Norma Burrowes

Biography

Born: April 24, 1944; Bangor, County Down, Ireland  
Norma Burrowes is best known for her performance of Baroque music, particularly Handel, but has also excelled in Mozart and light opera, including those of Gilbert and Sullivan and Viennese operettas. She studied music at the Royal Academy in London, singing demanding lead roles while still a student. Her professional debut was in 1970 with the Glyndebourne Touring Company as Zerlina in Mozart's Don Giovanni, followed later that year by her Read more Covent Garden debut in the virtuoso part of the Fiakermilli in Richard Strauss' Arabella. The next year brought her Salzburg debut as Blonde in Mozart's The Abduction From the Seraglio. She sang several roles at Glyndebourne between 1970 and 1981, in addition to making recordings, appearing in television productions of operas and operettas, and giving recitals. In 1979, she repeated the role for her Metropolitan Opera debut. She is married to former tenor and voice teacher Emile Belcourt. She retired from performing in 1982. Read less

There are 51 Norma Burrowes recordings available.

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Formats & Featured

Biography

Born: April 24, 1944; Bangor, County Down, Ireland  
Norma Burrowes is best known for her performance of Baroque music, particularly Handel, but has also excelled in Mozart and light opera, including those of Gilbert and Sullivan and Viennese operettas. She studied music at the Royal Academy in London, singing demanding lead roles while still a student. Her professional debut was in 1970 with the Glyndebourne Touring Company as Zerlina in Mozart's Don Giovanni, followed later that year by her Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Symphony
"Now the Night Is Chas'd Away"
"Let the Fifes and the Clarions....Dance"
"When a Cruel Long Winter"
"Hail! Great Parent Of Us All"
"Thus the Ever Grateful Spring"
"See, My Many-Coloured Fields"
"Next, Winter Comes Slowly, Pale"
"Hail! Great Parent Of Us All" (Reprise)
Prelude..."Come, All Ye Songsters Of the Sky"
"The Songsters...May the God Of Wit Inspire"
"Echo...Now Join Your Warbling Voices All"
"Fill Up the Bowl"
"See, Even Night Herself Is Here"
"I Am Come To Lock All Fast"
"One Charming Night"
"Hush, No More"
Dance For the Followers Of Night
Overture
"If Love's a Sweet Passion...I Press Her Hand"
"O Let Me Weep, For Ever Weep"
"Now the Maids and the Men Are Making Of Hay"
A Dance Of Haymakers
"A Thousand, Thousand Ways"
Hornpipe and Rondeau
Symphony
"Hark! Hark the Echoing Air"
"Sure the Dull God Of Marriage"
"See, I Obey"
"Turn Then Thine Eyes"
"My Torch Indeed...They Shall Be As Happy"
Chaconne
"They Shall Be As Happy"
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster): Prologue: Bunyan in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 1: The Pilgrim meets Evangelist
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 2: The House Beautiful
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Nocturne (Intermezzo)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 1: The Arming of the Pilgrim
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 2: The Pilgrim meets Apollyon
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: Buy! What will ye buy?
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: I buy the truth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III: Scene 2: The Pilgrim in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 1: The Pilgrim meets Mister By-Ends
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Entr'acte
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: Who so dwelleth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: The Lord is my Shepherd
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 3: The Pilgrim reaches the End of his Journey
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Epilogue
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act III Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act I Nocturne
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 2
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1
Haydn: Armida - Sinfonia
Haydn: Armida / Act 1 - "Amici, il fiero Marte"
Haydn: Armida / Act 1 - "Vado a pugnar contento"
Haydn: Armida / Act 1 - "Armida, ebben, che pensi?"
