London Symphony Orchestra

Composers

Biography

Active: 1904 - ; England
Formed in 1904 by a group of 46 musicians who had resigned from London's Queen's Hall Orchestra because of change in policy, the London Symphony Orchestra (LSO) is an ensemble of "firsts." It was the first orchestra in England to set up a self-governing administrative structure, the first to tour North America, and the first to accept commercial sponsorship. Known as one of England's most gifted and versatile ensembles, it is the resident Read more orchestra at London's famous Barbican Centre. This and the fact that the LSO tours extensively; has provided music for countless films, radio broadcasts, and television productions; and records prolifically has helped to consolidate the group's reputation as one of the world's leading orchestras.

During the late nineteenth and early twentieth century, London musicians worked on a strictly freelance basis, finding work where they could for the highest possible fee. In 1904, Henry Wood, conductor of the Queen's Hall Orchestra, decided that he could no longer tolerate the chaos of the situation and hired players as full-time employees with a small but guaranteed wage for about 100 scheduled performances a year. Many of the best musicians, who were in great demand and who stood to lose a significant portion of their earnings through this restriction, resigned from Wood's ensemble and formed their own, self-governing orchestra.

Soon after its creation, the LSO invited Hans Richter to be its first conductor. He accepted the position on the condition that the orchestra increase its number to at least 100 players. Although Richter conducted a great many of the orchestra's concerts during his eight-year tenure, the group also attracted numerous other distinguished conductors to the podium. These included Nikisch, Steinbach, and Elgar. In so doing, the LSO promoted the idea of guest conductors in English musical society.

Two years after its foundation, the orchestra played its first concerts outside England; two concerts in Paris. Under the direction of Nikisch in 1912, the LSO became the first British orchestra to tour North America, presenting 28 concerts in 21 days, beginning and ending with performances in New York's Carnegie Hall.

Over the next 50 years, the LSO was lead by a number of gifted and distinguished conductors including Sir Thomas Beecham, Albert Coates , Sir Hamilton Harty, Josef Krips, Pierre Monteux, Istvan Kertesz, André Previn, and Claudio Abbado. All of these men, in addition to the many guest conductors and artists invited to work with the LSO, left their marks on the orchestra; shaping and honing the virtuosity of its players into an ensemble of great sensitivity and versatility.

The orchestra's association with the film industry began in 1922 when Walter Wanger, head of United Artists, hired the LSO to play for the presentation of silent films at Covent Garden's Opera House. Since then, the ensemble has provided music for numerous films including the Star Wars series for which the LSO won a platinum disc.

The LSO's connection with the BBC goes back to 1924 when Ralph Vaughan Williams conducted the orchestra in the premiere broadcast performance of his Pastoral Symphony. The LSO was the unofficial orchestra in residence for the BBC until the formation of the BBC Symphony in 1930 and has continued to broadcast concerts and provide background music for many BBC productions.

When Michael Tilson Thomas replaced Abbado in 1987, he set about securing the organization's financial as well as musical future by encouraging the LSO to accept corporate sponsorship. Conducted by Sir Colin Davis since 1995, the London Symphony Orchestra has long enjoyed its well-deserved reputation as a pioneer in several areas of British orchestral history and is a highly versatile and distinguished world-class ensemble. Read less
Nielsen: Symphonies Nos. 1-6 / Colin Davis, London SO
Release Date: 03/10/2015   Label: Lso Live  
Catalog: 789   Number of Discs: 4
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Holst: The Planets / Previn, London Symphony Orchestra
Release Date: 12/26/2007   Label: Warner Classics  
Catalog: 47160   Number of Discs: 1
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Beethoven: Symphonies 1-9 / Haitink, London Symphony Orchestra
Release Date: 09/12/2006   Label: Lso Live  
Catalog: 598   Number of Discs: 6
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Haydn: Symphonies 92, 93, 97-99 / Davis, London Symphony Orchestra
Release Date: 08/12/2014   Label: Lso Live  
Catalog: 702   Number of Discs: 2
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Smetana: Má Vlast / Davis, London SO
Release Date: 10/11/2005   Label: Lso Live  
Catalog: 61   Number of Discs: 1
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There are 1,966 London Symphony Orchestra recordings available.

