Olaf Bär

Biography

Born: December 19, 1957; Dresden, Germany  
Since the mid-'80s, Olaf Bär has been counted among the more prominent German baritones of his generation. He has sung important operatic roles in the works of Richard Strauss, Mozart, Weber, and many others, but has especially distinguished himself in the lieder of Schubert and Schumann.

Bär was born in Dresden, Germany, on December 19, 1957. As a child he exhibited rare vocal talent and, in 1968, was taken into the Dresden Children's
Read more Choir. He eventually began studies at the Hochschule für Musik in his native city.

In his mid-twenties he took a string of first prizes at major vocal competitions that included the Dvorák competition in Karlovy Vary, Czechoslovakia (1982), and London's Walther Grüner Lieder Competition (1983).

1985 was a pivotal year for Bär: he became a member of the Dresden State Opera, made his first recording with EMI and also debuted at Covent Garden singing Harlequin in Strauss' Ariadne auf Naxos. That premiere EMI recording was an acclaimed lieder disc of Schumann's Dichterliebe, Op. 48, and Liederkreis, Op. 39. He would later record other lieder repertory, including Schubert's Die schöne Müllerin, which garnered him a Gramophone Award.

In 1986 Bär scored a pair of successes when he appeared at both La Scala and the Vienna State Opera portraying Papageno from Mozart's The Magic Flute, a role he would reprise in his American debut at the Chicago Lyric Opera in 1996. Appearances at Glyndebourne in 1987 and 1991 in Richard Strauss and Mozart operas further fueled his meteoric ascent, an ascent that hardly slowed when the singer confronted and overcame possibly career-ending vocal problems over a stretch of nearly two years.

Bär made numerous recordings in the mid-'90s with other major singers, including Anne Sofie von Otter (of Wolf's Spanisches Liederbuch in 1995) and Dawn Upshaw (of Wolf's Italienisches Liederbuch in 1996). Bär remained active on the operatic stage despite his growing attention to the lieder genre and the enormous successes it has brought him. At the 1999 Vienna Fesitival he sang Dr. Falke in Die Fledermaus, a role he successfully reprised at the 2001 Salzburg Festival. That same year he also appeared in Schubert's Alfonso und Estrella at the Zurich Opera House. In Paris in 2005, he once again reprised one of his favorite roles, that of Papageno. Bär has lived most of his life in Dresden. Read less

Biography

Born: December 19, 1957; Dresden, Germany  
Since the mid-'80s, Olaf Bär has been counted among the more prominent German baritones of his generation. He has sung important operatic roles in the works of Richard Strauss, Mozart, Weber, and many others, but has especially distinguished himself in the lieder of Schubert and Schumann.

