Maurizio Pollini

Biography

Born: January 5, 1942; Italy  
Perhaps more of an advocate for contemporary music than any other major pianist essentially rooted in traditional repertory, Maurizio Pollini was born in Milan, Italy. He learned quickly and was given piano lessons from Carlo Lonati from an early age, making his public debut at the age of nine. Enrolling in the Milan Conservatory, he studied with Carlo Vidusso. In 1957 he performed a recital of Chopin etudes in Milan that drew favorable attention Read more from the national Italian press. He won a second prize in the Geneva Competition in 1958. Embarking on further studies with Arturo Benedetto Michelangeli, he won first prize in the Warsaw Chopin competition in 1960. At this point he began a highly successful and acclaimed international career as a piano virtuoso. He appeared in concert throughout Europe, performing concertos with top conductors, and also giving recitals. He found a particular affinity with his countryman, conductor Claudio Abbado; the two shared a similarly analytical approach in their interpretations. Many of Pollini's best concerto recordings and concert collaborations have been with Abbado. Pollini debuted in the United States at Carnegie Hall in New York on November 1, 1968. Since then his international and recording career has continued without pause.

He is a pianist with a clean, bright though weighty, and refined sound, with exceptional clarity. His repertoire is extraordinarily wide. He frequently performs Bach, Mozart, Beethoven, and the Romantics such as Schubert and Schumann, but also the early modernists such as Prokofiev and Bartók. In the 1974 centenary celebrations of Arnold Schoenberg's birth he played programs encompassing that composer's complete piano music in several major musical centers, and he later recorded the entire body of work. His repertoire also extends into the avant-garde; in 1972 he gave the world premiere of Luigi Nono's Como una ola de fuerza y luz, (Milan, 1972) and recorded the work. He is also an enthusiastic performer of Boulez's Second Piano Sonata, regarded by some as the most difficult of all piano sonatas. He has recorded extensively, committing to disc works by Schoenberg, Stravinsky, Chopin, Bach, Boulez, and many others.

Since the 1980s, Pollini has been widening his activities as a conductor. He frequently led concerts from the keyboard, and has conducted orchestra concerts from the podium as well as leading operas. In 1987 he received the Ehrenring prize of the Vienna Philharmonic Orchestra. His piano career has the individualism achieved by only a few great artists, continuing to focus on contemporary music and including concert series of his own design at such prestigious venues as the Salzburg Festival (in 1995 and 1999) and Carnegie Hall (in the 1999-2000 and 2000-2001 seasons). Read less
Beethoven: Complete Piano Sonatas / Maurizio Pollini
Release Date: 02/24/2015   Label: Deutsche Grammophon  
Catalog: 002235002   Number of Discs: 8
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Biography

Born: January 5, 1942; Italy  
