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The complete works of J.S. Bach on Brilliant Classics is back! The original packaging of this set was a worldwide bestseller featuring brand new recordings of the complete Cantatas along with many other new recordings made for the release and numerous recordings licensed from other record labels. This new edition released in 2010 contains various substitutions for some of the repertoire but in all remains one of the greatest bargains ever in classical music. 157 CD's and 2 DVD's in wallets and one DVD-Rom with all texts and liner notes in a single space saving box. |
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| Works on This Recording | Back to Top | |||
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| 1. |
Complete Works by Johann Sebastian Bach |
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Period: Baroque |
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| 2. |
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach |
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Conductor:
Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion Period: Baroque Written: 1717; ?Cöthen, Germany |
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| 3. |
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach |
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Conductor:
Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion Period: Baroque Written: 1717-1718; ?Cöthen, Germany |
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| 4. |
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach |
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Conductor:
Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion Period: Baroque Written: 1711-1713; ?Weimar, Germany |
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| 5. |
Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach |
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Conductor:
Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion Period: Baroque Written: circa 1720; ?Cöthen, Germany |
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| 6. |
Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach |
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Conductor:
Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion Period: Baroque Written: 1720-1721; ?Cöthen, Germany |
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| 7. |
Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach |
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Conductor:
Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion Period: Baroque Written: 1708-1710; ?Weimar, Germany |
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| 8. |
Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach |
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Conductor:
Robert Haydon Clark
Orchestra/Ensemble: Consort of London Period: Baroque Written: circa 1717-1723; Cöthen, Germany |
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| 9. |
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach |
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Conductor:
Robert Haydon Clark
Orchestra/Ensemble: Consort of London Period: Baroque Written: 1738-1739; Leipzig, Germany |
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| 10. |
Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach |
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Conductor:
Robert Haydon Clark
Orchestra/Ensemble: Consort of London Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
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| 11. |
Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach |
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Conductor:
Robert Haydon Clark
Orchestra/Ensemble: Consort of London Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
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| 12. |
Concerto(s) by Johann Sebastian Bach |
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Performer:
Christine Schornsheim (Harpsichord),
Dmitri Sitkovetsky (Violin),
Menno Van Delft (Harpsichord)
Conductor: Burkhard Glaetzner Orchestra/Ensemble: Leipzig New Bach Collegium Musicum Period: Baroque |
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| 13. |
Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach |
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Performer:
Mark Lubotsky (Violin)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 14. |
Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach |
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Performer:
Mark Lubotsky (Violin)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 15. |
Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach |
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Performer:
Mark Lubotsky (Violin)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 16. |
Partita for Violin solo no 2 in D minor, BWV 1004 by Johann Sebastian Bach |
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Performer:
Mark Lubotsky (Violin)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 17. |
Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach |
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Performer:
Mark Lubotsky (Violin)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 18. |
Partita for Violin solo no 3 in E major, BWV 1006 by Johann Sebastian Bach |
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Performer:
Mark Lubotsky (Violin)
Period: Baroque Written: 1720; Cöthen, Germany |
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| 19. |
Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach |
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Performer:
Jaap ter Linden (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 20. |
Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach |
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Performer:
Jaap ter Linden (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 21. |
Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach |
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Performer:
Jaap ter Linden (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 22. |
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach |
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Performer:
Jaap ter Linden (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 23. |
Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach |
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Performer:
Jaap ter Linden (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 24. |
Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach |
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Performer:
Jaap ter Linden (Cello)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 25. |
Sonata(s) for Flute by Johann Sebastian Bach |
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Performer:
Jed Wentz (Flute),
Michael Borgstede (Harpsichord)
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| 26. |
Work(s) for Lute by Johann Sebastian Bach |
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Performer:
Jakob Lindberg (Lute)
Period: Baroque |
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| 27. |
Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach |
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Performer:
John Dornenburg (Viola Da Gamba),
Malcolm Proud (Harpsichord)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 28. |
Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach |
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Performer:
John Dornenburg (Viola Da Gamba),
Malcolm Proud (Harpsichord)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 29. |
Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach |
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Performer:
John Dornenburg (Viola Da Gamba),
Malcolm Proud (Harpsichord)
Period: Baroque Written: circa 1720; Cöthen, Germany |
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| 30. |
Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach |
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Orchestra/Ensemble:
Netherlands Bach Ensemble
Period: Baroque Written: 1747; Leipzig, Germany |
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| 31. |
Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 32. |
Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 33. |
Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 34. |
Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 35. |
Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 36. |
Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 37. |
Sonata for Violin and Harpsichord in G major, BWV 1019a by Johann Sebastian Bach |
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Performer:
Luis Otavio Santos (Violin),
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1717-1723; Cöthen, Germany |
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| 38. |
Anna Magdalena Bach Notebook by Johann Sebastian Bach |
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Performer:
Johannette Zomer (Soprano),
Pieter-Jan Belder (Harpsichord)
Period: Baroque |
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| 39. |
Work(s) by Johann Sebastian Bach |
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Orchestra/Ensemble:
Sonnerie Trio
Period: Baroque |
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| 40. |
Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1722; Cöthen, Germany |
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| 41. |
Well-Tempered Clavier, Book 2, BWV 870-893 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1738-1742; Leipzig, Germany |
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| 42. |
Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1726-1731; Leipzig, Germany |
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| 43. |
Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1726-1731; Germany |
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| 44. |
Partita for Keyboard no 3 in A minor, BWV 827 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1726-1731; Leipzig, Germany |
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| 45. |
Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1726-1731; Germany |
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| 46. |
Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1726-1731; Leipzig, Germany |
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| 47. |
Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1726-1731; Leipzig, Germany |
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| 48. |
Work(s) for Harpsichord by Johann Sebastian Bach |
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Performer:
Pieter Dirksen (Harpsichord),
Christiane Wuyts (Harpsichord),
Pieter-Jan Belder (Harpsichord)
Period: Baroque |
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| 49. |
Italian Concerto, BWV 971 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1735; Leipzig, Germany |
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| 50. |
Goldberg Variations, BWV 988 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1741-1742; Nuremberg, Germany |
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| 51. |
English Suite no 1 in A major, BWV 806 by Johann Sebastian Bach |
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: circa 1715; Weimar, Germany |
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| 52. |
English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach |
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: circa 1715; Weimar, Germany |
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| 53. |
English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach |
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: circa 1715; Weimar, Germany |
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| 54. |
English Suite no 4 in F major, BWV 809 by Johann Sebastian Bach |
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: circa 1715; Weimar, Germany |
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| 55. |
English Suite no 5 in E minor, BWV 810 by Johann Sebastian Bach |
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: circa 1715; Weimar, Germany |
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| 56. |
English Suite no 6 in D minor, BWV 811 by Johann Sebastian Bach |
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Performer:
Bob van Asperen (Harpsichord)
Period: Baroque Written: circa 1715; Weimar, Germany |
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| 57. |
French Suite no 1 in D minor, BWV 812 by Johann Sebastian Bach |
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Performer:
John Payne (Harpsichord)
Period: Baroque Written: circa 1724; Leipzig, Germany |
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| 58. |
French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach |
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Performer:
John Payne (Harpsichord)
Period: Baroque Written: circa 1724; Leipzig, Germany |
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| 59. |
French Suite no 3 in B minor, BWV 814 by Johann Sebastian Bach |
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Performer:
John Payne (Harpsichord)
Period: Baroque Written: circa 1724; Leipzig, Germany |
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| 60. |
French Suite no 4 in E flat major, BWV 815 by Johann Sebastian Bach |
