Michael Chance

Biography

Born: March 7, 1955; Penn, Buckinghamshire  
Michael Chance is a leading British countertenor, in worldwide demand for male alto parts in opera, and as a recital, concert, and recording artist. He was a choral scholar at King's College, Cambridge -- an adult-voice singer at the famous Choir of King's College Cambridge, receiving a full scholarship for singing daily services in the College Chapel during the school term. His major subject at Cambridge was English, but he received thorough Read more musical and vocal training as a matter of course as a choral scholar.

After graduation, he studied voice with Rupert Bruce Lockhart. His operatic debut was in the Buxton festival, where he sang the part of Apollo in Ronald Eyre's production of Cavalli's Giasone in 1983. He was a member of Kent Opera for three seasons. In 1985, his European debut was in Lyon, as Andronico in Handel's Tamerlano (1985).

He rapidly established a strong reputation. He is one of the newer sort of countertenor, whose vocal production is well supported and natural-sounding. As the bulk of the countertenor repertory is in Baroque opera, he has sung Tolomeo in Handel's Giulio Cesare, Ottone in Handel's Agrippina and Monteverdi's L'incoronazione di Poppea, and as Orpheus in both the Gluck and Monteverdi operas.

However, he is equally admired for his performances in newer operas featuring countertenors, and his roles in twentieth century opera include Oberon in Britten's A Midsummer Night's Dream, the Voice of Apollo in the same composer's Death in Venice, the Military Governor in Judith Weir's A Night at the Chinese Opera, and in Harrison Birtwistle's The Second Mrs. Kong. The latter two parts were written for him, for he is active in promoting new works. Composers he has worked with include Alexander Goehr, Richard Rodney Bennett, John Tavener, Anthony Powers, Tan Dun, and Elvis Costello.

He has sung at major opera houses such as the Teatro Colón in Buenos Aires, La Scala of Milan, at Covent Garden in London, and in opera houses in New York, Paris, Amsterdam, Lisbon, and Sydney.

Chance has made over 50 recordings, including the Grammy Award-winning release of Handel's Semele with John Nelson conducting. Other recordings include Mozart's Ascanio in Alba, Goehr's The Death of Moses, and Rolf's Carmina burana as well as the major oratorios and choral works of Handel and Bach. He appears in major festivals, such as the Glyndebourne Summer Opera, the Edinburgh Festival, the Salzburg Festival, and the Aix-en-Provence Festival. His concert appearances have taken him to major cities of Europe, the United Kingdom, North America, Japan, and Australia.

As a chamber recitalist he often works with the Baroque viol ensemble Fretwork and with Trevor Pinnock and the English Concert. He teaches at the Royal College of Music as a Visiting Professor. Read less
Purcell: Songs / Michael Chance, Florilegium
Release Date: 03/09/2010   Label: Brilliant Classics  
Catalog: 93937   Number of Discs: 1
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Campion: English Ayres / Chance, North, Et Al
Release Date: 02/27/2001   Label: Linn Records  
Catalog: 105   Number of Discs: 1
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There are 133 Michael Chance recordings available.

