Maria Stader

Biography

Born: November 5, 1911; Budapest, Hungary   Died: April 27, 1999; Zurich, Switzerland  
Blessed with a silvery lyric soprano, true in timbre and beautifully trained, Maria Stader was unable to enjoy the opera career she deserved. Only 4'9" in height, she was deemed too diminutive to be a viable figure on-stage. Thus, she was confined to recording congenial opera roles and to making concert appearances. Despite what some might have regarded as a setback, she achieved genuine celebrity and became an artist favored by many first-rank Read more conductors. Orphaned in Hungary during WWI, Stader was brought by the International Red Cross to Switzerland, where she was adopted by fisherman Hans Stader. She began her music training near her home on the shores of Lake Constance. Later, she studied with Hans Keller in Karlsruhe, Germany, with the famous dramatic soprano Giannina Arangi-Lombardi in Milan and with Therese Schnabel in New York. She attracted international attention when she won first prize for singing in the Concourse International d'Execution Musicale in Geneva in 1939. After WWII, Stader taught at the Musikacademie in Zurich while at the same time launching a concert career. Recognized as an exemplary Mozart singer, she was heard in other parts of Europe, Africa and the Far East, and eventually, in the United States. A rare opera appearance presented her as the Queen of the Night at Covent Garden during the 1949-1950 season. One of four sopranos to sing the role in that production, Stader did not attract sufficient attention to bring about reengagement. Her first American appearances took place in 1954 when she sang with the New York Philharmonic, the Philadelphia Orchestra, and the Cleveland Orchestra. In 1956, she sang a series of concert performances in Israel of both Lucia di Lammermoor and Judas Maccabaeus under conductor Ferenc Fricsay. Among Stader's recordings, her Konstanze, Pamina, and Marzelline are attractive realizations. In the concert repertory, recordings of the Dvorák Requiem, several Mozart masses, and Mozart's Exsultate, jubilate are worthy examples of her art. Before her retirement in 1969, Stader published a text on the performance of Bach arias. During her career, she was honored with several awards, among them the Lilli Lehmann Medal, the Silver Mozart Medal (City of Salzburg), and the Austrian Order of Merit. Read less

Biography

Born: November 5, 1911; Budapest, Hungary   Died: April 27, 1999; Zurich, Switzerland  
Blessed with a silvery lyric soprano, true in timbre and beautifully trained, Maria Stader was unable to enjoy the opera career she deserved. Only 4'9" in height, she was deemed too diminutive to be a viable figure on-stage. Thus, she was confined to recording congenial opera roles and to making concert appearances. Despite what some might have regarded as a setback, she achieved genuine celebrity and became an artist favored by many first-rank Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Verdi: Messa da Requiem - 1. Requiem
Verdi: Messa da Requiem - 2. Dies irae
Verdi: Messa da Requiem - 2. Tuba mirum
Verdi: Messa da Requiem - 2. Liber scriptus
Verdi: Messa da Requiem - 2. Quid sum miser
Verdi: Messa da Requiem - 2. Rex tremendae
Verdi: Messa da Requiem - 2. Recordare
Verdi: Messa da Requiem - 2. Ingemisco
Verdi: Messa da Requiem - 2. Confutatis
Verdi: Messa da Requiem - 2. Lacrymosa
Verdi: Messa da Requiem - 3. Offertorium
Verdi: Messa da Requiem - 4. Sanctus
Verdi: Messa da Requiem - 5. Agnus Dei
Verdi: Messa da Requiem - 6. Lux aeterna
