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Scorned And Betrayed - Handel / Fogarty, Griesbach


Release Date: 11/29/2005 
Label:  Albany Records   Catalog #: 812   Spars Code: DDD 
Composer:  George Frideric Handel
Performer:  Melissa FogartyJennifer GriesbachChristine GummereHeidi Powell,   ... 
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 12 Mins. 

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Notes and Editorial Reviews

Includes work(s) by George Frideric Handel. Soloists: Melissa Fogarty, Jennifer Griesbach. Includes work(s) by George Frideric Handel. Soloists: Melissa Fogarty, Jennifer Griesbach. Read less

Works on This Recording

1.
Dunque sarà pur vero, HWV 110 "Agrippina condotta a morire" by George Frideric Handel
Performer:  Melissa Fogarty (Soprano), Jennifer Griesbach (Harpsichord), Christine Gummere (Cello),
Heidi Powell (Violin), Claire Jolivet (Violin), Amelia Roosevelt (Violin),
Daniel Swenberg (Archlute), Daniel Swenberg (Theorbo), Motomi Igarashi (Double Bass)
Period: Baroque 
Written: circa 1708; Italy 
Venue:  Town Hall, NYC 
Length: 26 Minutes 17 Secs. 
Notes: Town Hall, NYC (09/2004 - 03/2005) 
2.
Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399 by George Frideric Handel
Performer:  Daniel Swenberg (Theorbo), Daniel Swenberg (Archlute), Heidi Powell (Violin),
Claire Jolivet (Violin), Amelia Roosevelt (Violin), Christine Gummere (Cello),
Jennifer Griesbach (Harpsichord), Motomi Igarashi (Double Bass)
Period: Baroque 
Written: circa 1737-1738; London, England 
Venue:  Town Hall, NYC 
Length: 13 Minutes 28 Secs. 
Notes: Town Hall, NYC (09/2004 - 03/2005) 
3.
Oh numi eterni, HWV 145 "La Lucrezia" by George Frideric Handel
Performer:  Jennifer Griesbach (Harpsichord), Melissa Fogarty (Soprano), Motomi Igarashi (Double Bass),
Daniel Swenberg (Theorbo), Daniel Swenberg (Archlute), Heidi Powell (Violin),
Claire Jolivet (Violin), Amelia Roosevelt (Violin), Christine Gummere (Cello)
Period: Baroque 
Written: by 1709; Italy 
Venue:  Town Hall, NYC 
Length: 16 Minutes 11 Secs. 
Notes: Town Hall, NYC (09/2004 - 03/2005) 
4.
Dietro l'orme fuggaci, HWV 105 "Armida abbandonata" by George Frideric Handel
Performer:  Daniel Swenberg (Archlute), Motomi Igarashi (Double Bass), Claire Jolivet (Violin),
Amelia Roosevelt (Violin), Christine Gummere (Cello), Daniel Swenberg (Theorbo),
Heidi Powell (Violin), Melissa Fogarty (Soprano), Jennifer Griesbach (Harpsichord)
Period: Baroque 
Written: 1707; Italy 
Venue:  Town Hall, NYC 
Length: 16 Minutes 3 Secs. 
Notes: Town Hall, NYC (09/2004 - 03/2005) 

Sound Samples

Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Recitative: Dunque sara ur vero (Soprano)
Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Recitative: Ma pria che d'empia morte (Soprano)
Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Recitative: Si, si, del gran tiranno (Soprano)
Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Aria: Se infelice al mondo vissi! - Ma vendetta almen faro (Soprano)
Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Aria: Su lacerate il seno (Soprano)
Dunque sara pur vero, HWV 110, "Agrippina condotta a morire": Recitative: Ecco a morte gia corro (Soprano)
Trio Sonata in G major, Op. 5, No. 4, HWV 399: I. Allegro
Trio Sonata in G major, Op. 5, No. 4, HWV 399: II. A tempo ordinario
Trio Sonata in G major, Op. 5, No. 4, HWV 399: III. Allegro non presto
O numi eterni, HWV 145, "La Lucrezia": Recitative: O Numi eterni!
O numi eterni, HWV 145, "La Lucrezia": Recitative: Ma voi forse nel Cielo
O numi eterni, HWV 145, "La Lucrezia": Recitative: Ah! che ancor nel abisso
O numi eterni, HWV 145, "La Lucrezia": Recitative: A voi, padre, consorte
Trio Sonata in G major, Op. 5, No. 4, HWV 399: III. Passacaille
Trio Sonata in G major, Op. 5, No. 4, HWV 399: IV. Gigue: Presto
Trio Sonata in G major, Op. 5, No. 4, HWV 399: V. Menuet: Allegro moderato
Dietro l'orme fuggaci, HWV 105, "Armida abbandonata": Recitative: Dietro l'orme fuggaci
Dietro l'orme fuggaci, HWV 105, "Armida abbandonata": Recitative: Per te mi struggo, infido
Dietro l'orme fuggaci, HWV 105, "Armida abbandonata": Aria: Venti, fermate, si
Dietro l'orme fuggaci, HWV 105, "Armida abbandonata": Recitative: Ma che parlo, che dico?

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