London Symphony Orchestra

Composers

Biography

Active: 1904 - ; England
Formed in 1904 by a group of 46 musicians who had resigned from London's Queen's Hall Orchestra because of change in policy, the London Symphony Orchestra (LSO) is an ensemble of "firsts." It was the first orchestra in England to set up a self-governing administrative structure, the first to tour North America, and the first to accept commercial sponsorship. Known as one of England's most gifted and versatile ensembles, it is the resident Read more orchestra at London's famous Barbican Centre. This and the fact that the LSO tours extensively; has provided music for countless films, radio broadcasts, and television productions; and records prolifically has helped to consolidate the group's reputation as one of the world's leading orchestras.

During the late nineteenth and early twentieth century, London musicians worked on a strictly freelance basis, finding work where they could for the highest possible fee. In 1904, Henry Wood, conductor of the Queen's Hall Orchestra, decided that he could no longer tolerate the chaos of the situation and hired players as full-time employees with a small but guaranteed wage for about 100 scheduled performances a year. Many of the best musicians, who were in great demand and who stood to lose a significant portion of their earnings through this restriction, resigned from Wood's ensemble and formed their own, self-governing orchestra.

Soon after its creation, the LSO invited Hans Richter to be its first conductor. He accepted the position on the condition that the orchestra increase its number to at least 100 players. Although Richter conducted a great many of the orchestra's concerts during his eight-year tenure, the group also attracted numerous other distinguished conductors to the podium. These included Nikisch, Steinbach, and Elgar. In so doing, the LSO promoted the idea of guest conductors in English musical society.

Two years after its foundation, the orchestra played its first concerts outside England; two concerts in Paris. Under the direction of Nikisch in 1912, the LSO became the first British orchestra to tour North America, presenting 28 concerts in 21 days, beginning and ending with performances in New York's Carnegie Hall.

Over the next 50 years, the LSO was lead by a number of gifted and distinguished conductors including Sir Thomas Beecham, Albert Coates , Sir Hamilton Harty, Josef Krips, Pierre Monteux, Istvan Kertesz, André Previn, and Claudio Abbado. All of these men, in addition to the many guest conductors and artists invited to work with the LSO, left their marks on the orchestra; shaping and honing the virtuosity of its players into an ensemble of great sensitivity and versatility.

The orchestra's association with the film industry began in 1922 when Walter Wanger, head of United Artists, hired the LSO to play for the presentation of silent films at Covent Garden's Opera House. Since then, the ensemble has provided music for numerous films including the Star Wars series for which the LSO won a platinum disc.

The LSO's connection with the BBC goes back to 1924 when Ralph Vaughan Williams conducted the orchestra in the premiere broadcast performance of his Pastoral Symphony. The LSO was the unofficial orchestra in residence for the BBC until the formation of the BBC Symphony in 1930 and has continued to broadcast concerts and provide background music for many BBC productions.

When Michael Tilson Thomas replaced Abbado in 1987, he set about securing the organization's financial as well as musical future by encouraging the LSO to accept corporate sponsorship. Conducted by Sir Colin Davis since 1995, the London Symphony Orchestra has long enjoyed its well-deserved reputation as a pioneer in several areas of British orchestral history and is a highly versatile and distinguished world-class ensemble. Read less
Karl Bohm - Late Recordings - Vienna, London, Dresden
Release Date: 06/23/2015   Label: Deutsche Grammophon  
Catalog: 002327602   Number of Discs: 23
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Mendelssohn / Abbado, London Symphony Orchestra
Release Date: 07/31/2015   Label: Deutsche Grammophon  
Catalog: 002347302   Number of Discs: 5
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Vaughan Williams: Complete Concertos / Thompson, London So
Release Date: 02/01/1994   Label: Chandos  
Catalog: 9262   Number of Discs: 2
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Holst: Orchestral Works / Hickox, London Symphony Orchestra
Release Date: 02/20/1996   Label: Chandos  
Catalog: 9420   Number of Discs: 1
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Bruch: Violin Concerto No 3, Symphony No 1 / Hickox, Et Al
Release Date: 02/22/2000   Label: Chandos  
Catalog: 9784   Number of Discs: 1
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There are 1,857 London Symphony Orchestra recordings available.