Haydn: Armida / Act 1 - "Se dal suo braccio oppresso"
Haydn: Armida / Act 1 - "Parti Rinaldo; ed ebbe core Armida"
Haydn: Armida / Act 1 - "Se pietade avete, oh Numi"
Haydn: Armida / Act 1 - Marcia
Haydn: Armida / Act 1 - "Valorosi compagni, nuovi perigli"
Haydn: Armida / Act 1 - "Dove son? Che miro intorno?" - "Qual turbamento igno- to" - "Signor, ingombro è il monte"
Haydn: Armida / Act 1 - "Ah, si scenda per poco"
Haydn: Armida / Act 1 - "Se tu seguir mi vuoi"
Haydn: Armida / Act 1 - "Armida, ah vieni, e vedi"
Haydn: Armida / Act 1 - "Oh amico! Oh mio rossor!"
Haydn: Armida / Act 1 - "Cara, sarò fedele"
Haydn: Armida / Act 2 - "Odi, e serba il segreto"
Haydn: Armida / Act 2 - "Tu mi sprezzi, e mi deridi"
Haydn: Armida / Act 2 - "No, non mi pento"
Haydn: Armida / Act 2 - "Ah, si plachi il fiero Nume"
Haydn: Armida / Act 2 - "Va pur, folle"
Haydn: Armida / Act 2 - "Teco lo guida al campo"
Haydn: Armida / Act 2 - "Ben simulati io credo"
Haydn: Armida / Act 2 - "Armida...Oh affanno!"
Haydn: Armida / Act 2 - "Cara, è vero, io son tiranno"
Haydn: Armida / Act 2 - "Barbaro! E ardisci anchor"
Haydn: Armida / Act 2 - "Odio, furor, dispetto"
Haydn: Armida / Act 2 - "Eccoti alfin, Rinaldo, reso"
Haydn: Armida / Act 2 - "Prence amato, in questo amplesso"
Haydn: Armida / Act 2 - "Ansioso già mi vedi"
Haydn: Armida / Act 2 - "Partirò, ma pensa, ingrato"
Haydn: Armida / Act 3 - "Questa dunqu'è la selva?"
Haydn: Armida / Act 3 - "Torna pure al caro bene"
Haydn: Armida / Act 3 - "Qual tumulto d'idee m'eccita in seno"
Haydn: Armida / Act 3 - "Ah, non ferir: t'arresta"
Haydn: Armida / Act 3 - "Che inopportuno incontro!"
Haydn: Armida / Act 3 - "Dei pietosi, in tal cimento" - "Ed io m'arresto?"
Haydn: Armida / Act 3 - Marcia
Haydn: Armida / Act 3 - "Fermate. Utile sia breve dimora"
Haydn: Armida / Act 3 - "Astri che in ciel splendete"
Mozart: Die Entführung aus dem Serail, K.384 - Ouvertüre
Mozart: "Hier soll ich dich denn sehen" [Die Entführung aus dem Serail, K.384 / Act 1]
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Aber wie soll ich in den Palast kommen?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Allah sei Dank!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Solche hergelaufne Laffen" - "Was bist du nur für ein Mensch!" - "Erst geköpft, dann gehangen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Geh nur, verwünschter Aufpasser"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Singt dem großen Bassa Lieder"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Immer noch traurig, geliebte Konstanze?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Ach ich liebte, war so glücklich"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Undankbare!" - "Ihr Schmerz, ihr Tränen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Marsch! Trollt euch fort!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ei seht doch mal"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ich gehe, doch rate ich dir"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welcher Kummer herrscht in meiner Seele"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Traurigkeit ward mir zum Lose"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Nun, Konstanze, hast du dich entschieden?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - Introduktion - "Martern aller Arten" - "Doch du bist entschlossen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Kein Bassa, keine Konstanze mehr da?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welche Wonne, welche Lust"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ah, daß es schon vorbei wäre!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Frisch zum Kampfe"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ha! Geht's hier so lustig zu?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Vivat Bacchus! Bacchus lebe!