London Symphony Chorus

Biography

Active: 1966 - ; England
The year 1966 was a major watershed in the history of the London Symphony Orchestra. The oldest of London's full-sized orchestras, founded in 1904, it had never possessed a permanent venue of its own and had long been in uncertain financial and artistic shape. In that year, the Corporation of the City of London committed to building the new Barbican Arts Centre and chose the London Symphony Orchestra (which had seen a vast improvement in Read more standards in a short time) as its permanent residential orchestra. Also in 1966, the London Symphony Chorus was formed as a complement to the LSO. (Prior to then, recordings and concerts featuring a group designated "London Symphony Chorus" usually had an ad hoc chorus, or a chorus provided by such organizations as the Ambrosian Singers, a core group of hundreds of available professional singers.)

The London Symphony Chorus comprises over 200 amateur singers from all walks of life. Although it works closely with the London Symphony, it is not organizationally a part of the orchestra (which is a self-governing co-op of its members). The chorus is, instead, a separate self-governing group, whose members choose nine elected representatives to administer it.

In addition to appearing regularly in concerts with the LSO, the chorus is free to appear with other orchestras. The heart of its repertoire is the wide range of twentieth century choral music, including Mahler's three choral symphonies, Elgar's The Dream of Gerontius, Britten's War Requiem, Janácek's Glagolitic Mass, and Walton's Belshazzar's Feast. It has made over 90 recordings, including Richard Hickox's recording of War Requiem (winner of the Grand Prix du Disque), Bernstein's Candide, and Britten's Peter Grimes (the latter two both Grammy Award winners).

It has a commissioning program, which has resulted in the writing of such works as Tavener's The Myrrh Bearer and Sir Peter Maxwell Davies' The Three Kings, a Christmas cantata. It appears in major festivals, and frequently undertakes tours to all parts of the world. Read less

There are 250 London Symphony Chorus recordings available.

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Biography

Active: 1966 - ; England
The year 1966 was a major watershed in the history of the London Symphony Orchestra. The oldest of London's full-sized orchestras, founded in 1904, it had never possessed a permanent venue of its own and had long been in uncertain financial and artistic shape. In that year, the Corporation of the City of London committed to building the new Barbican Arts Centre and chose the London Symphony Orchestra (which had seen a vast improvement in Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Beginning
The curtain rises
First seduction game: the shabby old rake
Second seduction game
The shy youth appears at the door.
Third seduction game
The Mandarin enters - Encounter with the girl
The girl's dance
She flees from him; he chases her wildly.
The Mandarin stumbles, but catches the girl;they fight The tramps leap out, seize the Mandarin, rob him and suffocate him with pillows.
Suddenly the Mandarin's head appears. The tramps drag him out...
They drag the Mandarin to the centre of the room - The Mandarin's body begins to glow.
The tramps take him down. He falls to the floor and at once leaps at the girl. They embrace.
His longing stilled, the Mandarin's wounds begin to bleed; he becomes weaker and dies.
