London Philharmonic Orchestra

Composers

Biography

Active: October 7, 1932 - ; London, England
Sir Thomas Beecham founded the London Philharmonic Orchestra in 1932 with assistance from arts patrons Robert Mayer and Samuel Courtauld. Consisting then of 106 players and giving more than 70 concerts yearly, the ensemble immediately established itself as a major orchestra. On October 7, 1932, its inaugural concert took place at Queen's Hall, with Beecham conducting. The orchestra began making recordings in 1933, but their number remained scarce Read more until the 1950s. In 1936, the LPO made a highly successful tour of Germany, giving one concert in Berlin in the presence of Adolf Hitler. Financial difficulties beset the orchestra by 1939, prompting Beecham to help raise money. Soon, however, he resigned and relocated to the United States for a stint with the Seattle Symphony Orchestra, though he maintained ties to the orchestra. Adrian Boult, Malcolm Sargent, and Basil Cameron shared podium duties until 1945. In 1947, the LPO formed the London Philharmonic Choir and named Eduard van Beinum, long associated with the Amsterdam Concertgebouw, as principal conductor. Van Beinum had a successful but brief reign and was succeeded in 1951 by Adrian Boult. Under his leadership, the LPO began recording heavily and would continue to do so thereafter, becoming one of the most heavily recorded ensembles among the world's major orchestras, with hundreds of LP and (then later) CD titles issued by various major labels. American William Steinberg succeeded Boult in 1958, but served only two seasons, leaving the orchestra once more without a principal conductor. John Pritchard was appointed his successor in 1962 and effected many important changes in the orchestra personnel and repertory. In 1966, Bernard Haitink succeeded Pritchard and had a tenure longer than any previous or subsequent conductor, serving until 1979. Georg Solti was appointed principal conductor that year, holding the post until 1983, at which time he took on emeritus status, thereby maintaining ties to the orchestra. East German conductor Klaus Tennstedt became principal conductor in 1983. Another, but far younger, German conductor, Franz Welser-Möst, succeeded him in 1990 and led an often controversial tenure. Still, his concert tour of South Africa was a great success, as were several recordings. Kurt Masur, took the reins as principal conductor in September 2000. The LPO regularly performs in Royal Festival Hall, London. Read less

There are 1,135 London Philharmonic Orchestra recordings available.