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Hör, Alter, trink nicht zu viel"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn der Freude Tränen fließen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ach Belmonte! Ach, mein Leben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn unsrer Ehre wegen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ich baue ganz auf deine Stärke"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Alles liegt auf dem Ohr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "In Mohrenland gefangen war"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Endlich, sie macht auf, Herr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ha, wie will ich triumphieren"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Was ist das für ein Lärm?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Welch ein Geschick!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Meinetwegen willst du sterben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nun, Belmonte Lostados!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nie werd' ich deine Huld verkennen" - "Bassa Selim lebe lange"
Samson : Act 1 Sinfonia
Samson : Act 1 "This day, a solemn feast to Dagon held" [Samson]
Samson : Act 1 "Awake the trumpet's lofty sound!" [Chorus]
Samson : Act 1 "Ye men of Gaza, hither bring the merry pipe and pleasing string" [Dalila]
Samson : Act 1 "Awake the trumpet's lofty sound" [Chorus]
Samson : Act 1 "Loud as the thunder's awful voice" [Philistine]
Samson : Act 1 "Then free from sorrow, free from the thrall" [Philistine Woman]
Samson : Act 1 "Awake the trumpet's lofty sound!" [Chorus]
Samson : Act 1 "Why by an angel was my birth foretold" [Samson]
Samson : Act 1 "Torments, alas! are not confin'd to heart, or head, or breast!" [Samson]
Samson : Act 1 "Oh change beyond report, thought or belief!" [Micah]
Samson : Act 1 "Oh mirror of our fickle state!" [Micah]
Samson : Act 1 "Whom have I to compain of but myself" [Samson] ... "Oh loss of sight! of thee I most complain!" [Samson]
Samson : Act 1 "Total eclipse! no sun, no moon, all dark amidst the blaze of noon!" [Samson]
Samson : Act 1 "Since light so necessary is to life" [Micah]
Samson : Act 1 "Oh first created beam!" [Chorus]
Samson : Act 1 "Ye see, my friends, how woes enclose me round" [Samson], "Here comes thy rev'rend sire, old Manoah" [Micah, Samson]
Samson : Act 1 "Brethren and men of Dan, say, where is my son" [Manoah, Micah] "O miserable change!" [Manoah] "Oh ever failing trust in mortal strength!" [Israelitish Man]
Samson : Act 1 "God of our fathers, what is man?" [Israelitish Man]
Samson : Act 1 "The good we wish for, often proves our bane" [Manoah]
Samson : Act 1 "Thy glorious deeds inspir'd my tongue" [Manoah]
Samson : Act 1 "Justly these evils have befall'n thy son" [Samson] "Worse yet remains" [Manoah] "This have I done" [Samson]
Samson : Act 1 "My griefs for this forbid mine eyes to close" [Samson]
Samson : Act 1 "Why does the God of Israel sleep?" [Samson]
Samson : Act 1 "There lies our hope!" [Micah]
Samson : Act 1 "Then shall they know" [Chorus]
Samson : Act 1 "For thee, my dearest son" [Manoah] "It should be so - to expiate my crime" [Samson] "Be for thy fate contrite" [Manoah] "Why should I live?" [Samson]
Samson : Act 1 "Then long eternity shall greet your bliss" [Micah]
Samson : Act 1 "Joys that are pure" [Micah]
Samson : Act 1 "Then round about the starry throne" [Chorus]
Samson : Act 2 "Despair not thus" [Manoah] "Wher'er the liquid brook or fountain flow'd" [Samson] "Trust yet in God!" [Manoah]
Samson : Act 2 "Just are the way of God to man" [Manoah]
Samson : Act 2 "My evils hopeless are!" [Samson] "Relieve thy champion" [Micah]
Samson : Act 2 "Return, oh God of hosts!" [Micah]
Samson : Act 2 "To dust his glory they would tread" [Chorus]
Samson : Act 2 "But who is this?" [Micah] ... "How cunningly the sorceress displays her own transgressions" [Samson]
