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| Notes & Reviews | Back to Top | ||
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| Includes work(s) by various composers. | |||||
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| Works on This Recording | Back to Top | |||
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| 1. |
Sub tuum praesidium by Anonymous |
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Orchestra/Ensemble:
Monks of Downside Abbey
Period: Medieval |
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| 2. |
Miserere mei Deus: Miserere mei by Gregorio Allegri |
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Performer:
Gerald Finley (Cantor),
Timothy Beasley-Murray (Treble)
Conductor: Stephen Cleobury Orchestra/Ensemble: Cambridge King's College Choir Period: Baroque Written: 17th Century; Italy |
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| 3. |
Veni Sancte Spiritus ŕ 4, MB 32 by John Dunstable |
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Conductor:
Paul Hillier
Orchestra/Ensemble: Hilliard Ensemble Period: Renaissance Written: 15th Century; England |
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| 4. |
O nata lux de lumine by Thomas Tallis |
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: after 1559; England |
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| 5. |
Verbum caro factum est by John Sheppard |
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Conductor:
David Wulstan
Orchestra/Ensemble: Clerkes of Oxenford Period: Renaissance Written: 16th Century; England |
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| 6. |
Buccinate in neomenia tuba by Giovanni Gabrieli |
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Performer:
Barry Rose (Organ)
Conductor: Denis Stevens Orchestra/Ensemble: Ambrosian Singers Period: Renaissance Written: 1615/1617; Venice, Italy |
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| 7. |
O magnum mysterium by Tomás Luis de Victoria |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: by 1572; Spain |
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| 8. |
Ave verum corpus by William Byrd |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: by 1605; England |
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| 9. |
Tu es Petrus by Giovanni Palestrina |
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: 16th Century; Italy |
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| 10. |
Missa "L'homme armé": Kyrie by Guillaume Dufay |
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Conductor:
Paul Hillier
Orchestra/Ensemble: Hilliard Ensemble Period: Renaissance Written: 15th Century; France |
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| 11. |
Missa "Bell' Amfitrit' altera": Gloria by Orlando de Lassus |
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Conductor:
George Guest
Orchestra/Ensemble: Cambridge St. John's College Choir Period: Renaissance Written: 16th Century |
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| 12. |
Mass "Euge bone": Sanctus by Christopher Tye |
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: 16th Century; England |
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| 13. |
Kyrie paschale by Anonymous |
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Conductor:
Paul Hillier
Orchestra/Ensemble: Hilliard Ensemble Period: Medieval |
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| 14. |
Mass for 4 Voices: Agnus Dei by William Byrd |
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Conductor:
Paul Hillier
Orchestra/Ensemble: Hilliard Ensemble Period: Renaissance Written: circa 1592-1593; England |
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| 15. |
Absalon, fili mi by Josquin Des Préz |
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Conductor:
Paul Hillier
Orchestra/Ensemble: Hilliard Ensemble Period: Renaissance Written: France |
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| 16. |
Hosanna to the Son of David by Orlando Gibbons |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: Cambridge King's College Choir Period: Renaissance Written: 17th Century; England |
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| 17. |
Spem in alium by Thomas Tallis |
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Performer:
Paul Nicholson (Organ),
Wim Becu (Bass Sackbut),
Alan Wilson (Organ)
Conductor: Andrew Parrott Orchestra/Ensemble: Taverner Choir Period: Renaissance Written: after 1559; England |
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| 18. |
Gloria in D major, RV 589: Gloria in excelsis Deo by Antonio Vivaldi |
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Performer:
Sarah Fox (Soprano),
Deborah Norman (Soprano)
Conductor: Stephen Cleobury Orchestra/Ensemble: Academy of Ancient Music, Cambridge King's College Choir Period: Baroque Written: Venice, Italy |
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| 19. |
Gloria in D major, RV 589: Laudamus te by Antonio Vivaldi |
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Performer:
Sarah Fox (Soprano),
Deborah Norman (Soprano)
