Michael George

WORKS ALBUMS
TITLE/COMPOSER
LABEL
Overture
Welcome to all the pleasures
"Here the deities approve" - "While joys celestial"
"Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
Beauty, thou scene of love
In a consort of voices
Symphony
"Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine"
The bashful Thames, for beauty so renowned
The pale and the purple rose
And in each track of glory since
Symphony
And now when the renown'd Nassau
They did no storms, nor threat'nings fear
So when the glitt'ring Queen of Night
Let music join
Sound, trumpets, sound!
Sound all to him
At the Boar's Head, Op.42/H.156 (1995 - Remaster): For God's sake (Doll)
At the Boar's Head, Op.42/H.156 (1995 - Remaster): Now comes in the sweetest morsel (Falstaff)
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Symphony
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hark! hark! each tree -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: 'Tis Nature's voice -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Soul of the world!
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Thou tun'st this world below -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With that sublime celestial lay
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Voluntary in D minor Z718 - Wondrous machine! -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The airy violin -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: In vain the am'rous flute
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The fife and all the harmony of war
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Let these amongst themselves contest
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With rapture of delight - Hail! Bright Cecilia
Part I: Herr, unser Herrscher (Chorus)
Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist, Jesus) ? Jesum von Nazareth (Chorus) ? Recitative: Jesus spricht ze ihnen (Evangelist, Jesus) ? Jesum von Nazareth (Chorus) ? Recitative: Jesus antwortete (Evangelist, Jesus)
Part I: Chorale: O grosse Lieb (Chorus)
Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus)
Part I: Chorale: Dein Will gescheh, Herr Gott, zugleich (Chorus)
Part I: Recitative: Die Schar aber und der Oberhauptmann (Evangelist)
Part I: Aria: Von den Stricken meiner Sunden (Alto)
Part I: Recitative: Simon Petrus aber folgete Jesu nach (Evangelist)
Part I: Aria: Ich folge dir gleichfalls (Soprano)
Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus)
Part I: Chorale: Wer har dich so geschlagen (Chorus)
Part I: Recitative: Und Hannas sandte ihn gebunden (Evangelist) - Bist du nicht seiner Junger einer (Chorus) ? Recitative: Er leugnete aber und sprach (Evangelist, Petrus, Servus)
Part I: Aria: Ach, mein Sinn (Tenor)
Part I: Chorale: Petrus, der nicht denkt zuruck (Chorus)
Part II: Chorale: Christus, der uns selig macht (Chorus)
Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) ? Recitative: Da sprach Pilatus zu ihnen (Evangelist, Pilatus) - Wir durfen niemand toten (Chorus) ...
Part II: Chorale: Ach, grosser Konig (Chorus)
Part II: Chorale: Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) - Nicht diesen, sondern Barrabam (Chorus) ? Recitative: Barrabas aber war ein Morder (Evangelist)
Part II: Arioso: Betrachte, meine Seel (Bass)
Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor)
Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) ? Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) ...
Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus)
Part II: Recitative: Die Juden aber schrieen und sprachen (Evangelist) - Lassest du diesen los (Chorus) ? Recitative: Da Pilatus das Wort horete (Evangelist, Pilatus) ? Weg, weg mit dem (Chorus) ? Recitative: Spricht Pilatus zu ihnen (Evangelist, Pilatus)
Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass, Chorus)
Part II: Recitative: Allda kreuzigten sei ihn (Evangelist) - Schreibe nicht: der Juden Konig (Chorus) ? Recitative: Pilatus antwortet (Evangelist, Pilatus)
Part II: Chorale: In meines Herzens Grunde (Chorus)
Part II: Recitative: Die Kriegsknechte aber (Evangelist) - Lasset uns den nicht zerteilen (Chorus) ? Recitative: Auf dass erfullet wurde die Schrift (Evangelist, Jesus)
Part II: Chorale: Er nahm alles wohl in acht (Chorus)
Part II: Recitative: Und von Stund an nahm sie der Junger (Evangelist, Jesus)
Part II: Aria: Es ist vollbracht (Alto)
Part II: Recitative: Und neiget das Haupt (Evangelist)
Part II: Aria: Mein teurer Heiland, lass dich fragen (Bass, Chorus)
Part II: Recitative: Und siehe da, der Vorhang im Tempel zerriss (Evangelist)
Part II: Arioso: Mein Herz, indem die ganze Welt (Tenor)
Part II: Aria: Zerfliesse, mein Herze (Soprano)
Part II: Recitative: Die Juden aber, dieweil es der Rusttag war (Evangelist)
Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus)
Part II: Recitative: Darnach bat Pilatum Joseph von Arimathia (Evangelist)
Part II: Ruht wohl, ihr heiligen Gebeine (Chorus)
Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Overture
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Welcome to all the pleasures
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Here the deities approve" - "While joys celestial"
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Beauty, thou scene of love
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - In a consort of voices
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Symphony
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - "Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine"
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The bashful Thames, for beauty so renowned
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The pale and the purple rose
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And in each track of glory since
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Symphony
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And now when the renown'd Nassau
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - They did no storms, nor threat'nings fear
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - So when the glitt'ring Queen of Night
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Let music join
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound, trumpets, sound!
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound all to him
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme
Wachet auf, ruft uns die Stimme BWV 140: Recitative: Er kommt, er kommt
Wachet auf, ruft uns die Stimme BWV 140: Duet: Wenn kömmst du, mein Heil?
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Zion hört die Wächter singen
Wachet auf, ruft uns die Stimme BWV 140: Recitative: So geh herein zu mir
Wachet auf, ruft uns die Stimme BWV 140: Aria duetto: Mein Freund ist mein! (soprano/tenor/oboe)
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Gloria sei dir gesungen
Magnificat in D BWV243: Magnificat
Magnificat in D BWV243: Et exultavit (soprano 2)
Magnificat in D BWV243: Quia respexit (soprano 1/Oboe)
Magnificat in D BWV243: Omnes generationes
Magnificat in D BWV243: Quia fecit mihi magna (Bass)
Magnificat in D BWV243: Et misericordia (countertenor/tenor)
Magnificat in D BWV243: Fecit potentiam
Magnificat in D BWV243: Deposuit potentes (tenor)
Magnificat in D BWV243: Esurientes (countertenor)
Magnificat in D BWV243: Suscepit Israel (Sopranos 1&2/countertenor)
Magnificat in D BWV243: Sicut locutus est
Magnificat in D BWV243: Gloria
Missa brevis in A BWV 234: Kyrie
Missa brevis in A BWV 234: Christe (soprano 2/countertenor/tenor/bass)
Missa brevis in A BWV 234: Kyrie
Missa brevis in A BWV 234: Gloria (countertenor/tenor/bass)
Missa brevis in A BWV 234: Et in terra pax (flute soli)
Missa brevis in A BWV 234: Domine Deus (bass)
Missa brevis in A BWV 234: Qui tollis peccata mundi (soprano 2/flute soli)
Missa brevis in A BWV 234: Quoniam tu solus (countertenor)
Missa brevis in A BWV 234: Cum Sancto Spiritu
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Sinfonia
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Weinen, Klagen, Sorgen, Zagen
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Wir müssen durch viel Trübsal (countertenor)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Kreuz und Krone sind verbunden
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Ich folge Christo nach (bass/Violin soli)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Sei getreu, alle Pein (tenor/trumpet soli)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Was Gott tut, das ist wohlgetan
Part I: Wie ist dein Name so gross (Choir)
Part I: Bringt her, ihr Helden aus gottlichem Samen (Soprano)
Part I: Fallt vor ihm hin (Alto)
Part I: Die Stimme Gottes erschuttert die Meere (Tenor)
Part I: Die Stimme Gottes zerschemettert die Zedern (Bass 1)
Part I: Sie sturzt die stolzen Gebirge zusammen (Bass 2)
Part I: Er donnert, dass er verherrlichet werde (Bass 1 and 2)
Part II: Mein Herz ist voll, vom Geiste Gottes erhoben (Choir)
Part II: Schonster von allen Geschlechten (Soprano)
Part II: Gurt an dein Schwert! (Bass 1)
Part II: Scharf sind deine Geschosse (Bass 2)
Part II: Dein Zepter ist ein richtig Zepter (Choir)
Part II: Deines Namens, des herrlichen (Tenor)
Part II: Dein Nam' ist zuckersuss Honig im Munde (Choir)
Part II: Wie ist dein Name so gross (Choir)
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Symphony
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hark! hark! each tree -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: 'Tis Nature's voice -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Soul of the world!
