suis Enee ... Des armes! Des armes!?
Les Troyens: Act IV, No. 29 - Chasse royale et orage
Les Troyens: Act IV, No. 30 - ?Dites, Narbal, qui cause vos alarmes?
Les Troyens: Act IV, No. 31a - ?De quels revers air?
Les Troyens: Act IV, No. 31b - ?Vaine terreur cavatine?
Les Troyens: Act IV, No. 31c - ?De quels revers air et cavatine?
Les Troyens: Act IV, No. 32 - Marche pour l'entree de la reine
Les Troyens: Act IV, No. 33a - Pas des almees ballet
Les Troyens: Act IV, No. 33b - Danse des esclaves ballet
Les Troyens: Act IV, No. 33c - Pas d'esclaves Nubiennes
Les Troyens: Act IV, No. 34a - ?Assez ma soeur?
Les Troyens: Act IV, No. 34b - ?O blonde Ceres?
Les Troyens: Act IV, No. 35a - ?Pardonne, Iopas?
Les Troyens: Act IV, No. 35b - ?O pudeur! Tout conspire?
Les Troyens: Act IV, No. 36a - ?Mais bannissons ces triste souvenirs?
Les Troyens: Act IV, No. 36b - ?Tout n'est que paix et charme?
Les Troyens: Act IV, No. 37 - ?Nuit d'ivresse et d'extase infinie?
Les Troyens: Act V, No. 38 - ?Vallon Sonore?
Les Troyens: Act V, No. 39 - ?Preparez tout, il faut partir enfin ... Chaque jour voit grandir?
Les Troyens: Act V, No. 40 - ?Par Bacchus!?
Les Troyens: Act V, No. 41a - ?Inutiles regrets!?
Les Troyens: Act V, No. 41b - ?Ah! Quand viendra l'instant des supremes adieux?
Les Troyens: Act V, No. 42 - ?Enee!?
Les Troyens: Act V, No. 43 - ?Debout, Troyens, eveillez-vous, allerte! ... Allerte! Entendez vous amis ...?
Les Troyens: Act V, No. 44 - ?Errante sur test pas ...?
Les Troyens: Act V, No. 44 - ?Italie!?
Les Troyens: Act V, No. 45 - ?Va ma soeur, l'implorer?
Les Troyens: Act V, No. 46 - ?En mer, voyez! Six vaisseaux!?
Les Troyens: Act V, No. 47 - ?Ah! Ah! Je vais mourir?
Les Troyens: Act V, No. 48 - ?Adieu, fiere cite?
Les Troyens: Act V, No. 49 - ?Dieux, de loubli, dieux du tenare ... S'il faut enfin qu'Enee aborde Italie?
Les Troyens: Act V, No. 50 - ?Pluton ... semble m'etre propice?
Les Troyens: Act V, No. 51 - ?Ah! Au secours! Au Secours! La renne s'est frappee?
Les Troyens: Act V, No. 52 - ?Rome ... Rome ... Immortelle! ... Haine eternelle a la race d'Enee?
Don Giovanni: Overtura
Don Giovanni, ATTO 1: Notte e giorno faticar
Don Giovanni, ATTO 1: Leporello, ove sei?
Don Giovanni, ATTO 1: Ah! del padre in periglio
Don Giovanni, ATTO 1: Fuggi, crudele, fuggi
Don Giovanni, ATTO 1: Orsu, spicciati presto
Don Giovanni, ATTO 1: Ah, chi mi dice mai
Don Giovanni, ATTO 1: Chi è là? Stelle che veco!
Don Giovanni, ATTO 1: Madamina, il catalogo è questo
Don Giovanni, ATTO 1: In questa forma dunque
Don Giovanni, ATTO 1: Giovinette che fate all'amore
Don Giovanni, ATTO 1: Manco male è partita
Don Giovanni, ATTO 1: Ho capito, signor sì
Don Giovanni, ATTO 1: Alfin siam liberati
Don Giovanni, ATTO 1: Là ci darem la mano
Don Giovanni, ATTO 1: Fermati, scellerato
Don Giovanni, ATTO 1: Ah, fuggi il traditor!
