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This is all 10 volumes of the complete Sacred Cantatas of J.S. Bach including 60 CDs in a deluxe box set. Bach Cantatas Vol 1 - BWV 1-14, 16-19 Bach Cantatas Vol 2 - BWV 20-36 Bach Cantatas Vol 3 - BWV 37-52, 54-60 Bach Cantatas Vol 4 - BWV 61-78 Bach Cantatas Vol 5 - BWV 79-99 Bach Cantatas Vol 6 - BWV 100-117 Bach Cantatas Vol 7 - BWV 119-137 Bach Cantatas Vol 8 - BWV 138-140, 143-159, 161-162 Bach Cantatas Vol 9 - BWV 163-182 Bach Cantatas Vol 10 - BWV 183-188, 192, 194-199 Includes cantata(s) by Johann Sebastian Bach. Ensembles: Vienna Concentus Musicus, Leonhardt Consort. Conductors: Nikolaus Harnoncourt, Gustav Leonhardt. |
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| Works on This Recording | Back to Top | |||
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| 1. |
Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1725; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 25 Minutes 32 Secs. Language: German |
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| 2. |
Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 18 Minutes 55 Secs. Language: German |
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| 3. |
Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1725; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 23 Minutes 44 Secs. Language: German |
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| 4. |
Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Max van Egmond (Bass),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1708; Weimar, Germany |
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Date of Recording: 1970-75 Length: 20 Minutes 9 Secs. Language: German |
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| 5. |
Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 22 Minutes 46 Secs. Language: German |
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| 6. |
Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Max van Egmond (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1725; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 18 Minutes 52 Secs. Language: German |
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| 7. |
Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Cambridge King's College Choir Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 25 Minutes 58 Secs. Language: German |
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| 8. |
Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Regensburg Cathedral Choir soloists, Cambridge King's College Choir Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 19 Minutes 3 Secs. Language: German |
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| 9. |
Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Regensburg Cathedral Choir soloists, Cambridge King's College Choir Period: Baroque Written: circa 1732-1735; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 24 Minutes 45 Secs. Language: German |
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| 10. |
Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Regensburg Cathedral Choir soloists, Cambridge King's College Choir Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 21 Minutes 53 Secs. Language: German |
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| 11. |
Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Max van Egmond (Bass),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1735; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 28 Minutes 53 Secs. Language: German |
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| 12. |
Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Cambridge King's College Choir Period: Baroque Written: 1714; Weimar, Germany |
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Date of Recording: 1970-75 Length: 23 Minutes 41 Secs. Language: German |
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| 13. |
Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Walter Gampert (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Cambridge King's College Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 23 Minutes 13 Secs. Language: German |
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| 14. |
Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Marius Van Altena (Tenor),
Peter Hinterreiter (Boy Soprano)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Cambridge King's College Choir Period: Baroque Written: 1735; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 17 Minutes 42 Secs. Language: German |
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| 15. |
Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Marius Van Altena (Tenor),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Cambridge King's College Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 18 Minutes 5 Secs. Language: German |
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| 16. |
Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 17 Minutes 49 Secs. Language: German |
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| 17. |
Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: ?1715; Cöthen, Germany |
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Date of Recording: 1970-75 Length: 14 Minutes 21 Secs. Language: German |
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| 18. |
Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 19 Minutes 39 Secs. Language: German |
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| 19. |
O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 26 Minutes 51 Secs. Language: German |
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| 20. |
Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach |
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Performer:
Walker Wyatt (Bass),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1714; Cöthen, Germany |
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Date of Recording: 1970-75 Length: 36 Minutes 51 Secs. Language: German |
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| 21. |
Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Cambridge King's College Choir Period: Baroque Written: 1723; Cöthen, Germany |
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Date of Recording: 1970-75 Length: 17 Minutes 47 Secs. Language: German |
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| 22. |
Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Marius Van Altena (Tenor),
Max van Egmond (Bass),
Peter Hinterreiter (Boy Soprano), Walter Gampert (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Cambridge King's College Choir Period: Baroque Written: 1723; Cöthen, Germany |
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Date of Recording: 1970-75 Length: 22 Minutes 57 Secs. Language: German |
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| 23. |
Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1723; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 17 Minutes 8 Secs. Language: German |
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| 24. |
Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1723; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 15 Minutes 18 Secs. Language: German |
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| 25. |
Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Siegmund Nimsgern (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 16 Minutes 39 Secs. Language: German |
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| 26. |
Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Siegmund Nimsgern (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 15 Minutes 30 Secs. Language: German |
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| 27. |
Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Siegmund Nimsgern (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1725; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 15 Minutes 56 Secs. Language: German |
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| 28. |
Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1731; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 23 Minutes 23 Secs. Language: German |
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| 29. |
Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1738; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 37 Minutes 31 Secs. Language: German |
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| 30. |
Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Siegmund Nimsgern (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1715; Cöthen, Germany |
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Date of Recording: 1970-75 Length: 20 Minutes 59 Secs. Language: German |
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| 31. |
Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Walter Gampert (Boy Soprano)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 23 Minutes 43 Secs. Language: German |
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| 32. |
Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
René Jacobs (Countertenor),
Marius Van Altena (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 21 Minutes 17 Secs. Language: German |
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| 33. |
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Siegmund Nimsgern (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir Period: Baroque Written: after 1740; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 18 Minutes 20 Secs. Language: German |
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| 34. |
Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 26 Minutes 57 Secs. Language: German |
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| 35. |
Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1731; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 30 Minutes 2 Secs. Language: German |
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| 36. |
Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 16 Minutes 24 Secs. Language: German |
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| 37. |
Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach |
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Performer:
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 18 Minutes 36 Secs. Language: German |
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| 38. |
Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach |
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Performer:
René Jacobs (Countertenor),
Max van Egmond (Bass),
Marius Van Altena (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Members, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 24 Minutes 46 Secs. Language: German |
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| 39. |
Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach |
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Performer:
Max van Egmond (Bass),
Marius Van Altena (Tenor),
René Jacobs (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Period: Baroque Written: 1723; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 15 Minutes 8 Secs. Language: German |
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| 40. |
Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1725; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 27 Minutes 30 Secs. Language: German |
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| 41. |
Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1725; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 27 Minutes 12 Secs. Language: German |
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| 42. |
Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 20 Minutes 44 Secs. Language: German |
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| 43. |
Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 17 Minutes 21 Secs. Language: German |
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| 44. |
Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach |
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Performer:
Kurt Equiluz (Tenor),
Hanns-Friedrich Kunz (Bass),
René Jacobs (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Members, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 19 Minutes 12 Secs. Language: German |
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| 45. |
Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach |
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Performer:
Hanns-Friedrich Kunz (Bass),
René Jacobs (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Members, Hanover Boys' Choir Period: Baroque Written: 1723; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 16 Minutes 28 Secs. Language: German |
