Natalia Gutman

Biography

Natalia Gutman came from a musical family. She was born in Kazan, Kazakhstan, at a time when the city was packed with the many Russian intelligentsia and artists who had been evacuated before the advance of Hitler's troops. Her family included a long line of musicians: Her grandfather, Anisim Berlin, was a violinist who had been taught by the great pedagogue Leopold Auer; her grandmother was also a violinist and studied not only with Auer but Read more also with Joachim; and her stepfather, Roman Sapozhnikov, is a cellist and well-known in Russia for his studies in teaching repertoire for the instrument.

She overheard her stepfather's pupils take their lessons when she was a very small girl. When she received a small-size cello for her fifth birthday, she took to it right away. Her father initially taught her, but in a short time her progress was so rapid that she was accepted into the Gnessin Music School, one of the leading music institutions for youngsters in Russia. Her first teacher was Sergei Aslamazyan. After three years, she graduated to Galina Kosolupova, one of the Institute's finest teachers. After another year, Gutman went on to the Moscow Conservatory, but retained Kosolupova as her teacher for the entire five years, which she considers especially important in her development. After graduation, she had an additional four years of post-graduate work with the great cellist Mstislav Rostropovich. As she was finishing her schooling, she started making prestigious concert appearances and entered major competitions. She won the first prizes in Moscow's Tchaikovsky Competition and the Dvorák Competition in Prague.

For a considerable period of time, her concert appearances in the West were rare; she tended to stay home while her husband, the famous violinist Oleg Kagan, did more touring. In 1980, the two of them played the Brahms Double Concerto at the Edinburgh Festival with the London Symphony Orchestra conducted by Evgeny Svetlanov, which was her British debut.

Beginning with the end of the 1980s she stepped up her international appearances, and has regularly attended the Crystal Palace Cello festivals. In 1985 she was particularly praised for a London performance of Prokofiev's Sinfonia Concertante for cello and orchestra; Robert Henderson of the Daily Telegraph said that not even Rostropovich could have surpassed it.

Gutman has an interest in the modern repertoire, including the Lutoslawski concerto and music of Alfred Schnittke. She considers extensive, regular, and thorough practice sessions to be essentials and unfailingly repeats the standard scale exercises. She does this with concentration, learned of necessity when her three children were young. She and her husband frequently perform chamber music and were frequently joined by eminent pianist Sviatoslav Richter until his death. She finds chamber music to be the most rewarding aspect of her life as a cellist. Read less
Vivaldi: Concertos / Kagan, Gutman, Oistrakh, Gofman, Barshai, Markiz, Et Al
Release Date: 10/20/2008   Label: Melodiya  
Catalog: 1001229   Number of Discs: 1
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Vivaldi: Concertos / Kagan, Oistrakh, Gutman, Hoffman, Markiz
Release Date: 09/09/2014   Label: Melodiya  
Catalog: 2262   Number of Discs: 1
On sale! $18.99
CD: $14.99
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Biography

Natalia Gutman came from a musical family. She was born in Kazan, Kazakhstan, at a time when the city was packed with the many Russian intelligentsia and artists who had been evacuated before the advance of Hitler's troops. Her family included a long line of musicians: Her grandfather, Anisim Berlin, was a violinist who had been taught by the great pedagogue Leopold Auer; her grandmother was also a violinist and studied not only with Auer but Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Allegro con brio
II. Scherzo: Allegro molto
III. Adagio
IV. Allegro
I. Allegro energico
II. Presto non assai
III. Andante grazioso
IV. Allegro molto
Piano Quartet in E flat major Op. 47: I. Sostenuto assai - Allegro ma non troppo
Piano Quartet in E flat major Op. 47: II. Scherzo (Molto vivace) & Trio
Piano Quartet in E flat major Op. 47: III. Andante cantabile
Piano Quartet in E flat major Op. 47: IV. Finale (Vivace)
Fantasiestücke, Op.73: I. Zart und mit Ausdruck
Fantasiestücke, Op.73: II. Lebhaft, leicht - Coda: Nach und nach ruhiger
Fantasiestücke, Op.73: III. Rasch und mit Feuer - Coda: Schneller
Cello Concerto in B Minor, B.191: I. Allegro
Cello Concerto in B Minor, B.191: II. Adagio ma non troppo
Cello Concerto in B Minor, B.191: III. Finale (Allegro moderato)
Cello Concerto in A Minor, Op.129: Nicht zu schnell -
Cello Concerto in A Minor, Op.129: Langsam - Etwas lebhafter - Schneller -
Cello Concerto in A Minor, Op.129: Sehr lebhaft - (Cadenza) - Im Tempo - Schneller
1. Nicht zu schnell
2. Langsam
3. Sehr lebhaft
Fantasiestücke, Op.73: I. Zart und mit Ausdruck
Fantasiestücke, Op.73: II. Lebhaft, leicht - Coda: Nach und nach ruhiger
Fantasiestücke, Op.73: III. Rasch und mit Feuer - Coda: Schneller
Concerto for Cello and Orchestra in B minor B191 (Op. 104): I. Allegro
Concerto for Cello and Orchestra in B minor B191 (Op. 104): II. Adagio ma non troppo
Concerto for Cello and Orchestra in B minor B191 (Op. 104): III. Finale (Allegro moderato)
Piano Quartet in E flat major Op. 47: I. Sostenuto assai - Allegro ma non troppo
Piano Quartet in E flat major Op. 47: II. Scherzo (Molto vivace) & Trio
Piano Quartet in E flat major Op. 47: III. Andante cantabile
Piano Quartet in E flat major Op. 47: IV. Finale (Vivace)
Violin Sonata No. 2 in D minor Op.121: III. Leise, einfach (etwas lebhafter - etwas bewegter - tempo wie vorher)
Violin Sonata No. 2 in D minor Op.121: IV. Bewegt


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