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Biography

Active: 1904 - ; England
Formed in 1904 by a group of 46 musicians who had resigned from London's Queen's Hall Orchestra because of change in policy, the London Symphony Orchestra (LSO) is an ensemble of "firsts." It was the first orchestra in England to set up a self-governing administrative structure, the first to tour North America, and the first to accept commercial sponsorship. Known as one of England's most gifted and versatile ensembles, it is the resident Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
1. Toccata
2. Waltz
3. Impromptu
4. March
1. Allegro appassionato
2. Moderato
3. Allegro molto
Harold en Italie, Op. 16: I. Harold aux Montagnes: Scčnes de la mélancolie, de bonheur et de joie
Harold en Italie, Op. 16: II. Marche de pélerins chantant la pričre du soir
Harold en Italie, Op. 16: III. Sérénade d'un Montagnard des Abruzzes ŕ sa maîtresse
Harold en Italie, Op. 16: IV. Orgie de Brigands: Souvenirs des scčnes précédentes
1. Allegramente
2. Adagio assai
3. Presto
1. Allegro maestoso
2. Romance (Larghetto)
3. Rondo (Vivace)
1. Allegro maestoso
2. Quasi adagio - Allegretto vivace - Allegro animato
3. Allegro marziale animato
Beginning
The curtain rises
First seduction game: the shabby old rake
Second seduction game
The shy youth appears at the door.
Third seduction game
The Mandarin enters - Encounter with the girl
The girl's dance
She flees from him; he chases her wildly.
The Mandarin stumbles, but catches the girl;they fight The tramps leap out, seize the Mandarin, rob him and suffocate him with pillows.
Suddenly the Mandarin's head appears. The tramps drag him out...
They drag the Mandarin to the centre of the room - The Mandarin's body begins to glow.
The tramps take him down. He falls to the floor and at once leaps at the girl. They embrace.
His longing stilled, the Mandarin's wounds begin to bleed; he becomes weaker and dies.
1. "Ideal"
One Grotesque - Presto
1. Tempo molto moderato - Largamente - Allegro modera- to
2. Andante mosso, quasi allegretto
3. Allegro molto
1. Allegro molto moderato
2. Allegretto moderato
3. Poco vivace
4. Allegro molto
4. Allegro molto
Symphony No.7 in C, Op.105
Symphony No.7 in C, Op.105
1. Vivace
2. Andante
3. Allegro vivace
1. Moderato
2. Adagio sostenuto
3. Allegro scherzando
1. Allegro ma non tanto
2. Intermezzo (Adagio)
3. Finale (Alla breve)
1. Allegro vivace (Alla breve)
2. Largo
3. Allegro vivace
Prologue (Chorus)
Part I: And it came to pass in those days (Tenor)
Part I: The voice of Thy watchman
Part I: Shofar
Part I: It is a good thing to give thanks unto the Lord
Part I: And when it was day, He called unto Him His disciples (Tenor)
Part I: Blessed are the poor in spirit (Jesus)
Part I: And straightway Jesus constrained His disciples to get into a ship (Tenor)
Part I: O Lord Almighty, God of Israel (Mary Magdalene)
Part I: This shall ye have of Mine hand (Mary Magdalene)
Part I: When Jesus came into the parts of Cćsarea Philippi (Tenor)
Part I: Thy face, Lord, will I seek (Mary Magdalene)
Part II: Introduction
Part II: And it came to pass that He went throughout every city and village (Tenor)
Part II: Then gathered the chief Priests and Pharisees a council (Tenor and Bass)
Part II: Hail, Master! (Judas)
Part II: Thou also wast with Jesus of Nazareth
Part II: Then Judas, which had betrayed Him (Contralto)
Part II: Whither shall I go from Thy Spirit? (Judas)
Part II: Truly this was the Son of God (Chorus)
Part II: And very early in the morning they came unto the sepulchre ... (Contralto)
Part II: We trusted that it had been He which should have redeemed Israel
1. Andante un poco maestoso - Allegro molto vivace
2. Larghetto
3. Scherzo (Molto vivace)
4. Allegro animato e grazioso
1. Allegro non troppo
2. Andante moderato