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Thou tun'st this world below -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With that sublime celestial lay
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Voluntary in D minor Z718 - Wondrous machine! -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The airy violin -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: In vain the am'rous flute
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The fife and all the harmony of war
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Let these amongst themselves contest
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With rapture of delight - Hail! Bright Cecilia
Recitative: And they came to a place named Gethsemane (Tenor)
The Agony: Could ye not watch with Me one brief hour? (Bass, Chorus) - Recitative: And they laid their hands on Him (Tenor, Bass)
Processional to Calvary: Fling wide the Gates! For the Saviour waits (Tenor, Chorus)
Recitative: And when they were come (Bass)
Hymn: The Mystery of the Divine Humiliation
Recitative: He made Himself of no reputation (Bass)
The Majesty of the Divine Humiliation (Tenor)
Recitative: And as Moses lifted up the serpent (Bass)
Chorus: God so loved the world
Hymn: Litany of the Passion
Recitative: Jesus said, Father, forgive them (Tenor, Chorus)
Duet: So Thou liftest Thy divine petition (Tenor, Bass)
Hymn: The Mystery of the Intercession
Recitative: And one of the malefactors (Tenor, Bass, Chorus)
Hymn: The Adoration of the Crucified
Recitative: When Jesus therefore saw His mother (Tenor, Bass, Chorus)
Recitative: Is it nothing to you? (Bass)
Chorus: The Appeal of the Crucified
Recitative: After this, Jesus knowing that all things were now accomplished (Tenor, Chorus)
Hymn: For the love of Jesus
I. Recitative: La terra e liberata! (The earth is freed!) (Apollo)
II. Aria: Pende il ben dell'universo (The well-being of the universe) (Apollo)
III. Recitative: Ch'il superbetto Amore (Let proud little Cupid) (Apollo)
IV. Aria: Spezza l'arco e getta l'armi (Break your bow and throw away your arrows) (Apollo)
V. Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)
VI. Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)
VII. Aria: Ardi, adori, e preghi in vano (You desire, adore and beseech in vain) (Dafne)
VIII. Recitative: Che crudel! (How cruel!) (Apollo, Dafne)
IX. Duet: Una guerra ho dentro il seno (A war rages in my breast) (Dafne, Apollo)
X. Recitative: Placati al fin, o cara (Calm yourself, O dear one) (Apollo)
XI. Aria: Come rosa in su la spina (Like the rose on its stem) (Apollo)
XII. Recitative: Ah! ch'un Dio non dovrebbe (Ah! A God should love nothing) (Dafne)
XIII. Aria: Come in ciel benigna stella (As Neptune's star in heaven) (Dafne)
XIV. Recitative: Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)
XV. Duet: Deh! lascia addolcire quell'aspro rigor (Pray! Soften your unbending severity) (Apollo, Dafne)
XVI. Recitativo: Sempre t'adorero! (I shall always adore you!) (Apollo, Dafne)
XVII: Aria: Mie piante correte (My feet run) (Apollo)
XVIII: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)
Sonata
O be joyful in the Lord ... (Tenor, Chorus)
Serve the Lord with gladness ... (Chorus)
Duet: Be ye sure that the Lord he is God ... (Soprano, Tenor)
O go your way into his gates ... (Chorus)
Trio: For the Lord is gracious ... (Soprano, Tenor, Bass)