Bär was born in Dresden, Germany, on December 19, 1957. As a child he exhibited rare vocal talent and, in 1968, was taken into the Dresden Children's
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Act I Scene 1: Prelude
Act I Scene 1: Schonste, ungnad' ge Dame (Silla)
Act I Scene 2: Ighino, gut, dass ich dich seh! (Silla, Ighino)
Act I Scene 2: Schonste, ungnad'ge Dame - Scene 3: Seltsamliche Gerausche hort man hier (Silla, Borromeo, )
Act I Scene 4: Der letzte Freund ()
Act I Scene 5: Part I: Fur ihn! Sein Wesen will's (The Masters, )
Act I Scene 5: Part II: Nicht ich - schwach bin ich (, The Masters, The Master in Monk's Clothing)
Act I Scene 6: Allein in dunkler Tiefe (, The Angel, The Angels, Lukrezia, First Angel)
Act I Scene 7: Ighino, sieh doch, komm herein (Silla, Ighino)
Act II Scene 1: Prelude
Act II Scene 1: Noch eine Bank! Und schnell! (Sevorolus, Novagerio, The Servants)
Act II Scene 2: Morone ist von inssbruck schon herein (Novagerio, Madruscht, Borromeo)
Act II Scene 3: Ein liebreich wurd'ger Herr (Borromeo, Novagerio)
Act II Scene 4: Zahlreich wird heut' die heilige Versammlung (Lorraine, Madruscht, Novagerio, Brus, Luna, The Spaniards, Budoja, Budoja's Group, Theophilus, Grosseto, A Doctor, Morone, Severolus)
Act II Scene 5: Den Heil'gen Geist (Morone, Budoja, Voices from the Assembled Company, Severolus, Luna, The Holy Fathers, Avosmediano, Lorraine, The Italians, Some Others, Avosmediano, Novagerio, ...)
Act II Scene 6: Was nun! Was nun! (Morone, Novagerio, Budoja, Lorraine)
Act II Scene 7: Habt ihr's gesehn? (The Spaniards, The Germans and Italians, Madruscht)
Act III Scene 1: Prelude
Act III Scene 1: Wie lange sie bleiben (Singers, , Ighino)
Act III Scene 2: Ist , der Meister, hier? (Papal Singers, The New Group, Pope Pius The Fourth, Borromeo, Ighino, Voices from the Street)
Act III Scene 3: Nun schmiede mich ()
Magnificat (Chorus)
Quia respexit (Soprano)
Quia fecit (Tenor)
Et misericordia eius (Soprano, Alto, Tenor, Bass, Chorus)
Fecit potentiam (Bass)
Deposuit potentes (Tenor, Alto)
Suscepit Israel (Alto)
Gloria (Chorus)
Sicut erat (Chorus)
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist: "Da das der König Herodes hörte"
No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
No.53 Choral: "Zwar ist solche Herzensstube"
No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
No.58 Evangelist: "Als sie nun den König gehöret hatten"
No.59 Chorale: "Ich steh an deiner Krippen hier"
No.60 Evangelist: "Und Gott befahl ihnen im Traum"
No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
No.64 Choral: "Nun seid ihr wohl gerochen"
Kyrie: Kyrie I (Chorus)
Kyrie: Christe eleison (Soprano, Counter-Tenor, Baritone)
Kyrie: Kyrie II (Chorus)
Gloria: Gloria (Chorus)
Gloria: Domine Deus (Soprano, Counter-Tenor, Chorus)
Gloria: Domine Fili (Counter-Tenor)
Gloria: Qui sedes (Chorus)
Gloria: Quoniam (Soprano, Tenor, Bass)
Gloria: Cum Sancto Spiritu (Chorus)
Credo: Credo (Soprano, Counter-Tenor, Chorus)
Credo: Et incarnatus est (Soprano, Counter-Tenor, Baritone)
Credo: Crucifixus (Chorus)
Credo: Et resurrexit (Chorus, Soprano, Counter-Tenor, Tenor, Baritone)
Credo: Et vitam venturi saeculi (Chorus)
Sanctus: Sanctus (Chorus)
Sanctus: Benedictus (Baritone)
Sanctus: Osanna (Chorus)
Agnus Dei: Agnus Dei (Counter-Tenor)
Agnus Dei: Agnus Dei (Chorus)
Agnus Dei: Dona nobis pacem (Chorus)
Confitebor tibi Domine
Memoriam fecit
J.S. Bach: St. John Passion, BWV 245 / Part One - No.1 Chorus: "Herr, unser Herrscher"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.2 Evangelist, Jesus, Chorus "Jesus ging mit seinen Jüngern"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.3 Choral: "O große Lieb, o Lieb ohn' alle Maße"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.4 Evangelist, Jesus: "Auf daß das Wort erfüllet würde"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.5 Choral: "Dein Will gescheh, Herr Gott zugleich"