Conductor: Stephen Cleobury Orchestra/Ensemble: Academy of Ancient Music, Cambridge King's College Choir Period: Baroque Written: Venice, Italy |
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| 20. |
Magnificat in E flat major, BWV 243a: Magnificat anima mea Dominum by Johann Sebastian Bach |
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Academy of Ancient Music, Cambridge King's College Choir Period: Baroque Written: 1723; Leipzig, Germany |
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| 21. |
Messiah, HWV 56: For unto us a child is born by George Frideric Handel |
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Conductor:
Sir Charles Mackerras
Orchestra/Ensemble: English Chamber Orchestra, Ambrosian Singers Period: Baroque Written: 1742; London, England |
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| 22. |
Christmas Oratorio, BWV 248: no 4, Bereite dich, Zion by Johann Sebastian Bach |
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Performer:
Dame Janet Baker (Mezzo Soprano)
Conductor: Sir Philip Ledger Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: 1734-1735; Leipzig, Germany |
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| 23. |
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel |
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Academy of Ancient Music, Cambridge King's College Choir Period: Baroque Written: 1727; London, England |
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| 24. |
Mass in B minor, BWV 232: Cum sancto spiritu by Johann Sebastian Bach |
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Conductor:
Eugen Jochum
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus Period: Baroque Written: 1747-1749; Leipzig, Germany |
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| 25. |
Mass in B minor, BWV 232: Et incarnatus est by Johann Sebastian Bach |
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Conductor:
Eugen Jochum
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus Period: Baroque Written: 1747-1749; Leipzig, Germany |
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| 26. |
Orgelbüchlein: O Mensch, bewein' dein' Sünde gross, BWV 622 by Johann Sebastian Bach |
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Performer:
Peter Hurford (Organ)
Period: Baroque Written: circa 1714-1717; Weimar, Germany |
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| 27. |
Saint Matthew Passion, BWV 244: no 47, Erbarme dich by Johann Sebastian Bach |
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Performer:
Stephanie Blythe (Alto)
Conductor: John Nelson Orchestra/Ensemble: Paris Orchestral Ensemble Period: Baroque Written: ?1727; Leipzig, Germany |
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| 28. |
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: Academy of Ancient Music, Cambridge King's College Choir Period: Baroque Written: 1723; Leipzig, Germany |
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| 29. |
Thou know'st, Lord, the secrets of our hearts, Z 58c by Henry Purcell |
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: Philip Jones Brass Ensemble, Cambridge King's College Choir Period: Baroque Written: 1695; England |
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| 30. |
Hear my prayer, O Lord, Z 15 by Henry Purcell |
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: Cambridge King's College Choir Period: Baroque Written: circa 1680-1682; England |
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| 31. |
Saint Matthew Passion, BWV 244: no 63, O Haupt voll Blut und Wunden by Johann Sebastian Bach |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: Cambridge King's College Choir Period: Baroque Written: ?1727; Leipzig, Germany |
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| 32. |
Crucifixus a 8 by Antonio Lotti |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: Cambridge King's College Choir Period: Baroque Written: Italy |
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| 33. |
Messiah, HWV 56: I know that my redeemer liveth by George Frideric Handel |
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Performer:
Elizabeth Harwood (Soprano)
Conductor: Sir Charles Mackerras Orchestra/Ensemble: English Chamber Orchestra, Ambrosian Singers Period: Baroque Written: 1742; London, England |
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| 34. |
Messiah, HWV 56: Hallelujah! by George Frideric Handel |
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Conductor:
Sir Charles Mackerras
Orchestra/Ensemble: English Chamber Orchestra, Ambrosian Singers Period: Baroque Written: 1742; London, England |
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| 35. |
Requiem in D minor, K 626: Introitus by Wolfgang Amadeus Mozart |
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Performer:
Felicity Lott (Soprano)
Conductor: Franz Welser-Möst Orchestra/Ensemble: London Philharmonic Orchestra, London Philharmonic Choir Period: Classical Written: 1791; Vienna, Austria |
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| 36. |
Requiem in D minor, K 626: Kyrie by Wolfgang Amadeus Mozart |
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Performer:
Felicity Lott (Soprano)