Prologue (Chorus)
Part I: And it came to pass in those days (Tenor)
Part I: The voice of Thy watchman
Part I: Shofar
Part I: It is a good thing to give thanks unto the Lord
Part I: And when it was day, He called unto Him His disciples (Tenor)
Part I: Blessed are the poor in spirit (Jesus)
Part I: And straightway Jesus constrained His disciples to get into a ship (Tenor)
Part I: O Lord Almighty, God of Israel (Mary Magdalene)
Part I: This shall ye have of Mine hand (Mary Magdalene)
Part I: When Jesus came into the parts of Cæsarea Philippi (Tenor)
Part I: Thy face, Lord, will I seek (Mary Magdalene)
Part II: Introduction
Part II: And it came to pass that He went throughout every city and village (Tenor)
Part II: Then gathered the chief Priests and Pharisees a council (Tenor and Bass)
Part II: Hail, Master! (Judas)
Part II: Thou also wast with Jesus of Nazareth
Part II: Then Judas, which had betrayed Him (Contralto)
Part II: Whither shall I go from Thy Spirit? (Judas)
Part II: Truly this was the Son of God (Chorus)
Part II: And very early in the morning they came unto the sepulchre ... (Contralto)
Part II: We trusted that it had been He which should have redeemed Israel
German Requiem, Op. 45: Selig sind, die da Leid tragen
German Requiem, Op. 45: Denn alles Fleisch es ist wie Gras
German Requiem, Op. 45: Herr, lehre doch mich
German Requiem, Op. 45: Wie lieblich sind deine Wohnungen
German Requiem, Op. 45: Ihr habt nun Traurigkeit
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt
German Requiem, Op. 45: Selig sind die Toten
Prelude
"Jesu, Maria, I Am Near To Death"
"Rouse Thee, My Fainting Soul"
"Sanctus Fortis, Sanctus Deus"
"Proficiscere, Anima Christiana"
"I Went To Sleep"
"It Is a Member Of That Family Of Wondrous Beings"
"But Hark! Upon My Senses Comes a Fierce Hubbub"
"I See Not Those False Spirits"
"But Hark! A Grand Mysterious Harmony"
"Thy Judgement Now Is Near"
"I Go Before My Judge"
"Softly and Gently"
Britten: Hymn to St. Cecilia (1942), Op.27 - In a Garden Shady
Britten: Hymn to St. Cecilia (1942), Op.27 - I Cannot Grow
Britten: Hymn to St. Cecilia (1942), Op.27 - O Ear Whose Creatures
Part I: Introduction
Part I: The Merry Cuckoo
Part I: Spring, the Sweet Spring
Part I: The Driving Boy
Part I: The Morning Star
Part II: Welcome Maids of Honour
Part II: Waters above
Part II: Out on the Lawn I lie in Bed
Part III: When will my May come
Part III: Fair and Fair
Part III: Sound the Flute
Part IV: Finale
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 1. Requiem - Kyrie
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 2. Dies irae - Tuba mirum
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 3. Quid sum miser
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 4. Rex tremendae
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 5. Quaerens me
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 6. Lacrymosa
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 7. Domine Jesu Christe
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 8. Hostias
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 9. Sanctus
Berlioz: Requiem, Op.5 (Grande Messe des Morts) - 10. Agnus Dei
Berlioz: Te Deum, Op.22 - Te Deum
Berlioz: Te Deum, Op.22 - Tibi omnes
Berlioz: Te Deum, Op.22 - Dignare
Berlioz: Te Deum, Op.22 - Christe, rex gloriae
Berlioz: Te Deum, Op.22 - Te ergo quaesumus
Berlioz: Te Deum, Op.22 - Judex crederis
Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo
Mozart: Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine
Mozart: Vesperae solennes de confessore in C, K.339 - 3. Beatus vir qui timet Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 4. Laudate pueri Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 5. Laudate Dominum omnes gentes
Mozart: Vesperae solennes de confessore in C, K.339 - 6. Magnificat anima mea
A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century)
A Spring Symphony Op. 44: The merry Cuckoo (E Spencer)
A Spring Symphony Op. 44: Spring, the sweet Spring (T Nashe)
A Spring Symphony Op. 44: The Driving Boy (G Peele and J Clare)
A Spring Symphony Op. 44: The Morning Star (J Milton)
A Spring Symphony Op. 44: Welcome, Maids of Honour (R Herrick)
A Spring Symphony Op. 44: Waters above! (H Vaughan)
A Spring Symphony Op. 44: Out of the lawn lie in bad (W H Auden)
A Spring Symphony Op. 44: When will my May come (Barnefield)
A Spring Symphony Op. 44: Fair and Fair (G Peele)