J.S. Bach: St. John Passion, BWV 245 / Part One - No. 6 Evangelist:" Die Schar aber"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.7 Aria (Alt): "Von den Stricken meiner Sünden"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.8 Evangelist: "Simon Petrus aber folgete Jesu nach"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.9 Aria(Sopran): Ich folge dir gleichfalls"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.10 Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.11 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.12 Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden "
J.S. Bach: St. John Passion, BWV 245 / Part One - No.13 Aria (Tenor): "Ach mein Sinn"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.14 Choral: "Petrus, der nicht denkt zurück"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.15 Choral: "Christus, der uns selig macht"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.16 Evangelist, Pilatus, Chorus: " Da führeten sie Jesum "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.17 Choral: "Ach großer König, groß zu allen Zeiten"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.19 Arioso (Baß): "Betrachte, meine Seele"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.21 Evangelist, Pilatus, Jesus, Chorus: " Und die Kriegsknechte flochten "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.22 Choral: "Durch dein Gefängnis, Gottes Sohn"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.23 Evangelist, Pilatus, Chorus: " Die Juden aber schrieen und sprachen "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.24 Aria (Baß) - Chor: "Eilt ihr angefochtnen Seelen"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.25 Evangelist, Chorus, Pilatus: " Allda kreuzigten sie ihn "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.26 Choral: "In meines Herzens Grunde"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.28 Choral: " Er nahm alles wohl in acht"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.29 Evangelist, Jesus: " Und von Stund an "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.30 Aria (Alt): " Es ist vollbracht "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.31 Evangelist: " Und neigte das Haupt und verschied "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.32 Aria (baß) - Chorus: " Mein teurer Heiland "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.33 Evangelist: " Und siehe da "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.35 Aria (soprano): " Zerfließe, mein Herz "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.36 Evangelist: "Die Juden aber"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.37 Choral:" O hilf, Christe, Gottes Sohn"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.38 Evangelist: "Darnach bat Pilatum"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.39 Chorus: "Ruht wohl, ihr heiligen Gebeine"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.40 Choral: "Ach Herr, laß dein lieb Engelein"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.11+ Aria (Basso)-Choral: " Himmel reiße, Welt erbebe" - "Jesu, deine Passion"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.13 II Aria (Tenore): " Zerschmettert mich"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.19 II: Aria (Tenore): " Ach windet euch nicht so "
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohlgetan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
J.S. Bach: Magnificat in D Major, BWV 243 - Chorus: "Magnificat"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Et exsultavit spiritus meus"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Quia respexit humilitatem"