Verdi: Messa da Requiem - 7. Libera me
Kyrie eleison (Chorus)
Christe eleison (Soprano)
Kyrie eleison (Chorus)
Gloria in excelsis Deo (Chorus)
Et in terra pax (Chorus)
Laudamus te (Soprano)
Gratias agimus tibi (Chorus)
Domine Deus (Soprano, Tenor)
Qui tollis peccata mundi (Chorus)
Qui sedes ad dextram Patris (Alto)
Quoniam tu solus Sanctus (Bass)
Cum Sancto Spiritu (Chorus)
Credo in unum Deum (Chorus)
Credo in unum Deum - Patrem omnipotentem (Chorus)
Et in unum Dominum (Soprano, Alto)
Et incarnatus est (Chorus)
Crucifixus (Chorus)
Et resurrexit (Chorus)
Et in Spiritum Sanctum Dominum (Bass)
Confiteor unum baptisma (Chorus)
Et expecto resurrectionem (Chorus)
Sanctus (Chorus)
Osanna in excelsis (Chorus)
Benedictus, qui venit (Tenor)
Osanna in excelsis (da capo) (Chorus)
Agnus Dei (Alto)
Dona nobis pacem (Chorus)
Recitative: Gebenedeiter Mund! (Tenor)
Verdi: Messa da Requiem - 1. Requiem
Verdi: Messa da Requiem - 2. Dies irae
Verdi: Messa da Requiem - 2. Tuba mirum
Verdi: Messa da Requiem - 2. Liber scriptus
Verdi: Messa da Requiem - 2. Quid sum miser
Verdi: Messa da Requiem - 2. Rex tremendae
Verdi: Messa da Requiem - 2. Recordare
Verdi: Messa da Requiem - 2. Ingemisco
Verdi: Messa da Requiem - 2. Confutatis
Verdi: Messa da Requiem - 2. Lacrymosa
Verdi: Messa da Requiem - 3. Offertorium
Verdi: Messa da Requiem - 4. Sanctus
Verdi: Messa da Requiem - 5. Agnus Dei
Verdi: Messa da Requiem - 6. Lux aeterna
Verdi: Messa da Requiem - 7. Libera me
J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Kyrie Eleison
J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Christe eleison
J.S. Bach: Mass In B Minor, BWV 232 / Kyrie - Kyrie eleison
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Gloria in excelsis Deo
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Et in terra pax
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Laudamus te
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Gratias agimus tibi
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Domine Deus
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Qui tollis peccata mundi
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Qui sedes ad dexteram Patris
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Quoniam tu solus sanctus
J.S. Bach: Mass In B Minor, BWV 232 / Gloria - Cum Sancto Spiritu
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Credo in unum Deum
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Patrem omnipotentem
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et in unum Dominum
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et incarnatus est
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Crucifixus
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et resurrexit
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et in Spiritum Sanctum
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Confiteor unum baptisma
J.S. Bach: Mass In B Minor, BWV 232 / Credo - Et expecto resurrectionem
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Sanctus
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Osanna in excelsis
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Benedictus
J.S. Bach: Mass In B Minor, BWV 232 / Sanctus - Osanna in excelsis
J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei - Agnus Dei
J.S. Bach: Mass In B Minor, BWV 232 / Agnus Dei - Dona nobis pacem
I. Allegro maestoso
II. Andante moderato
III. In ruhig fliessender Bewegung
IV. Urlicht
V. Im Tempo des Scherzos
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile - Andante moderato