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Biography

Active: 1904 - ; England
Formed in 1904 by a group of 46 musicians who had resigned from London's Queen's Hall Orchestra because of change in policy, the London Symphony Orchestra (LSO) is an ensemble of "firsts." It was the first orchestra in England to set up a self-governing administrative structure, the first to tour North America, and the first to accept commercial sponsorship. Known as one of England's most gifted and versatile ensembles, it is the resident Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Flight, Concerto for Violin & Strings: I
Flight, Concerto for Violin & Strings: II
Flight, Concerto for Violin & Strings: III
Flight, Concerto for Violin & Strings: IV
Flight, Concerto for Violin & Strings: V
1. Toccata
2. Waltz
3. Impromptu
4. March
1. Allegro appassionato
2. Moderato
3. Allegro molto
Harold en Italie, Op. 16: I. Harold aux Montagnes: Scčnes de la mélancolie, de bonheur et de joie
Harold en Italie, Op. 16: II. Marche de pélerins chantant la pričre du soir
Harold en Italie, Op. 16: III. Sérénade d'un Montagnard des Abruzzes ŕ sa maîtresse
Harold en Italie, Op. 16: IV. Orgie de Brigands: Souvenirs des scčnes précédentes
La mort de Cléopâtre: I. Scčne Lyrique
La mort de Cléopâtre: II. Méditation
Ravel: Piano Concerto In G, M. 83 - 1. Allegramente
Ravel: Piano Concerto In G, M. 83 - 2. Adagio assai
Ravel: Piano Concerto In G, M. 83 - 3. Presto
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 1. Allegro maestoso
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 2. Romance (Larghetto)
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 3. Rondo (Vivace)
Liszt: Piano Concerto No.1 In E Flat, S.124 - 1. Allegro maestoso
Liszt: Piano Concerto No.1 In E Flat, S.124 - 2. Quasi adagio - Allegretto vivace - Allegro animato
Liszt: Piano Concerto No.1 In E Flat, S.124 - 3. Allegro marziale animato
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Beginning
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The curtain rises
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - First seduction game: the shabby old rake
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Second seduction game
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The shy youth appears at the door.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Third seduction game
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The Mandarin enters - Encounter with the girl
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The girl's dance
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - She flees from him; he chases her wildly.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The Mandarin stumbles, but catches the girl;they fight The tramps leap out, seize the Mandarin, rob him and suffocate him with pillows.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - Suddenly the Mandarin's head appears. The tramps drag him out...
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - They drag the Mandarin to the centre of the room - The Mandarin's body begins to glow.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - The tramps take him down. He falls to the floor and at once leaps at the girl. They embrace.
Bartók: The Miraculous Mandarin, BB 82, Sz. 73 (Op.19) - Pantomime in one act with text from Menyhért Lengyel - His longing stilled, the Mandarin's wounds begin to bleed; he becomes weaker and dies.
Bartók: 2 Portraits, (Op.5) Sz. 37 - 1. "Ideal"
Bartók: 2 Portraits, (Op.5) Sz. 37 - One Grotesque - Presto
Sibelius: Symphony No.5 in E flat, Op.82 - 1. Tempo molto moderato - Largamente - Allegro modera- to
Sibelius: Symphony No.5 in E flat, Op.82 - 2. Andante mosso, quasi allegretto
Sibelius: Symphony No.5 in E flat, Op.82 - 3. Allegro molto
Sibelius: Symphony No.6 in D minor, Op.104 - 1. Allegro molto moderato
Sibelius: Symphony No.6 in D minor, Op.104 - 2. Allegretto moderato