J.S. Bach: Magnificat in D Major, BWV 243 - Chorus: "Omnes generationes"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Quia fecit mihi magna"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria (Duet): "Et misericordia"
J.S. Bach: Magnificat in D Major, BWV 243 - Chorus: "Fecit potentiam"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Deposuit potentes"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Esurientes implevit bonis"
J.S. Bach: Magnificat in D Major, BWV 243 - Aria (Terzetto): "Suscepit Israel"
J.S. Bach: Magnificat in D Major, BWV 243 - Chorus: "Sicut locutus est"
J.S. Bach: Magnificat in D Major, BWV 243 - Chorus: "Gloria Patri"
J.S. Bach: Mass in A major, BWV 234 - 1. Kyrie
J.S. Bach: Mass in A major, BWV 234 - 2. Gloria
J.S. Bach: Mass in A major, BWV 234 - 3. Domine Deus
J.S. Bach: Mass in A major, BWV 234 - 4. Qui tollis peccata mundi
J.S. Bach: Mass in A major, BWV 234 - 5. Quoniam tu solus
J.S. Bach: Mass in A major, BWV 234 - 6. Cum Sancto Spiritu
J.S. Bach: Mass in G minor, BWV 235 - 1. Kyrie
J.S. Bach: Mass in G minor, BWV 235 - 2. Gloria
J.S. Bach: Mass in G minor, BWV 235 - 3. Domine Deus
J.S. Bach: Mass in G minor, BWV 235 - 4. Qui tollis peccata mundi
J.S. Bach: Mass in G minor, BWV 235 - 5. Quoniam tu solus
J.S. Bach: Mass in G minor, BWV 235 - 6. Cum Sancto Spiritu
J.S. Bach: Mass in G major, BWV 236 - 1. Kyrie
J.S. Bach: Mass in G major, BWV 236 - 2. Gloria
J.S. Bach: Mass in G major, BWV 236 - 3. Domine Deus
J.S. Bach: Mass in G major, BWV 236 - 4. Qui tollis peccata mundi
J.S. Bach: Mass in G major, BWV 236 - 5. Quoniam tu solus
J.S. Bach: Mass in G major, BWV 236 - 6. Cum Sancto Spiritu
R. Strauss: Ariadne auf Naxos / Prologue - Orchestral Introduction
R. Strauss: Ariadne auf Naxos / Prologue - "Mein Herr Haushofmeister!"
R. Strauss: Ariadne auf Naxos / Prologue - "Du allmächtiger Gott!"
R. Strauss: Ariadne auf Naxos / Prologue - "Meine Partner, meine erprobten Freunde!"
R. Strauss: Ariadne auf Naxos / Prologue - "Ein Augenblick ist wenig"
R. Strauss: Ariadne auf Naxos / Prologue - "An Ihre Plätze, meine Damen und Herrn!"
R. Strauss: Ariadne auf Naxos / Prologue - "Sein wir wieder gut" - "Musik ist eine heilige Kunst"
R. Strauss: Ariadne auf Naxos - Overture
R. Strauss: Ariadne auf Naxos - "Schläft sie?"
R. Strauss: Ariadne auf Naxos - "Ach! - Wo war ich?" - "Ein Schönes war"
R. Strauss: Ariadne auf Naxos - "Lieben, Hassen, Hoffen, Zagen"
R. Strauss: Ariadne auf Naxos - "Es gibt ein Reich"
R. Strauss: Ariadne auf Naxos - "Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
R. Strauss: Ariadne auf Naxos - "Großmächtige Prinzessin"
R. Strauss: Ariadne auf Naxos - "Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
R. Strauss: Ariadne auf Naxos - "Ein schönes Wunder!"
R. Strauss: Ariadne auf Naxos - "Circe, kannst du mich hören?"
R. Strauss: Ariadne auf Naxos - "Ich grüße dich, du Bote aller Boten" - "Du schönes Wesen! Bist du die Göttin dieser Insel?"
R. Strauss: Ariadne auf Naxos - "Gibt es kein Hinüber?"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohl getan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano,Alto,Tenor,Bass,Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
Overture
"Täubchen, das entflattert ist"
"Da schreibt meine Schwester Ida"
"Ach, ich darf nicht hin zu dir!"
"Nein, mit solchen Advokaten"
"Komm mit mir zum Souper"
"So muss allein ich bleiben"
"Trinke, Liebchen, trinke schnell"
"Ich höre Stimmen!"
"Mein Herr, was dächten Sie von mir"
"Nein, nein, ich zweifle gar nicht mehr"
"Ein Souper heut uns winkt"
"Ich lade gern mir Gäste ein"
"Ach, meine Herr'n und Damen"
"Mein Herr Marquis"
"Dieser Anstand, so manierlich"
Csárdás: "Klänge der Heimat"
Finale: "Im Feuerstrom der Reben"
"Herr, Chevalier, ich grüsse Sie!"
Unter Donner und Blitz, Polka, Op.324
"Genug damit, genug"
Entr'acte
"Ein fideles Gefängnis" - Nr.13 Melodram