Perhaps more of an advocate for contemporary music than any other major pianist essentially rooted in traditional repertory, Maurizio Pollini was born in Milan, Italy. He learned quickly and was given piano lessons from Carlo Lonati from an early age, making his public debut at the age of nine. Enrolling in the Milan Conservatory, he studied with Carlo Vidusso. In 1957 he performed a recital of Chopin etudes in Milan that drew favorable attention Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Allegro
2. Adagio
3. Menuetto (Allegretto)
4. Prestissimo
1. Allegro vivace
2. Largo appassionato
3. Scherzo (Allegretto)
4. Rondo (Grazioso)
1. Allegro con brio
2. Adagio
3. Scherzo (Allegro)
4. Allegro assai
1. Allegro molto e con brio
2. Largo, con gran espressione
3. Allegro
4. Rondo (Poco allegretto e grazioso)
1. Allegro
2. Allegretto
3. Rondo (Allegro comodo)
1. Allegro
2. Andante
3. Scherzo (Allegro assai)
1. Allegro con brio
2. Adagio con molto espressione
3. Menuetto
4. Rondo (Allegretto)
1. Allegro molto e con brio
2. Adagio molto
3. Finale (Prestissimo)
1. Allegro
2. Allegretto
3. Presto
1. Presto
2. Largo e mesto
3. Menuetto (Allegro)
4. Rondo (Allegro)
1. Grave - Allegro di molto e con brio
2. Adagio cantabile
3. Rondo (Allegro)
1. Andante con variazioni
2. Scherzo (Allegro molto)
3. Marcia funebre sulla morte d'un Eroe
4. Allegro
1. Andante - Allegro - Tempo I
2. Allegro molto e vivace
3. Adagio con espressione
4. Allegro vivace - Tempo I - Presto
1. Adagio sostenuto
2. Allegretto
3. Presto agitato
1. Allegro
2. Andante
3. Scherzo. Allegro vivace
4. Rondo. Allegro ma non troppo
1. Allegro vivace
2. Adagio grazioso
3. Rondo (Allegretto)
1. Largo - Allegro
2. Adagio
3. Allegretto
1. Allegro
2. Scherzo (Allegretto vivace)
3. Menuetto (Moderato e grazioso)
4. Presto con fuoco
1. Andante
2. Rondo (Allegro)
1. Allegro ma non troppo
2. Tempo di Menuetto
1. Allegro con brio
2. Introduzione (Adagio molto)
3. Rondo (Allegretto moderato - Prestissimo)
1. In Tempo d'un Menuetto
2. Allegretto
1. Allegro assai
2. Andante con moto
3. Allegro ma non troppo
1. Adagio cantabile - Allegro ma non troppo
2. Allegro vivace
1. Presto alla tedesca
2. Andante
3. Vivace
1. Das Lebewohl (Adagio - Allegro)
2. Abwesenheit (Andante espressivo)
3. Das Wiedersehen (Vivacissimamente)
1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
2. Nicht zu geschwind und sehr singbar vorgetragen
1. Allegro
2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)
3. Adagio sostenuto
4. Largo - Allegro risoluto
1. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
2. Lebhaft, marschmäßig (Vivace alla marcia)
3. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto)
4. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro)
1. Vivace, ma non troppo - Adagio espressivo - Tempo I
2. Prestissimo
3. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
1. Moderato cantabile molto espressivo
2. Allegro molto
3. Adagio ma non troppo - Fuga (Allegro ma non troppo)
1. Maestoso - Allegro con brio ed appassionato
2. Arietta (Adagio molto semplice e cantabile)
1. Allegro vivace
2. Adagio grazioso
3. Rondo (Allegretto)
1. Largo - Allegro
2. Adagio
3. Allegretto
1. Allegro
2. Scherzo (Allegretto vivace)
3. Menuetto (Moderato e grazioso)
4. Presto con fuoco
1. Andante
2. Rondo (Allegro)
1. Allegro ma non troppo
2. Tempo di Menuetto
1. Allegro non troppo
2. Allegro appassionato
3. Andante - Piů adagio
4. Allegretto grazioso - Un poco piů presto
1. Allegro molto e con brio
2. Largo, con gran espressione
3. Allegro
4. Rondo (Poco allegretto e grazioso)