Sibelius: Symphony No.6 in D minor, Op.104 - 3. Poco vivace
Sibelius: Symphony No.6 in D minor, Op.104 - 4. Allegro molto
1. Allegro
2. Larghetto
3. Gavotta (Non troppo allegro)
4. Finale (Vivace)
1. Andante
2. Allegro marcato
3. Adagio
4. Allegro giocoso
1. Moderato
2. Allegretto
3. Andante espressivo
4. Vivace
Rachmaninov: Piano Concerto No.1 in F Sharp Minor, Op.1 - 1. Vivace
Rachmaninov: Piano Concerto No.1 in F Sharp Minor, Op.1 - 2. Andante
Rachmaninov: Piano Concerto No.1 in F Sharp Minor, Op.1 - 3. Allegro vivace
Rachmaninov: Piano Concerto No.2 in C Minor, Op.18 - 1. Moderato
Rachmaninov: Piano Concerto No.2 in C Minor, Op.18 - 2. Adagio sostenuto
Rachmaninov: Piano Concerto No.2 in C Minor, Op.18 - 3. Allegro scherzando
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 1. Allegro ma non tanto
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 2. Intermezzo (Adagio)
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 3. Finale (Alla breve)
Rachmaninov: Piano Concerto No.4 In G Minor, Op.40 - 1. Allegro vivace (Alla breve)
Rachmaninov: Piano Concerto No.4 In G Minor, Op.40 - 2. Largo
Rachmaninov: Piano Concerto No.4 In G Minor, Op.40 - 3. Allegro vivace
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio
Symphony No. 3 in F Major, Op. 90: II. Andante
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
Symphony No. 3 in F Major, Op. 90: IV. Allegro
Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato
Prologue (Chorus)
Part I: And it came to pass in those days (Tenor)
Part I: The voice of Thy watchman
Part I: Shofar
Part I: It is a good thing to give thanks unto the Lord
Part I: And when it was day, He called unto Him His disciples (Tenor)
Part I: Blessed are the poor in spirit (Jesus)
Part I: And straightway Jesus constrained His disciples to get into a ship (Tenor)
Part I: O Lord Almighty, God of Israel (Mary Magdalene)
Part I: This shall ye have of Mine hand (Mary Magdalene)
Part I: When Jesus came into the parts of Cćsarea Philippi (Tenor)
Part I: Thy face, Lord, will I seek (Mary Magdalene)
Part II: Introduction
Part II: And it came to pass that He went throughout every city and village (Tenor)
Part II: Then gathered the chief Priests and Pharisees a council (Tenor and Bass)
Part II: Hail, Master! (Judas)
Part II: Thou also wast with Jesus of Nazareth
Part II: Then Judas, which had betrayed Him (Contralto)
Part II: Whither shall I go from Thy Spirit? (Judas)
Part II: Truly this was the Son of God (Chorus)
Part II: And very early in the morning they came unto the sepulchre ... (Contralto)
Part II: We trusted that it had been He which should have redeemed Israel
Schumann: Symphony No.1 in B flat, Op.38 - "Spring" - 1. Andante un poco maestoso - Allegro molto vivace
Schumann: Symphony No.1 in B flat, Op.38 - "Spring" - 2. Larghetto
Schumann: Symphony No.1 in B flat, Op.38 - "Spring" - 3. Scherzo (Molto vivace)
Schumann: Symphony No.1 in B flat, Op.38 - "Spring" - 4. Allegro animato e grazioso
Brahms: Symphony No.4 in E minor, Op.98 - 1. Allegro non troppo
Brahms: Symphony No.4 in E minor, Op.98 - 2. Andante moderato
Brahms: Symphony No.4 in E minor, Op.98 - 3. Allegro giocoso - Poco meno presto - Tempo I
Brahms: Symphony No.4 in E minor, Op.98 - 4. Allegro energico e passionato - Piů allegro
Schumann: Symphony No.4 in D minor, Op.120 - 1. Ziemlich langsam - Lebhaft
Schumann: Symphony No.4 in D minor, Op.120 - 2. Romanze (Ziemlich langsam)
Schumann: Symphony No.4 in D minor, Op.120 - 3. Scherzo
Schumann: Symphony No.4 in D minor, Op.120 - 4. Langsam - Lebhaft - Schneller - Presto
Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": I. Adagio - Allegro spiritoso
Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": II. Adagio cantabile
Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": III. Menuetto: Allegretto
Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": IV. Presto