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Biography

Born: March 7, 1955; Penn, Buckinghamshire  
Michael Chance is a leading British countertenor, in worldwide demand for male alto parts in opera, and as a recital, concert, and recording artist. He was a choral scholar at King's College, Cambridge -- an adult-voice singer at the famous Choir of King's College Cambridge, receiving a full scholarship for singing daily services in the College Chapel during the school term. His major subject at Cambridge was English, but he received thorough Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Monteverdi: Vespro della Beata Vergine - Domine ad adiuvandum a 6
Monteverdi: Vespro della Beata Vergine - Dixit Dominus a 6
Monteverdi: Vespro della Beata Vergine - Nigra sum a 1
Monteverdi: Vespro della Beata Vergine - Laudate, pueri Dominum a 8
Monteverdi: Vespro della Beata Vergine - Pulchra es a 2
Monteverdi: Vespro della Beata Vergine - Laetatus sum a 6
Monteverdi: Vespro della Beata Vergine - Duo seraphim a 3
Monteverdi: Vespro della Beata Vergine - Nisi Dominus a 10
Monteverdi: Vespro della Beata Vergine - Audi coelum a 8
Monteverdi: Vespro della Beata Vergine - Lauda Jerusalem a 7
Monteverdi: Vespro della Beata Vergine - Sonata sopra Sancta Maria a 1
Monteverdi: Vespro della Beata Vergine - Ave maris stella a 8
Monteverdi: Vespro della Beata Vergine - Magnificat I a 7
Monteverdi: Vespro della Beata Vergine - Magnificat I a 7
Monteverdi: Vespro della Beata Vergine - Magnificat II a 6
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohl getan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano,Alto,Tenor,Bass,Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
Handel: Jephtha - Overture - Menuet
Handel: Jephtha / Act 1 - "It must be so: or these vile Ammonites"
Handel: Jephtha / Act 1 - "Pour forth no more unheeded pray'rs"
Handel: Jephtha / Act 1 - "No more to Ammon's god and king"
Handel: Jephtha / Act 1 - "But Jephta comes"
Handel: Jephtha / Act 1 - "Virtue my soul shall still embrace"
Handel: Jephtha / Act 1 - "'Twill be a painful separation, Jephta"/"In gentle murmurs will I mourn"
Handel: Jephtha / Act 1 - "Happy this embassy, my charming Iphis"/"Dull delay, in piercing anguish"
Handel: Jephtha / Act 1 - "Ill suits the voice of love when glory calls"/"Take the heart you fondly gave"
Handel: Jephtha / Act 1 - "I go. My soul, inspir'd by thy command"/"These labours past, how happy we!"
Handel: Jephtha / Act 1 - "What mean these doubtful fancies"
Handel: Jephtha / Act 1 - "O God, behold our sore distress"
Handel: Jephtha / Act 1 - "Some dire event hangs o'er our heads"/"Scenes of horror, scenes of woe"
Handel: Jephtha / Act 1 - "Say, my dear mother"
Handel: Jephtha / Act 1 - "The smiling dawn of happy days"
Handel: Jephtha / Act 1 - "Such, Jephta, was the haughty king's reply"
Handel: Jephtha / Act 1 - "When his loud voice in thunder spoke"
Handel: Jephtha / Act 2 - "Glad tidings of great joy to thee, dear Iphis"
Handel: Jephtha / Act 2 - "Cherub and Seraphim, unbodied forms"
Handel: Jephtha / Act 2 - "Up the dreadful steep ascending"
Handel: Jephtha / Act 2 - "'Tis well. Haste, haste, ye maidens"/"Tune the soft melodious lute"
Handel: Jephtha / Act 2 - "Heav'n smiles once more on his repentant people"/"His mighty arm, with sudden blow"
Handel: Jephtha / Act 2 - "In glory high, in might serene"
Handel: Jephtha / Act 2 - Symphony - "Hail, glorious conqueror"
Handel: Jephtha / Act 2 - "Welcome as the cheerful light"
Handel: Jephtha / Act 2 - "Horror! confusion!"/"Open thy marble jaws, O tomb"
Handel: Jephtha / Act 2 - "Why is my brother thus afflicted"
Handel: Jephtha / Act 2 - "First perish thou, and perish all the world"
Handel: Jephtha / Act 2 - "If such thy cruel purpose"/"On me let blind mistaken zeal"
Handel: Jephtha / Act 2 - "O spare your daughter"
Handel: Jephtha / Act 2 - "Such news flies swift"
Handel: Jephtha / Act 2 - "Happy they! this vital breath"
Handel: Jephtha / Act 2 - "Deeper, and deeper still"
Handel: Jephtha / Act 2 - "How dark, O Lord, are Thy decrees!"
