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| Works on This Recording | Back to Top | |||
| 1. |
Sonata for Piano by Robert Ashley |
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Performer:
Robert Ashley (Piano)
Period: 20th Century Written: 1959-1960; USA |
Date of Recording: 02/25/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 7 Minutes 44 Secs. |
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| 2. |
Groups by Donald Scavarda |
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Performer:
Robert Ashley (Piano)
Period: 20th Century Written: 1959; USA |
Date of Recording: 02/25/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 1 Minutes 3 Secs. |
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| 3. |
Trio for Strings by George Cacioppo |
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Performer:
Edith Perrow (Violin),
Arthur Follows (Cello),
Jean Harter (Viola)
Period: 20th Century Written: 1960; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 10 Minutes 23 Secs. |
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| 4. |
Epigram and Evolution by Roger Reynolds |
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Performer:
Robert Ashley (Piano)
Period: 20th Century Written: 1960; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 8 Minutes 50 Secs. |
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| 5. |
Sinfonia by Gordon Mumma |
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Performer:
Gustave Rabson (Guitar),
Alice Hays (Viola),
Carolyn Rabson (Alto Recorder),
Bruce Wise (Piano), Don Robbins (Bassoon), Edith Perrow (Violin), Arthur Follows (Cello), Stanley Mogelnicki (Trumpet), Rosemarie Waldrop (Flute), Jerry Bilik (Trombone), Daniel Levine (Double Bass), David Bourns (Percussion), Carolyn Rabson (Soprano) Conductor: Wayne Dunlap Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1958-1960; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 12 Minutes 3 Secs. |
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| 6. |
In the Autumn Mountains: God save by Donald Scavarda |
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Performer:
Stanley Mogelnicki (Trumpet),
Gustave Rabson (Guitar),
Paul Miller (Percussion),
John Morgan (Clarinet), Jerry Bilik (Trombone), Bruce Wise (Piano), Edith Perrow (Violin), Arthur Follows (Cello), Shirley Zaft (Soprano), Rosemarie Waldrop (Flute), Eugene Hansen (Percussion), David Bourns (Percussion) Conductor: Wayne Dunlap Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1958-1959; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 7 Minutes 1 Secs. Language: English |
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| Notes: This selection shares a track and timing with "My girl and I sleep" and "When I left my girl." | |||||
| 7. |
Pieces (2) for Piano and Chamber Group by Bruce Wise |
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Performer:
Bruce Wise (Piano),
David Bourns (Percussion),
Paul Miller (Percussion),
Eugene Hansen (Percussion), Daniel Levine (Double Bass), Robert Ashley (Celesta), Jerry Bilik (Trombone), Stanley Mogelnicki (Trumpet), Blanche Kangas (Bass Clarinet), Don Robbins (Bassoon), John Morgan (Clarinet) Conductor: Wayne Dunlap Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1958; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 6 Minutes 23 Secs. |
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| 8. |
The Fourth of July by Robert Ashley |
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Period: 20th Century Written: 1960; USA |
Date of Recording: 02/25/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 18 Minutes 37 Secs. |
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| 9. |
Matrix for Clarinetist by Donald Scavarda |
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Performer:
John Morgan (Clarinet)
Period: 20th Century Written: 1962; USA |
Date of Recording: 06/02/1962 Venue: Unitarian Church, Ann Arbor, Michigan Length: 9 Minutes 7 Secs. |
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| 10. |
Wedge by Roger Reynolds |
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Performer:
Robert Pozar (Percussion),
Gordon Mumma (Percussion),
Stanley Towers (Tuba),
Paul Young (Trombone), Donald Green (Trombone), Ron Bell (Trumpet), Barney Pearson (Trumpet), Frances Whitcomb (Piccolo), Karen Hill (Piccolo), Frances Whitcomb (Flute), Karen Hill (Flute), Bob James (Piano), Daniel Levine (Double Bass), David Maves (Percussion) Conductor: David Sutherland Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1961; USA |