3. Allegro giocoso - Poco meno presto - Tempo I
4. Allegro energico e passionato - Piů allegro
1. Ziemlich langsam - Lebhaft
2. Romanze (Ziemlich langsam)
3. Scherzo
4. Langsam - Lebhaft - Schneller - Presto
1. Adagio - Vivace assai
2. Andante
3. Menuet (Allegro molto)
4. Finale (Allegro di molto)
1. Adagio - Allegro spiritoso
2. Adagio
3. Menuet (Allegretto)
4. Presto
1. Adagio - Allegro
2. Andante
3. Menuet (Allegro)
4. Finale (Spiritoso)
1. Adagio - vivace assai
2. Adagio
3. Menuetto (Allegretto)
4. Finale (Vivace)
1. Adagio - Allegro
2. Andante
3. Scherzo (Presto)
4. Allegro moderato
1. Allegro vivace
2. Andante con moto
3. Con moto moderato
4. Saltarello (Presto)
Misero! O Sogno, K.431
Aura, che intorno spiri, K.431
Or che il dover, K.36
Tali e cotanti sono, K.36
Act I: Overture
Act I: Introduzione, Scena - Buona notte, mia figlia
Act I: Recitativo e romanza - Temea restasse
Act I: Me, pellegrina ed orfana
Act I: Scena e duetto - M'aiuti, signorina
Act I: Ah, per sempre, o mio bell'angiol
Act I: Dimani si partirŕ
Act I: Scena finale - Č tardi
Act II: Scene 1: Coro, Ballabile - Holŕ, holŕ, holŕ!
Act II: Scene 1: Scena - La cena č pronta
Act II: Scene 1: Canzone - Al suon del tamburo
Act II: Scene 1: Preghiera - Padre Eterno, Signor, pietŕ di noi
Act II: Scene 1: Scena - Viva la buona compagnia!
Act II: Scene 1: Poich'č imberbe... Ballata - Son Pereda, son ricco d'onore
Act II: Scene 1: Scena, coro e ripresa della danza - Sta bene
Act II: Scene 2: Aria - Son giunta! Grazie, o Dio!
Act II: Scene 2: Madre, pietosa Vergine
Act II: Scene 2: Scena - Chi siete?
Act II: Scene 2: Scena e duetto - Chi mi cerca?
Act II: Scene 2: Se voi scacciate questa pentita
Act II: Scene 3: Finale II - Il santo nome di Dio Signore
Act II: Scene 3: La Vergine degli angeli
Act III: Scene 1: Scena e romanza - Attenti al gioco
Act III: Scene 1: La vita č inferno all'infelice
Act III: Scene 1: O tu che in seno agli angeli
Act III: Scene 1: Scena, duettino e battaglia - Al tradimento! ... Amici in vita e in morte
Act III: Scene 1: Scena e duettino - Piano, qui posi
Act III: Scene 1: Solenne in quest'ora
Act III: Scene 1: Scena ed aria - Morir! Tremenda cosa!
Act III: Scene 1: Urna fatale del mio destino
Act III: Scene 2: Ronda - Compagni, sostiamo
Act III: Scene 2: Scena e duetto - Nč gustare m'č dato
Act III: Scene 2: Sleale! Il segreto
Act III: Scene 2: Fermi, arrestate!
Act III: Scene 2: Coro e strofe - Lorchč pifferi e tamburi
Act III: Scene 2: Scena ed arietta - Qua, vivandiere, un sorso
Act III: Scene 2: A buon mercato chi vuol comprare
Act III: Scene 2: Coro - Pane, pan, per caritŕ
Act III: Scene 2: Coro, Tarantella - Nella guerra č la follia
Act III: Scene 2: Predica - Toh! Toh! Poffare il mondo!
Act III: Scene 2: Rataplan - Lasciatelo ch'ei vada... Rataplan, rataplan, rataplan!
Act IV: Scene 1: Coro ed aria buffa - Fate la caritŕ
Act IV: Scene 1: Scena e duetto - Auf! Pazienza non v'ha
Act IV: Scene 1: Scena - Giunge qualcuno aprite
Act IV: Scene 1: Scena e duetto - Invano, Alvaro, ti celasti
Act IV: Scene 1: Le minacce, i fieri accenti
Act IV: Scene 1: Ah, una suora mi lasciasti
Act IV: Scene 2: Melodia - Pace, pace, mio Dio
Act IV: Scene 2: Scena e terzetto finale - Io muoio!
Act IV: Scene 2: Non imprecare, umiliati
Act I: Preludio
Act I: Scene 1: Introduzione e scena - Sě, corre voce che l'Etiope
Act I: Scene 1: Romanza - Se quel guerrier io fossi! ... Celeste Aida
Act I: Scene 1: Quale insolita gioia nel tuo sguardo!
Act I: Scene 1: Dessa!
Act I: Scene 1: Ohimč! Di guerra fremere
Act I: Scene 1: Alta cagion v'aduna
Act I: Scene 1: Il sacro suolo dell'Egitto č invaso
Act I: Scene 1: Su! Del Nilo al sacro lido
Act I: Scene 1: Scena e romanza - Ritorna vincitor! ... Numi, pieta
Act I: Scene 2: Possente, possente Fthŕ
Act I: Scene 2: Danza sacra delle sacerdotesse - Immenso Fthŕ