Glory be to the Father ... (Chorus)
As it was in the beginning ... (Chorus)
Sonata
My song shall be alway ... (Soprano, Chorus)
For who is he among the clouds ... (Tenor)
God is very greatly to be feared ... (Soprano, Tenor, Bass)
Duet: The heav'ns are thine ... (Alto, Bass)
Righteousness and equity are the habitation of thy seat ... (Chorus)
Blessed is the people, O Lord ... (Soprano)
Thou art the glory ... (Chorus)
O praise the Lord with 1 consent ... (Chorus)
Praise him, all ye that in his house ... (Alto)
For this our truest int'rest is ... (Tenor)
That God is great ... (Bass)
With cheerful notes let all the earth ... (Chorus)
God's tender mercy knows no bounds ... (Soprano)
Ye boundless realms of joy ... (Chorus)
Your voices raise, ye Cherubim and Seraphim ... (Chorus)
Sonata
O be yofdul in the Lord, all ye lands (Tenor, Chorus)
Serve the Lord with gladness, and come from his presence with a song. (Chorus)
Duet: Be ye sure that the Lord he is God: it is he that has made us, and now we ourselves; we are his people, and the sheep of his pasture. (Soprano, Tenor)
O go your way into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and speak good of his Name (Chorus)
Trio: For the Lord is gracious, His mercy is everlasting: and His truth endureth from generation to generation. (Soprano, Tenor, Bass)
Glory be to the Father, glory be to the Son: and to the Holy Ghost; (Chorus)
As it was in the beginning, is now, and ever shall be; world without end. Amen. (Chorus)
Overture
Menuet
Act I Scene 1: Accompagnato: It must be so (Zebul)
Act I Scene 1: Air: Pour forth no more unheeded prayr's (Zebul)
Act I Scene 1: No more to Ammon's god and king (Chorus)
Act I Scene 2: Recitative: But Jephtha comes (Zebul, Jephtha)
Act I Scene 2: Air: Virtue my soul shall still embrace (Jephtha)
Act I Scene 2: Recitative: Twill be a painful separation (Storge)
Act I Scene 2: Air: In gentle murmurs will I mourn (Storge)
Act I Scene 3: Recitative: Happy this embassy, my charming Iphis (Hamor)
Act I Scene 3: Air: Dull delay, in piercing anguish (Hamor)
Act I Scene 3: Recitative: Ill suits the voice of love (Iphis)
Act I Scene 3: Air: Take the heart you fondly gave (Iphis)
Act I Scene 3: Recitative: I go, my soul (Hamor)
Act I Scene 3: Duet: These labours past, how happy we (Iphis, Hamor)
Act I Scene 4: Recitative: What mean these doubtful fancies (Jephtha)
Act I Scene 4: Accompagnato: If, Lord, sustain'd by thy almighty pow'r - Tis said. Attend, ye Chiefs (Jephtha)
Act I Scene 4: O God, behold our sore distress (Chorus)
Act I Scene 5: Recitative: Some dire event hangs o'er our heads (Storge)
Act I Scene 5: Air: Scenes of horror, scenes of woe (Storge)
Act I Scene 6: Recitative: Say, my dear mother (Iphis, Storge)
Act I Scene 6: Air: The smiling dawn of happy days (Iphis)
Act I Scene 7: Recitative: Such, Jephtha, was the haughty king's reply (Zebul, Jephtha)
Act I Scene 7: When his loud voice in thunder spoke (Chorus)
Act II Scene 1: Recitative: Glad tidings of great joy (Hamor)
Act II Scene 1: Cherub and Seraphim, unbodied forms (Chorus)
Act II Scene 1: Air: Up the dreadful steep ascending (Hamor)
Act II Scene 1: Recitative: Tis well. Haste, haste, ye maidens (Iphis)
Act II Scene 1: Air: Tune the soft melodious lute (Iphis)
Act II Scene 2: Recitative: Heav'n smiles once more (Jephtha)
Act II Scene 2: Air: His mighty arm (Jephtha)