Conductor: Franz Welser-Möst Orchestra/Ensemble: London Philharmonic Orchestra, London Philharmonic Choir Period: Classical Written: 1791; Vienna, Austria |
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| 37. |
Requiem in D minor, K 626: Lacrymosa by Wolfgang Amadeus Mozart |
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Performer:
Felicity Lott (Soprano)
Conductor: Franz Welser-Möst Orchestra/Ensemble: London Philharmonic Orchestra, London Philharmonic Choir Period: Classical Written: 1791; Vienna, Austria |
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| 38. |
Vesperae solennes de confessore, K 339: Laudate Dominum by Wolfgang Amadeus Mozart |
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Performer:
Barbara Hendricks (Soprano)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus Period: Classical Written: 1780; Salzburg, Austria |
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| 39. |
Regina coeli in B flat major, K 127 (321b) by Wolfgang Amadeus Mozart |
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Conductor:
Peter Neumann
Orchestra/Ensemble: Collegium Cartusianum, Cologne Chamber Choir Period: Classical Written: 1772; Salzburg, Austria |
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| 40. |
Mass in C minor, K 427 (417a) "Great": Laudamus te by Wolfgang Amadeus Mozart |
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Performer:
Dame Kiri Te Kanawa (Soprano)
Conductor: Raymond Leppard Orchestra/Ensemble: New Philharmonia Orchestra Period: Classical Written: 1782-1783; Vienna, Austria |
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| 41. |
Mass in C major, K 317 "Coronation": Benedictus by Wolfgang Amadeus Mozart |
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Performer:
Dietrich Fischer-Dieskau (Baritone),
Julia Hamari (Mezzo Soprano),
Nicolai Gedda (Tenor),
Edda Moser (Soprano) Conductor: Eugen Jochum Orchestra/Ensemble: Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus Period: Classical Written: 1779; Salzburg, Austria |
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| 42. |
Exsultate jubilate, K 165 (158a): Exsultate, jubilate by Wolfgang Amadeus Mozart |
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Performer:
Lucia Popp (Soprano)
Conductor: Georg Fischer Orchestra/Ensemble: English Chamber Orchestra Period: Classical Written: 1773; Milan, Italy |
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| 43. |
Ave verum corpus in D major, K 618 by Wolfgang Amadeus Mozart |
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Conductor:
Riccardo Muti
Orchestra/Ensemble: Berlin Philharmonic Orchestra, Swedish Radio Chorus, Stockholm Chamber Chorus Period: Classical Written: 1791; Austria |
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| 44. |
The Creation, H 21 no 2: And God said... With verdure by Franz Joseph Haydn |
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Performer:
David Thomas (Bass),
Philip Langridge (Tenor),
Arleen Augér (Soprano)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Choir, City of Birmingham Symphony Orch. Wind Ensemble Period: Classical Written: 1796-1798; Vienna, Austria |
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| 45. |
The Creation, H 21 no 2: The heavens are telling by Franz Joseph Haydn |
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Performer:
David Thomas (Bass),
Philip Langridge (Tenor),
Arleen Augér (Soprano)
Conductor: Simon Rattle Orchestra/Ensemble: City of Birmingham Choir, City of Birmingham Symphony Orch. Wind Ensemble Period: Classical Written: 1796-1798; Vienna, Austria |
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| 46. |
Mass in D minor, H 22 no 11 "Nelsonmesse": Kyrie by Franz Joseph Haydn |
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Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Leipzig Radio Chorus, Dresden Staatskapelle Period: Classical Written: 1798; Vienna, Austria |
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| 47. |
Mass in D minor, H 22 no 11 "Nelsonmesse": Gloria by Franz Joseph Haydn |
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Conductor:
Sir Neville Marriner
Orchestra/Ensemble: Leipzig Radio Chorus, Dresden Staatskapelle Period: Classical Written: 1798; Vienna, Austria |
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| 48. |
Mass in C major, Op. 86: Kyrie by Ludwig van Beethoven |
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Performer:
Felicity Lott (Soprano)
Conductor: Franz Welser-Möst Orchestra/Ensemble: London Philharmonic Orchestra, London Philharmonic Choir Period: Classical Written: 1807; Vienna, Austria |
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| 49. |
Songs (6), Op. 48: no 4, Die Ehre Gottes aus der Natur by Ludwig van Beethoven |
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Conductor:
Wilhelm Pitz
Orchestra/Ensemble: New Philharmonia Orchestra, New Philharmonia Chorus Period: Classical Written: by 1802; Vienna, Austria |
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| 50. |
Missa solemnis in D major, Op. 123: Gloria by Ludwig van Beethoven |
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Performer:
Carol Vaness (Soprano),
