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Vanguard's "Bach Guild" created a sensation starting in the mid-1950s with their revelatory recordings of British composer Henry Purcell, undertaken by the partnership of the label's enterprising founder Seymour Solomon and countertenor Alfred Deller, whose strong affinity for Purcell's music brought this then-rare repertoire to life and greatly intensified interest in a composer now seen as not only one of the most important British composers of all time but a Baroque firebrand whose highly original music achieves some of the highest artistic marks of the era. These original releases are included in this set:
Homage to Henry Purcell
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| Works on This Recording | Back to Top | |||
| 1. |
Fantasia upon a Ground in D major, Z 731 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord),
Desmond Dupré (Viola Da Gamba),
Peter Gibbs (Violin),
Sir Neville Marriner (Violin), Granville Jones (Violin) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort Period: Baroque Written: circa 1680; England |
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| 2. |
Oedipus, Z 583: Music for a while by Henry Purcell |
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Performer:
Walter Bergman (Harpsichord),
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort Period: Baroque Written: ?1692; England |
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| 3. |
Dido and Aeneas, Z 626 by Henry Purcell |
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Performer:
Robert Tear (Tenor),
Ellen Dales (Soprano),
Honor Sheppard (Soprano),
Helen Watts (Alto), Mary Thomas (Soprano), Harold Lester (Harpsichord), Maurice Bevan (Baritone) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Oriana Concert Orchestra, Oriana Concert Choir Period: Baroque Written: 1689; England |
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| 4. |
Welcome to all the pleasures, Z 339 "Ode for St Cecilia's Day" by Henry Purcell |
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Performer:
Gerald English (Tenor),
April Cantelo (Soprano),
Maurice Bevan (Baritone),
Alfred Deller (Countertenor), Walter Bergman (Harpsichord), Owen Grundy (Bass), Eileen McLoughlin (Soprano) Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Kalmar Chamber Orchestra London Period: Baroque Written: 1683; England |
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| 5. |
Prophetess, Z 627: Masque by Henry Purcell |
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Performer:
Alfred Deller (Countertenor)
Conductor: Nikolaus Harnoncourt, Alfred Deller Orchestra/Ensemble: Deller Consort, Vienna Concentus Musicus Period: Baroque Written: 1690; England |
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| 6. |
Come, ye sons of art, away, Z 323 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Oriana Concert Orchestra, Oriana Concert Choir Period: Baroque Written: 1694; England |
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| 7. |
Rejoice in the Lord Alway, Z 49 "Bell Anthem" by Henry Purcell |
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Performer:
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Oriana Concert Orchestra Period: Baroque Written: circa 1682-1685; England |
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| 8. |
My beloved spake, Z 28 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor)
Conductor: Alfred Deller Orchestra/Ensemble: Deller Consort, Kalmar Chamber Orchestra London Period: Baroque Written: by 1678; England |
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| 9. |
Ode on the Death of Mr Henry Purcell by John Blow |
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Performer:
Richard Taylor (Recorder),
Alfred Deller (Countertenor),
John Whitworth (Countertenor),
Chris Taylor (Recorder), Anne Shuttleworth (Cello), Walter Bergman (Harpsichord) Period: Baroque Written: 1696; London, England |
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| 10. |
I love and I must, Z 382 "Bell Barr" by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
April Cantelo (Soprano),
George Malcolm (Harpsichord)
Period: Baroque Written: England |
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| 11. |
Don Quixote, Z 578: Let the dreadful engines by Henry Purcell |
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Performer:
George Malcolm (Harpsichord),
Maurice Bevan (Baritone),
Alfred Deller (Countertenor)
Period: Baroque Written: 1694-1695; England |
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| 12. |
Fairy Queen, Z 629: Thrice happy lovers "An Epithalamium" by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1692; England |
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| 13. |
If music be the food of love, Z 379: 1st setting by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1692-1695; England |
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| 14. |
Tell me, some pitying angel, Z 196 "Blessed Virgin's Expostulation" by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
April Cantelo (Soprano),
George Malcolm (Harpsichord)
Period: Baroque Written: by 1693; England |
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| 15. |
Not all my torments can your pity move, Z 400 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: England |
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| 16. |
Close thine eyes and sleep secure, Z 184 by Henry Purcell |
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Performer:
April Cantelo (Soprano),
Maurice Bevan (Baritone),
Alfred Deller (Countertenor),
George Malcolm (Harpsichord) Period: Baroque Written: 1688; England |
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| 17. |
King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1691; England |
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| 18. |
Pausanias, Z 585: Sweeter than roses by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque |
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| 19. |
The fatal hour comes on apace, Z 421 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: England |
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| 20. |