Date of Recording: 02/10/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 7 Minutes 56 Secs. |
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| 11. |
Meanwhile, A Twopiece by Gordon Mumma |
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Performer:
Robert Ashley (Piano),
Gordon Mumma (French Horn),
Gordon Mumma (Percussion),
Robert Ashley (Percussion) Period: 20th Century Written: 1961; USA |
Date of Recording: 02/10/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 7 Minutes 16 Secs. |
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| Notes: This performance utilizes a pre-recorded tape. | |||||
| 12. |
Sounds for Eleven by Donald Scavarda |
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Performer:
Anne Speer (Flute),
Margaret Varnell (Clarinet),
Robert Barris (Bassoon),
Robert Ashley (Piano), David Maves (Vibraphone), Kenneth Snipes (Oboe), John Morgan (Clarinet), Gordon Mumma (Percussion), Robert Pozar (Percussion), Gustave Rabson (Guitar) Conductor: Donald Scavarda Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1961; USA |
Date of Recording: 02/16/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 10 Minutes 55 Secs. |
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| 13. |
Gestures 2 by Gordon Mumma |
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Performer:
Gordon Mumma (Piano),
Robert Ashley (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 02/16/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 13 Minutes 14 Secs. |
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| Notes: This performance utilizes a pre-recorded tape. | |||||
| 14. |
Bestiary I "Eingang" by George Cacioppo |
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Performer:
Gordon Mumma (Percussion),
Paul Miller (Percussion),
Eugene Hansen (Percussion),
Agnes Conzemius (Percussion), David Bourns (Percussion), Robert Ashley (Celesta), Bob James (Piano), Karen Lovejoy (Soprano) Conductor: Wayne Dunlap Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1961; USA |
Date of Recording: 02/16/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 7 Minutes 16 Secs. Language: German |
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| 15. |
Details (2b) by Robert Ashley |
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Performer:
Gordon Mumma (Piano),
Robert Ashley (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 12/16/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 7 Minutes 9 Secs. |
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| 16. |
Ballad for Flute, Violin and Piano by "Blue" Gene Tyranny |
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Performer:
Larry Leitch (Piano),
Karin Fierce (Violin),
Philip Krumm (Flute)
Period: 20th Century Written: 1960; USA |
Date of Recording: 12/16/1962 Venue: Live Unitarian Church, Ann Arbor, Michigan Length: 8 Minutes 31 Secs. |
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| 17. |
Fives by Robert Ashley |
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Performer:
Bertram Turetzky (Double Bass),
Robert Pozar (Percussion),
David Maves (Percussion),
Bob James (Piano), Robert Ashley (Piano) Conductor: Edwin London Orchestra/Ensemble: Camerata Quartet New York City Period: 20th Century Written: 1962; USA |
Date of Recording: 02/09/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 12 Minutes 36 Secs. |
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| 18. |
A Quarter of Fourpiece by Gordon Mumma |
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Performer:
Edwin London (French Horn),
Bertram Turetzky (Double Bass),
Josef Marx (Oboe),
Nancy Turetzky (Flute) Orchestra/Ensemble: Hartt Chamber Players Period: 20th Century Written: 1960-1962; USA |
Date of Recording: 02/09/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 4 Minutes 56 Secs. |
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| 19. |
Two Worlds by George Cacioppo |
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Performer:
Robert Pozar (Percussion),
Josef Marx (Oboe),
Nancy Turetzky (Flute),
Bob James (Piano), Karen Lovejoy (Soprano) Conductor: Edwin London Orchestra/Ensemble: Camerata Quartet New York City Period: 20th Century Written: 1962; USA |
Date of Recording: 02/10/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 6 Minutes 2 Secs. |
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| 20. |
Mosaic by Roger Reynolds |
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Performer:
Karen Hill (Piccolo),
Karen Hill (Flute),
Bob James (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 02/10/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 9 Minutes 38 Secs. |
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| 21. |
Pianopieces: Pianopiece I by George Cacioppo |
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Performer:
Donald Bohlen (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 02/16/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 3 Minutes 12 Secs. |
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| 22. |
Pianopieces: Cassiopeia by George Cacioppo |
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Performer:
Donald Bohlen (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 02/16/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 2 Minutes 57 Secs. |
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| 23. |
Pianopieces: Pianopiece II by George Cacioppo |
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Performer:
Donald Bohlen (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 02/16/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 2 Minutes 57 Secs. |
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| 24. |
A Portrait for Vanzetti by Roger Reynolds |
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Performer:
Kenneth Miesen (Trombone),
David Maves (Percussion),
Robert Pozar (Percussion),
Karen Hill (Flute), Jack O'Brien (Spoken Vocals), Richard Lowenthal (Trumpet), Kay Maves (French Horn), John Moses (Clarinet), Anne Speer (Piccolo), Richard Reynolds (French Horn), Karen Hill (Piccolo), Anne Speer (Flute) Conductor: Donald Scavarda Period: 20th Century Written: 1962-1963; USA |
Date of Recording: 02/16/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 20 Minutes 27 Secs. |
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| 25. |
Greys by Gordon Mumma |
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Period: 20th Century Written: 1963; USA |
Date of Recording: 12/03/1963 Venue: Live Community Center, Ann Arbor, Michigan Length: 3 Minutes 19 Secs. |
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| 26. |
Music for Clocks by Phillip Krumm |
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Performer:
Anne Speer (Flute),
David Maves (Percussion),
Kenneth Snipes (Oboe),
Bertram Turetzky (Double Bass), Michael von Biel (Cello), Lana Lou Nail (Violin), Kay Maves (French Horn), Richard Reynolds (French Horn), John Morgan (Clarinet), Philip Krumm (Prepared Piano) Conductor: Donald Scavarda Period: 20th Century Written: 1962; USA |
Date of Recording: 02/17/1963 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 10 Minutes 24 Secs. |
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| 27. |
Diotima by "Blue" Gene Tyranny |
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Performer:
Anne Aitchison (Flute)
Period: 20th Century Written: 1963; USA |
Date of Recording: 02/28/1964 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 18 Minutes 58 Secs. |
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| Notes: This performance utilizes a pre-recorded tape. | |||||
| 28. |
7PTPC by George Crevoshay |
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Performer:
Terry Jenning (Saxophone),
George Crevoshay (Piano),
Larry Leitch (Celesta)
Orchestra/Ensemble: ONCE Chamber Players Period: 20th Century |
Date of Recording: 02/29/1964 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 5 Minutes 57 Secs. |
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| 29. |
Landscape Journey by Donald Scavarda |
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Performer:
John Morgan (Clarinet),
Donald Scavarda (Piano)
Period: 20th Century Written: 1963; USA |
Date of Recording: 02/25/1964 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 9 Minutes 31 Secs. |
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| 30. |
Advance of the Fungi by George Cacioppo |
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Performer:
Karl Wirt (Trombone),
Gordon Mumma (French Horn),
James Ferguson (Trombone),
Russell Peck (Trombone), Dick Tilkin (Percussion), John Morgan (Clarinet), Richard Reynolds (French Horn), William Albright (Clarinet), Tom Asboth (Clarinet) Conductor: Donald Scavarda Orchestra/Ensemble: Men's Chorus Period: 20th Century Written: 1964; USA |
Date of Recording: 02/25/1964 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 15 Minutes 54 Secs. |