Waltraud Meier (Alto),
Hans Tschammer (Bass),
Hans-Peter Blochwitz (Tenor) Conductor: Jeffrey Tate Orchestra/Ensemble: English Chamber Orchestra, Tallis Chamber Choir Period: Classical Written: 1823; Vienna, Austria |
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| 51. |
Te Deum in D major, H 146: Prelude by Marc-Antoine Charpentier |
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Conductor:
Sir Philip Ledger
Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Baroque Written: circa ?1690; France |
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| 52. |
Ave Maria by Charles Gounod |
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Performer:
Sir Philip Ledger (Organ),
Dame Janet Baker (Mezzo Soprano)
Period: Romantic Written: 1859; France |
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| Notes: This work is based on J.S. Bach's Prelude no 1 in C from 'The Well-Tempered Clavier.' | |||||
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| 53. |
Messe solennelle de Sainte Cécile: Credo by Charles Gounod |
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Performer:
Laurence Dale (Tenor)
Conductor: Georges Prętre Orchestra/Ensemble: Nouvelle Orchestre Symphonique, Radio France Chorus Period: Romantic Written: 1855; France |
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| 54. |
Messe solennelle de Sainte Cécile: Sanctus by Charles Gounod |
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Performer:
Laurence Dale (Tenor)
Conductor: Georges Prętre Orchestra/Ensemble: Nouvelle Orchestre Symphonique, Radio France Chorus Period: Romantic Written: 1855; France |
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| 55. |
L'enfance du Christ, Op. 25: L'adieu des bergers by Hector Berlioz |
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Royal Philharmonic Orchestra, Cambridge King's College Choir Period: Romantic Written: 1850-1854; France |
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Language: French |
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| 56. |
Te Deum, Op. 22: Christe, rex gloriae by Hector Berlioz |
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Performer:
Marie-Claire Alain (Organ)
Conductor: John Nelson Orchestra/Ensemble: Paris National Orchestra, Paris National Orchestra Chorus, Paris Children's Choir Period: Romantic Written: 1849; France |
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| 57. |
Requiem, Op. 48: Pie Jesu by Gabriel Fauré |
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Performer:
Nancy Argenta (Soprano),
Stephen Farr (Organ)
Conductor: David Hill Orchestra/Ensemble: Bournemouth Sinfonietta Period: Romantic Written: 1888 rev 1893; France |
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| 58. |
Motets (4) on Gregorian themes, Op. 10: no 1, Ubi caritas by Maurice Duruflé |
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Conductor:
David Hill
Orchestra/Ensemble: Winchester Cathedral Choir Period: 20th Century Written: 1960; France |
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| 59. |
Cantique de Jean Racine, Op. 11 by Gabriel Fauré |
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Performer:
Stephen Farr (Organ)
Conductor: David Hill Orchestra/Ensemble: Winchester Cathedral Choir Period: Romantic Written: 1865; France |
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| 60. |
Mass for 3 Voices, Organ, Harp, Cello and Double Bass in A, M 61/Op. 12: Panis angelicus by César Franck |
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Conductor:
Maurice Handford
Orchestra/Ensemble: Hallé Orchestra, Hallé City Chorus Period: Romantic Written: 1872; France |
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| 61. |
Gloria in G major: Laudamus te by Francis Poulenc |
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Conductor:
Georges Prętre
Orchestra/Ensemble: French National Orchestra, Radio France Chorus Period: 20th Century Written: 1959; France |
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| 62. |
Motets (4) pour un temps de pénitence: no 2, Vinea mea electa by Francis Poulenc |
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Conductor:
Harry Christophers
Orchestra/Ensemble: The Sixteen Period: 20th Century Written: 1938-1939; France |
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| 63. |
Priere a Notre-Dame by Anonymous |
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Performer:
Fredric Bayco (Organ)
Period: Medieval |
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| 64. |
O sacrum convivium! by Olivier Messiaen |
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Conductor:
Terry Edwards
Orchestra/Ensemble: London Voices Period: 20th Century Written: 1937; France |
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| 65. |
Requiem, Op. 9: Sanctus by Maurice Duruflé |
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Performer:
Olaf Bär (Baritone),
Peter Barley (Organ)
Conductor: Stephen Cleobury Orchestra/Ensemble: English Chamber Orchestra, Cambridge King's College Choir Period: 20th Century Written: 1947; Paris, France |
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| 66. |
Requiem, Op. 9: Libera me by Maurice Duruflé |