Handel: Jephtha / Act 3 - "Hide thou thy hated beams, O sun"
Handel: Jephtha / Act 3 - "Waft her, angels, through the skies"
Handel: Jephtha / Act 3 - "Ye sacred priests"/"Farewell, ye limpid springs and floods"
Handel: Jephtha / Act 3 - "Doubtful fear and rev'rent awe"
Handel: Jephtha, HWV 70 / Act 3 - Symphony
Handel: Jephtha / Act 3 - "Rise, Jephta, and ye rev'rend priests"
Handel: Jephtha / Act 3 - "Happy, Iphis shalt thou live"
Handel: Jephtha / Act 3 - "For ever blessed be Thy holy name"
Handel: Jephtha / Act 3 - "Theme sublime of endless praise"
Handel: Jephtha / Act 3 - "Let me congratulate this happy turn"/"Laud her, all ye virgin train"
Handel: Jephtha / Act 3 - "O let me fold thee in a mother's arms"/"Sweet as sight
Handel: Jephtha / Act 3 - "My faithful Hamor, may that Providence"/"All that is in Hamor mine"
Handel: Jephtha / Act 3 - "Ye house of Gilead, with one voice"
Part I: Chorale: Herr, unser Herrscher (Chorus)
Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist)
Part I: Chorale: O grosse Lieb (Chorus)
Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus)
Part I: Chorale: Dein Will gescheh, Herr Gott, zugleich (Chorus)
Part I: Recitative: Die Schar aber und der Oberhauptmann (Evangelist)
Part I: Aria: Von den Strikken meiner Sunden (Alto)
Part I: Recitative: Simon Petrus aber folgete Jesu nach (Evangelist)
Part I: Aria: Ich folge dir gleichfalls (Soprano)
Part I: Recitative: Derselbige Junger war (Evangelist)
Part I: Chorale: Wer hat dich so geschlagen (Chorus)
Part I: Recitative: Und Hannas sandte ihn gebunden (Evangelist)
Part I: Aria: Ach, mein Sinn, wo willt du endlich hin (Tenor)
Part I: Chorale: Petrus, der nicht denkt zuruck (Chorus)
Part II: Chorale: Christus, der uns selig macht (Chorus)
Part II: Recitative: Da fuhreten sie Jesum - Was bringet ihr - Redest du das (Evangelist, Pilatus, Jesus)
Part II: Chorale: Ach grosser Konig (Chorus)
Part II: Recitative: Da sprach Pilatus zu ihm - So bist du dennoch - Was is Wahrheit? (Evangelist, Jesus, Pilatus)
Part II: Arioso: Betrachte, meine Seel (Bass)
Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor)
Part II: Recitative: Und die kriegsknechte flochten - Sehet, ich fuhre - Du hattest keine (Evangelist, Pilatus, Jesus)
Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus)
Part II: Recitative: Die Juden aber schrieen (Evangelist)
Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass)
Part II: Recitative: Allda kreuzigten sie ihn - Was ich geschrieden habe (Evangelist, Pilatus)
Part II: Chorale: In meines Herzens Grunde (Chorus)
Part II: Recitative: Die Kriegsknechte aber - Lasset uns den nicht zerteilen - Auf dass erfullet wurde die Schrift (Evangelist, Jesus, Chorus)
Part II: Chorale: Er nahm alles wohl in acht (Chorus)
Part II: Recitative: Und von Stund an - Mich durstet! (Evangelist, Jesus)
Part II: Aria: Es ist vollbracht (Alto)
Part II: Recitative: Und neigte das Haupt und verschied (Evangelist)
Part II: Aria: Mein teurer Heiland (Bass)
Part II: Recitative: Und siehe da, der Vorhang (Evangelist)
Part II: Arioso: Mein Herz, indem die ganze Welt (Tenor)
Part II: Aria: Zerfliesse, mein Herze (Soprano)
Part II: Recitative: Die Juden aber (Evangelist)
Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus)
Part II: Recitative: Darnach bat Pilatum (Evangelist)
Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus)
Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Part I: Chorale: O Mensch, bewein' dein Sunde gross (Chorus)
Part I: Aria: Himmel reisse, Welt erbebe (Bass)
Part I: Aria: Zerschmettert mich, ihr Felsen und ihr Hugel (Tenor)
Part II: Aria: Ach windet euch nicht so (Tenor)
Part II: Chorale: Christe, du Lamm Gottes (Chorus)
Overture
"Shake the cloud from off your brow"
"Ah! Belinda. I am prest with torment"
"When monarchs unite"
"Whence could so much virtue spring?"
