Notes and Editorial Reviews
VARIEGO
Statement. Song. Deceptive Palindrome. Mimic. Now That You Are Here. Final Statement.
FIDEMRAIZER
Viento Sur.
SOLOMON
Una passeggiata per la Piazza San Marco.
SAIN
Kornighet
HOLIDAY
God Bless the Child
•
Jorge Variego (cl)
•
ALBANY TROY1189 (61:08)
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Jorge Variego is a young clarinetist and composer from Argentina, working his way through American academia as a Ph.D. candidate at the University of Florida. It’s a bold move for someone with a relatively slight résumé to release a disc on a major label. The music is of varying interest, but the playing is engaging and expressive, and he has clearly marked himself as an artist to watch.
Variego himself is the composer of more than half the music on the disc, and much of it shows a keen imagination and impressive technical skill. Three of the movements are part of his Clarinet Quartet No. 1, but they appear separately rather than in sequence. The four voices are played by the clarinetist in prerecorded layers, though the notes don’t explicitly make this clear. The first movement (
Statement
) gives most of the leading material to the bass clarinet, while the other voices provide nicely textured accompaniment, some of it sounding deliberately unaligned and perhaps partly improvised.
Deceptive Palindrome
is the title given to the second movement, a curious and persuasive experiment that alters traditional notions of cadence. The last movement is called
Final Statement
, and is perhaps my favorite track on the disc. It may seem to some as derivative of Xenakis, but there are certainly worse models for a young composer. It is based in part on homophonic blocks of sound that move in clusters.
Song
is a relatively simple and mournful duet, filled with expressive lyricism. The vivid, colorful
Giant Shapes
throws computer-generated sounds into the mix.
Sergio Fidemraiser’s
Viento Sur
was composed for one of the gods of the bass clarinet, Harry Sparnaay. It includes a rather dense track of prerecorded sounds, with plenty of key clicks and airy sounds that conjure the wind. The foreground and background positions of the recorded sounds are well mastered and evocative.
It’s almost a cliché these days for a bass clarinetist to take on Eric Dolphy’s version of Billie Holiday’s
God Bless the Child
, but Variego’s version is nimble, soulful, and full of character. Mike Solomon’s
Una passeggiata per la Piazza San Marco
is a gripping, dizzying thrill ride, and James Paul Sain’s
Kornighet
boasts sophisticated, state-of-the-art sound manipulation.
Overall, this is an impressive, audacious debut, and I have no doubt that even better things lie ahead for this young talent.
FANFARE: Michael Cameron
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Works on This Recording
1.
Statement for Clarinet Quartet by Jorge Variego
Performer:
Jorge Variego (Clarinet)
Notes: Jorge Variego recorded this piece on various clarinets in multiple tracks.
2.
Viento Sur by Sergio Fidemraizer
Performer:
Jorge Variego (Bass Clarinet)
Orchestra/Ensemble:
Electronic Media
4.
Giant Shapes by Jorge Variego
Performer:
Jorge Variego (Clarinet)
Notes: Scored for prepared clarinet in B-flat and A and computer.
6.
Kornighet by James Paul Sain
Performer:
Jorge Variego (Clarinet)
7.
Deceptive palindrome by Jorge Variego
Performer:
Jorge Variego (Clarinet)
Orchestra/Ensemble:
Clarinet Quartet
8.
God bless the child by Billie Holiday
Performer:
Jorge Variego (Bass Clarinet)
Period: 20th Century
Written: 1941; USA
10.
Now that you are here by Jorge Variego
Performer:
Jorge Variego (Clarinet)
Orchestra/Ensemble:
Electronic Media
Notes: For bass clarinet and computer.
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