Act II Scene 2: In glory high (Chorus)
Act II Scene 3: Symphony
Act II Scene 3: Hail, glorious conqueror! (Iphis)
Act II Scene 3: Air and Chorus: Welcome, as the cheerful light ... Welcome thou, whose deeds conspire (Iphis, Chorus)
Act II Scene 3: Recitative: Horror! Confusion! (Jephtha)
Act II Scene 3: Air: Open thy marble jaws, O tomb (Jephtha)
Act II Scene 3: Recitative: Why is my brother thus afflicted? (Zebul, Jephtha)
Act II Scene 3: Accompagnato and Arioso: First perish thou - Let other creatures (Storge)
Act II Scene 3: Recitative: If such thy cruel purpose (Hamor)
Act II Scene 3: Air: On me let blind mistaken zeal (Hamor)
Act II Scene 3: Quartet: O spare your daughter! (Storge, Hamor, Jephtha, Zebul)
Act II Scene 4: Recitative: Such news flies swift (Iphis)
Act II Scene 4: Accompagnato: For joys so vast (Iphis)
Act II Scene 4: Air: Happy they! (Iphis)
Act II Scene 4: Accompagnato: Deeper and deeper still (Jephtha)
Act II Scene 4: How dark, O Lord, are thy decrees! (Chorus)
Act III Scene 1: Arioso: Hide thou thy hated beams (Jephtha)
Act III Scene 1: Accompagnato: A father, off'ring up (Jephtha)
Act III Scene 1: Air: Waft her, angels (Jephtha)
Act III Scene 1: Accompagnato: Ye sacred priests (Iphis)
Act III Scene 1: Air: Farewell, ye limpid springs (Iphis)
Act III Scene 1: Doubtful fear and reverend awe (Chorus)
Act III Scene 1: Symphony
Act III Scene 1: Recitative: Rise, Jephtha (Angel)
Act III Scene 1: Air: Happy, Iphis, shalt thou live (Angel)
Act III Scene 1: Arioso: For ever blessed be (Jephtha)
Act III Scene 1: Theme sublime (Chorus)
Act III Scene 2: Recitative: Let me congratulate (Zebul)
Act III Scene 2: Air: Laud her, all ye virgin train (Zebul)
Act III Scene 2: Recitative: O let me fold thee (Storge)
Act III Scene 2: Air: Sweet as sight to the blind (Storge)
Act III Scene 2: Recitative: With transport, Iphis (Hamor)
Act III Scene 2: Recitative: My faithful Hamor (Iphis)
Act III Scene 2: Quintet: All that is in Hamor mine (Iphis, Hamor, Storge, Jephtha, Zebul)
Act III Scene 2: Ye house of Gilead (Chorus)
Mozart: Mass in C, K.317 "Coronation" - 1. Kyrie
Mozart: Mass in C, K.317 "Coronation" - 2. Gloria
Mozart: Mass in C, K.317 "Coronation" - 3. Credo
Mozart: Mass in C, K.317 "Coronation" - 4. Sanctus
Mozart: Mass in C, K.317 "Coronation" - 5. Benedictus
Mozart: Mass in C, K.317 "Coronation" - 6. Agnus Dei
Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo (Ps. 109/110)
Mozart: Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine (Ps. 110/111)
Mozart: Vesperae solennes de confessore in C, K.339 - 3. Beatus vir qui timet Dominum (Ps. 111/112)
Mozart: Vesperae solennes de confessore in C, K.339 - 4. Laudate pueri Dominum (Ps. 112/113)
Mozart: Vesperae solennes de confessore in C, K.339 - 5. Laudate Dominum omnes gentes (Ps. 116/117)
Mozart: Vesperae solennes de confessore in C, K.339 - 6. Magnificat anima mea (Luc. 1:46-55)
Nisi Dominus aedificaverit (Chorus)
Vanum, est vobis ante lucem sugere (Tenor)
Cum dederit dilectis (Counter-Tenor)
Sicut sagittae in manu potentis (Bass)
Beatus vir qui implevit desiderium (Tenor)
Gloria Patri et Filio (Chorus)
Dixit Dominus Domino meo (Chorus)
Virgam virtutis tuae emittet Dominus ex Sion (Counter-Tenor)
Tecum principium in die virtutis (Soprano)
Juravit Dominus, et non poenitebit eum (Chorus)
Secundum ordinem Melchisedech (Chorus)
Dominus a dextris (Chorus)