Samson : Act 2 "With plaintive notes and am'rous moan" [Dalila, Samson]
Samson : Act 2 "Did Love constrain thee?" [Samson]
Samson : Act 2 "Your charms to ruin led the way" [Samson]
Samson : Act 2 "Forgive what's done" [Dalila]
Samson : Act 2 "My - Her faith and truth, oh Samson, prove Dalila" [Dalila, Virgin]
Samson : Act 2 "Her faith and truth, oh Samson, prove" [Chorus]
Samson : Act 2 "To fleeting pleasures make your court" [Dalila]
Samson : Act 2 "Her faith and truth, oh Samson, prove" [Chorus]
Samson : Act 2 "How charming is domestic ease!" [Dalila]
Samson : Act 2 "Her faith and truth, oh Samson, prove" [Chorus]
Samson : Act 2 "Ne'er think of that! I know thy warbling charms" [Samson] "Let me approach, at least" [Dalila] "Not for thy life" [Samson] "Thou art more deaf to pray'rs than winds or seas" [Dalila]
Samson : Act 2 "Traitor to love! I'll sue no more" [Dalila] "Traitress to love! I'll hear no more" [Samson] "She's gone! a serpent manifest" [Micah, Samson]
Samson : Act 2 "It is not virtue, valour, wit" [Israelitish Man]
Samson : Act 2 "Favour'd of heaven is he, who finds one true" [Samson]
Samson : Act 2 "To man God's universal law gave pow'r to keep the wife in awe" [Chorus]
Samson : Act 2 "No words of peace, no voice enchanting fear" [Micah] ... "The honour certain to have won from thee I lose" [Harapha]
Samson : Act 2 "Honour and arms scorn such a foe" [Harapha]
Samson : Act 2 "Put on your arms" "My strength is from the living God" [Samson]
Samson : Act 2 "With thee!" [Harapha] "Cam'st thou for this, vain boaster?" [Samson, Harapha]
Samson : Act 2 "Go, baffled coward, go" [Samson] "Presume not on thy God" [Harapha]
Samson : Act 2 "Here lies the proof" [Micah]
Samson : Act 2 "Hear, Jacob's God, Jehovah, hear!" [Chorus]
Samson : Act 2 "Dagon, arise! attend thy sacred feast!" [Harapha]
Samson : Act 2 "To song and dance we give the day" [Philistine]
Samson : Act 2 "To song and dance we give the day" [Chorus]
Samson : Act 2 "Fix'd in his everlasting seat" [Chorus]
Samson : Act 3 "More trouble is behind" [Micah] ... "My message, given with speed, brooks no delay" [Harapha]
Samson : Act 3 "Presuming slave, to move their wrath!" [Harapha]
Samson : Act 3 "Reflect then, Samson, matters now are strain'd" [Micah] "Shall I abuse this consecrated gift of strength" [Samson]
Samson : Act 3 "With thunder arm'd, great God, arise!" [Chorus]
Samson : Act 3 "Be of good courage" [Samson, Micah, Harapha]
Samson : Act 3 "Thus when the sun from's wat'ry bed" [Samson]
Samson : Act 3 "With might endued, above the sons of men" [Micah]
Samson : Act 3 "The Holy One of Israel be thy guide" [Micah] "To fame immortal go" [Chorus]
Samson : Act 3 "Old Manoah, with youthful steps, makes haste to find his son" [Micah] "I come, my brethren, not to seek my son" [Manoah]
Samson : Act 3 "Great Dagon has subdued our foe" [Philistine] "Great Dagon has subdued our foe" [Chorus]
Samson : Act 3 "What noise of joy was that?" [Manoah, Micah]
Samson : Act 3 "How willing my paternal love the weight to share of filial care" [Manoah]
Samson : Act 3 "Your hopes of his deliv'ry seem not vain" [Micah] "I know your friendly minds, and - Heav'n! what noise!" [Manoah] "Hear us, our God!" [Chorus]
Samson : Act 3 "Noise call you this? an universal groan" [Micah] ... "Unwounded of his enemies he fell" [Messenger, Manoah]
Samson : Act 3 "Ye sons of Israel, now lament" [Micah] "Weep, Israel, weep" [Chorus]
Samson : Act 3 "Proceed we hence to find his body" [Manoah]
Samson : Act 3 Dead March
Samson : Act 3 "The body comes" [Micah, Manoah]
Samson : Act 3 "Glorious hero, may thy grave peace and honour ever have" [Chorus]
Samson : Act 3 "Come, come! no time for lamentation" [Manoah]
Samson : Act 3 "Let the bright Seraphim" [Israelitish Woman]
Samson : Act 3 "Let their celestial concerts all unite" [Chorus]
Verdi: Il Trovatore / Act 1 - "All'erta! all'erta!"
