Classical Music CDs at ArkivMusic Cart Wish List My Account Gift Certificates Newsletter Help
Composers | Conductors | Performers | Ensembles | Operas | Labels | ArkivCDs | DVDs | More... New ArkivMusic Reissues On Sale
New Releases Recommendations Top Sellers On Sale CDs Under $10 Broadway Reissues Super Audio CDs MP3s Blu-ray Discs Listen Magazine
 Home > Performers >
WGBH Radio WGBH Radio theclassicalstation.org
 Ward: The Crucible / Buckley, Ebert, Kelly, Nyc Opera
Release Date: 10/24/2006 
Label:  Albany Records   Catalog #: 25/6   Spars Code: ADD 
Composer:  Robert Ward
Performer:  Marija KovaElizabeth SchweringNorman KellyGloria WynderEunice Alberts
Nancy FosterNaomi FarrMaurice SternPatricia Brooks
Chester LudginJohn MacurdyPaul UkenaSpiro Malas
Jack DeLonLorna CenicerosHelen GuileBeverly Evans
Joyce EbertFrances BibleRichard Krause
Conductor:  Emerson Buckley
Orchestra/Ensemble:  New York City Opera OrchestraNew York City Opera Chorus

Number of Discs: 2 
Recorded in: Stereo 
Length: 1 Hours 50 Mins. 

Be the first to review this title
CD  $28.99
Add To Your Cart
Back Order

Add To Your Wish List

MP3 $19.99
Back Order: Usually ships in 2 to 3 weeks.
Get Social:
Share   /  
See, Hear and Learn More! Go to:
Notes & Editorial Reviews  |  Works On This Recording  |  Sound Samples  | Customer Reviews
 Notes & Reviews Back to Top 
The only American opera to win a Pulitzer Prize. When the final curtain fell and the last notes of the orchestra died away on the opening night of The Crucible, an excited audience thundered its approval. The opera had been commissioned by the New York City Opera. The libretto and score were written in less than a year, the last page of the full score having been completed just 11 days before the first performance on October 26, 1961. In the days that followed, the press was almost unanimous in their high praise of the work and at the close of the 1961-62 season, it was awarded the Pulitzer Prize for Music. The Crucible, play and opera, draws upon the frenzy and anguish of the witch-hunt that took place in Salem, Massachusetts, in the 1690s. Eminent divines, such as Cotton Mather and the Reverend Hale, supplied ample theological proof for the existence of witches. However, in the actual conduct of the witch-hunts the real motives were as likely to be greed, local animosities, and sexual repression as obedience to the Biblical admonition, "thou shalt not suffer a witch to live." Though the composer and librettist have not utilized any texts or musical material from the period, they have, through the use of rugged hymn-like melodies and tunes almost like folk song in character, managed to convey the feelings and atmosphere of the time.

R E V I E W S:

"Robert Ward's The Crucible was warmly received on its first production in New York in 1961, and it has since been very widely performed, not only in the United States...Ward's music is swift moving and gratefully lyrical. His language owes a lot to the American vernacular of his teachers Howard Hanson and Aaron Copland...and something also to an operatic vernacular rooted in Puccini...There is a certain cragginess, too, drawn partly from very careful word-setting of Miller's archaizing text and very apt for evoking the starched rigor of a closed and in-turned community, that seems to be Ward's own...This one was made not long after the first performance, by the company that created it; under Emerson Buckley's direction there is a crackling sense of pace and of stage-seasoned ensemble." (Gramophone)

 Works on This Recording Back to Top 
1.  The Crucible by Robert Ward
Performer:  Marija Kova (Soprano), Elizabeth Schwering (Alto), Norman Kelly (Tenor),
Gloria Wynder (Alto), Eunice Alberts (Alto), Nancy Foster (Soprano),
Naomi Farr (Soprano), Maurice Stern (Tenor), Patricia Brooks (Soprano),
Chester Ludgin (Baritone), John Macurdy (Bass), Paul Ukena (Baritone),
Spiro Malas (Bass), Jack DeLon (Tenor), Lorna Ceniceros (Soprano),
Helen Guile (Alto), Beverly Evans (Soprano), Joyce Ebert (Mezzo Soprano),
Frances Bible (Mezzo Soprano), Richard Krause (Tenor)
Conductor:  Emerson Buckley
Orchestra/Ensemble:  New York City Opera Orchestra,  New York City Opera Chorus
Period: 20th Century 
Written: 1961; USA 
Length: 110 Minutes 0 Secs. 
Language: English 
 Sound Samples Back to Top 
The Crucible
Act I: Beginning: My Betty be hearty soon? (Tituba, Parris, Abigail, Ann, Thomas, Rebecca, Giles)
The Crucible
Act I: Gently, sirs, gently. (Rebecca, Thomas, John, Giles, Francis, Parris, Putnams)
The Crucible
Act I: Jesus my consolation, Thee do I worship. (Abigail, Parris, Thomas, Ann, Francis, Rebecca, Hale)
The Crucible
Act I: For much in the world seems Devil's work (Hale, Parris, Ann, Rebecca, Tituba, Abigail, Francis, Thomas)
The Crucible
Act I: Oh, how many times, Mr. Parris, the Devil bid me kill you! (Tituba, Ann, Hale)
The Crucible
Act I: Jesus my consolation, Thee do I worship, Thee do I trust (Abigail)
The Crucible
Act II: Beginning: What keeps you so late? (Elizabeth, John)
The Crucible
Act II: I've forgotten Abigail, do you understand? (John, Elizabeth)
The Crucible
Act II: But ah the dreams I had for our proud young love, a love that would never turn or falter. (Elizabeth, Mary, John)
The Crucible
Act II: He will. He sentenced her... but not Sarah Good - for Sarah Good confessed that she compacted with the Devil (Mary, John, Elizabeth, Hale, Cheever)
The Crucible
Act II: You will go to that court with me. (John, Mary)
The Crucible
Act III: Beginning: John, John, I knew you'd come back to me. (Abigail, John)
The Crucible
Act III: In the Courtroom: Hear ye, hear ye! (Cheever)
The Crucible
Act III: Open Thou my lips, O Lord (Danforth, Cheever, Thomas, Giles, Parris)
The Crucible
Act III: She comes to tell you this: these girls never saw a spirit (John, Parris, Thomas, Danforth, Mary, Abigail, Elizabeth, Girls)
The Crucible
Act III: No, no, it is a natural lie to tell. (Hale, Danforth, Abigail, Mary, John, Girls, Ann, Parris, Thomas, Francis)
The Crucible
Act IV: Beginning: The Devil say he's coming, to set his people free (Tituba, Cheever, Abigail)
The Crucible
Act IV: But sir, you stir rebellion. (Hale, Danforth, Parris, Cheever, Elizabeth)
The Crucible
Act IV: What word of the children? (John, Elizabeth, Hale, Parris, Thomas, Danforth, Rebecca)
The Crucible
Act IV: God does not need my name nailed up on the church door. (John, Danforth, Hale, Parris, Rebecca, Elizabeth, Chorus of Villagers)
 Customer Reviews Back to Top 
Be the first to review this title Share your Thoughts: 

 About ArkivMusic  Contact Us  Partner Program  Institutional Sales  Terms & Conditions  Privacy Policy  Help  Your Account  Shortcuts  
ArkivMusic - The Source for Classical Music!

Copyright ArkivMusic LLC, 2012.
Data supplied by Rovi Data Solutions, Inc. Copyright 1948-2012. For personal use only. All rights reserved.