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Composers

Conductors

Labels

Biography

Active: October 7, 1932 - ; London, England
Sir Thomas Beecham founded the London Philharmonic Orchestra in 1932 with assistance from arts patrons Robert Mayer and Samuel Courtauld. Consisting then of 106 players and giving more than 70 concerts yearly, the ensemble immediately established itself as a major orchestra. On October 7, 1932, its inaugural concert took place at Queen's Hall, with Beecham conducting. The orchestra began making recordings in 1933, but their number remained scarce Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Allegro
II. Andante moderato
III. Scherzo: Allegro molto
IV. Finale con epilogo fugato: Allegro molto
I. Largo
II. Allegro
III. Presto
I. De profundis
II. Malagueña -
III. Lorelei -
IV. The Suicide
V. On Watch -
VI. Madam, Look! -
VII. In Prison
VIII. The Zaporozhian Cossacks' Reply to the Sultan of Constantinople -
IX. Oh Delvig, Delvig!
X. The Death of a Poet -
XI. Epilogue
1. Allegro moderato
2. Adagio di molto
3. Allegro, ma non tanto
Der Held (The Hero)
Des Helden Widersacher (The Hero's Enemies)
Des Helden Gefahrtin (The Hero's Companion)
Des Helden Walstatt (The Hero's Field of Battle)
Des Helden Friedenswerke (The Hero's Works of Peace)
Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World)
1. Allegro con spirito
2. Adagio
3. Allegro gentile
1. Villano y Ricercare (Adagietto - Andante moderato)
2. Españoleta y Fanfare de la Caballería de Nápoles
3. Danza de las hachas
4. Canario
Kyrie: Assai sostenuto (Mit Andacht)
Gloria: Allegro vivace
Credo: Allegro ma non troppo
Sanctus: Adagio (Mit Andacht)
Agnus Dei: Adagio
Fortuna Imperatrix Mundi: O Fortuna
Fortuna Imperatrix Mundi: Fortune plango vulnera
I. Primo vere: Veris leta facies
I. Primo vere: Omnia sol temperat
I. Primo vere: Ecce gratum
I. Uf dem anger: Tanz
I. Uf dem anger: Floret Silva
I. Uf dem anger: Chramer, gip die varwe mir
I. Uf dem anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe (reprise)
I. Uf dem anger: Were diu werlt alle min
II. In taberna: Estuans interius
II. In taberna: Olim lacus colueram
II. In taberna: Ego sum abbas
II. In taberna: In taberna quando sumus
III. Cour d'amours: Amor volat undique
III. Cour d'amours: Dies, nox et omnia
III. Cour d'amours: Stetit puella
III. Cour d'amours: Circa mea pectora
III. Cour d'amours: Si puer cum puellula
III. Cour d'amours: Veni, veni, venias
III. Cour d'amours: In trutina
III. Cour d'amours: Tempus est iocundum
III. Cour d'amours: Dulcissime
III. Blanziflor et Helena: Ave formosissima
Fortuna Imperatrix Mundi: O Fortuna (reprise)
I. Allegro con brio - Un poco sostenuto
II. Andante
III. Poco allegretto
IV. Allegro - Un poco sostenuto
I. Toccata
II. Aria I
III. Aria II
IV. Capriccio
IV. Cadenza
1. Allegro
2. Largo - attacca:
3. Rondo alla Polacca
1. Adagio molto - Allegro con brio
2. Andante cantabile con moto
3. Menuetto (Allegro molto e vivace)
4. Finale (Adagio - Allegro molto e vivace)
1. Allegro con brio
2. Marcia funebre (Adagio assai)
3. Scherzo (Allegro vivace)
4. Finale (Allegro molto)
1. Allegro maestoso
2. Quasi adagio - Allegretto vivace - Allegro animato
3. Allegro marziale animato
1. Adagio sostenuto assai - Allegro agitato assai
2. Allegro moderato
3. Allegro deciso - Marziale un poco meno allegro
4. Allegro animato
I. Adagio - Allegro non troppo
II. Allegretto
III. Allegro non troppo
IV. Largo
V. Allegretto
I. Un poco sostenuto - Allegro
II. Andante sostenuto
III. Un poco allegretto e grazioso
IV. Adagio - Piu andante - Allegro non troppo ma con brio
I. Allegro con brio - Un poco sostenuto
II. Andante
III. Poco allegretto
IV. Allegro - Un poco sostenuto
Four Seasons, Op.8 (1987 - Remaster), Spring: Allegro
Four Seasons, Op.8 (1987 - Remaster), Spring: Largo
Four Seasons, Op.8 (1987 - Remaster), Spring: Allegro
1. Moderato
2. Allegro molto
3. Allegro vivace
4. Molto tranquillo
5. Comodo
6. Finale (Allegro)
1. Moderato (Theme)
2. Con brio (Variations I-VI)
3. Vivo (Variations VII-X)
4. Andante espressivo (Variations XI-XII)
5. Tempo di marcia funebre (Variations XIII-XVI)
6. Finale: Vivace
1. Andante tranquillo
2. Allegro
3. Adagio
4. Allegro molto
I. Andante sostenuto - Moderato con anima
II. Andantino in modo di canzone
III. Scherzo: Pizzicato ostinato - Allegro
IV. Finale: Allegro con fuoco
I. Andante - Allegro con anima
II. Andante cantabile con alcuna licenza
III. Valse: Allegro moderato
IV. Finale: Andante maestoso - Allegro vivace
I. Tempo molto moderato - Allegro moderato
II. Andante mosso, quasi allegretto
III. Allegro molto - Largamente assai
I. Allegro molto moderato
II. Allegretto moderato
III. Poco vivace
IV. Allegro molto
Sinfonia
Act I Scene 1: Coro d'introduzione: Ciel! qual procella orribile (Goffredo, Chorus)
Act I Scene 2: Scena e Cavatina: Io vivo ancor! (Gualtiero, Goffredo, Itulbo)