Verdi: Il Trovatore / Act 1 - "Di due figli"
Verdi: Il Trovatore / Act 1 - "Che più t'arresti?"
Verdi: Il Trovatore / Act 1 - "Tacea la notte" - "Quanto narrasti di turbamento"
Verdi: Il Trovatore / Act 1 - "Di tale amor"
Verdi: Il Trovatore / Act 1 - "Tacea la notte!"
Verdi: Il Trovatore / Act 1 - "Deserto sulla terra"
Verdi: Il Trovatore / Act 1 - "Infida!...Qual voce!"
Verdi: Il Trovatore / Act 2 - "Vedi! le fosche notturne spoglie" (Anvil Chorus)
Verdi: Il Trovatore / Act 2 - "Stride la vampa!...Mesta è la tua canzon!"
Verdi: Il Trovatore / Act 2 - "Soli or siamo"..."Condotta ell'era in ceppi"
Verdi: Il Trovatore / Act 2 - "Non son tuo figlio?"
Verdi: Il Trovatore / Act 2 - "Mal reggendo all'aspro assalto"
Verdi: Il Trovatore / Act 2 - "Perigliarti ancor languente"
Verdi: Il Trovatore / Act 2 - "Tutto è deserto"
Verdi: Il Trovatore / Act 2 - "Il balen del suo sorriso...Qual suono! o ciel!"
Verdi: Il Trovatore / Act 2 - "Ah, se l'error t'ingombra...Perchè piangete?"
Verdi: Il Trovatore / Act 2 - "E deggio e posso crederlo?"
Verdi: Il Trovatore / Act 3 - "Or co' dadi"
Verdi: Il Trovatore / Act 3 - "Squilli, echeggi la tromba"
Verdi: Il Trovatore / Act 3 - "In braccio al mio rival!" - "Che fu?" "Dappresso il campo"
Verdi: Il Trovatore / Act 3 - "Giorni poveri vivea"
Verdi: Il Trovatore / Act 3 - "Quale d'armi fragor"
Verdi: Il Trovatore / Act 3 - "Ah sì ben mio"
Verdi: Il Trovatore / Act 3 - "L'onda de'suoni mistici" - "Manrico!"
Verdi: Il Trovatore / Act 3 - "Di quella pira"
Verdi: Il Trovatore / Act 4 - "Siam giunti: ecco la torre"
Verdi: Il Trovatore / Act 4 - "D'amor sull'ali rosee"
Verdi: Il Trovatore / Act 4 - "Miserere d'un'alma"
Verdi: Il Trovatore / Act 4 - "Tu vedrai che amore"
Verdi: Il Trovatore / Act 4 - "Udiste? Come albeggi" - "Abuso forse quel poter"
Verdi: Il Trovatore / Act 4 - "A te davanti!" Qual voce!" - "Mira, di aberce la- grime"
Verdi: Il Trovatore / Act 4 - "Mira di acerbe lagrime"
Verdi: Il Trovatore / Act 4 - "Vivrà!...contende il giubilo"
Verdi: Il Trovatore / Act 4 - "Madre, non dormi?"