IV. Finale: Presto - Allegro assai
I. Selig sind, die da Leid tragen
II. Denn alles Fleisch, es ist wie Gras
III. Herr, lehre doch mich
IV. Wie lieblich sind deine Wohnungen
V. Ihr habt nun Traurigkeit
VI. Denn wir haben hie keine bleibende Statt
VII. Selig sind die Toten
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile
IV. Finale: Presto - Allegro assai
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Benedictus
6. Agnus Dei
1. Exsultate, jubilate
2. Fulget amica dies
3. Tu virginum corona
4. Alleluia
Kyrie eleison (Chorus, Soprano, Alto, Tenor, Bass)
Christe eleison (Soprano, Alto)
Kyrie eleison (Chorus, Soprano, Alto, Tenor, Bass)
Gloria in excelsis Deo (Chorus, Soprano, Alto, Tenor, Bass)
Et in terra pax (Chorus, Soprano, Alto, Tenor, Bass)
Laudamus te (Soprano)
Gratias agimus tibi (Chorus, Soprano, Alto, Tenor, Bass)
Domine Deus (Soprano, Tenor)
Qui tollis peccata mundi (Chorus, Soprano, Alto, Tenor, Bass)
Qui sedes ad dextram Patris (Alto)
Quoniam tu solus Sanctus (Bass)
Cum Sancto Spiritu (Chorus, Soprano, Alto, Tenor, Bass)
Credo in unum Deum (Chorus, Soprano, Alto, Tenor, Bass)
Credo in unum Deum, Patrem omnipotentem (Chorus, Soprano, Alto, Tenor, Bass)
Et in unum Dominum (Soprano, Alto)
Et incarnatus est (Chorus, Soprano, Alto, Tenor, Bass)
Crucifixus (Chorus, Soprano, Alto, Tenor, Bass)
Et resurrexit (Chorus, Soprano, Alto, Tenor, Bass)
Et in Spiritum Sanctum Dominum (Bass)
Confiteor unum baptisma (Chorus, Soprano, Alto, Tenor, Bass)
Et expecto resurrectionem mortuorum (Chorus, Soprano, Alto, Tenor, Bass)
Sanctus (Chorus, Soprano, Alto, Tenor, Bass)
Osanna (Double Chorus)
Benedictus (Tenor)
Osanna (Double Chorus)
Agnus Dei (Alto)
Dona nobis pacem (Chorus, Soprano, Alto, Tenor, Bass)
Ouverture
No. 1 Choeur: "O wenn in diesen dunklen Hainen"
No. 2 Récitatif: "O Freunde, dieses Klagen"
No. 3 Pantomine
No. 4 Choeur: "Oh, wenn in diesen dunklen Hainen"
No. 5 Récitatif: "Lasst mich allein!"
No. 6 Ritournelle
No. 7 Aria: "So klag' ich ihren Tod"
No. 8 Récitatif: "Eurydike, teurer Schatten!"
No. 9 Aria: "Wehklagend irr' ich so"
No. 10 Récitatif: "Eurydike, dein suesser Name"
No. 11 Aria: "Weinend gedenk ich dein"
No. 12 Récitatif: "Grausame Goetter"
No. 13 Aria: "Deines Harfenspiels Harmonien"
No. 14 Récitatif: "Wie, ich soll sie wiedersehn!"
No. 15 Aria: "Mit Freuden den Willen der Goetter erfuellen"
No. 16 Récitatif: "Was hoer' ich? Ist es wahr?"
No. 18 Danse des furies
No. 19 Jeu de harpe, Choeur: "Wer ist der Sterbliche"
No. 20 Danse des furies
No. 21 Choeur: "Wer ist der Sterbliche"
No. 22 Solo avec Choeur: "Ach, erbarmt euch mein!"
No. 23 Choeur: "Jammernder Sterblicher, was willst, was suchst du hier"
No. 24 Aria: "Tausend Qualen, drohende Schatten"
No. 25 Choeur: "Welch' ungewohnter Trieb"
No. 26 Aria: "Todesgoetter, hoeret gnaedig"
No. 27 Choeur: "Sein sanftes Trauerlied"
No. 28 Danse des furies
No. 29 Ballet
No. 30 Ballet
No. 32 Aria avec Choeur: "Diese Auen sind seligem Frieden und der Ruhe nur geweiht"
No. 33 Aria: "Welch reiner Himmel"
No. 34 Choeur: "Komm ins Reich beglueckter Schatten"
No. 36 Récitatif et Choeur: "O selige, beglueckte Schatten"
No. 37 Choeur: "Aus dem Reich beglueckter Schatten"
No. 38 Récitatif: "So komm Eurydike, folge mir"
No. 39 Duo: "Komm und vertrau meiner Treue"
No. 40 Récitatif: "Ach, warum bleibt er in diesem starren Schweigen?"
No. 41 Aria et Duo: "Welch' grausame Wandlung"
No. 42 Récitatif: "Ach, nun erneut sich mein Jammer!"
No. 43 Aria: "Ach, ich habe sie verloren"
No. 44 Récitatif: "So mag der tiefe Schmerz mit meinem Leben enden!"