A Spring Symphony Op. 44: Sound the flute! (W Blake)
A Spring Symphony Op. 44: Finale: London, to thee I do present (J Beaumont, J Fletcher & anon. 13th century)
Component 5: Alexander Nevsky Op. 78: Russia Under the Mongolian Yoke
Alexander Nevsky Op. 78: Song About Alexander Nevsky
Alexander Nevsky Op. 78: The Crusaders in Pskov
Alexander Nevsky Op. 78: Arise, Ye Russian People
Alexander Nevsky Op. 78: The Battle On the Ice
Alexander Nevsky Op. 78: The Field of the Dead
Alexander Nevsky Op. 78: Alexander's Entry into Pskov
I. Prologue -
I. Prologue [figure 2]
II. The Knight
III. The Squire
IV. The Nun
V. The Monk
VI. The Clerk of Oxenford
VII. The Haberdasher and his Fraternity. The Merchant
Psalm 42, for chorus, soprano and orchestra Op. 42: 1. Chorus: Wie der Hirsch schraeit nach frischem Wasser
Psalm 42, for chorus, soprano and orchestra Op. 42: 2. Aria: Meine Seele dürstet nach Gott
Psalm 42, for chorus, soprano and orchestra Op. 42: 3. Recitative and Aria: Meine Tränen sind meine Speise Tag und Nacht
Psalm 42, for chorus, soprano and orchestra Op. 42: 4. Chorus: Was betrübst de dich, meine Seele
Psalm 42, for chorus, soprano and orchestra Op. 42: 5. Recitative: Mein Gott, betrübt ist meine Seele in Mir
Psalm 42, for chorus, soprano and orchestra Op. 42: 6. Quintet: Der Herr hat des Tages verheissen seine Güte
Psalm 42, for chorus, soprano and orchestra Op. 42: 7. Chorus: Was betrübt de dich, meine Seele
Part I, Veni, creator spiritus: Veni, creator spiritus -
Part I, Veni, creator spiritus: Imple superna gratia -
Part I, Veni, creator spiritus: Infirma nostri corporis -
Part I, Veni, creator spiritus: Tempo I: Allegro, etwas hastig -
Part I, Veni, creator spiritus: Infirma nostri corporis -
Part I, Veni, creator spiritus: Accende lumen sensibus -
Part I, Veni, creator spiritus: Veni, creator spiritus -
Part I, Veni, creator spiritus: Gloria sit Patri Domino
Part II, Final Scene from Faust: Poco adagio -
Part II, Final Scene from Faust: Piu mosso: Allegro moderato -
Part II, Final Scene from Faust: Waldung, sie schwankt heran -
Part II, Final Scene from Faust: Ewiger Wonnebrand -
Part II, Final Scene from Faust: Wie Felsenabgrund mir zu Fussen -
Part II, Final Scene from Faust: Gerettet ist das edle Glied - Hande verschlinget euch -
Part II, Final Scene from Faust: Jene Rosen, aus den Handen -
Part II, Final Scene from Faust: Uns bleibt ein Erdenrest -
Part II, Final Scene from Faust: Ich spur' soeben nebelnd um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir -
Part II, Final Scene from Faust: Hochste Herrscherin der Welt! -
Part II, Final Scene from Faust: Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche -
Part II, Final Scene from Faust: Bei der Liebe, die den Fussen -
Part II, Final Scene from Faust: Bei dem Bronn, zu dem schon weiland -
Part II, Final Scene from Faust: Bei dem hochgeweihten Orte -
Part II, Final Scene from Faust: Neige, neige, du Ohnegleiche -
Part II, Final Scene from Faust: Er uberwachst uns schon - Vom edlen Geisterchor umgeben -
Part II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! - Blicket auf zum Retterblick, alle reuig Zarten -
Part II, Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis
Mahler: Symphony No.3 In D Minor / Part 1 - 1. Kräftig. Entschieden
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Immer das gleiche Tempo
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Tempo I
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Zeit lassen
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Zeit lassen
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Immer dasselbe Tempo. (Marsch.) Nicht eilen
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Im alten Marschtempo (Allegro Moderato)
Mahler: Symphony No.3 In D Minor / Part 1 - 1. - Tempo I
Mahler: Symphony No.3 In D Minor / Part 2 - 2. Tempo di Menuetto. Sehr mässig
Mahler: Symphony No.3 In D Minor / Part 2 - 2. - L'istesso tempo
Mahler: Symphony No.3 In D Minor / Part 2 - 2. - A tempo. (Wie im Anfang)
Mahler: Symphony No.3 In D Minor / Part 2 - 2. - Ganz ploetzlich gemaechlich. Tempo di Menuetto
Mahler: Symphony No.3 In D Minor / Part 2 - 3. Comodo. Scherzando. Ohne Hast (Senza fretta)
Mahler: Symphony No.3 In D Minor / Part 2 - 3.- Wieder sehr gemaechlich, wie zu Anfang
Mahler: Symphony No.3 In D Minor / Part 2 - 3.- Etwas zurueckhaltend
Mahler: Symphony No.3 In D Minor / Part 2 - 3.- Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