Act I: Scene 2: Mortal, diletto ai numi
Act I: Scene 2: Nume, custode e vindice
Act II: Scene 1: Scena e coro di donne - Chi mai fra gl'inni e i plausi
Act II: Scene 1: Danza degli schiavi mori
Act II: Scene 1: Vieni, sul crin ti piovano
Act II: Scene 1: Fu la sorte dell'armi
Act II: Scene 1: Pietŕ ti prenda del mio dolor
Act II: Scene 1: Su! Del Nilo al sacro lido
Act II: Scene 2: Gloria all'Egitto, ad Iside - Marcia trionfale
Act II: Scene 2: Ballabile
Act II: Scene 2: Vieni, o guerriero vindice
Act II: Scene 2: Salvator della patria
Act II: Scene 2: Concedi in pria
Act II: Scene 2: Che veggo! Egli? Mio padre!
Act II: Scene 2: Quest'assisa ch'io vesto vi dica
Act II: Scene 2: Ma tu, re, tu, signore possente
Act II: Scene 2: O re, pei sacri numi
Act II: Scene 2: Gloria all'Egitto ad Iside
Act II: Scene 2: Fa' cor - della tua patria
Act III: Introduzione e preghiera - O tu che sei d'Osiride
Act III: Vieni d'Iside al tempio
Act III: Romanza - Qui Radamčs verrŕ!
Act III: O patria mia
Act III: Duetto - Ciel! Mio padre!
Act III: Rivedrai le foreste imbalsamate
Act III: In armi ora si desta il popol nostro
Act III: Padre, a costoro schiava non sono
Act III: Duetto - Pur ti riveggo, mia dolce Aida
Act III: Nel fiero anelito di nuova guerra
Act III: Fuggiam gli ardori inospiti
Act III: Aida! Tu non m'ami
Act III: Ah no! Fuggiamo!
Act III: Ma, dimmi
Act III: Ah no! Ti calma, ascoltami
Act III: Muori! Arresta insano!
Act IV: Scene 1: L'aborrita rivale a me sfuggia
Act IV: Scene 1: Io l'amo, io l'amo sempre
Act IV: Scene 1: Giŕ i sacerdoti adunansi
Act IV: Scene 1: Ah! Tu dęi vivere!
Act IV: Scene 1: Chi ti salva, sciagurato
Act IV: Scene 1: Ohimč! Morir mi sento
Act IV: Scene 1: Spirto del nume, sovra noi discendi!
Act IV: Scene 1: Radamčs! Radamčs! Radamčs!
Act IV: Scene 1: A lui vivo, la tomba!
Act IV: Scene 2: La fatal pietra sova me si chiuse
Act IV: Scene 2: Presago il core della tua condanna
Act IV: Scene 2: Vedi? Di morte l'angelo
Act IV: Scene 2: O terra, addio - addio, valle di pianti
Prelude
"Jesu, Maria, I Am Near To Death"
"Rouse Thee, My Fainting Soul"
"Sanctus Fortis, Sanctus Deus"
"Proficiscere, Anima Christiana"
"I Went To Sleep"
"It Is a Member Of That Family Of Wondrous Beings"
"But Hark! Upon My Senses Comes a Fierce Hubbub"
"I See Not Those False Spirits"
"But Hark! A Grand Mysterious Harmony"
"Thy Judgement Now Is Near"
"I Go Before My Judge"
"Softly and Gently"
I. Lento - Allegro agitato ma molto energico
II. Andante molto moderato
III. Vivace
IV. Allegro energico e molto marcato
I. Waves: Poco agitato
II. Chanty: Andante misterioso
III. At Sea: Allegro vivo
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Theme - Allegro maestoso e largamente
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation A: Flutes & Piccolo - Presto
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation B: Oboes - Lento
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation C: Clarinets - Moderato
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation D: Bassoons - Allegro alla marcia
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation E: Violins - Brillante - alla polacca
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation F: Violas - Meno mosso
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation G: Cellos
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation H: Double Basses - Cominciando lento ma poco a poco accelerando
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation I: Harp - Maestoso
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation J: Horns - L'istesso tempo
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation K: Trumpets - Vivace
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation L: Trombones & Bass Tuba - Allegro pomposo
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation M: Percussion - Moderato