"Spiel' ich die Unschuld vom Lande"
Terzett: "Ich stehe voll Zagen"
Finale: "O Fledermaus, o Fledermaus"
Overture
"La mia Dorabella"
"Fuor la spada"
E la fede delle femminine
Scioccerie di poeti
"Una bella serenata"
"Ah, guarda, sorella"
"Mi par che stamattina"
"Vorrei dir, e cor non ho"
Stelle! Per carità, signor Alfonso
"Sento, oh Dio, che questo piede"
"Non piangere, idol mio!"
"Al fato dan legge"
"La commedia è graziosa"
Bella vita militar!
Non vè più tempo, amici
"Di scrivermi ogni giorno"
"Bella vita militar!"
"Dove son?"
"Soave sia il vento"
"Non son cattivo comico"
"Che vita maledetta" - "Madame, ecco la vostra colazione"
"Ah, scostati!"
"Smanie implacabili"
"Signora Dorabella"
"In uomini, in soldati"
"Che silenzio!"
"Alla bella Despinetta"
"Che sussurro! Che strepito!"
"Temerari! Sortite!"
"Come scoglio"
"Ah, non partite"
"Non siate ritrosi"
"E voi ridete?" - "La cagion di quel riso?"
Si può sapere un poco la cagion di quel riso?
"Un'aura amorosa"
"Oh, la saria da ridere!"
"Ah, che tutta in un momento"
"Si mora, sì, si mora"
"Eccovi il medico"
"Dammi un bacio"
"Andate là"
"Una donna a quindici anni"
"Sorella, cosa dici?"
"Prenderò quel brunettino"
"Ah, correte al giardino"
"Secondate, aurette amiche"
"Il tutto deponete"
"La mano a me date"
"Oh che bella giornata!"
"Il cor vi dono"
"Barbara! Perché fuggi?"
"Ah, lo veggio"
"Ei parte... senti... ah no!"
"Per pietà, ben mio, perdona"
"Amico, abbiamo vinto!"
"Donne mie, la fate a tanti"
"In qual fiero contrasto"
"Tradito, schernito"
"Bravo, questa è costanza"
"Ora vedo che siete"
"E amore un ladroncello"
"Come tutto congiura" - "L'abito di Ferrando"
"Fra gli amplessi in pochi istanti"
"Oh poveretto me"
"Tutti accusan le donne"
"Vittoria, padroncini!"
"Fate presto, o cari amici"
"Benedetti i doppi coniugi"
"E nel tuo, nel mio bicchiero"
"Miei signori, tutto è fatto"
"Sani e salvi"
V'ingannai, ma fu l'inganno
"Forunato l'uom che prende"
No.1 Chorus: "Jauchzet, frohlocket"
No.2 Evangelist: "Es begab sich aber zu der Zeit"
No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
No.4 Aria (Alto): " Bereite dich, Zion"
No.5 Choral: "Wie soll ich dich empfangen"
No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
No.8 Aria (Baß): "Großer Herr, o starker König"
No.9 Choral: "Ach mein herzliebes Jesulein"
No.10 Sinfonia
No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
No.12 Chorale: "Brich an, o schönes Morgenlicht"
No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
No.16 Evangelist: "Und das habt zum Zeichen"
No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
No.20 Evangelist: "Und alsbald war da bei dem Engel"
No.21 Chor: "Ehre sei Gott in der Höhe"
No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
No.23 Chorale: "Wir singen dir in deinem Heer"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
No.28 Choral: "Dies hat er alles uns getan"
No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
No.30 Evangelist: "Und sie kamen eilend"
No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
No.33 Choral: "Ich will dich mit Fleiß bewahren"
No.34 Evangelist: "Und die Hirten kehrten wieder um"
No.35 Choral: "Seid froh dieweil"
No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
No.36 Chor: "Fallt mit Danken, fallt mit Loben"
No.37 Evangelist: "Und da acht Tage um waren"
No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
No.42 Choral: "Jesus richte mein Beginnen"
No.43 Chor: "Ehre sei dir, Gott, gesungen"
No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
No.46 Choral: "Dein Glanz all Finsternis verzehrt"
No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
No.48 Evangelist: "Da das der König Herodes hörte"
No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
No.50 Evangelist: "Und ließ versammeln alle Hohepriester"


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