No. 45 Choeur et solistes: "Triumph sei Amor"
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile - Andante moderato
IV. Finale: Presto - Allegro assai
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile - Andante moderato
IV. Finale: Presto - Allegro assai
I. Ziemlich langsam und mit Ausdruck
II. Langsam, marschmassig - Allegro non troppo
III. Andante moderato
IV. Massig bewegt
V. Langsam
VI. Andante - Vivace - Allegro
VII. Feierlich
1. Chor: "Selig sind, die da Leid tragen"
2. Chor: "Denn alles Fleisch, es ist wie Gras"
3. Solo (Bariton) und Chor: "Herr, lehre doch mich"
4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"
5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit"
6. Solo (Bariton) und Chor: "Denn wir haben hie keine bleibende Statt"
7. Chor: "Selig sind die Toten, die in dem Herrn sterben"
No.1 Einleitung/Rez.: "Seht wie der strenge Winter..."
No.2 Chor: "Komm, holder Lenz!"
No.3 Rez.: "Vom Widder strahlet jetzt"
No.4 Arie: "Schon eilet..."
No.5 Rez.: "Der Landman hat sein Werk vollbracht"
No.6 Terzett und chor: "Sei nun gnädig..."
No.7 Rez.: "Erhört ist unser Flehn"
No.8a Freudenlied: "O wie lieblich ist..."
No.8b Chor: "Ewiger, mächtiger, gütiger Gott"
No.9 Einleitung/Rez.: "In grauen Schleier"
No.10 Arie/Rez.: "Der munt're Hirt"
No.11 Terzett und Chor: "Sie steigt herauf"
No.12a Rez.: "Nun regt und bewegt"
No.12b Rez.: "Die Mittagsonne"
No.13 Kavatine: "Dem Druck erlieget"
No.14 Rez.: "Willkommen jetzt"
No.15 Arie: "Welche Labung"
No.16 Rez.: "O seht!"
No.17 Chor: "Ach, das Ungewitter"
No.18 Terzett und chor: "Die düstren Wolken"
No.19a Einleitung/Rez.: "Was durch seine Blüte"
No.19b Rez.: "Den reichen Vorrat"
No.20 Terzett mit Chor: "So lohnet die Natur"
No.21 Rez.: "Seht, wie zum Haselbusche"
No.22 Duett: "Ihr schönen aus der Stadt"
No.23 Rez.: "Nun zeiget das entblösste Feld"
No.24 Arie: "Seht auf die breiten Wiesen hin!"
No.25 Rez.: "Hier treibt ein dichter Kreis"
No.26 Chor des Landvolks und der Jäger: "Hört, hört"
No.27 Rez.: "Am Rebenstocke"
No.28 Chor: "Juchhe! Juchhe!"
No.29a Einleitung
No.29b Rez.: "Nun senket sich"
No.31 Rez.: "Gefesselt steht der breite See"
No.32 Arie: "Hier steht der Wand'rer nun"
No.33 Rez.: "So wie er naht"
No.34 Lied mit Chor: "Knurre, schnurre, knurre"
No.35 Rez.: "Abgesponnen ist der Flachs"
No.36 Lied mit Chor: "Ein Mädchen, das auf Ehre hielt"
No.37 Rez.: "Vom dürren Osten dringt"
No.38a "Erblicke hier, betörter Mensch"
No.38b Rez. "Sie bleibt allein, und leitet uns"
No.39 Terzett und Doppelchor: "Dann bricht der grosse Morgen an"
Overture
"Jetzt, Schätzchen, jetzt sind wir allein"
Jacquino, Jacquino
"O wär ich schon mit dir vereint"
Guten Tag, Marzelline. Ist Fidelio noch nicht zurück
"Mir ist so wunderbar"
Fidelio, wenn ich auch nicht weiss
"Hat man nicht auch Gold beineben"
"Ihr könnt das leicht sagen, Meister Rocco"
"Gut Söhnchen, gut"
Marsch
Ist etwas Neues vorgefallen?
"Ha! Welch ein Augenblick!"
Ich darf keinen Augenblick säumen
"Jetzt, Alter, jetzt hat es Eile!"
"Abscheulicher! Wo eilst du hin?"
