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Michael Hurd: Pop Cantatas / Ronald Corp, New London Children's Choir

Hurd,Michael / Corp / Nlcco / Addison / Wells
Release Date: 02/22/2011 
Label:  Naxos   Catalog #: 8572505  
Composer:  Michael Hurd
Performer:  John AddisonPeter ShafranAlexander WellNoah Max,   ... 
Conductor:  Ronald Corp
Orchestra/Ensemble:  New London Children's ChoirNew London Orchestra members
Number of Discs: 1 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

Welcome reminder of a genre that introduced a generation of children to the pleasures of singing.

Singing in schools is at last coming back into fashion. In the immediate post-war period it was a normal part of any child’s education but by the 1960s many teachers felt a need for some kind of updating of what was being sung. Possibly the first “pop cantata” was Herbert Chappell’s “The Daniel Jazz”, a setting of Vachel Lindsay published in 1963, but it was soon followed by a dozen or so by Michael Hurd, starting with “Jonah-Man Jazz” in 1966. The five examples on this disc give a good idea of the genre. The composer makes it plain in his introductions to the works that they were written for fun and should be
Read more performed with that in mind. Inevitably they are most effective in a school situation where the whole class or even whole school can take part whatever their level of musical ability. Given a teacher able to interest the children in the musical style (perhaps a little outdated now) and encourage them to enjoy the ingenious lyrics they do indeed work very well indeed. It is good to have them recorded but it does bring the risk of a too careful approach, losing or at least reducing the element of fun and even of risk that live performance can involve. Fortunately for the most part that is avoided here.

The composer offers performers the option of using only a piano as accompaniment or of adding jazz percussion and bass. These options are used in Prodigal and Swingin’ Samson respectively along with even more elaborate orchestration in Jonah-Man Jazz and Captain Coram’s Kids. Although John Addison acts as narrator for those two works children are employed as narrators in Rooster Rag and Swingin’ Samson. I found this and the more sparse instrumentation more effective as being more in keeping with the unpretentious nature of the music. In general the performances are effective and spirited although they would have benefited for much of the time by a closer balance for the choir – the piano does tend to grab all the attention at times.

I mentioned the amusing lyrics but you need to access them from the Naxos website (all nine pages of them) to read them. It is tiresome but worth it – and then you are able also to join in the delightful audience song in Swingin’ Samson. Unsurprisingly it would be a mistake to listen to more than one Cantata at a time, but they are worth hearing in that way. I hope that this disc, sponsored by the British Music Society using the Michael Hurd Bequest, will be followed with another including other pop cantatas including Hurd’s splendid “Hip-hip Horatio” with its parody of oratorio recitative, Herbert Chappell’s “The Daniel Jazz”, Joseph Horovitz’ “Captain Noah and his Floating Zoo” and Andrew Lloyd Webber’s “Joseph and his Amazing Technicolour Dreamcoat” in the 20 minute version made before it became grotesquely extended. In the meantime this reminder of a genre which must have introduced a whole generation of children to the pleasures of singing is very welcome.

-- John Sheppard, MusicWeb International
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Works on This Recording

Jonah-Man Jazz by Michael Hurd
Performer:  John Addison (Narrator), Peter Shafran (Treble)
Conductor:  Ronald Corp
Orchestra/Ensemble:  New London Children's Choir,  New London Orchestra members
Prodigal by Michael Hurd
Performer:  Alexander Well (Piano), Noah Max (Treble)
Conductor:  Ronald Corp
Orchestra/Ensemble:  New London Children's Choir,  New London Orchestra members
Rooster Rag by Michael Hurd
Performer:  Orla Gill (Narrator), Alexander Well (Piano)
Conductor:  Ronald Corp
Orchestra/Ensemble:  New London Children's Choir,  New London Orchestra members
Swingin' Samson by Michael Hurd
Performer:  Daniel Ison (Narrator), Alexander Well (Piano), Kate Brooke (Treble)
Conductor:  Ronald Corp
Orchestra/Ensemble:  New London Children's Choir,  New London Orchestra members
Captain Coram's Kids by Michael Hurd
Performer:  John Addison (Narrator)
Conductor:  Ronald Corp
Orchestra/Ensemble:  New London Children's Choir,  New London Orchestra members

Sound Samples

Jonah-Man Jazz: Nineveh city was a city of sin
Jonah-Man Jazz: Jonah, Jonah, listen to me Jonah
Jonah-Man Jazz: I need a boat, man
Jonah-Man Jazz: The waves grew high
Jonah-Man Jazz: When Jonah sank into the sea
Jonah-Man Jazz: We had a wonderful party
Prodigal: Many years ago
Prodigal: I want to go to the big bad city
Prodigal: In the city, free and easy
Prodigal: Down and out in the city
Prodigal: Why did I leave the house of my Father?
Prodigal: No use denying
Prodigal: Kill the fatted calf
Prodigal: It was long ago
Rooster Rag: Once upon a time
Rooster Rag: Every time I lay an egg
Rooster Rag: I had a terrible dream!
Rooster Rag: Oh what a beautiful dream!
Rooster Rag: Do me a favour
Rooster Rag: There's a thief in the night
Rooster Rag: If I were you
Rooster Rag: Beware! Take care!
Swingin' Samson: Samson was a hero
Swingin' Samson: When Miss Delilah goes a-walkin'
Swingin' Samson: Samson, cut your hair
Swingin' Samson: Clip and clip
Swingin' Samson: Weak as a kitten
Swingin' Samson: Ev'rybody came to the Philistines party
Captain Coram's Kids: Who are these abandoned children?
Captain Coram's Kids: Eight were Duchesses
Captain Coram's Kids: What is the humming?
Captain Coram's Kids: Take my child
Captain Coram's Kids: See the Foundlings at work!
Captain Coram's Kids: I am a little Foundling
Captain Coram's Kids: Here in the pleasant Court Room
Captain Coram's Kids: Captain Coram!

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