Wagner: Wesendonk Lieder - Five Poems for Female Voice - Der Engel
Wagner: Wesendonk Lieder - Five Poems for Female Voice - Stehe still
Wagner: Wesendonk Lieder - Five Poems for Female Voice - Im Treibhaus
Wagner: Wesendonk Lieder - Five Poems for Female Voice - Schmerzen
Wagner: Wesendonk Lieder - Five Poems for Female Voice - Träume
Symphony No.1: I. Adagio molto - Allegro con brio
Symphony No.1: II. Andante cantabile con moto
Symphony No.1: III. Menuetto - Allegro molto e vivace
Symphony No.1: IV. Adagio - Allegro molto e vivace
Symphony No.2: I. Adagio molto - Allegro con brio
Symphony No.2: II. Larghetto
Symphony No.2: III. Scherzo - Allegro
Symphony No.2: IV. Allegro molto
Sibelius: Symphony No.1 in E minor, Op.39 - 1. Andante, ma non troppo - Allegro energico
Sibelius: Symphony No.1 in E minor, Op.39 - 2. Andante (ma non troppo lento)
Sibelius: Symphony No.1 in E minor, Op.39 - 3. Scherzo (Allegro)
Sibelius: Symphony No.1 in E minor, Op.39 - 4. Finale (Quasi una fantasia)
Sibelius: Symphony No.2 in D, Op.43 - 1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro
Sibelius: Symphony No.2 in D, Op.43 - 2. Tempo andante, ma rubato - Andante sostenuto
Sibelius: Symphony No.2 in D, Op.43 - 3. Vivacissimo - Lento e suave - Largamente
Sibelius: Symphony No.2 in D, Op.43 - 4. Finale (Allegro moderato)
Sibelius: Symphony No.3 in C, Op.52 - 1. Allegro moderato
Sibelius: Symphony No.3 in C, Op.52 - 2. Andantino con moto, quasi allegretto
Sibelius: Symphony No.3 in C, Op.52 - 3. Moderato - Allegro (ma non tanto)
Sibelius: Symphony No.4 in A minor, Op.63 - 1. Tempo molto moderato, quasi adagio
Sibelius: Symphony No.4 in A minor, Op.63 - 2. Allegro molto vivace
Sibelius: Symphony No.4 in A minor, Op.63 - 3. Il tempo largo
Sibelius: Symphony No.4 in A minor, Op.63 - 4. Allegro
1. Adagio - Vivace assai
2. Andante
3. Menuet (Allegro molto)
4. Finale (Allegro di molto)
1. Adagio - Allegro spiritoso
2. Adagio
3. Menuet (Allegretto)
4. Presto
1. Adagio - Allegro
2. Andante
3. Menuet (Allegro)
4. Finale (Spiritoso)
1. Adagio - vivace assai
2. Adagio
3. Menuetto (Allegretto)
4. Finale (Vivace)
1. Adagio - Allegro
2. Andante
3. Scherzo (Presto)
4. Allegro moderato
1. Allegro vivace
2. Andante con moto
3. Con moto moderato
4. Saltarello (Presto)
German Requiem, Op. 45: Selig sind, die da Leid tragen
German Requiem, Op. 45: Denn alles Fleisch es ist wie Gras
German Requiem, Op. 45: Herr, lehre doch mich
German Requiem, Op. 45: Wie lieblich sind deine Wohnungen
German Requiem, Op. 45: Ihr habt nun Traurigkeit
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt
German Requiem, Op. 45: Selig sind die Toten
Oedipus Rex, Prologue and Act I: ?Spectateurs, vous allez entendre...?
Oedipus Rex, Act I: ?Voici Creon, beau-frere d?Oedipe...?
Oedipus Rex, Act I: ?Oedipe interroge la fontaine de verite...?
Oedipus Rex, Act II: ?Gloria, gloria, gloria!?
Oedipus Rex, Act II: ?Le temoin du meurtre sort de l?ombre...?
Oedipus Rex, Act II: ?Et maintenant, vous allez entendre...?
Apollon musagčte: I. Premier Tableau, Naissance d?Apollon
Apollon musagčte: II. Second Tableau, Variation d?Apollon
Apollon musagčte: III. Pas d?action
Apollon musagčte: IV. Variation de Calliope
Apollon musagčte: V. Variation de Polymnie
Apollon musagčte: VI. Variation de Terpsichore
Apollon musagčte: VII. Variation d?Apollon
Apollon musagčte: VIII. Pas de deux
Apollon musagčte: IX. Coda
Apollon musagčte: X. Apothéose
Misero! O Sogno, K.431
Aura, che intorno spiri, K.431
Or che il dover, K.36
Tali e cotanti sono, K.36
Act I: Overture
Act I: Introduzione, Scena - Buona notte, mia figlia
Act I: Recitativo e romanza - Temea restasse
Act I: Me, pellegrina ed orfana
Act I: Scena e duetto - M'aiuti, signorina
Act I: Ah, per sempre, o mio bell'angiol
Act I: Dimani si partirŕ
Act I: Scena finale - Č tardi
Act II: Scene 1: Coro, Ballabile - Holŕ, holŕ, holŕ!