Verdi: Il Trovatore / Act 4 - "Sì; la stanchezza m'opprime"
Verdi: Il Trovatore / Act 4 - "Che! Non m'inganno! Quel fioco lume..."
Verdi: Il Trovatore / Act 4 - "Parlar non vuoi?"
Verdi: Il Trovatore / Act 4 - "Ti scosta!"
Verdi: Il Trovatore / Act 4 - "Prima che d'altri vivere"
Verdi: Il Trovatore / Act 3 - Pas des bohèmiens
Verdi: Il Trovatore / Act 3 - Sevilliana
Verdi: Il Trovatore / Act 3 - La Bohèmienne
Verdi: Il Trovatore / Act 3 - Galop
Sinfonia
"Amici, il fiero Marte"
"Vado a pugnar contento"
"Armida, ebben, che pensi?"
"Se dal suo braccio oppresso"
"Parti Rinaldo; ed ebbe core Armida"
"Se pietade avete, oh Numi"
Marcia
"Valorosi compagni, nuovi perigli"
"Dove son? Che miro intorno?" - "Qual turbamento igno- to" - "Signor, ingombro è il monte"
"Ah, si scenda per poco"
"Se tu seguir mi vuoi"
"Armida, ah vieni, e vedi"
"Oh amico! Oh mio rossor!"
"Cara, sarò fedele"
"Odi, e serba il segreto"
"Tu mi sprezzi, e mi deridi"
"No, non mi pento"
"Ah, si plachi il fiero Nume"
"Va pur, folle"
"Teco lo guida al campo"
"Ben simulati io credo"
"Armida...Oh affanno!"
"Cara, è vero, io son tiranno"
"Barbaro! E ardisci anchor"
"Odio, furor, dispetto"
"Eccoti alfin, Rinaldo, reso"
"Prence amato, in questo amplesso"
"Ansioso già mi vedi"
"Partirò, ma pensa, ingrato"
"Questa dunqu'è la selva?"
"Torna pure al caro bene"
"Qual tumulto d'idee m'eccita in seno"
"Ah, non ferir: t'arresta"
"Che inopportuno incontro!"
"Dei pietosi, in tal cimento" - "Ed io m'arresto?"
Marcia
"Fermate. Utile sia breve dimora"
"Astri che in ciel splendete"
Overture: Allegro - Adagio
Overture: Alla gavotta
"Vezzi, lusinghe, e brio"
"Ami dunque, o signora?" - "Ginevra?"
"Orrida agli occhi miei"
"Orgogliosa beltade!"
"Apri le luci, e mira"
"Mie speranze, che fate?"
"Coperta la frode"
"Qui d'amor"
"T'amerò dunque sempre"
"Prendi da questa mano" - "Non vi turbate"
"Volate, amori"
"Vanne pronto, Odoardo"
"Voli colla sua tromba"
"Oh! felice mio core!" - "Con l'ali di costanza"
"Conosco il merto tuo"
"Spero per voi"
"Dalinda, in occidente"
"Del mio sol vezzosi rai"
"Ah! che quest'alma amante" - "Il primo ardor"
"Pare, ovunque m'aggiri" - "E qual propizia stella"
Sinfonia pastorale
"Se rinasce nel mio cor" - "Si godete al vostro amor"
Musette I (Lentement)
Musette II (Andante)
Allegro
"Si godete al vostro amor"
Prelude (Notte con lume di luna)
"Di Dalinda l'amore" - "Eccolo o amico"
"Tu preparati a morire"
"Ginevra?"
"Tu vivi, e punito"
"E vivo ancora?"
"Scherza infida in grembo al drudo"
"Lo stral ferì nel segno"
"Se tanto piace al cor"
"Felice fu il mio inganno" - "Se l'inganno sortisce felice"
"Andiam, fidi, al consiglio"
"Invida sorte avara"
"Mi palpita il core"
"Sta'lieta, o principessa!" - "Mio Re!"