1. Allegro
2. Allegretto
3. Rondo (Allegro comodo)
1. Allegro
2. Andante
3. Scherzo (Allegro assai)
1. Allegro con brio
2. Adagio con molto espressione
3. Menuetto
4. Rondo (Allegretto)
Mozart: Piano Concerto No.23 In A, K.488 - 1. Allegro - Cadenza: Mozart
Mozart: Piano Concerto No.23 In A, K.488 - 2. Adagio
Mozart: Piano Concerto No.23 in A, K.488 - 3. Allegro assai
Mozart: Piano Concerto No.19 In F, K.459 - 1. Allegro Vivace - Cadenza: Wolfgang Amadeus Mozart
Mozart: Piano Concerto No.19 In F, K.459 - 2. Allegretto
Mozart: Piano Concerto No.19 In F, K.459 - 3. Allegro assai - Cadenza: Wolfgang Amadeus Mozart
Brahms: Piano Concerto No.2 in B flat, Op.83 - 1. Allegro non troppo
Brahms: Piano Concerto No.2 in B flat, Op.83 - 2. Allegro appassionato
Brahms: Piano Concerto No.2 in B flat, Op.83 - 3. Andante - Piů adagio
Brahms: Piano Concerto No.2 in B flat, Op.83 - 4. Allegretto grazioso - Un poco piů presto
Beethoven: Piano Concerto No.5 In E Flat Major Op.73 -"Emperor" - 1. Allegro
Beethoven: Piano Concerto No.5 In E Flat Major Op.73 -"Emperor" - 2. Adagio un poco mosso
Beethoven: Piano Concerto No.5 In E Flat Major Op.73 -"Emperor" - 3. Rondo (Allegro)
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - 1. Adagio
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - 2. Finale: a) Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Adagio ma non troppo
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Marcia, assai vivace - Allegro
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Allegretto, ma non troppo (quasi Andante)
Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - Presto
Brahms: Piano Concerto No.1 In D Minor, Op.15 - 1. Maestoso - Poco piů moderato
Brahms: Piano Concerto No.1 In D Minor, Op.15 - 2. Adagio
Brahms: Piano Concerto No.1 In D Minor, Op.15 - 3. Rondo (Allegro non troppo)
Beethoven: Piano Concerto No.1 In C Major, Op.15 - 1. Allegro con brio - Cadenza: Ludwig van Beethoven
Beethoven: Piano Concerto No.1 In C Major, Op.15 - 2. Largo
Beethoven: Piano Concerto No.1 In C Major, Op.15 - 3. Rondo (Allegro scherzando)
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 1. Allegro con brio - Cadenza: Ludwig van Beethoven
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 2. Adagio
Beethoven: Piano Concerto No.2 In B Flat Major, Op.19 - 3. Rondo (Molto allegro)
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 1. Allegro con brio - Cadenza: Beethoven
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 3. Rondo (Allegro)
Beethoven: Piano Concerto No.4 In G, Op.58 - 1. Allegro moderato - Cadenza: Ludwig van Beethoven
Beethoven: Piano Concerto No.4 In G, Op.58 - 2. Andante con moto
Beethoven: Piano Concerto No.4 In G, Op.58 - 3. Rondo. Vivace - Cadenza: Ludwig van Beethoven
Mozart: Piano Concerto No.17 in G, K.453 - 1. Allegro
Mozart: Piano Concerto No.17 in G, K.453 - 2. Andante
Mozart: Piano Concerto No.17 in G, K.453 - 3. Allegretto
Mozart: Piano Concerto No.21 in C, K.467 - 1. Allegro
Mozart: Piano Concerto No.21 in C, K.467 - 2. Andante
Mozart: Piano Concerto No.21 in C, K.467 - 3. Allegro vivace assai
Mozart: Piano Concerto No.12 in A, K.414 - 1. Allegro
Mozart: Piano Concerto No.12 in A, K.414 - 2. Andante
Mozart: Piano Concerto No.12 in A, K.414 - 3. Rondeau (Allegretto)
Mozart: Piano Concerto No.24 in C minor, K.491 - 1. (Allegro)