Act II: Scene 1: Scena - La cena č pronta
Act II: Scene 1: Canzone - Al suon del tamburo
Act II: Scene 1: Preghiera - Padre Eterno, Signor, pietŕ di noi
Act II: Scene 1: Scena - Viva la buona compagnia!
Act II: Scene 1: Poich'č imberbe... Ballata - Son Pereda, son ricco d'onore
Act II: Scene 1: Scena, coro e ripresa della danza - Sta bene
Act II: Scene 2: Aria - Son giunta! Grazie, o Dio!
Act II: Scene 2: Madre, pietosa Vergine
Act II: Scene 2: Scena - Chi siete?
Act II: Scene 2: Scena e duetto - Chi mi cerca?
Act II: Scene 2: Se voi scacciate questa pentita
Act II: Scene 3: Finale II - Il santo nome di Dio Signore
Act II: Scene 3: La Vergine degli angeli
Act III: Scene 1: Scena e romanza - Attenti al gioco
Act III: Scene 1: La vita č inferno all'infelice
Act III: Scene 1: O tu che in seno agli angeli
Act III: Scene 1: Scena, duettino e battaglia - Al tradimento! ... Amici in vita e in morte
Act III: Scene 1: Scena e duettino - Piano, qui posi
Act III: Scene 1: Solenne in quest'ora
Act III: Scene 1: Scena ed aria - Morir! Tremenda cosa!
Act III: Scene 1: Urna fatale del mio destino
Act III: Scene 2: Ronda - Compagni, sostiamo
Act III: Scene 2: Scena e duetto - Nč gustare m'č dato
Act III: Scene 2: Sleale! Il segreto
Act III: Scene 2: Fermi, arrestate!
Act III: Scene 2: Coro e strofe - Lorchč pifferi e tamburi
Act III: Scene 2: Scena ed arietta - Qua, vivandiere, un sorso
Act III: Scene 2: A buon mercato chi vuol comprare
Act III: Scene 2: Coro - Pane, pan, per caritŕ
Act III: Scene 2: Coro, Tarantella - Nella guerra č la follia
Act III: Scene 2: Predica - Toh! Toh! Poffare il mondo!
Act III: Scene 2: Rataplan - Lasciatelo ch'ei vada... Rataplan, rataplan, rataplan!
Act IV: Scene 1: Coro ed aria buffa - Fate la caritŕ
Act IV: Scene 1: Scena e duetto - Auf! Pazienza non v'ha
Act IV: Scene 1: Scena - Giunge qualcuno aprite
Act IV: Scene 1: Scena e duetto - Invano, Alvaro, ti celasti
Act IV: Scene 1: Le minacce, i fieri accenti
Act IV: Scene 1: Ah, una suora mi lasciasti
Act IV: Scene 2: Melodia - Pace, pace, mio Dio
Act IV: Scene 2: Scena e terzetto finale - Io muoio!
Act IV: Scene 2: Non imprecare, umiliati
Act I: Preludio
Act I: Scene 1: Introduzione e scena - Sě, corre voce che l'Etiope
Act I: Scene 1: Romanza - Se quel guerrier io fossi! ... Celeste Aida
Act I: Scene 1: Quale insolita gioia nel tuo sguardo!
Act I: Scene 1: Dessa!
Act I: Scene 1: Ohimč! Di guerra fremere
Act I: Scene 1: Alta cagion v'aduna
Act I: Scene 1: Il sacro suolo dell'Egitto č invaso
Act I: Scene 1: Su! Del Nilo al sacro lido
Act I: Scene 1: Scena e romanza - Ritorna vincitor! ... Numi, pieta
Act I: Scene 2: Possente, possente Fthŕ
Act I: Scene 2: Danza sacra delle sacerdotesse - Immenso Fthŕ
Act I: Scene 2: Mortal, diletto ai numi
Act I: Scene 2: Nume, custode e vindice
Act II: Scene 1: Scena e coro di donne - Chi mai fra gl'inni e i plausi
Act II: Scene 1: Danza degli schiavi mori
Act II: Scene 1: Vieni, sul crin ti piovano
Act II: Scene 1: Fu la sorte dell'armi
Act II: Scene 1: Pietŕ ti prenda del mio dolor
Act II: Scene 1: Su! Del Nilo al sacro lido
Act II: Scene 2: Gloria all'Egitto, ad Iside - Marcia trionfale
Act II: Scene 2: Ballabile
Act II: Scene 2: Vieni, o guerriero vindice
Act II: Scene 2: Salvator della patria
Act II: Scene 2: Concedi in pria
Act II: Scene 2: Che veggo! Egli? Mio padre!
Act II: Scene 2: Quest'assisa ch'io vesto vi dica
Act II: Scene 2: Ma tu, re, tu, signore possente
Act II: Scene 2: O re, pei sacri numi
Act II: Scene 2: Gloria all'Egitto ad Iside
Act II: Scene 2: Fa' cor - della tua patria
Act III: Introduzione e preghiera - O tu che sei d'Osiride
Act III: Vieni d'Iside al tempio
Act III: Romanza - Qui Radamčs verrŕ!
Act III: O patria mia
Act III: Duetto - Ciel! Mio padre!
Act III: Rivedrai le foreste imbalsamate
Act III: In armi ora si desta il popol nostro
Act III: Padre, a costoro schiava non sono
Act III: Duetto - Pur ti riveggo, mia dolce Aida