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Performer:
Olaf Bär (Baritone),
Peter Barley (Organ)
Conductor: Stephen Cleobury Orchestra/Ensemble: English Chamber Orchestra, Cambridge King's College Choir Period: 20th Century Written: 1947; Paris, France |
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| 67. |
Requiem, Op. 48: In paradisum by Gabriel Fauré |
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Conductor:
Sir David Willcocks
Orchestra/Ensemble: New Philharmonia Orchestra, Cambridge King's College Choir Period: Romantic Written: 1887-1890; France |
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| Notes: Composition written: France (1877 - 1890). | |||||
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| 68. |
Mass in E flat major, Op. 80: Sanctus by Johann Nepomuk Hummel |
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Conductor:
Gerhard Wilhelm
Orchestra/Ensemble: Stuttgart Hymnus Boys Choir, Werner Keltsch Instrumental Ensemble Period: Romantic Written: 1804; Eszterhazá, Hungary |
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| 69. |
Elijah, Op. 70: O rest in the Lord by Felix Mendelssohn |
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Performer:
Dame Janet Baker (Mezzo Soprano)
Conductor: Rafael Frühbeck de Burgos Orchestra/Ensemble: New Philharmonia Orchestra, New Philharmonia Chorus Period: Romantic Written: 1846-1847; Germany |
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| 70. |
Elijah, Op. 70: And then shall your light break forth by Felix Mendelssohn |
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Conductor:
Rafael Frühbeck de Burgos
Orchestra/Ensemble: New Philharmonia Orchestra, New Philharmonia Chorus Period: Romantic Written: 1846-1847; Germany |
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| 71. |
Stabat mater: Cujus animam by Gioachino Rossini |
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Performer:
Robert Gambill (Tenor)
Conductor: Riccardo Muti Orchestra/Ensemble: Florence Maggio Musicale Orchestra Period: Romantic Written: 1832/1842; Italy |
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| 72. |
Psalm 23, D 706/Op. 132 by Franz Schubert |
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Performer:
Sir Philip Ledger ()
Conductor: Sir Philip Ledger Orchestra/Ensemble: Cambridge King's College Choir Period: Romantic Written: 1820; Vienna, Austria |
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| 73. |
German Mass in F major, D 872: Sanctus "Helig! helig! helig!" by Franz Schubert |
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Conductor:
Wolfgang Sawallisch
Orchestra/Ensemble: Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus Period: Romantic Written: 1827; Vienna, Austria |
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| 74. |
Ellens Gesang III, D 839/Op. 52 no 6 "Ave Maria" by Franz Schubert |
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Performer:
Anneliese Rothenberger (Soprano)
Conductor: Gerhard Schmidt-Gaden Orchestra/Ensemble: Graunke Symphony Orchestra Period: Romantic Written: 1825; Vienna, Austria |
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| 75. |
Ave verum corpus, Op. 2 no 1 by Sir Edward Elgar |
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Performer:
Harry Bramma (Organ)
Conductor: Christopher Robertson Orchestra/Ensemble: Worcester Cathedral Choir Period: Romantic Written: 1887; England |
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| 76. |
Chorale Improvisations (66) for Organ, Op. 65: no 59, Nun danket alle Gott by Sigfrid Karg-Elert |
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Performer:
Sir Philip Ledger (Organ)
Period: 20th Century |
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| 77. |
Ave Maria by Anton Bruckner |
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Conductor:
Wilhelm Pitz
Orchestra/Ensemble: New Philharmonia Orchestra Period: Romantic Written: Austria |
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| 78. |
Evening Hymn "Te lucis ante terminum" by Henry Balfour Gardiner |
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Performer:
Thomas Trotter (Organ)
Conductor: Simon Halsey Orchestra/Ensemble: City of Birmingham Symphony Orchestra Period: 20th Century Written: 1908; England |
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| 79. |
Requiem Mass: Recordare by Giuseppe Verdi |
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Performer:
Nicolai Ghiaurov (Baritone),
Nicolai Gedda (Tenor),
Christa Ludwig (Mezzo Soprano),
Elisabeth Schwarzkopf (Soprano) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1874; Italy |
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| 80. |
Requiem Mass: Ingemisco by Giuseppe Verdi |
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Performer:
Nicolai Ghiaurov (Baritone),
Nicolai Gedda (Tenor),
Elisabeth Schwarzkopf (Soprano),
Christa Ludwig (Mezzo Soprano) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1874; Italy |
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| 81. |
Requiem Mass: Lux aeterna by Giuseppe Verdi |
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Performer:
Nicolai Ghiaurov (Baritone),