Meister Rocco, ich ersuchte euch schon einige Male
"O welche Lust, in freier Luft den Atem leicht zu heben!"
"Nun sprecht, wie ging's?"
Ach! Vater, Vater, eilt!
"Leb wohl, du warmes Sonnenlicht"
Introduktion - "Gott, welch' Dunkel" - In des Lebens Frühlingstagen
"Wie kalt ist es in diesem unterirdischen Gewölbe" - "Nur hurtig fort, nur frisch gegraben"
"Er erwacht"
"Euch werde Lohn in bessern Welten"
"Alles ist bereit"
Er sterbe! Doch er soll erst wissen (Pizarro, Florestan, Leonore, Rocco)
"Vater Rocco!" - Es schlägt der Rache Stunde
"Meine Leonore, was hast du" - O namenlose Freude!
Ouvertüre "Leonore III" op. 72a
"Heil sei dem Tag"
"Des besten Königs Wink und Wille"
"Wer ein holdes Weib errungen"
Overture
"Notte e giorno faticar"
"Leporello, ove sei?"
Ah! del padre in periglio (Donna Anna, Don Ottavio)
Ma qual mai s'offre, oh Dei (Donna Anna, Don Ottavio)
"Fuggi, crudele, fuggi!"
"Orsù, spicciati presto"
"Ah! chi mi dice mai" - "Udisti? qualche bella"
"Chi è là?"
"Madamina, il catalogo è questo"
"Giovinette, che fate all'amore"
"Manco male, è partita"
"Ho capito, signor sì!"
"Alfin siam liberati"
"Là ci darem la mano"
"Fermati, scellerato!"
"Ah, fuggi il traditor"
"Mi par ch'oggi il demonio si diverta"
"Non ti fidar, o misera"
"Povera sventurata!"
"Don Ottavio... son morta!"
"Or sai chi l'onore"
"Come mai creder deggio"
"Dalla sua pace"
"Io deggio ad ogni patto"
"Fin ch'han dal vino"
"Masetto... senti un po'..."
"Batti, batti, o bel Masetto"
"Guarda un po' come seppe questa strega"
"Presto, presto... pria ch'ei venga"
"Tra quest'arbori celata"
"Bisogna aver corragio"
"Riposate, vezzose ragazze"
"Eh via, buffone, non mi seccar"
"Leporello!"
"Ah! taci, ingiusto core"
"Amico, che ti par?"
"Deh! vieni alla finestra"
"V'è gente alla finestra"
"Metà di voi qua vadano"
"Zitto... Lascia ch'io senta... Ottimamente"
Ahi, ahi! La testa mia!
"Vedrai, carino"
"Di molte faci il lume"
"Sola, sola in buio loco"
"Dunque quello sei tu"
"Ah! pietà, signori miei!"
"Ferma, perfido; ferma"
"Il mio tesoro intanto"
"In quali eccessi, o numi"
"Mi tradì quell'alma ingrata"
"Ah! ah! ah! questa è buona!"
"O statua gentilissima"
"Calmatevi, idol mio"
"Crudele? Ah no! mio bene!"
"Non mi dir, bell'idol mio"
"Già la mensa è preparata"
"L'ultima prova"
"Don Giovanni, a cenar teco m'invitasti"
"Ah! dov'è il perfido?"
1. Exsultate, jubilate
2. Fulget amica dies
3. Tu virginum corona
4. Alleluia
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Magnificat"
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Et exsultavit spiritus meus"
J.S. Bach: Magnificat In D Major, BWV 243 - Quia respexit...Omnes generationes
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Quia fecit mihi magna" (bass)
J.S. Bach: Magnificat In D Major, BWV 243 - Aria (Duet): "Et misericordia" (alto, tenor)
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Fecit potentiam"
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Deposuit potentes" (tenor)
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Esurientes implevit bonis" (alto)
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: Suscepit Israel
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Sicut locutus est"
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Gloria Patri"
1. Kyrie
2a. Gloria: Gloria in excelsis Deo
2b. Gloria: Laudamus te
2c. Gloria: Gratias
2d. Gloria: Domine
2e. Gloria: Qui tollis
2f. Gloria: Quoniam
Gloria: Jesu Christe
Gloria: Cum Sanctu Spiritu
3a. Credo: Credo in unum Deum
3b. Credo: Et incarnatus est
4a. Sanctus: Sanctus
5. Benedictus: Benedictus
1. Te Deum laudamus
2. Te ergo
3. Aeterna fac
4. Salvum fac
5. In te, Domine, speravi
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Benedictus
6. Agnus Dei
Ouvertüre
"Hier soll ich dich denn sehen" - "Aber wie soll ich in den Palast kommen?"