Act III: Nel fiero anelito di nuova guerra
Act III: Fuggiam gli ardori inospiti
Act III: Aida! Tu non m'ami
Act III: Ah no! Fuggiamo!
Act III: Ma, dimmi
Act III: Ah no! Ti calma, ascoltami
Act III: Muori! Arresta insano!
Act IV: Scene 1: L'aborrita rivale a me sfuggia
Act IV: Scene 1: Io l'amo, io l'amo sempre
Act IV: Scene 1: Giŕ i sacerdoti adunansi
Act IV: Scene 1: Ah! Tu dęi vivere!
Act IV: Scene 1: Chi ti salva, sciagurato
Act IV: Scene 1: Ohimč! Morir mi sento
Act IV: Scene 1: Spirto del nume, sovra noi discendi!
Act IV: Scene 1: Radamčs! Radamčs! Radamčs!
Act IV: Scene 1: A lui vivo, la tomba!
Act IV: Scene 2: La fatal pietra sova me si chiuse
Act IV: Scene 2: Presago il core della tua condanna
Act IV: Scene 2: Vedi? Di morte l'angelo
Act IV: Scene 2: O terra, addio - addio, valle di pianti
Mozart: Symphony No.40 in G minor, K.550 - 1. Molto allegro
Mozart: Symphony No.40 in G minor, K.550 - 2. Andante
Mozart: Symphony No.40 in G minor, K.550 - 3. Menuetto (Allegretto)
Mozart: Symphony No.40 in G minor, K.550 - 4. Finale (Allegro assai)
Elgar: The Dream of Gerontius, Op.38 / Part 1 - Prelude
Elgar: The Dream of Gerontius, Op.38 / Part 1 - "Jesu, Maria, I Am Near To Death"
Elgar: The Dream of Gerontius, Op.38 / Part 1 - "Rouse Thee, My Fainting Soul"
Elgar: The Dream of Gerontius, Op.38 / Part 1 - "Sanctus Fortis, Sanctus Deus"
Elgar: The Dream of Gerontius, Op.38 / Part 1 - "Proficiscere, Anima Christiana"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "I Went To Sleep"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "It Is a Member Of That Family Of Wondrous Beings"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "But Hark! Upon My Senses Comes a Fierce Hubbub"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "I See Not Those False Spirits"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "But Hark! A Grand Mysterious Harmony"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "Thy Judgement Now Is Near"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "I Go Before My Judge"
Elgar: The Dream of Gerontius, Op.38 / Part 2 - "Softly and Gently"
Mozart: Symphony No.40 in G minor, K.550 - 1. Molto allegro
Mozart: Symphony No.40 in G minor, K.550 - 2. Andante
Mozart: Symphony No.40 in G minor, K.550 - 3. Menuetto (Allegretto) - Trio
Mozart: Symphony No.40 in G minor, K.550 - 4. Finale (Allegro assai)
I. Lento - Allegro agitato ma molto energico
II. Andante molto moderato
III. Vivace
IV. Allegro energico e molto marcato
I. Waves: Poco agitato
II. Chanty: Andante misterioso
III. At Sea: Allegro vivo
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - crotchet = 92
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - un poco meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - Corona
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 1 - meno mosso del tempo I
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Lento
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Song to Freedom
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - Largo
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - dotted crotchet = 66
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - crotched = 66
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 2 - crotchet = 92
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - piů mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - meno mosso
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - piů mosso, con fuoco
Henze: Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Part 3 - dotted crotchet = 100
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Theme - Allegro maestoso e largamente
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation A: Flutes & Piccolo - Presto
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation B: Oboes - Lento
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation C: Clarinets - Moderato