Mozart: Piano Concerto No.24 in C minor, K.491 - 2. Larghetto
Mozart: Piano Concerto No.24 in C minor, K.491 - 3. (Allegretto)
Schumann: Fantasie in C, Op.17 - 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legenden-Ton
Schumann: Fantasie in C, Op.17 - 2. Mäßig. Durchaus energisch - Etwas langsamer - Vielbewegter
Schumann: Fantasie in C, Op.17 - 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter
Schumann: Piano Sonata No.1 in F sharp minor, Op.11 - 1. Introduzione (Un poco adagio - Allegro vivace - Piů lento)
Schumann: Piano Sonata No.1 in F sharp minor, Op.11 - 2. Aria
Schumann: Piano Sonata No.1 in F sharp minor, Op.11 - 3. Scherzo (Allegrissimo) ed Intermezzo
Schumann: Piano Sonata No.1 in F sharp minor, Op.11 - 4. Finale (Allegro un poco maestoso - Piů allegro)
Schumann: Symphonic Studies, Op.13 - Theme
Schumann: Symphonic Studies, Op.13 - Etude I
Schumann: Symphonic Studies, Op.13 - Etude II
Schumann: Symphonic Studies, Op.13 - Etude III
Schumann: Symphonic Studies, Op.13 - Etude IV
Schumann: Symphonic Studies, Op.13 - Etude V
Schumann: Symphonic Studies, Op.13 - Appendix - Variation I
Schumann: Symphonic Studies, Op.13 - Appendix - Variation II
Schumann: Symphonic Studies, Op.13 - Appendix - Variation III
Schumann: Symphonic Studies, Op.13 - Appendix - Variation IV
Schumann: Symphonic Studies, Op.13 - Appendix - Variation V
Schumann: Symphonic Studies, Op.13 - Etude VI
Schumann: Symphonic Studies, Op.13 - Etude VII
Schumann: Symphonic Studies, Op.13 - Etude VIII
Schumann: Symphonic Studies, Op.13 - Etude IX
Schumann: Symphonic Studies, Op.13 - Etude X
Schumann: Symphonic Studies, Op.13 - Etude XI
Schumann: Symphonic Studies, Op.13 - Etude XII (Finale)
Schumann: Piano Concerto in A minor, Op.54 - 1. Allegro affettuoso
Schumann: Piano Concerto in A minor, Op.54 - 2. Intermezzo (Andantino grazioso)
Schumann: Piano Concerto in A minor, Op.54 - 3. Allegro vivace
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 1. Lebhaft
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 2. Innig
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 3. Etwas hahnbüchen
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 4. Ungeduldig
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 5. Einfach
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 6. Sehr rasch und in sich hinein
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 7. Nicht schnell mit aeusserst starker Empfindung
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 8. Frisch
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 9. [Lebhaft]
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 10. Balladenmässig, sehr rasch
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 11. Einfach
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 12. Mit Humor
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 13. Wild und lustig
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 14. Zart und singend
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 15. Frisch
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 16. Mit gutem Humor
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 17. Wie aus der Ferne
Schumann: Davidsbuendlertaenze, Op.6 - First Edition (1837) - 18. Nicht schnell
Schumann: Piano Sonata no.3] - First edition (1835/36) - 1. Allegro brillante [Concert sans Orchestre, op.14