The fatal hour comes on apace, Z 421 by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: England |
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| 21. |
Ode on Queen Mary's birthday by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: England |
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| 22. |
Indian Queen, Z 630: I attempt from Love's sickness to fly by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1695; England |
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| 23. |
Bonduca, Z 574: O lead me to some peaceful gloom by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1695; England |
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| 24. |
Prophetess, Z 627: What shall I do to show? by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1690; England |
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| 25. |
Don Quixote, Z 578: From rosie bow'rs by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Walter Bergman (Harpsichord)
Period: Baroque Written: 1694-1695; England |
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| 26. |
Fairy Queen, Z 629: Secrecies Song by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Gustav Leonhardt (Harpsichord)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort Period: Baroque Written: 1692; England |
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| 27. |
Fairy Queen, Z 629: Mystery's Song by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Gustav Leonhardt (Harpsichord)
Period: Baroque Written: 1692; England |
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| 28. |
If ever I more riches did desire, Z 544: Here let my life by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Gustav Leonhardt (Harpsichord)
Period: Baroque Written: 1687; England |
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| 29. |
Welcome to all the pleasures, Z 339 "Ode for St Cecilia's Day": Here the deities approve by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Gustav Leonhardt (Harpsichord)
Period: Baroque Written: 1683; England |
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| 30. |
Prophetess, Z 627: Since from my dear Astrea's sight by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Gustav Leonhardt (Harpsichord)
Period: Baroque Written: 1690; England |
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| 31. |
Fairy Queen, Z 629: Oh, oh, let me weep "The Plaint" by Henry Purcell |
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Performer:
Alfred Deller (Countertenor),
Gustav Leonhardt (Harpsichord)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort Period: Baroque Written: 1692; England |
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| 32. |
Sonatas (10) in 4 parts: no 9 in F major, Z 810 "Golden Sonata" by Henry Purcell |
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Performer:
Peter Gibbs (Violin),
Desmond Dupré (Viola Da Gamba),
George Malcolm (Harpsichord),
Granville Jones (Violin) Period: Baroque Written: circa 1680; England |
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| 33. |
Song Tune for Harpsichord in C, Z T694 "Ah! how pleasant 'tis to love" by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; London, England |
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| 34. |
March for Harpsichord in C major, Z 647 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; England |
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| 35. |
March for Harpsichord in C major, Z 648 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; England |
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| 36. |
A New Minuet for Harpsichord in D minor, Z T689 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; London, England |
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| 37. |
Minuet for Harpsichord in A minor, Z 649 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; England |
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| 38. |
Minuet for Harpsichord in A minor, Z 650 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; England |
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| 39. |
A New Scotch Tune for Harpsichord in G major, Z 655 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; England |
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| 40. |
A New Irish Tune for Harpsichord in G major, Z 646 "Lilliburleo" by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: England |
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| 41. |
Rigadoon for Harpsichord in C major, Z 653 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; London, England |
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| 42. |
Sefauchi's Farewell for Harpsichord in D minor, Z 656 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; London, England |
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| 43. |
Minuet for Harpsichord in D minor, Z T688 "Raise, raise the voice" by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: 1687; England |
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| 44. |
Trio Sonata for Violin and Basso Continuo in G minor, Z 780: 1st movement, Adagio by Henry Purcell |
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Performer:
George Malcolm (Harpsichord),
Sir Neville Marriner (Violin)
Period: Baroque Written: England |
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| 45. |
Suite for Harpsichord no 6 in D major, Z 667 by Henry Purcell |
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Performer:
George Malcolm (Harpsichord)
Period: Baroque Written: England |
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| 46. |
Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day" by Henry Purcell |
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Performer:
Anne Shuttleworth (Cello),
Denis Vaughan (Harpsichord),
George Eskdale (Trumpet),
John Frost (Bass), Wilfred Brown (Tenor), Alfred Deller (Countertenor), April Cantelo (Soprano), Peter Salmon (Countertenor), Maurice Bevan (Baritone), Francis Baines (Cello) Conductor: Michael Tippett Orchestra/Ensemble: Ambrosian Singers, Kalmar Chamber Orchestra London Period: Baroque Written: 1692; England |
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