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Fugue - Allegro molto
Britten: Serenade for tenor, horn & strings, Op.31 - Prologue
Britten: Serenade for tenor, horn & strings, Op.31 - Pastoral - The Day's Grown Old
Britten: Serenade for tenor, horn & strings, Op.31 - Nocturne - The Splendour Falls on Castle Walls
Britten: Serenade for tenor, horn & strings, Op.31 - Elegy - O Rose, Thou Art Sick
Britten: Serenade for tenor, horn & strings, Op.31 - Dirge - This Ae Night
Britten: Serenade for tenor, horn & strings, Op.31 - Hymn - Queen and Huntress Chaste and Fair
Britten: Serenade for tenor, horn & strings, Op.31 - Sonnet - O Soft Embalmer of the Still Midnight
Britten: Serenade for tenor, horn & strings, Op.31 - Epilogue
Britten: Violin Concerto, Op.15 - 1. Moderato con moto
Britten: Violin Concerto, Op.15 - 2. Vivace
Britten: Violin Concerto, Op.15 - 3. Passacaglia; Andante lento
Part I: Introduction
Part I: The Merry Cuckoo
Part I: Spring, the Sweet Spring
Part I: The Driving Boy
Part I: The Morning Star
Part II: Welcome Maids of Honour
Part II: Waters above
Part II: Out on the Lawn I lie in Bed
Part III: When will my May come
Part III: Fair and Fair
Part III: Sound the Flute
Part IV: Finale
No. 1. March
No. 2. Jig
No. 3. Roundel
No. 4. Modulation
No. 5. Canon
Part I: Prelude
Part I: Jesu, Maria - I am near to death (Gerontius)
Part I: Kyrie eleison (Chorus)
Part I: Rouse thee, my fainting soul (Gerontius)
Part I: Be merciful, be gracious (Chorus)
Part I: Sanctus fortis, Sanctus Deus (Gerontius)
Part I: I can no more; for now it comes again (Gerontius)
Part I: Rescue him, O Lord (Chorus)
Part I: Novissima hora est (Gerontius)
Part I: Profiscere, anima Christiana (The Priest)
Part I: Go, in the name of Angels (Chorus)
Part II: I went to sleep (The Soul of Gerontius)
Part II: My work is done (The Angel, The Soul of Gerontius)
Part II: All hail, my child! (The Angel, The Soul of Gerontius)
Part II: Low-born clods of brute earth (Chorus)
Part II: It is the restless panting of their being (The Angel)
Part II: The mind bold and independent (Chorus)
Part II: I see not those false spirits (The Soul of Gerontius, The Angel)
Part II: Praise to the Holiest (Chorus, Angel)
Part II: We now have passed the gate (Angel, The Soul of Gerontius)
Part II: Glory to Him (Chorus)
Part II: They sing of thy approaching agony (The Angel, The Soul of Gerontius)
Part II: But hark! A grand mysterious harmony (The Soul of Gerontius)
Part II: And now the threshold (The Angel)
Part II: Praise to the Holiest (Chorus)
Part II: The judgment now is near (The Angel, The Soul of Gerontius)
Part II: Jesu! By that shuddering dread (The Angel of the Agony)
Part II: I go before my Judge (The Soul of Gerontius, Chorus)
Part II: Praise to His Name! (The Angel)
Part II: Take me away (The Soul of Gerontius)
Part II: Lord, Thou hast been our refuge (Chorus)
Part II: Softly and gently (The Angel, Chorus)
1. Allegro moderato - Allegro
2. Andante
3. Allegro molto
1. Allegretto
2. Adagio religioso
3. Allegro vivace
1. Requiem - Kyrie
2. Dies irae - Tuba mirum
3. Quid sum miser
4. Rex tremendae
5. Quaerens me
6. Lacrymosa
7. Domine Jesu Christe
8. Hostias
9. Sanctus
10. Agnus Dei
Te Deum
Tibi omnes
Dignare
Christe, rex gloriae
Te ergo quaesumus
Judex crederis
Theme (Andante)
1. C.A.E. (L'istesso tempo)
2. H.D.S.-P. (Allegro)
3. R.B.T. (Allegretto)
4. W.M.B. (Allegro di molto)
5. R.P.A. (Moderato)
6. Ysobel (Andantino)
7. Troyte (Presto)
8. W.N. (Allegretto)
9. Nimrod (Adagio)
10. Intermezzo: Dorabella (Allegretto)
11. G.R.S. (Allegro di molto)
12. B.G.N. (Andante)
13. Romanza *** (Moderato)
14. Finale: E.D.U. (Allegro - Presto)
Das Trinklied vom Jammer der Erde
Der Einsame im Herbst
Von der Jugend
Von der Schönheit
Der Trunkene im Frühling
Der Abschied