Act I Scene 2: Ascolta! Nel furor delle tempeste (Gualtiero, Goffredo)
Act I Scene 3: Del disastro di questi infelici (Goffredo, Gualtiero, Itulbo, Chorus)
Act I Scene 3: Per te di vane lagrime (Gualtiero, Itulbo, Goffredo, Chorus)
Act I Scene 4: Scena e Cavatina: Sorgete; e in me dover quella pietade (Imogene, Itulbo, Adele)
Act I Scene 4: Lo sognai ferito, esangue (Imogene, Adele, Chorus)
Act I Scene 4: Cielo! e dessa (Imogene)
Act I Scene 4: Sventurata, anch'io deliro (Imogene, Adele, Chorus)
Act I Scene 7: Aria: Piu temuto (Ernesto)
Act I Scene 8: Recitative: M'abbraccia, o donna (Ernesto, Imogene, Goffredo, Itulbo)
Act I Scene 9: Finale: Il suo disegno (Imogene, Gualtiero, Ernesto, Itulbo, Goffredo, Chorus)
Act I Scene 9: Quintet: Parlarti ancor per poco (Gualtiero, Ernesto, Imogene, Adele, Itulbo, Chorus)
Act I Scene 9: Stretta del Finale I: Ebben; cominci, o barbara (Gualtiero, Imogene, Ernesto, Itulbo, Goffredo, Chorus)
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Hamlet : Prélude
Hamlet - Acte I - 1er tableau : Elseneur, une salle du palais - Introduction, marche et choeur : Que nos chants montent jusqu'aux cieux (Choeur)
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Introduction, Marche Et Choeur : O Toi Qui Fus La Femme De Mon Frère (Le Roi, Choeur, La Reine)
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Récitatif Et Duo : Vains Regrets ! Tendresse Éphémère ! (Hamlet)
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Récitatif Et Duo : Monseigneur ! (Ophélie, Hamlet)
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Récitatif Et Duo : Doute De La Lumière (Hamlet, Ophélie)
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Récit Et Cavatine De Laërte : Salut Au Prince Hamlet !. Pour Mon Pays, En Serviteur (Laërte, Hamlet, Ophélie, Choeur)
Hamlet - Acte I - 1er tableau : Elseneur, une salle du palais - Choeur des Officiers et Pages : Nargue de la tristesse ! (Choeur, Horatio, Marcellus)
Hamlet - Acte I - 2ème Tableau : L'esplanade : Prélude
Hamlet - Acte I - 2ème Tableau : L'esplanade - Scène De L'Esplanade :Viendra-T-Il ? (Horatio, Hamlet, Marcellus)
Hamlet - Acte I - 2ème Tableau : L'esplanade - Scène De L'Esplanade : Ici L'ombre Et Le Deuil (Hamlet, Horatio, Marcellus)
Hamlet - Acte I - 2ème Tableau : L'esplanade - Scène De L'Esplanade - Invocation : Spectre Infernal ! Image Vénérée ! (Hamlet, Horatio, Marcellus)
Hamlet - Acte I - 2ème Tableau : L'esplanade - Scène De L'Esplanade : Ecoute Moi
Hamlet - Acte I - 2ème Tableau : L'esplanade - Scène De L'Esplanade : Entracte
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Air D'Ophélie : Sa Main Depuis Hier
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Air D'Ophélie : Les Serments Ont Des Ailes
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Récitatif : Je Croyais Près De Vous Trouver Mon Fils (La Reine, Ophélie)
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Arioso : Dans Son Regard Plus Sombre (La Reine, Ophélie)
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Duo : L'âme De Votre Fils Est À Jamais Troublée (Le Roi, La Reine, Hamlet)
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Récit Et Choeur Des Comédiens : Voici Les Histrions Mandés Par Vous (Marcellus, Horatio, Choeur)
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Chanson Bacchique : O Vin, Dissipe La Tristesse (Hamlet, Choeur, Marcellus, Horatio)
Hamlet - Acte II - 2ème Tableau : La Grande Salle Du Palais Éclairée Pour Une Fête - Marche Danoise, Récit Et Prologue : Belle, Permettez-Nous (Hamlet, Ophélie)
Hamlet - Acte II - 2ème Tableau : La Grande Salle Du Palais Éclairée Pour Une Fête - Pantomime Et Finale : C'est Le Vieux Roi Gonzague (Hamlet, Le Roi, La Reine, Choeur, Ophélie)
Hamlet - Acte II - 2ème Tableau : La Grande Salle Du Palais Éclairée Pour Une Fête : O Mortelle Offense ! (Le Roi, Ophélie, Marcellus, Polonius, Horatio, La Reine, Choeur)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Entracte Et Monologue : J'ai Pu Frapper Le Misérable (Hamlet)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Entracte Et Monologue : Etre Ou Ne Pas Être (Hamlet)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Récit Et Air De Basse : Mais Qui Donc Ose Me Suivre ? (Hamlet, Le Roi)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Récit Et Air De Basse : Je T'implore, Ô Mon Frère ! (Le Roi, Hamlet, Polonius)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Trio : Le Voilà ! Je Veux Lire Enfin Dans Sa Pensée (La Reine, Ophélie, Hamlet)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Trio : Allez Dans Un Cloître, Allez, Ophélie (Hamlet, La Reine, Ophélie)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Duo : Hamlet, Ma Douleur Est Immense (La Reine, Hamlet)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Duo : Ah ! Que Votre Âme Sans Refuge (Hamlet, La Reine)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Duo : Pardonne, Hélàs ! Ta Voix M'accable ! (La Reine, Hamlet)