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| 46. |
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach |
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Performer:
Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1970-75 Length: 22 Minutes 19 Secs. Language: German |
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| 47. |
Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach |
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Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus Period: Baroque Written: 1723; Leipzig, Germany |
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Date of Recording: 1967-78 Length: 16 Minutes 3 Secs. Language: German |
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| 48. |
Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach |
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Performer:
Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
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Date of Recording: 1967-78 Length: 25 Minutes 24 Secs. Language: German |
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| 49. |
Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach |
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Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Vienna Boys' Choir Period: Baroque Written: ?1723; ?Leipzig, Germany |
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Date of Recording: 1967-78 Length: 3 Minutes 38 Secs. Language: German |
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| |||||
| 50. |
Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach |
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|
Performer:
Marianne Kweksilber (Soprano)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort Written: 1730 |
|
Date of Recording: 1967-78 Length: 17 Minutes 51 Secs. Language: German |
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| |||||
| 51. |
Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach |
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|
Performer:
Seppi Kronwitter (Boy Soprano)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 16 Minutes 26 Secs. Language: German |
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| |||||
| 52. |
Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach |
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|
Performer:
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort Period: Baroque Written: 1714; Cöthen, Germany |
|
Date of Recording: 1967-78 Length: 12 Minutes 28 Secs. Language: German |
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| |||||
| 53. |
Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach |
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|
Performer:
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 13 Minutes 0 Secs. Language: German |
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| |||||
| |||||
| 54. |
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach |
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|
Performer:
Michael Schopper (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 18 Minutes 57 Secs. Language: German |
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| |||||
| 55. |
Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach |
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|
Performer:
Peter Jelosits (Boy Soprano),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Written: 1725 |
|
Date of Recording: 1967-78 Length: 22 Minutes 24 Secs. Language: German |
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| |||||
| 56. |
Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach |
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|
Performer:
Peter Jelosits (Boy Soprano),
Seppi Kronwitter (Boy Soprano),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1727; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 12 Minutes 14 Secs. Language: German |
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| |||||
| |||||
| 57. |
Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach |
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|
Performer:
Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: circa 1723-1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 12 Minutes 8 Secs. Language: German |
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| |||||
| 58. |
O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach |
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|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 16 Minutes 9 Secs. Language: German |
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| |||||
| |||||
| 59. |
Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach |
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|
Performer:
Seppi Kronwitter (Boy Soprano),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1714; Cöthen, Germany |
|
Date of Recording: 1967-78 Length: 14 Minutes 39 Secs. Language: German |
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| |||||
| |||||
| 60. |
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach |
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|
Performer:
Peter Jelosits (Boy Soprano),
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 19 Minutes 45 Secs. Language: German |
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| |||||
| |||||
| 61. |
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach |
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|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Tölz Boys Choir Period: Baroque Written: 1713-1715; Cöthen, Germany |
|
Date of Recording: 1967-78 Length: 28 Minutes 54 Secs. Language: German |
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| |||||
| |||||
| 62. |
Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach |
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|
Performer:
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor),
Peter Jelosits (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 20 Minutes 12 Secs. Language: German |
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| |||||
| |||||
| 63. |
Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Chorus Viennensis, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 16 Minutes 45 Secs. Language: German |
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| |||||