"Il tuo sangue"
"Quante sventure un giorno sol ne porta!"
"A me impudica?"
"Il mio crudel martoro"
Entrée des Songes agréables
Entrée des Songes funestes
Entrée des Songes agréables affligés
Combat des Songes funestes et agréables
"Che vidi? Oh Dei!"
"Numi! Lasciarmi vivere"
"Perfidi! io son tradita!"
"Cieca notte, infidi sguardi"
"Ingrato Polinesso!" - "Neghittosi, or voi che fate?"
"Sire, deh, non negare"
"Dover, giustizia, amor"
"Or venga a me la figlia" - "Ecco la figlia"
"Io ti bacio"
"Figlia, da dubbia sorte"
"Al sen ti stringo"
"Così mi lascia il padre?"
"Si, morrò, ma l'onor mio"
"Arrida il cielo alla giustizia" - "Ferma, signor" - "E Dalinda dov'è?"
"Dopo notte, atra e funesta"
"Dalinda! ecco risorge"
"Dite spera, e son contento"
"Da dubbia infausta sorte"
"Manca, oh Dei!"
"Figlia! innocente figlia!"
"Bramo aver mille vite..."
"Ognuno acclami bella virtute"
Alla gavotta
Rondeau
"Sa trionfar ognor"
Sinfonia
Oh, the pleasure of the plains
Ye verdant plains
Hush, ye pretty warbling quire
Where shall I seek the charming fair
Stay, shepherd, stay
Shepherd, what art thou pursuing
Lo! here my love
Love in her eyes sits playing
Oh! didst thou know
As when the dove laments her love
Happy we
Wretched lovers
I rage, I melt, I burn
O ruddier than the cherry
Whither, fairest, art thou running
Cease to beauty to be suing
Would you gain the tender creature
His hideous love
Love sounds th'alarm
Consider, fond shepherd
Cease, o cease
The flocks shall leave the mountains
Help, Galatea
Mourn, all ye Muses
Must I my Acis still bemoan
'Tis done
Heart, the seat of soft delight
Galatea, dry thy tears
Requiem Op.48 (1989 Remastered Version): Introit and Kyrie
Requiem Op.48 (1989 Remastered Version): Offertoire
Requiem Op.48 (1989 Remastered Version): Sanctus
Requiem Op.48 (1989 Remastered Version): Pie Jesu
Requiem Op.48 (1989 Remastered Version): Agnus Dei
Requiem Op.48 (1989 Remastered Version): Libera me
Requiem Op.48 (1989 Remastered Version): In paradisum
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue: Prologue: Bunyan in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act I: Scene 1: The Pilgrim meets Evangelist
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act I: Scene 2: The House Beautiful
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act I: Nocturne (Intermezzo)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act II: Scene 1: The Arming of the Pilgrim
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act II: Scene 2: The Pilgrim meets Apollyon
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act III, Scene 1: Vanity Fair: Buy! What will ye buy?
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue, Act III, Scene 1: Vanity Fair: I buy the truth
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act I Nocturne
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 2
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1
Mozart: Die Entführung aus dem Serail, K.384 - Ouvertüre
Mozart: "Hier soll ich dich denn sehen" [Die Entführung aus dem Serail, K.384 / Act 1]
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Aber wie soll ich in den Palast kommen?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Allah sei Dank!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Solche hergelaufne Laffen" - "Was bist du nur für ein Mensch!" - "Erst geköpft, dann gehangen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Geh nur, verwünschter Aufpasser"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Singt dem großen Bassa Lieder"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Immer noch traurig, geliebte Konstanze?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Ach ich liebte, war so glücklich"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Undankbare!" - "Ihr Schmerz, ihr Tränen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 1 - "Marsch! Trollt euch fort!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Durch Zärtlichkeit und Schmeicheln"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ei seht doch mal"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ich gehe, doch rate ich dir"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welcher Kummer herrscht in meiner Seele"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Traurigkeit ward mir zum Lose"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Nun, Konstanze, hast du dich entschieden?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - Introduktion - "Martern aller Arten" - "Doch du bist entschlossen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Kein Bassa, keine Konstanze mehr da?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Welche Wonne, welche Lust"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ah, daß es schon vorbei wäre!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Frisch zum Kampfe"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ha! Geht's hier so lustig zu?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Vivat Bacchus! Bacchus lebe!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Hör, Alter, trink nicht zu viel"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn der Freude Tränen fließen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Ach Belmonte! Ach, mein Leben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 2 - "Wenn unsrer Ehre wegen"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ich baue ganz auf deine Stärke"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Alles liegt auf dem Ohr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "In Mohrenland gefangen war"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Endlich, sie macht auf, Herr"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Ha, wie will ich triumphieren"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Was ist das für ein Lärm?"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Welch ein Geschick!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Meinetwegen willst du sterben!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nun, Belmonte Lostados!"