Schumann: Piano Sonata no.3] - First edition (1835/36) - 2. Quasi Variazioni. Andantino de Clara Wieck [Concert sans Orchestre, op.14
Schumann: Piano Sonata no.3] - First edition (1835/36) - 3. Prestissimo possibile [Concert sans Orchestre, op.14
Schumann: Kreisleriana, Op.16 - 1. Äusserst bewegt
Schumann: Kreisleriana, Op.16 - 2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I
Schumann: Kreisleriana, Op.16 - 3. Sehr aufgeregt
Schumann: Kreisleriana, Op.16 - 4. Sehr langsam
Schumann: Kreisleriana, Op.16 - 5. Sehr lebhaft
Schumann: Kreisleriana, Op.16 - 6. Sehr langsam
Schumann: Kreisleriana, Op.16 - 7. Sehr rasch
Schumann: Kreisleriana, Op.16 - 8. Schnell und spielend
Schumann: Gesänge der Frühe, Op.133 (1853) - 1. Im ruhigen Tempo
Schumann: Gesänge der Frühe, Op.133 (1853) - 2. Belebt, nicht zu rasch
Schumann: Gesänge der Frühe, Op.133 (1853) - 3. Lebhaft
Schumann: Gesänge der Frühe, Op.133 (1853) - 4. Bewegt
Schumann: Gesänge der Frühe, Op.133 (1853) - 5. Im Anfang ruhiges, im Verlauf bewegtes Tempo
1. in C major
2. in A minor
3. in G major
4. in E minor
5. in D major
6. in B minor
7. in A major
8. in F sharp minor
9. in E major
10. in C sharp minor
11. in B major
12. in G sharp minor
13. in F sharp major
14. in E flat minor
15. in D flat major ("Raindrop")
16. in B flat minor
17. in A flat major
18. in F minor
19. in E flat major
20. in C minor
21. in B flat major
22. in G minor
23. in F major
24. in D minor
Nocturne in C sharp minor, Op.27 No.1
Nocturne in D flat, Op.27 No.2
Mazurka in C minor, Op.30 No.1
Mazurka in B minor, Op.30 No.2
Mazurka in D flat, Op.30 No.3
Mazurka in C shapr minor, Op.30 No.4
Danse russe. Allegro giusto
Chez Pétrouchka
La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato
No.1 In A Flat "Harp Study"
No.2 In F Minor
No.3 In F
No.4 In A Minor
No.5 In E Minor
No.6 In G Sharp Minor
No.7 In C Sharp Minor
No.8 In D Flat
No.9 In G Flat "Butterfly Wings"
No.10 In B Minor
No.11 In A Minor "Winter Wind"
No.12 In C Minor
1. Maestoso - Allegro con brio ed appassionato
2. Arietta (Adagio molto semplice e cantabile)
1. Sehr mässig
2. Sehr schnell
3. Ruhig, fliessend
1. Allegro
2. Adagio un poco mosso
3. Rondo (Allegro)
1. (Allegro)
2. Larghetto
3. (Allegretto)
Prelude In C Sharp Minor BWV 849
Fugue In C Sharp Minor BWV 849
Prelude In G Major BWV 860
Fugue In G Major BWV 860
1. Allegro maestoso
2. Romance (Larghetto)
3. Rondo (Vivace)
Stravinsky: Three Movements 'Petruschka' - Danse russe. Allegro giusto
Stravinsky: Three Movements 'Petruschka' - Chez Pétrouchka
Stravinsky: Three Movements 'Petruschka' - La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato
Prokofiev: Piano Sonata No.7 In B Flat, Op.83 - 1. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto
Prokofiev: Piano Sonata No.7 In B Flat, Op.83 - 2. Andante caloroso - Poco piů animato - Piů largamente - un poco agitato - Tempo I
Prokofiev: Piano Sonata No.7 In B Flat, Op.83 - 3. Precipitato
Webern: Piano Variations, Op.27 - 1. Sehr mässig
Webern: Piano Variations, Op.27 - 2. Sehr schnell
Webern: Piano Variations, Op.27 - 3. Ruhig, fliessend
Nono: Como una ola de fuerza y luz - Beginning
Nono: Como una ola de fuerza y luz - 1. Interno dolce
Nono: Como una ola de fuerza y luz - 2. Duro deciso
Nono: Como una ola de fuerza y luz - Piano entry