| |||||
| 64. |
Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 31 Minutes 15 Secs. Language: German |
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| |||||
| |||||
| 65. |
Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach |
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|
Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 13 Minutes 32 Secs. Language: German |
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| |||||
| |||||
| 66. |
Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 16 Minutes 49 Secs. Language: German |
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| |||||
| |||||
| 67. |
Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach |
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|
Performer:
Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: circa 1743; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 10 Minutes 50 Secs. Language: German |
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| |||||
| |||||
| 68. |
Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 19 Minutes 26 Secs. Language: German |
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| |||||
| |||||
| 69. |
Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 22 Minutes 8 Secs. Language: German |
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| |||||
| |||||
| 70. |
Gott ist mein König, BWV 71 by Johann Sebastian Bach |
||||
|
Performer:
Lieuwe Visser (Bass),
Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1708; Mühlhausen, Germany |
|
Date of Recording: 1967-78 Length: 18 Minutes 7 Secs. Language: German |
|||
| |||||
| |||||
| 71. |
Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 17 Minutes 29 Secs. Language: German |
|||
| |||||
| |||||
| 72. |
Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 14 Minutes 57 Secs. Language: German |
|||
| |||||
| |||||
| 73. |
Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Jörg Erler (Boy Soprano),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 21 Minutes 29 Secs. Language: German |
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| |||||
| |||||
| 74. |
Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Paul Esswood (Countertenor),
Adalbert Kraus (Tenor),
Markus Klein (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1723; Cöthen, Germany |
|
Date of Recording: 1967-78 Length: 33 Minutes 9 Secs. Language: German |
|||
| |||||
| |||||
| 75. |
Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach |
||||
|
Performer:
Wilhelm Wiedl (Boy Soprano),
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 30 Minutes 32 Secs. Language: German |
|||
| |||||
| |||||
| 76. |
Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach |
||||
|
Performer:
Adalbert Kraus (Tenor),
Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 15 Minutes 49 Secs. Language: German |
|||
| |||||
| |||||
| 77. |
Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 21 Minutes 12 Secs. Language: German |
|||
| |||||
| |||||
| 78. |
Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 15 Minutes 36 Secs. Language: German |
|||
| |||||
| |||||
| 79. |
Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 29 Minutes 16 Secs. Language: German |
|||
| |||||
| |||||
| 80. |
Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: by 1744; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 22 Minutes 58 Secs. Language: German |
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| |||||
| |||||
| 81. |
Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 15 Minutes 58 Secs. Language: German |
|||
| |||||
| |||||
| 82. |
Ich habe genug, BWV 82 by Johann Sebastian Bach |
||||
|
Performer:
Philippe Huttenlocher (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus Period: Baroque Written: 1727; Cöthen, Germany |
|
Date of Recording: 1967-78 Length: 20 Minutes 39 Secs. Language: German |
|||
| |||||
| |||||
| 83. |
Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir, Vienna Boys' Choir ... Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 20 Minutes 22 Secs. Language: German |
|||
| |||||
| |||||
| 84. |
Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach |
||||
|
Performer:
Wilhelm Wiedl (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir, Vienna Boys' Choir Period: Baroque Written: 1727; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 13 Minutes 22 Secs. Language: German |
|||
| |||||
| |||||
| 85. |
Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass),
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir, Vienna Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 15 Minutes 12 Secs. Language: German |
|||
| |||||
| |||||
| 86. |
Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach |
||||
|
Performer:
Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor),
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir, Vienna Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 13 Minutes 2 Secs. Language: German |
|||
| |||||
| |||||
| 87. |
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 17 Minutes 37 Secs. Language: German |
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| |||||
| |||||
| 88. |
Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 18 Minutes 34 Secs. Language: German |
|||
| |||||
| |||||
| 89. |
Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Markus Klein (Boy Soprano),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 12 Minutes 26 Secs. Language: German |
|||
| |||||
| |||||
| 90. |
Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach |
||||
|
Performer:
Markus Klein (Boy Soprano),
Max van Egmond (Bass),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 12 Minutes 14 Secs. Language: German |
|||
| |||||
| |||||
| 91. |
Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 18 Minutes 2 Secs. Language: German |
|||
| |||||
| |||||
| 92. |
Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 18 Minutes 3 Secs. Language: German |
|||
| |||||
| |||||
| 93. |
Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass),
Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 24 Minutes 52 Secs. Language: German |
|||
| |||||
| |||||
| 94. |
Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach |
||||
|
Performer:
Wilhelm Wiedl (Boy Soprano),
Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 14 Minutes 36 Secs. Language: German |
|||
| |||||
| |||||