Mahler: Symphony No.3 In D Minor / Part 2 - 3.- Wieder sehr gemaechlich, beinahe langsam
Mahler: Symphony No.3 In D Minor / Part 2 - 4. Sehr langsam. Misterioso ppp - "O Mensch! Gib acht"
Mahler: Symphony No.3 In D Minor / Part 2 - 4.- Più mosso subito
Mahler: Symphony No.3 In D Minor / Part 2 - 5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
Mahler: Symphony No.3 In D Minor / Part 2 - 6. Langsam. Ruhevoll. Empfunden (Lento. Tranquillo. Sentito)
Mahler: Symphony No.3 In D Minor / Part 2 - 6.- Nicht mehr so breit
Mahler: Symphony No.3 In D Minor / Part 2 - 6.- Tempo I. Ruhevoll
Mahler: Symphony No.3 In D Minor / Part 2 - 6.- Nicht mehr so breit
Mahler: Symphony No.3 In D Minor / Part 2 - 6.- Tempo I
Mahler: Symphony No.3 In D Minor / Part 2 - 6.- Langsam. Tempo I
A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso): Behold the sea itself (chorus)
A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso): Today a rude brief recitative (baritone & chorus)
A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso): Flaunt out, O sea, your separate flags of nations (soprano & chorus)
A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus)
A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus)
A Sea Symphony, II. On the Beach at Night, Alone (Largo sostenuto): On the beach, at night, alone (baritone & semi-chorus)
A Sea Symphony, II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus)
A Sea Symphony: III. Scherzo: The Waves (Allegro brillante)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): O vast Rondure, swimming in Space (chorus)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): Down from the gardens of Asia descending (chorus)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): O we can wait no longer (baritone & soprano)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): O thou transcendent (soprano, baritone & chorus)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): Greater than stars or suns (chorus, soprano & baritone)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): Sail forth (chorus, soprano & baritone)
A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): O my brave Soul (soprano, baritone & chorus)
Kyrie
Gloria: Gloria in excelsis Deo
Gloria: Qui tollis
Gloria: Quoniam
Credo: Credo in unum Deum
Credo: Et incarnatus est
Credo: Et resurrexit
Sanctus
Benedictus
Agnus Dei: Agnus Dei qui tollis
Agnus Dei: Dona nobis pacem
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Introduction. "J'ai pas envie de faire ma page"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Bébé a été sage?
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Ca m'est égal!
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Votre serviteur humble, Bergère"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Ding, ding, ding, ding
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - How's your mug?
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Keng-ca-fou, Mah-jong
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Oh! Ma belle tasse chinoise!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Arrière! Je réchauffe les bons
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Adieu, pastourelles!
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Ah! C'est Elle! C'est Elle!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Toi, le coeur de la rose
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Deux robinets coulent dans un réservoir!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Oh! Ma tête!
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Duo miaulé
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Musique d'insectes, de rainettes
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Ah! Quelle joie de te retrouver, Jardin!"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Où es-tu? Je te cherche ...
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Ronde des Chauves-Souris "Rends-la moi...tsk,tsk..."
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Danse des rainettes
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Sauve-toi, sotte! Et la cage? La cage?
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - La Cage, c'était pour mieux voir ta pretesse
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - "Ah! C'est l'Enfant au couteau"
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Il a pansé la plaie ...