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| 31. |
In memoriam...Crazy Horse by Robert Ashley |
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Conductor:
Donald Scavarda
Orchestra/Ensemble: ONCE Festival Orchestra Period: 20th Century Written: 1963; USA |
Date of Recording: 02/25/1964 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 15 Minutes 12 Secs. |
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| 32. |
Music for Three by Bruce Wise |
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Performer:
Robert Ashley (Piano),
Gordon Mumma (Piano)
Period: 20th Century Written: 1963; USA |
Date of Recording: 02/26/1964 Venue: Live Veterans Auditorium, Ann Arbor, Michigan Length: 29 Minutes 30 Secs. |
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| Notes: This performance utilizes a pre-recorded tape. | |||||
| 33. |
Time on Time in Miracles by George Cacioppo |
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Performer:
Max Neuhaus (Percussion),
Peggy Ericson (Soprano),
Larry Leitch (Piano),
Jack Brooks (Cello), Richard Reynolds (French Horn), Philip Corner (Bass Trombone), Gordon Mumma (French Horn), Russell Peck (Tenor Trombone) Conductor: Robert Ashley Orchestra/Ensemble: ONCE Chamber Players Period: 20th Century Written: 1964; USA |
Date of Recording: 02/12/1965 Length: 9 Minutes 44 Secs. |
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| 34. |
Track by David Behrman |
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Orchestra/Ensemble:
ONCE Chamber Players
Period: 20th Century Written: 1965; USA |
Date of Recording: 02/13/1965 Length: 10 Minutes 11 Secs. |
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| Notes: This performance utilizes a pre-recorded tape. | |||||
| 35. |
Apple Box Concerto by Pauline Oliveros |
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Performer:
Pauline Oliveros (Electronics),
David Tudor (Electronics)
Period: 20th Century Written: 1964; USA |
Date of Recording: 03/28/1966 Length: 17 Minutes 7 Secs. |
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| 36. |
Quartet for 6 Speakers, Clarinet and 2 Horns by Robert Ashley |
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Performer:
George Cacioppo (Spoken Vocals),
Mary Ashley (Spoken Vocals),
Gordon Mumma (French Horn),
Richard Reynolds (French Horn), William Albright (Clarinet), Cynthia Liddell (Spoken Vocals), Harold Borkin (Spoken Vocals), Anne Wehrer (Spoken Vocals), Joseph Wehrer (Spoken Vocals) Period: 20th Century Written: 1965; USA |
Date of Recording: 03/28/1966 Length: 9 Minutes 51 Secs. |
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| 37. |
In the Autumn Mountains: My girl and I sleep by Donald Scavarda |
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Performer:
James Berg (Baritone),
Stanley Mogelnicki (Trumpet),
Jerry Bilik (Trombone),
Edith Perrow (Violin), Bruce Wise (Piano), Rosemarie Waldrop (Flute), Arthur Follows (Cello), Gustave Rabson (Guitar), Paul Miller (Percussion), Eugene Hansen (Percussion), David Bourns (Percussion), John Morgan (Clarinet) Conductor: Wayne Dunlap Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1958-1959; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Language: English |
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| Notes: This selection shares a track and timing with "God save" and "When I left my girl." | |||||
| 38. |
In the Autumn Mountains: When I left my girl by Donald Scavarda |
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Performer:
Rosemarie Waldrop (Flute),
Jerry Bilik (Trombone),
Stanley Mogelnicki (Trumpet),
John Morgan (Clarinet), Gustave Rabson (Guitar), Paul Miller (Percussion), David Bourns (Percussion), James Berg (Baritone), Bruce Wise (Piano), Edith Perrow (Violin), Arthur Follows (Cello), Eugene Hansen (Percussion) Conductor: Wayne Dunlap Orchestra/Ensemble: ONCE Chamber Orchestra Period: 20th Century Written: 1958-1959; USA |
Date of Recording: 03/04/1961 Venue: Live Unitarian Church, Ann Arbor, Michigan Language: English |
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| Notes: This selection shares a track and timing with "God save" and "My girl and I sleep." | |||||
| 39. |
Large Size Monograph 1962 by Gordon Mumma |
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Performer:
Larry Leitch (Piano)
Period: 20th Century Written: 1962; USA |
Date of Recording: 12/16/1962 Venue: Live Community Center, Ann Arbor, Michigan Length: 8 Minutes 9 Secs. |
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