| 95. |
Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach |
||||
|
Performer:
Wilhelm Wiedl (Boy Soprano),
Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
||||
| |||||
| |||||
| 96. |
In allen meinen Taten, BWV 97 by Johann Sebastian Bach |
||||
|
Performer:
Ruud Van der Meer (Bass),
Wilhelm Wiedl (Boy Soprano),
Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor), Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1734; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 26 Minutes 38 Secs. Language: German |
|||
| |||||
| |||||
| 97. |
Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 14 Minutes 27 Secs. Language: German |
|||
| |||||
| |||||
| 98. |
Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach |
||||
|
Performer:
Wilhelm Wiedl (Boy Soprano),
Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1967-78 Length: 18 Minutes 18 Secs. Language: German |
|||
| |||||
| |||||
| 99. |
Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: circa 1735; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 23 Minutes 47 Secs. Language: German |
|||
| |||||
| |||||
| 100. |
Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach |
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|
Performer:
Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano),
Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 24 Minutes 4 Secs. Language: German |
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| |||||
| |||||
| 101. |
Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach |
||||
|
Performer:
Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 21 Minutes 21 Secs. Language: German |
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| |||||
| |||||
| 102. |
Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach |
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|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 16 Minutes 17 Secs. Language: German |
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| |||||
| |||||
| 103. |
Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Philippe Huttenlocher (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 18 Minutes 18 Secs. Language: German |
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| |||||
| |||||
| 104. |
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 21 Minutes 0 Secs. Language: German |
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| |||||
| |||||
| 105. |
Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach |
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|
Performer:
Raphael Harten (Countertenor),
Marius Van Altena (Tenor),
Max van Egmond (Bass),
Markus Klein (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Hanover Boys' Choir Period: Baroque Written: by 1708; Mühlhausen, Germany |
|
Date of Recording: 1978-84 Length: 20 Minutes 11 Secs. Language: German |
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| |||||
| |||||
| 106. |
Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach |
||||
|
Performer:
Markus Klein (Boy Soprano),
Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 18 Minutes 31 Secs. Language: German |
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| |||||
| |||||
| 107. |
Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 16 Minutes 1 Secs. Language: German |
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| |||||
| |||||
| 108. |
Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 25 Minutes 19 Secs. Language: German |
|||
| |||||
| |||||
| 109. |
Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Stefan Frangoulis (Boy Soprano),
Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Siegfried Lorenz (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 24 Minutes 55 Secs. Language: German |
|||
| |||||
| |||||
| 110. |
Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach |
||||
|
Performer:
Markus Huber (Boy Soprano),
Paul Esswood (Countertenor),
Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 17 Minutes 8 Secs. Language: German |
|||
| |||||
| |||||
| 111. |
Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass),
Markus Huber (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1731; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 13 Minutes 40 Secs. Language: German |
|||
| |||||
| |||||
| 112. |
Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach |
||||
|
Performer:
René Jacobs (Countertenor),
Kurt Equiluz (Tenor),
Detlef Bratschke (Countertenor),
Max van Egmond (Bass), Sebastian Hennig (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 25 Minutes 37 Secs. Language: German |
|||
| |||||
| |||||
| 113. |
Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach |
||||
|
Performer:
René Jacobs (Countertenor),
Max van Egmond (Bass),
Sebastian Hennig (Boy Soprano),
Kurt Equiluz (Tenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 24 Minutes 1 Secs. Language: German |
|||
| |||||
| |||||
| 114. |
Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Philippe Huttenlocher (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 21 Minutes 55 Secs. Language: German |
|||
| |||||
| |||||
| 115. |
Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Philippe Huttenlocher (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 14 Minutes 34 Secs. Language: German |
|||
| |||||
| |||||
| 116. |
Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
René Jacobs (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 19 Minutes 20 Secs. Language: German |
|||
| |||||
| |||||
| 117. |
Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Markus Huber (Boy Soprano),
Paul Esswood (Countertenor),
Robert Holl (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 25 Minutes 18 Secs. Language: German |
|||
| |||||
| |||||
| 118. |
Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Markus Huber (Boy Soprano),
Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1728-1729; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 21 Minutes 17 Secs. Language: German |
|||
| |||||
| |||||
| 119. |
Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Markus Huber (Boy Soprano),
Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 20 Minutes 23 Secs. Language: German |
|||
| |||||
| |||||
| 120. |
Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Markus Huber (Boy Soprano),
Thomas Schilling (Countertenor),