Ravel: L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Il est bon, l'Enfant, il est sage
Fortuna Imperatrix Mundi: O Fortuna
Fortuna Imperatrix Mundi: Fortune plango vulnera
I. Primo vere: Veris leta facies
I. Primo vere: Omnia sol temperat
I. Primo vere: Ecce gratum
Uf dem anger: Tanz
Uf dem anger: Floret Silva
Uf dem anger: Chramer, gip die varwe mir
Uf dem anger: Reie
Uf dem anger: Were diu werlt alle min
II. In taberna: Estuans interius
II. In taberna: Olim lacus colueram
II. In taberna: Ego sum abbas
II. In taberna: In taberna quando sumus
III. Cour d'amours: Amor volat undique
III. Cour d'amours: Dies, nox et omnia
III. Cour d'amours: Stetit puella
III. Cour d'amours: Circa mea pectora
III. Cour d'amours: Si puer cum puellula
III. Cour d'amours: Veni, veni, venias
III. Cour d'amours: In trutina
III. Cour d'amours: Tempus est iocundum
III. Cour d'amours: Dulcissime
Blanziflor et Helena: Ave formosissima
Fortuna Imperatrix Mundi: O Fortuna
Symphony No. 3: I. Kräftig. Entschieden
Symphony No. 3: II. Tempo di Menuetto. Grazioso
Symphony No. 3: III. Comodo. Scherzando. Ohne Hast
Symphony No. 3: IV. Sehr langsam. Misterioso
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck
Symphony No. 3: VI. Langsam. Ruhevoll. Empfunden
Polovtsian Dances and Chorus
Polovtsian Dances and Chorus
1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
2. Andante moderato. Sehr gemächlich
3. Scherzo: In ruhig fliessender Bewegung
4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
5a. Im Tempo des Scherzos. Wild herausfahrend -
5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Alexander Nevsky Op. 78 (1989 Digital Remaster): Russia Under the Mongolian Yoke
Alexander Nevsky Op. 78 (1989 Digital Remaster): Song About Alexander Nevsky
Alexander Nevsky Op. 78 (1989 Digital Remaster): The Crusaders in Pskov
Alexander Nevsky Op. 78 (1989 Digital Remaster): Arise, Ye Russian People
Prokofiev: Alexander Nevsky Op. 78, No. 5: The Battle On the Ice
Alexander Nevsky Op. 78 (1989 Digital Remaster): The Field of the Dead
Alexander Nevsky Op. 78 (1989 Digital Remaster): Alexander's Entry into Pskov
The Bells Op. 35 (1989 Digital Remaster): I. Allegro ma non tanto
The Bells Op. 35 (1989 Digital Remaster): II. Lento
The Bells Op. 35 (1989 Digital Remaster): III. Presto
The Bells Op. 35 (1989 Digital Remaster): IV. Lento lugubre
I. Song for all Seas, all Ships
II. On the Beach at Night, alone
III. Scherzo: The Waves
IV. The Explorers
1. Requiem - Kyrie
2a. Dies Irae
2b. Tuba mirum
3. Quid sum miser
4. Rex tremendae
5. Quaerens me
6. Lacrymosa
7. Domine Jesu Christe
8. Hostias
9. Sanctus
10. Agnus Dei
1. Marche funèbre (Moderato un poco lento)
2. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto)
3. Apothéose (Allegro non troppo e pomposo)
Bellini: Norma - Sinfonia
Bellini: Norma / Act 1 - Introduzione: Ite sul colle, o Druidi
Bellini: Norma / Act 1 - Svanir le voci!
Bellini: Norma / Act 1 - Meco all'altar di Venere
Bellini: Norma / Act 1 - Me protegge, me difende
Bellini: Norma / Act 1 - Norma viene
Bellini: Norma / Act 1 - Sediziose voci, voci di guerra
Bellini: Norma / Act 1 - Casta Diva
Bellini: Norma / Act 1 - Fine al rito
Bellini: Norma / Act 1 - Ah! bello a me ritorna
Bellini: Norma / Act 1 - Sgombra è la sacra selva, compuito il rito
Bellini: Norma / Act 1 - Deh! proteggimi, o Dio!
Bellini: Norma / Act 1 - Eccola! va, mi lascia, ragion non odo
Bellini: Norma / Act 1 - Va, crudele, al Dio spietato
Bellini: Norma / Act 1 - Vanne, e li cela entrambi
Bellini: Norma / Act 1 - Adalgisa!
Bellini: Norma / Act 1 - Oh! rimembranza!
Bellini: Norma / Act 1 - Ah! si, fa core, abbracciami
Bellini: Norma / Act 1 - Ma di', l'amato quale fra noi si noma?