"Fear no danger"
"See, see, your royal guest appears"
"Cupid only throws the dart"
"If not for mine"
"Pursue thy conquest, love"
A Dance Gittars Chacony
"To the hills and the vales"
The triumphing dance
Prelude for the witches - "Wayward sisters"
"Harm's our delight"
"The Queen of Carthage, whom we hate"
"In our deep vaulted cell"
Echo dance of the Furies
Ritornelle - "Thanks to these lonesome vales"
Glitter ground - a dance
"Oft she visits" - Ritornelle
"Behold upon my bending spear"
"Haste, haste to town"
"Stay, Prince, stay"
Ritornelle
Prelude - "Come away, fellow sailors"
The Sailors' Dance
"See the flags and streamers curling"
"Destruction's our delight"
The Witches' Dance
"Your councel all is urg'd in vain"
"Great minds against themselves conspire"
"Thy Hand Belinda - When I Am Laid In Earth"
"With drooping wings"
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Coro: Jauchzet, frohlocket, auf, preiset dei Tag!
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Evanglelista: Es begab sich aber zu der Zeit
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Recitative: Alto: Nun wird mein liebster Bräutigam
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Aria: Alto: Bereite dich, Zion
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Choral: Wie soll ich dich empfangen
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Evangelista: Und sie gebar ihren ersten Sohn
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Choral: Soprano: Er ist auf Erden kommen arm. Recitativo: Basso: Wer will die Liebe recht erhöhen
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Aria: Basso: Grosser Herr, und starker König
Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Choral: Ach mein herzliebes Jesulein!
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Sinfonia
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Evangelista: Und es waren Hirten in derselben Gegend
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Choral: Brich an, o schönes Morgenlicht
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Evangelista: Und der Engel sprach. Angelus: Soprano: Fürchtet euch nicht
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Recitativo: Basso: Was Gott dem Abraham verheissen
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Aria: Tenore: Frohe Hirten, eilt, ach eilet
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Evangelista: Und das habt zum Zeichen
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Choral: Schaut hin, dort liegt im finstern Stall!
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Recitativo: Basso: So geht denn hin!
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Aria: Alto: Schlafe, mein Liebster, geniesse der Ruh
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Evangelista: Und alsobald war da bei dem Engel
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Coro: Ehre sei Gott in der Höhe
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Recitativo: Basso: So recht, ihr Engel
Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Choral: Wir singen dir in deinem Heer
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Coro: Herrscher des Himmels
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Evangelista: Und da die Engel von ihnen gen Himmel fuhren
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Coro: Lasset uns nun gehen gen Bethlehem
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Recitativo: Basso: Er hat sein Volk getröst
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Choral: Dies hat er alles uns getan
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Duetto: Soprano/Basso: Herr, dein Mitleid, dein Erbarmen
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Evangelista: Und sie kamen eilend
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Aria: Alto: Schliesse, mein Herze, dies selige Wunder
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Recitativo: Alto: Ja, ja, mein Herz soll es bewahren
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Choral: Ich will dich mit Fleiss bewahren
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Evangelista: Und die Hirten kehrten wieder um
Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Choral: Seid froh dieweil.
Christmas Oratorio BWV248: Coro da capo: Herrscher des Himmels, erhöre das Lallen
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Overture
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Come, ye sons of art, away
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Sound the trumpet, sound
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Come, ye sons of art
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Strike the viol, touch the lute
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - The day that such a blessing gave
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Bid the Virtues, bid the Graces
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - These are the sacred charms
Purcell: Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - See Nature, rejoicing
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Overture
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Welcome to all the pleasures
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Here the deities approve" - "While joys celestial"
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Beauty, thou scene of love
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - In a consort of voices
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Symphony
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - "Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine"
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The bashful Thames, for beauty so renowned
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The pale and the purple rose
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And in each track of glory since
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Symphony
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And now when the renown'd Nassau
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - They did no storms, nor threat'nings fear
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - So when the glitt'ring Queen of Night
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Let music join
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound, trumpets, sound!