Mozart: Die Entführung aus dem Serail, K.384 / Act 3 - "Nie werd' ich deine Huld verkennen" - "Bassa Selim lebe lange"
Verdi: Il Trovatore / Act 1 - "All'erta! all'erta!"
Verdi: Il Trovatore / Act 1 - "Di due figli"
Verdi: Il Trovatore / Act 1 - "Che più t'arresti?"
Verdi: Il Trovatore / Act 1 - "Tacea la notte" - "Quanto narrasti di turbamento"
Verdi: Il Trovatore / Act 1 - "Di tale amor"
Verdi: Il Trovatore / Act 1 - "Tacea la notte!"
Verdi: Il Trovatore / Act 1 - "Deserto sulla terra"
Verdi: Il Trovatore / Act 1 - "Infida!...Qual voce!"
Verdi: Il Trovatore / Act 2 - "Vedi! le fosche notturne spoglie" (Anvil Chorus)
Verdi: Il Trovatore / Act 2 - "Stride la vampa!...Mesta è la tua canzon!"
Verdi: Il Trovatore / Act 2 - "Soli or siamo"..."Condotta ell'era in ceppi"
Verdi: Il Trovatore / Act 2 - "Non son tuo figlio?"
Verdi: Il Trovatore / Act 2 - "Mal reggendo all'aspro assalto"
Verdi: Il Trovatore / Act 2 - "Perigliarti ancor languente"
Verdi: Il Trovatore / Act 2 - "Tutto è deserto"
Verdi: Il Trovatore / Act 2 - "Il balen del suo sorriso...Qual suono! o ciel!"
Verdi: Il Trovatore / Act 2 - "Ah, se l'error t'ingombra...Perchè piangete?"
Verdi: Il Trovatore / Act 2 - "E deggio e posso crederlo?"
Verdi: Il Trovatore / Act 3 - "Or co' dadi"
Verdi: Il Trovatore / Act 3 - "Squilli, echeggi la tromba"
Verdi: Il Trovatore / Act 3 - "In braccio al mio rival!" - "Che fu?" "Dappresso il campo"
Verdi: Il Trovatore / Act 3 - "Giorni poveri vivea"
Verdi: Il Trovatore / Act 3 - "Quale d'armi fragor"
Verdi: Il Trovatore / Act 3 - "Ah sì ben mio"
Verdi: Il Trovatore / Act 3 - "L'onda de'suoni mistici" - "Manrico!"
Verdi: Il Trovatore / Act 3 - "Di quella pira"
Verdi: Il Trovatore / Act 4 - "Siam giunti: ecco la torre"
Verdi: Il Trovatore / Act 4 - "D'amor sull'ali rosee"
Verdi: Il Trovatore / Act 4 - "Miserere d'un'alma"
Verdi: Il Trovatore / Act 4 - "Tu vedrai che amore"
Verdi: Il Trovatore / Act 4 - "Udiste? Come albeggi" - "Abuso forse quel poter"


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