Philippe Huttenlocher (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 14 Minutes 25 Secs. Language: German |
|||
| |||||
| |||||
| 121. |
Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 21 Minutes 20 Secs. Language: German |
|||
| |||||
| |||||
| 122. |
Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach |
||||
|
Performer:
Alan Bergius (Boy Soprano),
Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor),
Thomas Thomaschke (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 13 Minutes 24 Secs. Language: German |
|||
| |||||
| |||||
| 123. |
Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach |
||||
|
Performer:
Thomas Thomaschke (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 23 Minutes 50 Secs. Language: German |
|||
| |||||
| |||||
| 124. |
Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Thomas Thomaschke (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 17 Minutes 9 Secs. Language: German |
|||
| |||||
| |||||
| 125. |
Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Sebastian Hennig (Boy Soprano)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 20 Minutes 1 Secs. Language: German |
|||
| |||||
| |||||
| 126. |
Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
René Jacobs (Countertenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Written: 1725 |
|
Date of Recording: 1978-84 Length: 17 Minutes 43 Secs. Language: German |
|||
| |||||
| |||||
| 127. |
Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach |
||||
|
Performer:
Sebastian Hennig (Boy Soprano),
René Jacobs (Countertenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 20 Minutes 4 Secs. Language: German |
|||
| |||||
| |||||
| 128. |
Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach |
||||
|
Performer:
Stefan Rampf (Boy Alto),
Walter Heldwein (Bass),
Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 15 Minutes 49 Secs. Language: German |
|||
| |||||
| |||||
| 129. |
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1707; Mühlhausen, Germany |
|
Date of Recording: 1978-84 Length: 25 Minutes 1 Secs. Language: German |
|||
| |||||
| |||||
| 130. |
Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Sebastian Hennig (Boy Soprano),
Marius Van Altena (Tenor),
René Jacobs (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1715; Weimar, Germany |
|
Date of Recording: 1978-84 Length: 18 Minutes 54 Secs. Language: German |
|||
| |||||
| |||||
| 131. |
Ich freue mich in dir, BWV 133 by Johann Sebastian Bach |
||||
|
Performer:
Sebastian Hennig (Boy Soprano),
René Jacobs (Countertenor),
Marius Van Altena (Tenor),
Max van Egmond (Bass) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 20 Minutes 47 Secs. Language: German |
|||
| |||||
| |||||
| 132. |
Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach |
||||
|
Performer:
René Jacobs (Countertenor),
Marius Van Altena (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 26 Minutes 30 Secs. Language: German |
|||
| |||||
| |||||
| 133. |
Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach |
||||
|
Performer:
René Jacobs (Countertenor),
Marius Van Altena (Tenor),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 14 Minutes 13 Secs. Language: German |
|||
| |||||
| |||||
| 134. |
Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor),
Walter Heldwein (Bass),
Alan Bergius (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 16 Minutes 51 Secs. Language: German |
|||
| |||||
| |||||
| 135. |
Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach |
||||
|
Performer:
Albert Hartinger (Bass),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 14 Minutes 6 Secs. Language: German |
|||
| |||||
| |||||
| 136. |
Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach |
||||
|
Performer:
Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor),
Stefan Rampf (Boy Alto),
Robert Holl (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 17 Minutes 14 Secs. Language: German |
|||
| |||||
| |||||
| 137. |
Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Alan Bergius (Boy Soprano),
Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724-1725; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 18 Minutes 47 Secs. Language: German |
|||
| |||||
| |||||
| 138. |
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach |
||||
|
Performer:
Thomas Hampson (Bass),
Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1731; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 28 Minutes 29 Secs. Language: German |
|||
| |||||
| |||||
| 139. |
Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Roger Cericius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 13 Minutes 9 Secs. Language: German |
|||
| |||||
| |||||
| 140. |
Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Ansgar Pfeiffer (Boy Soprano),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 13 Minutes 11 Secs. Language: German |
|||
| |||||
| |||||
| 141. |
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach |
||||
|
Performer:
Thomas Hampson (Bass),
Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1729; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 9 Minutes 38 Secs. Language: German |
|||
| |||||
| |||||
| 142. |
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach |
||||
|
Performer:
Thomas Hampson (Bass),
Paul Esswood (Countertenor),
Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1728; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 38 Minutes 2 Secs. Language: German |
|||
| |||||
| |||||
| 143. |
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Thomas Hampson (Bass),
Stefan Rampf (Boy Alto),
Alan Bergius (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Written: 1723 |
|
Date of Recording: 1978-84 Length: 31 Minutes 36 Secs. Language: German |
|||
| |||||
| |||||
| 144. |
Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 17 Minutes 35 Secs. Language: German |
|||
| |||||
| |||||
| 145. |
Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Sebastian Hennig (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1728; Leipzig, Germany |
|
Date of Recording: 1978-84 Length: 19 Minutes 19 Secs. Language: German |
|||
| |||||
| |||||
| 146. |
Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Ansgar Pfeiffer (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: circa 1708-1709; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 15 Minutes 34 Secs. Language: German |