Don Giovanni, ATTO 1: Mi par ch'oggi il demonio
Don Giovanni, ATTO 1: Ah, ti ritrovo ancor.......Non ti fidar, o misera
Don Giovanni, ATTO 1: Povera sventurata
Don Giovanni, ATTO 1: Don Ottovio, son morta
Don Giovanni, ATTO 1: Or sai chi l'onore
Don Giovanni, ATTO 1: Come mai creder deggio
Don Giovanni, ATTO 1: Dalla sua pace
Don Giovanni, ATTO 1: Io deggio ad ogni patto
Don Giovanni, ATTO 1: Fin ch'han dal vino
Don Giovanni, ATTO 1: Masetto, senti un po'
Don Giovanni, ATTO 1: Batti, batti, o bel Masetto
Don Giovanni, ATTO 1: Guarda un po'
Don Giovanni, ATTO 1: Presto presto pria ch'ei venga......... Su svegliatevi da bravi
Don Giovanni, ATTO 1: Tra quest'arbori celata
Don Giovanni, ATTO 1: Bisogna aver coraggio
Don Giovanni, ATTO 1: Riposate, vezzose ragazze
Don Giovanni, ATTO 2: Eh via, buffone
Don Giovanni, ATTO 2: Leporello! Signore?
Don Giovanni, ATTO 2: Ah taci, ingiusto core
Don Giovanni, ATTO 2: Amico, che ti par? ... Eccomi a vi
Don Giovanni, ATTO 2: Deh, vieni alla finestra
Don Giovanni, ATTO 2: V'è gente alla finestra..... Non ci stanchiamo
Don Giovanni, ATTO 2: Meta di voi qua vadano
Don Giovanni, ATTO 2: Zitto, lascia ch'io senta...Ahi! Ahi! La testa mia
Don Giovanni, ATTO 2: Vedrai, carino
Don Giovanni, ATTO 2: Di molte face il lume
Don Giovanni, ATTO 2: Sola, sola in buio loco
Don Giovanni, ATTO 2: Dunque quello sei tu
Don Giovanni, ATTO 2: Ah, pietà, signori miei!
Don Giovanni, ATTO 2: Ferma, perfido
Don Giovanni, ATTO 2: Il mio tesoro intanto
Don Giovanni, ATTO 2: In quali eccessi, o Numi
Don Giovanni, ATTO 2: Mi tradi, quell'alma ingrata
Don Giovanni, ATTO 2: Ah, ah, ah, questa è buona
Don Giovanni, ATTO 2: O statua gentilissima
Don Giovanni, ATTO 2: Calmatevi, idol mio!
Don Giovanni, ATTO 2: Crudele? Ah no, mio bene!
Don Giovanni, ATTO 2: Non mi dir, bell'idol mio
Don Giovanni, ATTO 2: Già la mensa è preparata
Don Giovanni, ATTO 2: L'ultima prova dell'amor mio
Don Giovanni, ATTO 2: Don Giovanni, a cenar teco
Don Giovanni, ATTO 2: Ah, dov'è il perfido?
O Fortuna
Fortune plango vulnera
Veris leta facies
Omnia sol temperat
Ecce gratum
Tanz
Floret Silva
Chramer, gip die verwe mir
Reie
Were diu werlt alle min
Estuans interius
Olim lacus colueram
Ego sum abbas
In taberna quando sumus
Amor volat undique
Dies, nox et omnia
Stetit puella
Circa mea pectora
Si puer cum puellula
Veni, veni, venias
In trutina
Tempus est iocundum
Dulcissime
Ave formosissima
O Fortuna
I. Stjarnoga (Stareye)
I. Stjarnoga (Stareye)
Frogdens Herranom
Fornimmer at Herren...
Gar in i hans portar
Ty Herren ar god
Ara vare Fadrenom
Introit
Kyrie
Domine Jesu Christe
Sanctus
Pie Jesu
Agnus Dei
Lux aeterna
Libera me
In Paradisum
Kyrie
Gloria
Sanctus
Benedictus
Agnus Dei
Ave Maria
Ave Maria


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