Bellini: Norma / Act 1 - Oh non tremare
Bellini: Norma / Act 1 - Oh! di qual sei tu vittima
Bellini: Norma / Act 1 - Oh! qual traspare orribile
Bellini: Norma / Act 1 - Norma! de'tuoi rimproveri
Bellini: Norma / Act 1 - Perfido!
Bellini: Norma / Act 1 - Vanne, si: mi lascia, indegno
Bellini: Norma / Act 2 - Scena - Introduzione
Bellini: Norma / Act 2 - Dormono entrambi
Bellini: Norma / Act 2 - Mi chiami, o Norma!
Bellini: Norma / Act 2 - Deh! con te, con te li prendi
Bellini: Norma / Act 2 - Mira, o Norma
Bellini: Norma / Act 2 - Si, fino all'ore estreme
Bellini: Norma / Act 2 - Non parti?
Bellini: Norma / Act 2 - Guerrieri! a voi venirne
Bellini: Norma / Act 2 - Ei tornerà
Bellini: Norma / Act 2 - Squilla il bronzo del Dio!
Bellini: Norma / Act 2 - Guerra, guerra!
Bellini: Norma / Act 2 - Nè compi il rito, o Norma?
Bellini: Norma / Act 2 - In mia man alfin tu sei
Bellini: Norma / Act 2 - Già mi pasco ne'tuoi sguardi
Bellini: Norma / Act 2 - Dammi quel ferro
Bellini: Norma / Act 2 - Qual cor tradisti, qual cor perdesti
Bellini: Norma / Act 2 - Norma! deh! Norma, scolpati
Bellini: Norma / Act 2 - Deh! non volerli vittime
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma): Kyrie: Kyrie eleison, Christe eleison
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Gloria: Gratias agimus tibi
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Gloria: Gloria in excelsis Deo - Dominus Deus, rex coelestis
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Gloria: Qui tollis peccata mundi -
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Gloria: Quoniam tu solus Sanctus
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Gloria: Cum Sancto Spiritu in gloria Dei Patris - Gloria in excelsis Deo
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Credo: Credo in unum Deum
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Credo: Et incarnatus est
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Credo: Crucifuxus etiam pro nobis
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Credo: Et resurrexit tertia die - Et in Spiritum Sanctum
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Credo: Et unam sanctam catholicam -
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Credo: Et expecto resurrectionem - Et vitam venturi saeculi
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Sanctus & Benedictus: Sanctus Dominus Deus sabaoth
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Sanctus & Benedictus: Benedictus qui venit in nomine Domini
Messa di Gloria for tenor, baritone, chorus & orchestra (opera postuma), Sanctus & Benedictus: Agnus Dei - Agnus Dei tollis peccata mundi
Duruflé: Requiem - Introït: Kyrie
Duruflé: Requiem - Domine Jesu Christe
Duruflé: Requiem - Sanctus
Duruflé: Requiem - Pie Jesu
Duruflé: Requiem - Agnus Dei
Duruflé: Requiem - Lux Aeterna
Duruflé: Requiem - Libera me
Duruflé: Requiem - In paradisum
"Requiem Aeternam"
"What Passing Bells For These Who Die As Cattle?"
"Dies irae"
"Bugles Sang, Saddening the Evening Air"
"Liber Scriptus Proferetur"
"Out There, We've Walked Quite Friendly Up To Death"
"Recordare Jesu Pie"
"Be Slowly Lifted Up"
"Dies Irae"
"Lacrimosa Dies Illa"
"Move Him Into the Sun"
"Domine Jesu Christe"
"So Abraham Rose, and Clave the Wood"
"Sanctus, Sanctus, Sanctus"
"After the Blast Of Lightning From the East"
"One Ever Hangs Where Shelled Roads Part"
"Libera me, Domine"
"It Seemed That Out Of Battle I Escaped"
"Let Us Sleep Now...In Paradisum"
Requiem Aeternam (Rehearsal)
Dies Irae (Rehearsal)
Dies Irae (Rehearsal)
Dies Irae (Rehearsal)
Offertorium (Rehearsal)
Sanctus (Rehearsal)
Sanctus (Rehearsal)
Agnus Dei (Rehearsal)
Libera Me (Rehearsal)
Libera Me (Rehearsal)
Libera Me (Rehearsal)
Britten: Cantata Academica, Op.62 - I. Bonorum summun omnium II: Quae bene beateque
Britten: Cantata Academica, Op.62 - III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus
Britten: Cantata Academica, Op.62 - VI: Et Gubernacula. VII: Ut Ad Longaeva Tempora
Britten: Cantata Academica, Op.62 - VIII: Docendi ac discendi
Britten: Cantata Academica, Op.62 - IX: Rhenana erga omnes. X: Ut instissime XI: O cives..