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Performer:
John Payne (Harpsichord)
Period: Baroque Written: circa 1724; Leipzig, Germany |
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| 61. |
French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach |
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Performer:
John Payne (Harpsichord)
Period: Baroque Written: circa 1724; Leipzig, Germany |
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| 62. |
French Suite no 6 in E major, BWV 817 by Johann Sebastian Bach |
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Performer:
John Payne (Harpsichord)
Period: Baroque Written: circa 1724; Leipzig, Germany |
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| 63. |
Toccata in C minor, BWV 911 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: circa 1717; Weimar, Germany |
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| 64. |
Toccata in D major, BWV 912 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: circa 1710; Weimar, Germany |
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| 65. |
Toccata in D minor, BWV 913 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: by 1708; ?Weimar, Germany |
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| 66. |
Toccata in E minor, BWV 914 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: by 1708; ?Weimar, Germany |
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| 67. |
Toccata in F minor, BWV 910 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: circa 1710; Weimar, Germany |
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| 68. |
Toccata in G major, BWV 916 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: by 1710; ?Weimar, Germany |
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| 69. |
Toccata in G minor, BWV 915 by Johann Sebastian Bach |
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Performer:
Menno Van Delft (Harpsichord)
Period: Baroque Written: by 1708; ?Weimar, Germany |
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| 70. |
Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1723; Cöthen, Germany |
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| 71. |
Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach |
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Performer:
Pieter-Jan Belder (Harpsichord)
Period: Baroque Written: 1723; Cöthen, Germany |
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| 72. |
Cantata(s) by Johann Sebastian Bach |
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Performer:
Siegfried Lorenz (Baritone),
Bas Ramselaar (Bass),
Nico Van der Meel (Tenor),
Marjon Strijk (Soprano), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor), Edith Mathis (Soprano), Carolyn Watkinson (Alto), Eberhard Büchner (Tenor), Theo Adam (Bass) Conductor: Peter Schreier, Pieter-Jan Leusink Orchestra/Ensemble: Berlin Chamber Orchestra, Berlin Soloists, Holland Boys Choir ... Period: Baroque Written: Germany |
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| 73. |
Mass in B minor, BWV 232 by Johann Sebastian Bach |
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Performer:
Klaus Mertens (Bass),
Roberta Invernizzi (Soprano),
Lynne Dawson (Soprano),
Gloria Banditelli (Mezzo Soprano), Christoph Prégardien (Tenor) Conductor: Diego Fasolis Orchestra/Ensemble: Italian Switzerland Radio/TV Chorus, Sonatori de la Gioiosa Marca Period: Baroque Written: 1747-49; Leipzig, Germany |
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| 74. |
Mass(es) by Johann Sebastian Bach |
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Conductor:
Martin Flämig
Orchestra/Ensemble: Dresden Kreuz Choir, Dresden Philharmonic Orchestra |
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| 75. |
Motet(s) by Johann Sebastian Bach |
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Conductor:
Michel Corboz
Orchestra/Ensemble: Lausanne Vocal Ensemble |
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| 76. |
Easter Oratorio, BWV 249 by Johann Sebastian Bach |
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Conductor:
Rolf Schweizer
Orchestra/Ensemble: Pforzheim Motet Choir, Pforzheim Chamber Orchestra Period: Baroque Written: 1732-1735; Leipzig, Germany |
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| 77. |
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach |
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Performer:
Michael George (Bass),
Michael Chance (Countertenor),
Rogers Covey-Crump (Tenor),
Emma Kirkby (Soprano) Conductor: Stephen Cleobury Orchestra/Ensemble: Brandenburg Consort, Cambridge King's College Choir Period: Baroque Written: Circa 1727; Leipzig, Germany |
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| 78. |
Saint John Passion, BWV 245 by Johann Sebastian Bach |
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Conductor:
Stephen Cleobury
Orchestra/Ensemble: Brandenburg Consort, Cambridge King's College Choir Period: Baroque Written: 1724; Leipzig, Germany |
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| 79. |
Saint Mark Passion, BWV 247 by Johann Sebastian Bach |
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Performer:
Connor Burrowes (Boy Soprano),
David James (Countertenor),
Gordon Jones (Baritone),
Rogers Covey-Crump (Tenor), Teppo Tolomen (Baritone), Paul Agnew (Tenor) Conductor: Roy Goodman Orchestra/Ensemble: European Union Baroque Orchestra, Finland Ring Ensemble Period: Baroque Written: 1731; Leipzig, Germany |
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| 80. |
Christmas Oratorio, BWV 248 by Johann Sebastian Bach |
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Performer:
Klaus Mertens (Bass),
Charles Daniels (Tenor),
Bernhard Landauer (Countertenor)
Conductor: Diego Fasolis Orchestra/Ensemble: I Barocchisti Period: Baroque Written: 1734-1735; Leipzig, Germany |
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| 81. |
Magnificat in D major, BWV 243 by Johann Sebastian Bach |
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Conductor:
Felix Prohaska
Orchestra/Ensemble: Vienna State Opera Chorus, Vienna State Opera Orchestra Period: Baroque Written: circa 1728-1731; Leipzig, Germany |
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| 82. |
Chorale(s) by Johann Sebastian Bach |
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Conductor:
Nicol Matt
Orchestra/Ensemble: Chamber Choir of Europe Period: Baroque |
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| 83. |
Work(s) for Organ by Johann Sebastian Bach |
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Performer:
Hans Fagius (Organ)
Period: Baroque |
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