Judicabit in nationibus (Chorus)
De torrente in via bibet (Soli, Chorus)
Gloria Patri et Filio (Chorus)
Sonata
My song shall be alway of the loving kindness of the Lord; with my mouth will I ever be shewing thy truth from one generation to another. The Heav'ns shall praise thy wond'rous works, and thy truth in the congregation of the saints. (Soprano, Chorus)
For who is he among the clouds that shall be compared unto the Lord? And what he is among the Gods that shall be like unto the Lord? (Tenor)
God is very greatly to be feared in the counsel of the saints, and to be had in reverence of all that are round about him. O Lord, God of hosts, who is like unto thee? Thy truth, most mighty Lord, is on ev'ry side. (Soprano, Tenor, Bass)
Duet: The heav'ns are thine, the earth also is thine; thou has laid the foundation of the round world. (Alto, Bass)
Righteousness and equity are the habitations of thy seat; mercy and truth shall go before thy face. (Chorus)
Blessed is the people, O Lord, that can rejoice in thee; They shall walk in the light of the countenance. (Soprano)
Thou art the glory of their strength. Alleluja. (Chorus)
Sonata
O come, let us sing unto the Lord, let us heartily rejoice in the strength of our salvation ... (Chorus)
O come, let us worship and fall down, and kneel before the Lord our Maker; for he is the Lord our God, and we are the people of his pasture, and the sheep of his hand. (Tenor)
Glory and worship are before him, power and honour are in his sanctuary. (Chorus)
Tell it out among the heathen, that the Lord is King, and that he made the world so fast it cannot be moved. (Tenor, Chorus)
O magnify the Lord, and worship him upon his holly hill, for the Lord our God is holy. (Soprano)
The Lord preserveth the souls of the saints, he shall deliver them from the hand of the ungodly. (Alto)
For look, as high as the heaven is in comparison of the earth, so great is his mercy towards them that fear him. (Tenor)
There is sprung up light for the righteous, and joyful gladness for such as are true-hearted. Rejoice in the Lord, ye righteous! (Chorus)
O praise the Lord with 1 consent, and magnify his name! Let all the servants of the Lord, his worthy praise proclaim! (Chorus)
Praise him, all ye that in his house attend with constant care, with those that to his utmost courts with humble zeal repair. (Alto)
For this our truest int'rest is glad hymns of praise to sing, and with loud songs to bless his name, a most delightful thing. (Tenor)
That God is great we often have by glad experience found; and seen how he with wondrous power above all Gods is crowned. (Bass)
With cheerful notes let all the earth to heaven their voices raise! Let all, inspired with godly mirth, sing solemn hymns with praise. (Chorus)
God's tender mercy knows no bounds, his truth shall ne'er decay. Then let the willing nations round their grateful tribute pay. (Soprano)
Ye boundless realms of joy exalt you Maker's fame; his praise your song employ above the starry frame. (Chorus)
Your voices raise, ye Cherubim and Seraphim, to sing his praise! Alleluja. (Chorus)
La Resurrezione, HWV 47: Part I, Sonata
La Resurrezione, HWV 47: Part I, Scene 1: Disserratevi, o porte d'Averno
La Resurrezione, HWV 47: Part I, Scene 1: Qual'insolita luce
La Resurrezione, HWV 47: Part I, Scene 1: Caddi, è ver
La Resurrezione, HWV 47: Part I, Scene 1: Ma che veggio?