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound all to him
I. Ad pedes: Sonata
I. Ad pedes: Ecce super montes pedes
I. Ad pedes: Salve mundi salutare
I. Ad pedes: Ecce super montes pedes
I. Ad pedes: Salve mundi salutare
II. Ad genua: Sonata in tremulo
II. Ad genua: Ad ubera portabimini
II. Ad genua: Salve Jesu, rex sanctorum
II. Ad genua: Ad ubera portabimini
III. Ad manus: Sonata
III. Ad manus: Quid sunt plagae
III. Ad manus: Salve Jesu, pastor bone
III. Ad manus: Quid sunt plagae
IV. Ad latus: Sonata
IV. Ad latus: Surge, amica mea, speciosa mea
IV. Ad latus: Salve latus salvatoris
IV. Ad latus: Surge, amica mea, speciosa mea
V. Ad pectus: Sonata
V. Ad pectus: Sicut modo geniti infantes rationabiles
V. Ad pectus: Salve, salus mea, Deus
V. Ad pectus: Sicut modo geniti infantes rationabiles
VI. Ad cor: Sonata
VI. Ad cor: Vulnerasti cor meum
VI. Ad cor: Summi regis cor, aveto
VI. Ad cor: Vulnerasti cor meum
VII. Ad faciem: Sonata
VII. Ad faciem: Illustra faciem tuam
VII. Ad faciem: Salve, caput cruentatum
VII. Ad faciem: Amen
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.3 Choral: "Herzliebster Jesu, was hast du verbrochen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.5 Recitative (Alto): "Du lieber Heiland du"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.6 Aria (Alto): "Buss und Reu"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.7 Evangelist, Judas: "Da ging hin der Zwölfen einer"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.8 Aria (Soprano): "Blute nur, du liebes Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.10 Choral: "Ich bin's, ich sollte büssen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.11 Evangelist, Jesus, Judas: "Er antwortete und sprach"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.13 Aria (Soprano): "Ich will dir mein Herz schenken"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.15 Choral: "Erkenne mich, mein Hüter"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.16 Evangelist, Jesus, Petrus: "Petrus aber antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.17 Choral: "Ich will hier bei dir stehen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.21 Evangelist, Jesus: "Und ging hin ein wenig"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.23 Aria (Bass): "Gerne will ich mich bequemen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.24 Evangelist, Jesus: "Und er kam zu seinen Jüngern"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.25 Choral: "Was mein Gott will, das g'scheh allzeit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.28 Evangelist, Jesus: "Und siehe, einer aus denen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part One - No.29 Choral: "O Mensch, bewein dein Sünde groß"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.31 Evangelist: "Die aber Jesum gegriffen hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.32 Choral: "Mir hat die Welt trüglich gericht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.35 Aria (Tenor): "Geduld"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.37 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.40 Choral: "Bin ich gleich von dir gewichen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.42 Aria (Bass): "Gebt mir meinen Jesum wieder"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.44 Choral: "Befiehl du deine Wege"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.46 Choral: "Wie wunderbarlich ist doch diese Strafe"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.47 Evangelist, Pilatus: "Der Landpfleger sagte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.48 Recitative (Soprano): "Er hat uns allen wohl getan"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.49 Aria (Soprano): "Aus Liebe will mein Heiland sterben"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.51 Recitative (Alto): "Erbarm es Gott"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.52 Aria (Alto): "Können Tränen meiner Wangen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.54 Choral: "O Haupt voll Blut und Wunden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.55 Evangelist: "Und da sie ihn verspottet hatten"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.57 Aria (Bass): "Komm, süsses Kreuz"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.62 Choral: "Wenn ich einmal soll scheiden"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.64 Recitative (Bass): "Am Abend, da es kühle war"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.65 Aria (Bass): "Mache dich, mein Herze, rein"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.67 Recitative (Soprano,Alto,Tenor,Bass,Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.1 Chorus: "Herr, unser Herrscher"
J.S. Bach: St. John Passion, BWV 245 / Part One - No. 2 Evangelista,Jesus,Chorus: "Jesus ging mit seinen Juengern .." - "Jesum von Nazareth" - "Jesus spricht zu ihnen" - "Jesum von Nazareth" - "Jesus antwortete"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.3 Choral: "O große Lieb, o Lieb ohn' alle Maße"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.4 Evangelist, Jesus: "Auf daß das Wort erfüllet würde"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.5 Choral: "Dein Will gescheh, Herr Gott zugleich"