Nono: Como una ola de fuerza y luz - 3. Dolcissimo sereno
Nono: Como una ola de fuerza y luz - Orchestra entry
Nono: Como una ola de fuerza y luz - Orchestra and piano entry
Schoenberg: Three Piano Pieces, Op.11 (1909) - 1. Mäßige Viertel
Schoenberg: Three Piano Pieces, Op.11 (1909) - 2. Mässige Achtel
Schoenberg: Three Piano Pieces, Op.11 (1909) - 3. Bewegte Achtel
Schoenberg: Sechs kleine Klavierstücke, Op.19 - No.1 - Leicht, zart
Schoenberg: Sechs kleine Klavierstücke, Op.19 - No.2 - Langsam
Schoenberg: Sechs kleine Klavierstücke, Op.19 - No.3 - Sehr langsame Viertel
Schoenberg: Sechs kleine Klavierstücke, Op.19 - No.4 - Rasch, aber leicht
Schoenberg: Sechs kleine Klavierstücke, Op.19 - No.5 - Etwas rasch
Schoenberg: Sechs kleine Klavierstücke, Op.19 - No.6 - Sehr langsam
Schoenberg: Fünf Klavierstücke - 1. Sehr langsam
Schoenberg: Fünf Klavierstücke - 2. Sehr rasch
Schoenberg: Fünf Klavierstücke - 3. Langsam
Schoenberg: Fünf Klavierstücke - 4. Schwungvoll. Mässige (Viertel)
Schoenberg: Fünf Klavierstücke - 5. Walzer
Schoenberg: Suite für Klavier, Op.25 - 1. Präludium, rasch
Schoenberg: Suite für Klavier, Op.25 - 2a. Gavotte. Etwas langsam, nicht hastig (attaca:) Rascher. Rascher - Gavotte
Schoenberg: Suite für Klavier, Op.25 - 2b. Musette: Rascher
Schoenberg: Suite für Klavier, Op.25 - 2c. Gavotte (da capo)
Schoenberg: Suite für Klavier, Op.25 - 3. Intermezzo
Schoenberg: Suite für Klavier, Op.25 - 4. Minuett: Moderato - Trio
Schoenberg: Suite für Klavier, Op.25 - 5. Gigue: Rasch
Bartók: Piano Concerto No.1, BB 91, Sz. 83 - 1. Allegro moderato - Allegro
Bartók: Piano Concerto No.1, BB 91, Sz. 83 - 2. Andante
Bartók: Piano Concerto No.1, BB 91, Sz. 83 - 3. Allegro molto
Bartók: Piano Concerto No.2, BB 101, Sz. 95 - 1. Allegro
Bartók: Piano Concerto No.2, BB 101, Sz. 95 - 2. Adagio - Piů adagio - Presto
Bartók: Piano Concerto No.2, BB 101, Sz. 95 - 3. Allegro molto
Debussy: 12 Etudes pour le piano - 1. Pour les "cinq doigts" (d'aprčs Monsieur Czerny)
Debussy: 12 Etudes pour le piano - 2. Pour les Tierces
Debussy: 12 Etudes pour le piano - 3. Pour les Quartes
Debussy: 12 Etudes pour le piano - 4. Pour les Sixtes
Debussy: 12 Etudes pour le piano - 5. Pour les Octaves
Debussy: 12 Etudes pour le piano - 6. Pour les huit doigts
Debussy: 12 Etudes pour le piano - 7. Pour les Degrés chromatiques
Debussy: 12 Etudes pour le piano - 8. Pour les Agréments
Debussy: 12 Etudes pour le piano - 9. Pour les Notes répétées
Debussy: 12 Etudes pour le piano - 10. Pour les Sonorités opposées
Debussy: 12 Etudes pour le piano - 11. Pour les Arpčges composés
Debussy: 12 Etudes pour le piano - 12. Pour les Accords
Debussy: Préludes - Book 1 - 1. Danseuses de Delphes
Debussy: Préludes - Book 1 - 2. Voiles
Debussy: Préludes - Book 1 - 3. Le vent dans la plaine
Debussy: Préludes - Book 1 - 4. Les sons et les parfums tournent dans l'air du soir
Debussy: Préludes - Book 1 - 5. Les collines d'Anacapri
Debussy: Préludes - Book 1 - 6. Des pas sur la neige
Debussy: Préludes - Book 1 - 7. Ce qu'a vu le vent d'ouest
Debussy: Préludes - Book 1 - 8. La fille aux cheveux de lin
Debussy: Préludes - Book 1 - 9. La sérénade interrompue
Debussy: Préludes - Book 1 - 10. La cathédrale engloutie
Debussy: Préludes - Book 1 - 11. La danse de Puck
Debussy: Préludes - Book 1 - 12. Minstrels


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