La Resurrezione, HWV 47: Part I, Scene 1: Chi sei?
La Resurrezione, HWV 47: Part I, Scene 1: D'Amor fu consiglio
La Resurrezione, HWV 47: Part I, Scene 1: E ben, questo tuo Nume
La Resurrezione, HWV 47: Part I, Scene 1: O voi, dell'Erebo
La Resurrezione, HWV 47: Part I, Scene 2: Notte, notte funesta
La Resurrezione, HWV 47: Part I, Scene 2: Ferma l'ali
La Resurrezione, HWV 47: Part I, Scene 2: Concedi, o Maddalena
La Resurrezione, HWV 47: Part I, Scene 2: Piangete, sì, piangete
La Resurrezione, HWV 47: Part I, Scene 2: Ahi, dolce mio Signore
La Resurrezione, HWV 47: Part I, Scene 2: Dolci chiodi, amate spine
La Resurrezione, HWV 47: Part I, Scene 2: O Cleofe, o Maddalena
La Resurrezione, HWV 47: Part I, Scene 2: Quando è parto dell'affetto
La Resurrezione, HWV 47: Part I, Scene 2: Ma dinne, e sarà vero
La Resurrezione, HWV 47: Part I, Scene 2: Naufragando va per l'onde
La Resurrezione, HWV 47: Part I, Scene 2: Itene pure, o fide
La Resurrezione, HWV 47: Part I, Scene 2: Così la tortorella
La Resurrezione, HWV 47: Part I, Scene 2: Se Maria dunque spera
La Resurrezione, HWV 47: Part I, Scene 2: Ho un non so che nel cor
La Resurrezione, HWV 47: Part I, Scene 3: Uscite pure, uscite
La Resurrezione, HWV 47: Part I, Scene 3: Il Nume vincitor
La Resurrezione, HWV 47: Part II, Introduction
La Resurrezione, HWV 47: Part II, Scene 1: Di quai nuovi portenti
La Resurrezione, HWV 47: Part II, Scene 1: Ecco il sol, ch'esce dal mare
La Resurrezione, HWV 47: Part II, Scene 2: Risorga il mondo
La Resurrezione, HWV 47: Part II, Scene 2: Di rabbia indarno freme
La Resurrezione, HWV 47: Part II, Scene 2: Misero! ho pure udito?
La Resurrezione, HWV 47: Part II, Scene 2: Perché al Ciel pria non torna
La Resurrezione, HWV 47: Part II, Scene 2: O come cieco il tuo furor delira!
La Resurrezione, HWV 47: Part II, Scene 3: Per me già di morire
La Resurrezione, HWV 47: Part II, Scene 4: Vedo il Ciel che più sereno
La Resurrezione, HWV 47: Part II, Scene 4: Cleofe, siam giunte al luogo
La Resurrezione, HWV 47: Part II, Scene 4: Se per colpa di donna infelice
La Resurrezione, HWV 47: Part II, Scene 4: Del ciglio dolente
La Resurrezione, HWV 47: Part II, Scene 4: Augelletti, ruscelletti
La Resurrezione, HWV 47: Part II, Scene 5: Dove sì frettolosi
La Resurrezione, HWV 47: Part II, Scene 5: Caro Figlio!
La Resurrezione, HWV 47: Part II, Scene 5: Cleofe, Giovanni, udite
La Resurrezione, HWV 47: Part II, Scene 5: Se impassibile, immortale
La Resurrezione, HWV 47: Part II, Scene 5: Diasi lode in Cielo, in terra


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