J.S. Bach: St. John Passion, BWV 245 / Part One - No. 6 Evangelist:" Die Schar aber"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.7 Aria (Alt): "Von den Stricken meiner Sünden"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.8 Evangelist: "Simon Petrus aber folgete Jesu nach"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.9 Aria(Sopran): Ich folge dir gleichfalls"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.10 Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.11 Choral: "Wer hat dich so geschlagen"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.12 Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden "
J.S. Bach: St. John Passion, BWV 245 / Part One - No.13 Aria (Tenor): "Ach mein Sinn"
J.S. Bach: St. John Passion, BWV 245 / Part One - No.14 Choral: "Petrus, der nicht denkt zurück"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.15 Choral: "Christus, der uns selig macht"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.16 Evangelist, Pilatus, Chorus: " Da führeten sie Jesum "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.17 Choral: "Ach großer König, groß zu allen Zeiten"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.19 Arioso (Baß): "Betrachte, meine Seele"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.21 Evangelist, Pilatus, Jesus, Chorus: " Und die Kriegsknechte flochten "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.22 Choral: "Durch dein Gefängnis, Gottes Sohn"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.23 Evangelist, Pilatus, Chorus: " Die Juden aber schrieen und sprachen "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.24 Aria (Baß) - Chor: "Eilt ihr angefochtnen Seelen"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.25 Evangelist, Chorus, Pilatus: " Allda kreuzigten sie ihn "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.26 Choral: "In meines Herzens Grunde"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.28 Choral: " Er nahm alles wohl in acht"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.29 Evangelist, Jesus: " Und von Stund an "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.30 Aria (Alt): " Es ist vollbracht "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.31 Evangelist: " Und neigte das Haupt und verschied "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.32 Aria (baß) - Chorus: " Mein teurer Heiland "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.33 Evangelist: " Und siehe da "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.35 Aria (soprano): " Zerfließe, mein Herz "
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.36 Evangelist: "Die Juden aber"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.37 Choral:" O hilf, Christe, Gottes Sohn"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.38 Evangelist: "Darnach bat Pilatum"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.39 Chorus: "Ruht wohl, ihr heiligen Gebeine"
J.S. Bach: St. John Passion, BWV 245 / Part Two - No.40 Choral: "Ach Herr, laß dein lieb Engelein"
J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Kyrie eleison
J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Christe eleison
J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Kyrie eleison
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Gloria in excelsis Deo
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Et in terra pax
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Laudamus te
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Gratias agimus tibi
J.S. Bach: Mass in B Minor, BWV 232 / Gloria - Domine Deus
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Qui tollis peccata mundi
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Qui sedes ad dexteram Patris
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Quoniam tu solus sanctus
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Credo in unum Deum
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Patrem omnipotentem
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et in unum Dominum
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et incarnatus est
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Crucifixus
J.S. Bach: Mass in B Minor, BWV 232 / Credo - Et resurrexit
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et in Spiritum Sanctum
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Confiteor unum baptisma
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et expecto resurrectionem
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Sanctus
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Osanna in excelsis
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Benedictus
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Osanna in excelsis
J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei - Agnus Dei
J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei - Dona nobis pacem
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Chorus "Erfreut Euch, ihr Herzen"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Recitative "Es bricht das Grab und damit unsere Not"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Aria "Lasset dem Höchsten ein Danklied erschallen"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Recitative (Dialogue) & Arioso "Bei Jesu Leben freudig sein"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Duet "Ich fürchte zwar/nicht des Grabes Finsternis"