1. Allegro con brio
2. Andante
3. Menuetto
4. Allegro
1. Allegro
2. (Andante)
3. Allegro
1. Molto allegro
2. Andante
3. Menuetto (Allegretto)
4. Finale (Allegro assai)
1. Dixit Dominus Domino meo
2. Confitebor tibi, Domine
3. Beatus vir qui timet Dominum
4. Laudate pueri Dominum
5. Laudate Dominum omnes gentes
6. Magnificat anima mea
1st scene
2nd scene
3rd scene
Part I: The Adoration of the Earth: Introduction
Part I: The Adoration of the Earth: Harbingers of Spring (Dances of the Adolescents)
Part I: The Adoration of the Earth: Ritual of Abduction
Part I: The Adoration of the Earth: Spring Rounds
Part I: The Adoration of the Earth: Games of the Rival Tribes
Part I: The Adoration of the Earth: Procession of the Wise Elder
Part I: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Part I: The Adoration of the Earth: Dance of the Earth
Part II: The Sacrifice: Introduction (Pagan Night)
Part II: The Sacrifice: Mystic Circles of the Young Girls
Part II: The Sacrifice: Glorification of the Choosen One
Part II: The Sacrifice: Summoning of the Ancients
Part II: The Sacrifice: Ritual of the Ancients
Part II: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth - Introduction
Auguries of Spring (Dances of the Young Girls)
Mock Abduction
Spring Khorovod (Round Dance)
Games of the Rival Clans
Procession of the Wise Elder
Adoration of the Earth (The Wise Elder)
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystical Circles of the Young Girls
Glorification of the Chosen One
The Summoning of the Ancients
Ritual of the Ancients
Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part I: Introduction
Part I: Dance of the Young Boys and Girls
Part I: Mock Abduction
Part I: Spring Rounds
Part I: Games of the Rival Towns
Part I: Procession of the Wise Elders
Part I: Adoration of the Earth
Part I: Dance of the Earth
Part II: Introduction
Part II: Mystic Circles of the Young Girls
Part II: Glorification of the Chosen One
Part II: Summoning of the Ancients
Part II: Ritual of the Ancients
Part II: Sacrificial Dance
Stravinsky: Le sacre du printemps (The Rite of Spring): Le sacre du printemps: The Adoration of the Earth: Introduction
Le sacre du printemps: The Adoration of the Earth: Harbingers of Spring (Dances of the Adolescents)
Le sacre du printemps: The Adoration of the Earth: Ritual of Abduction
Le sacre du printemps: The Adoration of the Earth: Spring Rounds
Le sacre du printemps: The Adoration of the Earth: Games of the Rival Tribes
Le sacre du printemps: The Adoration of the Earth: Procession of the Wise Elder
Le sacre du printemps: The Adoration of the Earth: Adoration of the Earth (Wise Elder)
Le sacre du printemps: The Adoration of the Earth: Dance of the Earth
Le sacre du printemps: The Sacrifice: Introduction (Pagan Night)
Le sacre du printemps: The Sacrifice: Mystic Circles of the Young Girls
Le sacre du printemps: The Sacrifice: Glorification of the Choosen One
Le sacre du printemps: The Sacrifice: Summoning of the Ancients
Le sacre du printemps: The Sacrifice: Ritual of the Ancients
Le sacre du printemps: The Sacrifice: Sacrificial Dance (Chosen One)
Le sacre du printemps (The Rite of Spring): Part One: The Adoration of the Earth - Introduction
Auguries of Spring (Dances of the Young Girls)
Mock Abduction
Spring Khorovod (Round Dance)
Games of the Rival Clans
Procession of the Wise Elder
Adoration of the Earth (The Wise Elder)
Dance of the Earth
Part Two: The Sacrifice - Introduction
Mystical Circles of the Young Girls
Glorification of the Chosen One
The Summoning of the Ancients
Ritual of the Ancients
Sacrificial Dance (The Chosen Victim)
The Rite of Spring: Part I: The Adoration of the Earth: Introduction
Part I: The Adoration of the Earth: Harbingers of Spring (Dances of the Young Girls)


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