Dialog "Wer ist denn dieser Alte?" - "Wer ein Liebchen hat gefunden"
Dialog "Vielleicht lass' ich mir noch so einen Schurken"
"Solche hergelauf'ne Laffen"
"Geh nur, verwünschter Aufpasser"
"Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Dialog "Versteckt euch, Herr" - "Singt dem großen Bassa Lieder"
"Immer noch traurig, geliebte Konstanze?"
"Ach ich liebte, war so glücklich"
Dialog "Ihr Schmerz, ihre Standhaftigkeit"
"Marsch! Trollt euch fort!"
"Durch Zärtlichkeit und Schmeicheln"
"Ei seht doch mal"
"Ich gehe, doch rate ich dir"
"Welcher Kummer herrscht in meiner Seele"
Dialog "Nun, Konstanze, der Tag ist bald verstrichen"
"Martern aller Arten"
"Kein Bassa, keine Konstanze mehr da?"
"Welche Wonne, welche Lust"
"Frisch zum Kampfe"
"Ha! Geht's hier so lustig zu?"
"Vivat Bacchus! Bacchus lebe!"
Dialog "Hm, das ist ein Wein"
"Wenn der Freude Tränen fließen"
"Ach Belmonte! Ach, mein Leben!"
Dialog "So, nun aber schnell, Blondchen"
"Ich baue ganz auf deine Stärke"
Dialog "So, gnädiger Herr, jetzt schnell" - "Im Mohrenland gefangen war"
Dialog "Das Fenster geht auf, Herr!"
"Ha, wie will ich triumphieren"
Dialog "Herr, verzeih, dass ich so hereinbreche"
"Welch ein Geschick.." "Ha, du solltest für mich sterben"
Dialog "Steht auf! Der Bassa kommt!"
Nie werde ich deine Huld verkennen
"Bassa Selim lebe lange"
1. Exsultate, jubilate
2. Fulget amica dies
3. Tu virginum corona
4. Alleluia
Kyrie eleison
Christe eleison
Kyrie eleison
Gloria in excelsis Deo
Qui tollis peccata mundi, miserere nobis
Quoniam tu solus Sanctus
In gloria Dei Patris, Amen
"Amen, Amen, in gloria Dei Patris" / "Quoniam tu solus..."
Credo in unum Deum
Et incarnatus est
Et ascendit in coelum
Et vitam venturi saeculi
Amen, et vitam venturi saeculi. Amen
Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth
Pleni sunt coeli et terra
Praeludium
Benedictus, qui venit in nomine Domini
Agnus Dei, qui tollis peccata mundi
Dona nobis pacem
Agnus Dei, qui tollis peccata mundi
Presto
1. Kyrie
2. Gloria
3. Credo
3. Credo (Cont.)
4. Sanctus
5. Benedictus
6. Agnus Dei
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Magnificat"
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Et exsultavit spiritus meus"
J.S. Bach: Magnificat In D Major, BWV 243 - Quia respexit...Omnes generationes
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Quia fecit mihi magna" (bass)
J.S. Bach: Magnificat In D Major, BWV 243 - Aria (Duet): "Et misericordia" (alto, tenor)
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Fecit potentiam"
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Deposuit potentes" (tenor)
J.S. Bach: Magnificat In D Major, BWV 243 - Aria: "Esurientes implevit bonis" (alto)
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: Suscepit Israel
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Sicut locutus est"
J.S. Bach: Magnificat In D Major, BWV 243 - Chorus: "Gloria Patri"


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