Marga Schiml

There are 22 Marga Schiml recordings available.

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Formats & Featured

WORKS ALBUMS
TITLE/COMPOSER
LABEL
Ouvertüre
Lasst mich erzählen
Introduktion: "Leicht, wie Feentritt nur geht"
Dialog: "Fort mit euch"
Arie: "Schreckensschwur! - Dein wildes Quälen"
Dialog: "Erlaube uns, grosser König"
Vision: "Warum musst du schlafen"
Dialog: "Genug!" - "Hilfe, Herr Hüon!"
Emsemble: "Ehre und Heil dem, der treu ist"
Dialog: "Immer voran, Herr Hüon!"
Arie: "Von Jugend auf in dem Kampfgefild'"
Finale: "Eil, edler Held!"
Duettino: "O welches Glück!"
"Dunkel ist es schon und spät"
Chor: "Ehre! Ehre sei dem mächt'gen Kalifen"
Dialog: "Grosser Herrscher aller Gläubigen!"
Ballett
Dialog:"Während des Tanzes treten Hüon und Scherasmin"
Ariette:"Arabiens einsam Kind"
Dialog: "Das ist schön von dir, Fatime"
Quartett: "Über die blauen Wogen"
Solo,Chor u. Sturm:"Geister der Luft und Erd' und See"
Gebet: "Vater! Hör' mich flehn zu dir!"
Dialog: "Rezia! Du lebst!"
Rezitativ und Arie: "Ozean, du Ungeheuer!"
Doch Rezia hat sich getäuscht
Oberons Ankunft (und Dialog)
"Sieh, die Meermädchen!" - "O wie wogt es sich schön"
Wer blieb' im korallenen Schacht
Dialog: "Du siehst ja reizend aus, Fatime!"
Arie: "Arabien, mein Heimatland"
Dialog: "Oho! Glaubst du, nur bei euch geht es so lustig zu"
Duett: "An dem Strande der Garonne"
Dialog: "Erwache, Hüon!"
Terzett: "So muss ich mich verstellen?"
Kavatine: "Trauere, mein Herz"
Dialog: "Wie kann man nur so traurig sein" - "Weit weniger geduldig"
Chor, Solo und Ballett: "Für dich hat Schönheit sich geschmücket"
Dialog: "Hüon reisst sich von Roschana los"-"Erhabener Herr"
Finale (Teil 1): "Horch! Welch Wunderklingen!"
Marsch
Finale (Teil 2): "O Herr! Seinem geschworenen Eid getreu" - Chor: "Heil sei dem Helden"
Part I: Overture
Part I Scene 1: Your harps and cymbals sound (Chorus of Priests)
Part I Scene 1: Air: Praise ye the Lord (Levite)
Part I Scene 1: With pious hearts (Chorus of Priests)
Part I Scene 1: Accompagnato: Almighty pow'r! (Solomon)
Part I Scene 1: Recitative: Imperial Solomon (Zadok)
Part I Scene 1: Air: Sacred raptures (Zadok)
Part I Scene 1: Throughout the land Jehovah's praise (Chorus of Israelites)
Part I Scene 1: Recitative: Bless'd be the Lord (Solomon)
Part I Scene 1: Air: What tho' I trace (Solomon)
Part I Scene 2: Recitative: And see my Queen (Solomon)
Part I Scene 2: Air: Bless'd the day (Queen)
Part I Scene 2: Recitative: Thou fair inhabitant of Nile (Solomon, Queen)
Part I Scene 2: Duet: Welcome as the dawn of day (Solomon, Queen)
Part I Scene 2: Recitative: Vain are the transient beauties (Zadok)
Part I Scene 2: Air: Indulge thy faith (Zadok)
Part I Scene 2: Recitative: My blooming fair (Solomon)
Part I Scene 2: Air: Haste to the cedar grove (Solomon)
Part I Scene 2: Recitative: When thou art absent from my sight (Queen)
Part I Scene 2: Air: With thee th'unshelter'd moor I tread (Queen)
Part I Scene 2: Recitative: Search round the world (Zadok)
Part I Scene 2: May no rash intruder (Chorus)
Part II Scene 1: From the censer curling rise (Chorus)
Part II Scene 1: Recitative: Prais'd be the Lord (Solomon)
Part II Scene 1: Air: When the sun o'er yonder hills (Solomon)
Part II Scene 1: Recitative: Great prince (Levite)
Part II Scene 1: Air: Thrice bless'd that wise discerning king (Levite)
Part II Scene 2: Recitative: My sovereign liege, two women stand (Attendant, Solomon, First Woman)
Part II Scene 2: Air and Trio: Words are weak to paint my Fears (First Woman, Second Woman, Solomon)
Part II Scene 3: Recitative: What says the other (Solomon, Second Woman)
Part II Scene 3: Air: Thy sentence, great king (Second Woman)
Part II Scene 3: Recitative: Withhold the executing hand (First Woman)
Part II Scene 3: Air: Can I see my infant gor'd (First Woman)