|||
| |||||
| |||||
| 147. |
Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Sebastian Hennig (Boy Soprano),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Written: 1725 |
|
Date of Recording: 1983-88 Length: 16 Minutes 12 Secs. Language: German |
|||
| |||||
| |||||
| 148. |
Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach |
||||
|
Performer:
Christoph Wegmann (Boy Soprano),
Thomas Hampson (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1714; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 19 Minutes 8 Secs. Language: German |
|||
| |||||
| |||||
| 149. |
Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach |
||||
|
Performer:
Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor),
Thomas Hampson (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 15 Minutes 6 Secs. Language: German |
|||
| |||||
| |||||
| 150. |
Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Thomas Hampson (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 15 Minutes 59 Secs. Language: German |
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| |||||
| |||||
| 151. |
Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach |
||||
|
Performer:
Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor),
Thomas Hampson (Bass),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1716; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 14 Minutes 8 Secs. Language: German |
|||
| |||||
| |||||
| 152. |
Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Christoph Wegmann (Boy Soprano),
Thomas Hampson (Bass),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1729; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 16 Minutes 22 Secs. Language: German |
|||
| |||||
| |||||
| 153. |
Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Ghent Collegium Vocale Period: Baroque Written: ?1728; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 19 Minutes 35 Secs. Language: German |
|||
| |||||
| |||||
| 154. |
Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach |
||||
|
Performer:
Christoph Wegmann (Boy Soprano),
Max van Egmond (Bass)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Ghent Collegium Vocale Period: Baroque Written: after 1723; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 11 Minutes 32 Secs. Language: German |
|||
| |||||
| |||||
| 155. |
Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Ghent Collegium Vocale Period: Baroque Written: 1729; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 14 Minutes 36 Secs. Language: German |
|||
| |||||
| |||||
| 156. |
Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1715; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 18 Minutes 13 Secs. Language: German |
|||
| |||||
| |||||
| 157. |
Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano),
Robert Holl (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1715; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 16 Minutes 37 Secs. Language: German |
|||
| |||||
| |||||
| 158. |
Nur jedem das Seine, BWV 163 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano),
Panito Iconomou (Boy Alto) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1715; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 14 Minutes 14 Secs. Language: German |
|||
| |||||
| |||||
| 159. |
Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Christoph Wegmann (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Ghent Collegium Vocale Period: Baroque Written: 1728; Leipzig, Germany |
|
Date of Recording: 1883-88 Length: 17 Minutes 26 Secs. Language: German |
|||
| |||||
| |||||
| 160. |
O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Max van Egmond (Bass),
Paul Esswood (Countertenor),
Tobias Eiwanger (Boy Soprano) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Ghent Collegium Vocale Period: Baroque Written: 1715; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 12 Minutes 31 Secs. Language: German |
|||
| |||||
| |||||
| 161. |
Wo gehest du hin?, BWV 166 by Johann Sebastian Bach |
||||
|
Performer:
Christoph Wegmann (Boy Soprano),
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Tölz Boys Choir, Ghent Collegium Vocale Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 17 Minutes 53 Secs. Language: German |
|||
| |||||
| |||||
| 162. |
Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Panito Iconomou (Boy Alto),
Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 18 Minutes 42 Secs. Language: German |
|||
| |||||
| |||||
| 163. |
Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Christian Immler (Boy Alto),
Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 13 Minutes 27 Secs. Language: German |
|||
| |||||
| |||||
| 164. |
Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Robert Holl (Bass),
Helmut Wittek (Boy Soprano),
Paul Esswood (Boy Alto) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 22 Minutes 39 Secs. Language: German |
|||
| |||||
| |||||
| 165. |
Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 22 Minutes 42 Secs. Language: German |
|||
| |||||
| |||||
| 166. |
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor),
Panito Iconomou (Boy Alto) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: ?1729; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 16 Minutes 1 Secs. Language: German |
|||
| |||||
| |||||
| 167. |
Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Marius Van Altena (Tenor),
Matthias Echternach (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1714; Weimar, Germany |
|
Date of Recording: 1983-88 Length: 16 Minutes 47 Secs. Language: German |
|||
| |||||
| |||||
| 168. |
Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach |
||||
|
Performer:
Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor),
Robert Holl (Bass),
Stefan Gienger (Boy Soprano), Christian Immler (Boy Alto) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 13 Minutes 56 Secs. Language: German |
|||
| |||||
| |||||
| 169. |
Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach |
||||
|
Performer:
Christian Immler (Boy Alto),
Kurt Equiluz (Tenor),
Robert Holl (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1729; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 20 Minutes 37 Secs. Language: German |
|||
| |||||
| |||||
| 170. |
Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Marius Van Altena (Tenor),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 16 Minutes 57 Secs. Language: German |
|||
| |||||
| |||||
| 171. |
Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Matthias Echternach (Boy Soprano),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 12 Minutes 21 Secs. Language: German |
|||
| |||||
| |||||
| 172. |
Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach |
||||
|
Performer:
Helmut Wittek (Boy Soprano),
Panito Iconomou (Boy Alto),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1732; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 24 Minutes 53 Secs. Language: German |
|||
| |||||
| |||||
| 173. |
Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach |
||||
|
Performer:
Robert Holl (Bass),
Panito Iconomou (Boy Alto),
Kurt Equiluz (Tenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 20 Minutes 12 Secs. Language: German |
|||
| |||||
| |||||
| 174. |
Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach |
||||
|
Performer:
Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor),
Robert Holl (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 12 Minutes 54 Secs. Language: German |
|||
| |||||
| |||||
| 175. |
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Jan Patrick O'Farrell (Boy Soprano),
Paul Esswood (Countertenor),
Marius Van Altena (Tenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 24 Minutes 53 Secs. Language: German |
|||
| |||||
| |||||
| 176. |
Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach |
||||
|
Performer:
Max van Egmond (Bass),
Kurt Equiluz (Tenor),
Alexander Raymann (Boy Soprano),
Paul Esswood (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 12 Minutes 48 Secs. Language: German |
|||
| |||||
| |||||
| 177. |
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach |
||||
|
Performer:
Kurt Equiluz (Tenor),
Robert Holl (Bass),
Paul Esswood (Countertenor)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1714; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 30 Minutes 50 Secs. Language: German |
|||
| |||||
| |||||
| 178. |
Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1725; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 13 Minutes 37 Secs. Language: German |
|||
| |||||
| |||||
| 179. |
Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach |
||||
|
Performer:
Alexander Raymann (Boy Soprano),
Paul Esswood (Countertenor),
Kurt Equiluz (Tenor),
Max van Egmond (Bass) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 23 Minutes 26 Secs. Language: German |
|||
| |||||
| |||||
| 180. |
Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass),
Kurt Equiluz (Tenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1715; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 14 Minutes 15 Secs. Language: German |
|||
| |||||
| |||||
| 181. |
Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach |
||||
|
Performer:
Paul Esswood (Countertenor),
Robert Holl (Bass),
Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1723; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 27 Minutes 32 Secs. Language: German |
|||
| |||||
| |||||
| 182. |
Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach |
||||
|
Performer:
Michael Emmermann (Boy Soprano),
Max van Egmond (Bass),
Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1726; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 23 Minutes 5 Secs. Language: German |
|||
| |||||
| |||||
| 183. |
Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach |
||||
|
Performer:
Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor),
Robert Holl (Bass),
Paul Esswood (Countertenor) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: ?1728; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 24 Minutes 50 Secs. Language: German |
|||
| |||||
| |||||
| 184. |
Nun danket alle Gott, BWV 192 by Johann Sebastian Bach |
||||
|
Performer:
Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1730; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 12 Minutes 13 Secs. Language: German |
|||
| |||||
| |||||
| 185. |
Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach |
||||
|
Performer:
Hans Stricker (Boy Soprano),
Kurt Equiluz (Tenor),
Thomas Hampson (Bass),
Stefan Gienger (Boy Alto) Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: 1724; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 39 Minutes 13 Secs. Language: German |
|||
| |||||
| |||||
| 186. |
Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach |
||||
|
Performer:
Jan Patrick O'Farrell (Boy Soprano),
John Elwes (Tenor),
Harry Van der Kamp (Bass),
René Jacobs (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: circa 1737; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 18 Minutes 57 Secs. Language: German |
|||
| |||||
| |||||
| 187. |
Der Herr denket an uns, BWV 196 by Johann Sebastian Bach |
||||
|
Performer:
Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor),
Thomas Hampson (Bass)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus, Tölz Boys Choir Period: Baroque Written: ?1708; Weimar, Germany |
|
Date of Recording: 1983-88 Length: 12 Minutes 12 Secs. Language: German |
|||
| |||||
| |||||
| 188. |
Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach |
||||
|
Performer:
Jan Patrick O'Farrell (Boy Soprano),
Kurt Equiluz (Tenor),
Harry Van der Kamp (Bass),
René Jacobs (Countertenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1739-1742; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 30 Minutes 1 Secs. Language: German |
|||
| |||||
| |||||
| 189. |
Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach |
||||
|
Performer:
René Jacobs (Countertenor),
Harry Van der Kamp (Bass),
Jan Patrick O'Farrell (Boy Soprano),
John Elwes (Tenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Leonhardt Consort, Ghent Collegium Vocale, Hanover Boys' Choir Period: Baroque Written: 1727; Leipzig, Germany |
|
Date of Recording: 1983-88 Length: 35 Minutes 14 Secs. Language: German |
|||
| |||||
| |||||
| 190. |
Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach |
||||
|
Performer:
Barbara Bonney (Soprano)
Conductor: Nikolaus Harnoncourt Orchestra/Ensemble: Vienna Concentus Musicus Period: Baroque Written: 1714; Cöthen, Germany |
|
Date of Recording: 1983-88 Length: 23 Minutes 42 Secs. Language: German |
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