J.S. Bach: "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Chorale "Halleluja! Des solln wir alle froh sein"
J.S. Bach: Cantata "Wer da gläubet und getauft wird" BWV 37 - 1. Chorus: "Wer da gläubet und getauft wird"
J.S. Bach: Cantata "Wer da gläubet und getauft wird" BWV 37 - 2. Aria: "Der Glaube ist das Pfand der Liebe"
J.S. Bach: Cantata "Wer da gläubet und getauft wird" BWV 37 - 3. Chorale: "Herr Gott Vater, mein starker Held"
J.S. Bach: Cantata "Wer da gläubet und getauft wird" BWV 37 - 4. Recitative: "Ihr Sterblichen, verlanget ihr"
J.S. Bach: Cantata "Wer da gläubet und getauft wird" BWV 37 - 5. Aria: "Der Glaube schafft der Seele Flügel"
J.S. Bach: Cantata "Wer da gläubet und getauft wird" BWV 37 - 6. Chorale: "Den Glauben mir verleihe an dein' Sohn"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 1. Chor: "Lobet Gott in seinen Reichen"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 2. Rezitativ: "Der Herr Jesus hub seine Hände auf"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 3. Rezitativ: "Ach, Jesu, ist dein Abschied schon so nah?"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 4. Arie: "Ach, bleibe doch, mein liebstes Leben"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 5. Rezitativ: "Und ward aufgehoben zusehends"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 6. Choral: "Nun lieget alles unter dir"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 7. Rezitativ: "Und da sie ihm nachsahen gen Himmel fahren"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 7. Rezitativ: "Ach ja! So komme bald zurück"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 7. Rezitativ: "Sie aber beteten ihn an"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 8. Arie: "Jesus, deine Gnadenblicke"
J.S. Bach: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 9. Choral: "Wenn soll es doch geschehen"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 1. Coro: "Herz und Mund und Tat und Leben"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 2. Recitativo: "Gebenedeiter Mund!"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 3. Aria: "Schäme dich, o Seele nicht"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 4. Recitativo: "Verstockung kann Gewaltige verblenden"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 5. Aria: "Bereite dir, Jesu"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 6. Choral: "Wohl mir, dass ich Jesum habe"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 7. Aria: "Hilf, Jesu, hilf"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 8. Recitativo: "Der höchsten Allmacht Wunderhand"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 9. Aria: "Ich will von Jesu Wundern singen"
J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - 10. Choral: "Jesus bleibet meine Freude"
J.S. Bach: Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - 1. Sonatina
J.S. Bach: Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - 2a.-d. "Gottes Zeit ist die allerbeste Zeit" ... "Es ist der alte Bund"
J.S. Bach: Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - 3a./b. "In deine Hände befehl ich meinen Geist" - "Heute wirst du mit mir"
J.S. Bach: Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - 4. Chor: "Glorie, Lob, Ehr und Herrlichkeit"
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 1. Coro: Laß, Fürstin, laß noch einen Strahl
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 2. Recitativo: Dein Sachsen, dein bestürztes Meißen
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 3. Verstummt, ihr holden Saiten
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 4. Recitativo: Der Glocken bebendes Getön
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 5. Aria: "Wie starb die Heldin so vergnügt"
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 6. Recitativo: Ihr Leben ließ die Kunst zu Sterben
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 7. Coro: An dir, du Fürbild großer Frauen
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 8. Aria: Der Ewigkeit saphirnes Haus
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 9. Recitativo: Was Wunder ist's?
J.S. Bach: Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 10. Coro: Doch, Königin! du stirbest nicht
Monteverdi: Vespro della Beata Vergine - Domine ad adiuvandum a 6
Monteverdi: Vespro della Beata Vergine - Dixit Dominus a 6
Monteverdi: Vespro della Beata Vergine - Nigra sum a 1
Monteverdi: Vespro della Beata Vergine - Laudate, pueri Dominum a 8
Monteverdi: Vespro della Beata Vergine - Pulchra es a 2
Monteverdi: Vespro della Beata Vergine - Laetatus sum a 6
Monteverdi: Vespro della Beata Vergine - Duo seraphim a 3
Monteverdi: Vespro della Beata Vergine - Nisi Dominus a 10
Monteverdi: Vespro della Beata Vergine - Audi coelum a 8
Monteverdi: Vespro della Beata Vergine - Lauda Jerusalem a 7
Monteverdi: Vespro della Beata Vergine - Sonata sopra Sancta Maria a 1
Monteverdi: Vespro della Beata Vergine - Ave maris stella a 8
Monteverdi: Vespro della Beata Vergine - Magnificat I a 7
Monteverdi: Vespro della Beata Vergine - Magnificat II a 6


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