Part II Scene 3: Accompagnato: Israel, attend (Solomon)
Part II Scene 3: Duet: Thrice bless'd be the king (First Woman, Solomon)
Part II Scene 3: From the east unto the west (Chorus of Israelites)
Part II Scene 3: Recitative: From morn to eve (Zadok)
Part II Scene 3: Air: See the tall Palm (Zadok)
Part II Scene 3: Recitative: No more shall armed bands (First Woman)
Part II Scene 3: Air: Beneath the vine (First Woman)
Part II Scene 3: Swell the full chorus (Chorus of Priests)
Part III: Sinfonia, "Arrival of the Queen of Sheba"
Part III: Recitative: From Arabia's spicy shores (Queen of Sheba, Solomon)
Part III: Air: Ev'ry sight these eyes behold (Queen of Sheba)
Part III: Air and Chorus: Music, spread thy voice around (Solomon, Chorus)
Part III: Air and Chorus: Now a diff'rent measure try (Solomon, Chorus)
Part III: Recitative: Then at once (Solomon)
Part III: Draw the tear from hopeless love (Chorus)
Part III: Recitative: Next the tortur'd soul release (Solomon)
Part III: Air and Chorus: Thus rolling surges rise (Solomon)
Part III: Recitative: Thy Harmony's divine (Queen of Sheba)
Part III: Air: Pious king, and virtuous queen (Levite)
Part III: Recitative: Thrice happy king (Zadok)
Part III: Air: Golden columns, fair and bright (Zadok)
Part III: Praise the Lord (Chorus)
Part III: Recitative: Gold now is common (Solomon)
Part III: Air: How green our fertile pastures look (Solomon)
Part III: Recitative: May peace in Salem ever dwell (Queen of Sheba)
Part III: Air: Will the sun forget to streak (Queen of Sheba)
Part III: Recitative: Adieu, fair queen (Solomon)
Part III: Duet: Ev'ry joy, that wisdom knows (Solomon, Queen of Sheba)
Part III: The name of the wicked (Chorus)
Part I: Vor Edens Tor im Morgenprangen (Alto)
Part I: Wie glucklich sie wandeln, die sel'gen Geister (Peri)
Part I: Der hehre Engel, der die Pforte (Tenor, Engel)
Part I: Wo find' ich sie? Wo bluht, wo liegt (Peri)
Part I: Sa sann sie nach und schwang die Flugel (Tenor, Soprano, Alto, Baritone)
Part I: Doch seine Strome sind jetzt rot von (Chorus)
Part I: Und einsam steht ein Jungling noch (Tenor, Chorus, Gazna, Jungling)
Part I: Weh, weh, er fehlte das Ziel (Chorus)
Part I: Die Peri sah das Mal der Wunde (Tenor, Peri, Chorus)
Part II: Die Peri tritt mit schuchterner Gebarde (Tenor, Engel, Chorus)
Part II: Ihr erstes Himmelschoffen schwand (Tenor, Chorus, Peri)
Part II: Fort streift von hier das Kind der Lufte (Tenor, Peri)
Part II: Die Peri weint, von ihrer Trane scheint (Tenor, Soprano, Alto, Bass)
Part II: Im Waldesgrun am stillen See (Alto, Jungling)
Part II: Verlassener Jungling, nur das Eine (Mezzo-soprano, Tenor, Jungling)
Part II: O lass mich von der Luft durchdringen (Jungfrau, Tenor)
Part II: Schlaf nun und ruhe in Traumen voll Duft (Peri, Chorus)
Part III: Schmucket die Stufen zu Allahs Thron (Chorus)
Part III: Dem Sang von Ferne lauschend, schwingt (Tenor, Engel)
Part III: Verstossen! Verschlossen (Peri)
Part III: Jetzt sank des Abends gold'ner Schein (Bass)
Part III: Und wie sie niederwarts sich schwingt (Tenor, Chorus, Baritone)
Part III: Hinab zu jenem Sonnentempel! (Peri, Tenor, Mezzo-soprano, Mann)
Part III: O heil'ge Tranen inniger Reue (Chorus, Soprano, Alto, Tenor, Bass)
Part III: Es fallt ein Tropfen aufs Land (Peri, Tenor, Chorus)
Part III: Freud', ew'ge Freude, mein Werk ist getan (Peri, Chorus)
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Benedictus
6. Agnus Dei
Stabat Mater dolorosa (Soprano, Contralto, Tenor, Bass, Chorus)
Quis est homo, qui non fleret (Soprano, Contralto, Tenor, Bass)
Eja, Mater, fons amoris (Chorus)
Fac, ut ardeat cor meum (Bass, Chorus)
Inflammatus et accensus (Contralto)
Quando corpus morietur (Soprano, Contralto, Tenor, Bass, Chorus)
Psalm 149, Op. 79


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