Nicolai Gedda (Tenor),
Christa Ludwig (Mezzo Soprano),
Elisabeth Schwarzkopf (Soprano) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Philharmonia Orchestra Period: Romantic Written: 1874; Italy |
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| 82. |
German Requiem, Op. 45: Wie lieblich sind deine Wohnungen by Johannes Brahms |
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Conductor:
Klaus Tennstedt
Orchestra/Ensemble: London Philharmonic Orchestra, BBC Symphony Chorus, London Philharmonic Choir Period: Romantic Written: 1854-1868; Austria |
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| 83. |
Messa di Gloria: Gloria by Giacomo Puccini |
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Conductor:
Antonio Pappano
Orchestra/Ensemble: London Symphony Orchestra, London Symphony Chorus Period: Romantic Written: 1880; Italy |
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| 84. |
A Mass for Peace "The Armed Man": Agnus Dei by Karl Jenkins |
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Performer:
Paul Beniston ()
Conductor: Karl Jenkins Orchestra/Ensemble: London Philharmonic Orchestra, National Youth Choir of Great Britain Period: 20th Century Written: 1999; England |
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| 85. |
Ave Maria by Igor Stravinsky |
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Cambridge King's College Choir Period: 20th Century Written: 1949; USA |
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| 86. |
Chichester Psalms: no 1, Urah, haneval, v'chinor by Leonard Bernstein |
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Period: 20th Century Written: 1965; USA |
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| 87. |
Libera: Voca Me by Robert Prizeman |
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Performer:
Antony Chadney (),
Christopher Robson (),
Joseph Platt ()
Period: 20th Century Written: USA |
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| 88. |
Mass in G minor: Kyrie by Ralph Vaughan Williams |
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Period: 20th Century Written: England |
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| Notes: Composition written: England (1920 - 1921). | |||||
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| 89. |
Totus tuus, Op. 60 by Henryk Mikolaj Górecki |
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Period: 20th Century Written: 1987; Poland |
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| 90. |
Magnificat by Arvo Pärt |
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Period: 20th Century Written: 1989; Germany |
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| 91. |
Ave Maria by Sergei Rachmaninov |
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Cambridge King's College Choir Period: Romantic Written: Russia |
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| 92. |
Song for Athene by John Tavener |
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Period: 20th Century Written: 1993; England |
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| 93. |
Tinker, Tailor, Soldier, Spy: Nunc dimittis by Geoffrey Burgon |
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Period: 20th Century Written: 1979; England |
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| 94. |
Requiem: Requiem aeternam by John Rutter |
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Period: 20th Century Written: 1985; England |
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| 95. |
Agnus Dei, Op. 11 by Samuel Barber |
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Period: 20th Century Written: 1967; USA |
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| Notes: This work is a vocal arrangement of the composer's 'Adagio for Strings.' | |||||
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| 96. |
A Mass for Peace "The Armed Man": Benedictus by Karl Jenkins |
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Period: 20th Century Written: 1999; England |
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| 97. |
Requiem: Pie Jesu by Andrew Lloyd Webber |
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Performer:
Simon Gibson (Organ),
Fergus Thirlwell (Voice),
Jane Gilchrist (Soprano)
Conductor: Kirk Trevor Orchestra/Ensemble: Slovak Radio Symphony Orchestra |
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| 98. |
Wachet auf, ruft uns die Stimme, BWV 140: no 4, Zion hört die Wächter singen, das Herz tut in ihr by Johann Sebastian Bach |
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Conductor:
Wolfgang Gönnenwein
Orchestra/Ensemble: South German Madrigal Choir Stuttgart, Consortium Musicum Period: Baroque Written: 1731; Leipzig, Germany |
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| 99. |
I was glad by Charles Hubert Parry |
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Period: Romantic Written: 1902; England |
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| 100. |
Ave Maria by Tolga Kashif |
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Performer:
Lesley Garrett (Soprano)
Conductor: Philip Ellis Written: 2001 |
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