Britten: Cantata Academica, Op.62 - XII. Nos autem cuncti. XIII. Vigeatque academia libera
Britten: Hymn to St. Cecilia (1942), Op.27 - In a Garden Shady
Britten: Hymn to St. Cecilia (1942), Op.27 - I Cannot Grow
Britten: Hymn to St. Cecilia (1942), Op.27 - O Ear Whose Creatures
1. Dixit Dominus Domino meo
2. Confitebor tibi, Domine
3. Beatus vir qui timet Dominum
4. Laudate pueri Dominum
5. Laudate Dominum omnes gentes
6. Magnificat anima mea
Mozart: Vesperae solennes de confessore in C, K.339 - 1. Dixit Dominus Domino meo
Mozart: Vesperae solennes de confessore in C, K.339 - 2. Confitebor tibi, Domine
Mozart: Vesperae solennes de confessore in C, K.339 - 3. Beatus vir qui timet Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 4. Laudate pueri Dominum
Mozart: Vesperae solennes de confessore in C, K.339 - 5. Laudate Dominum omnes gentes
Mozart: Vesperae solennes de confessore in C, K.339 - 6. Magnificat anima mea
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Veni creator spiritus
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Imple superna gratia
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Infirma nostri corporis
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Tempo 1. (Allegro, etwas hastig)
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Infirma nostri corporis
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Accende lumen sensibus
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Qui Paraclitus diceris
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 1: Gloria Patri Domino
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Poco Adagio
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Più mosso (Allegro moderato)
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Waldung, sie schwankt heran
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Ewiger Wonnebrand
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Wie Felsenabgrund mir zu Füssen
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Gerettet ist das edle Glied
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Uns bleibt den Erdenrest
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Ich spür soeben
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Höchste Herrscherin der Welt!
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Dir, der Unberührbaren
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Bei der Liebe
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Neige, neige, du Ohnegleiche
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Er überwächst uns schon
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Komm! Komm!
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Blicket auf
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Alles Vergängliche
Symphony No. 8 in E Flat 'Symphony of a Thousand', Part 2: Alles Vergängliche
At the Wedding
Abduction of the Bride/Lament
Peer Gynt and Woman in Green
Hall of the Mountain King
Dance of the Mountain King's Daughter
Death of Åse
Morning Mood
Arabian Dance
Anitra's Dance
Solvejg's Song
Peer Gynt at the Statue of Memnon
Peer Gynt's Homecoming/Stormy Evening
Shipwreck
Solvejg sings in the Hut
Whitsun Hymn
Solvejg's Cradle Song
1. Allegro ma non troppo, un poco maestoso
2. Molto vivace
3. Adagio molto e cantabile
4. Presto - Allegro assai
Falstaff: Act I, part 1 - ?Falstaff!?
Falstaff: Act I, part 1 - ?6 polli: 6 scellini?
Falstaff: Act I, part 1 - ?Sir John, in quest'intrigo?
Falstaff: Act I, part 2 - ?Alice. Meg. Nannetta?
Falstaff: Act I, part 2 - ?Leggi. Fulgida Alice!?
Falstaff: Act I, part 2 - ?Mostro!?
Falstaff: Act I, part 2 - ?In due parole?
Falstaff: Act I, part 2 - ?Pst, pst, Nannetta?
Falstaff: Act I, part 2 - ?Torno all'assalto?
Falstaff: Act I, part 2 - ?Del tuo barbaro diagnostico?
Falstaff: Act II, part 1 - ?Siam pentiti e contriti.?
Falstaff: Act II, part 1 - ?Alice e mia!?
Falstaff: Act II, part 1 - ?Signore?
Falstaff: Act II, part 1 - ?C'e a Windsor una dama,?


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