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation D: Bassoons - Allegro alla marcia
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation E: Violins - Brillante - alla polacca
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation F: Violas - Meno mosso
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation G: Cellos
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation H: Double Basses - Cominciando lento ma poco a poco accelerando
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation I: Harp - Maestoso
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation J: Horns - L'istesso tempo
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation K: Trumpets - Vivace
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation L: Trombones & Bass Tuba - Allegro pomposo
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Variation M: Percussion - Moderato
Britten: The Young Person's Guide to the Orchestra, op.34 - without spoken text - Fugue - Allegro molto
Britten: Serenade for tenor, horn & strings, Op.31 - Prologue
Britten: Serenade for tenor, horn & strings, Op.31 - Pastoral - The Day's Grown Old
Britten: Serenade for tenor, horn & strings, Op.31 - Nocturne - The Splendour Falls on Castle Walls
Britten: Serenade for tenor, horn & strings, Op.31 - Elegy - O Rose, Thou Art Sick
Britten: Serenade for tenor, horn & strings, Op.31 - Dirge - This Ae Night
Britten: Serenade for tenor, horn & strings, Op.31 - Hymn - Queen and Huntress Chaste and Fair
Britten: Serenade for tenor, horn & strings, Op.31 - Sonnet - O Soft Embalmer of the Still Midnight
Britten: Serenade for tenor, horn & strings, Op.31 - Epilogue
Britten: Violin Concerto, Op.15 - 1. Moderato con moto
Britten: Violin Concerto, Op.15 - 2. Vivace
Britten: Violin Concerto, Op.15 - 3. Passacaglia; Andante lento
Part I: Introduction
Part I: The Merry Cuckoo
Part I: Spring, the Sweet Spring
Part I: The Driving Boy
Part I: The Morning Star
Part II: Welcome Maids of Honour
Part II: Waters above
Part II: Out on the Lawn I lie in Bed
Part III: When will my May come
Part III: Fair and Fair
Part III: Sound the Flute
Part IV: Finale
No. 1. March
No. 2. Jig
No. 3. Roundel
No. 4. Modulation
No. 5. Canon
Part I: Prelude
Part I: Jesu, Maria - I am near to death (Gerontius)
Part I: Kyrie eleison (Chorus)
Part I: Rouse thee, my fainting soul (Gerontius)
Part I: Be merciful, be gracious (Chorus)
Part I: Sanctus fortis, Sanctus Deus (Gerontius)
Part I: I can no more; for now it comes again (Gerontius)
Part I: Rescue him, O Lord (Chorus)
Part I: Novissima hora est (Gerontius)
Part I: Profiscere, anima Christiana (The Priest)
Part I: Go, in the name of Angels (Chorus)
Part II: I went to sleep (The Soul of Gerontius)
Part II: My work is done (The Angel, The Soul of Gerontius)
Part II: All hail, my child! (The Angel, The Soul of Gerontius)
Part II: Low-born clods of brute earth (Chorus)
Part II: It is the restless panting of their being (The Angel)
Part II: The mind bold and independent (Chorus)
Part II: I see not those false spirits (The Soul of Gerontius, The Angel)
Part II: Praise to the Holiest (Chorus, Angel)
Part II: We now have passed the gate (Angel, The Soul of Gerontius)
Part II: Glory to Him (Chorus)
Part II: They sing of thy approaching agony (The Angel, The Soul of Gerontius)
Part II: But hark! A grand mysterious harmony (The Soul of Gerontius)
Part II: And now the threshold (The Angel)
Part II: Praise to the Holiest (Chorus)
Part II: The judgment now is near (The Angel, The Soul of Gerontius)
Part II: Jesu! By that shuddering dread (The Angel of the Agony)
Part II: I go before my Judge (The Soul of Gerontius, Chorus)
Part II: Praise to His Name! (The Angel)
Part II: Take me away (The Soul of Gerontius)
Part II: Lord, Thou hast been our refuge (Chorus)
Part II: Softly and gently (The Angel, Chorus)


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