Hamlet - Acte III - Une Chambre De L'appartement De La Reine - Duo : Mon Fils ! (Le Spectre, Hamlet, La Reine)
Hamlet - Acte IV - Un Site Champêtre Ombragé De Grands Arbres : Entracte
Hamlet - Acte IV - Un site champêtre ombragé de grands arbres : - Danse villageoise : Voici la riante saison (Choeur)
Hamlet - Acte IV - Un Site Champêtre Ombragé De Grands Arbres - Scène Et Air D'Ophélie : Mais Quelle Est Cette Belle Et Jeune Danoise (Choeur, Ophélie)
Hamlet - Acte IV - Un Site Champêtre Ombragé De Grands Arbres - Scène Et Air D'Ophélie : Et Maintenant Écoutez Ma Chansons ! (Ophélie)
Hamlet - Acte IV - Un Site Champêtre Ombragé De Grands Arbres - Scène Et Air D'Ophélie : Sa Raison A Fui Sans Retour (Choeur)
Hamlet - Acte IV - Un Site Champêtre Ombragé De Grands Arbres - Scène Et Air D'Ophélie - Final : Le Voilà ! Je Crois L'entendre (Ophélie, Choeur)
Hamlet - Acte V - Le Cimetière D'Elseneur - Chant Des Fossoyeurs : Dame Ou Prince, Homme Ou Femme (Les Deux Fossoyeurs, Hamlet)
Thomas: Hamlet: La fatigue alourdit mes pas ... Comme une pâle fleur
Hamlet - Acte V - Le Cimetière D'Elseneur - Récit Et Arioso : Comme Une Pâle Fleur (Hamlet)
Hamlet - Acte V - Le Cimetière D'Elseneur - Scène Et Récit : Mais Qui Marche Dans L'ombre ? (Hamlet, Laërte)
Hamlet - Acte V - Le cimetière d'Elseneur - Marche funèbre et Choeur : Ecoute ! Quel est ce bruit de pas ? (Hamlet, Laërte, Choeur)
Hamlet - Acte V - Le Cimetière D'Elseneur - Final : Ophélie ! Hamlet ! (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre)
Hamlet - Acte V - Le Cimetière D'Elseneur - Appendices - Finale (Dit De Covent Garden) : Ophélie ! Hamlet ! (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre)
Hamlet - Acte II, N°8 - Duo Additionnel : L'âme De Votre Fils Est À Jamais Troublée (Le Roi, La Reine)
Hamlet - Acte V - La Fête Du Printemps, Musique De Ballet : Pas Des Chasseurs
Hamlet - Acte V - La Fête Du Printemps, Musique De Ballet : Pantomime
Hamlet - Acte V - La Fête Du Printemps, Musique De Ballet : Valse-Mazurka
Hamlet - Acte V - La Fête Du Printemps, Musique De Ballet : Scène Du Bouquet
Hamlet - Acte V - La Fête Du Printemps, Musique De Ballet : La Freya
Hamlet - Acte V - La Fête Du Printemps, Musique De Ballet : Strette Finale
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster): Prologue: Bunyan in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 1: The Pilgrim meets Evangelist
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Scene 2: The House Beautiful
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act I: Nocturne (Intermezzo)
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 1: The Arming of the Pilgrim
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act II: Scene 2: The Pilgrim meets Apollyon
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: Buy! What will ye buy?
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III, Scene 1: Vanity Fair: I buy the truth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act III: Scene 2: The Pilgrim in Prison
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 1: The Pilgrim meets Mister By-Ends
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Entr'acte
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: Who so dwelleth
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV, Scene 2: The Delectable Mountains: The Lord is my Shepherd
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Scene 3: The Pilgrim reaches the End of his Journey
The Pilgrim's Progress - A morality in a prologue, four acts and an epilogue (1992 - Remaster), Act IV: Epilogue
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act III Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act I Nocturne
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 1
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act IV Scene 2
The Pilgrim's Progress - Sir Adrian Boult in Rehearsal: Act II Scene 1
Part I: Introduction et danse religieuse
Part I: Les jeunes filles attirent Daphnis - Danse generale
Part I: Danse grotesque de Dorcon
Part I: Danse legere et gracieuse de Daphnis - Danse de Lyceion
Part I: Une lumiere irreelle enveloppe le paysage - Danse lente et mysterieuse
Part I: Derriere la scene, on entend des voix - Part II: Anime et tres rude - Bryaxis ordonne d'amener la captive
Part II: Danse suppliante de Chloe
Part III: Le decor semble se fondre
Part III: Angoisse, il cherche Chloe du regard
Part III: Entre un groupe de jeunes filles - Danse generale
Violin Concerto in D, Op.77: I. Allegro non troppo
Violin Concerto in D, Op.77: II. Adagio
Violin Concerto in D, Op.77: III. Allegro giocoso, ma non troppo vivace
'Manfred' Symphony, Op. 58: Lento lugubre - Moderato con moto - Andante
'Manfred' Symphony, Op. 58: Vivace con spirito
'Manfred' Symphony, Op. 58: Andante con moto
'Manfred' Symphony, Op. 58: Allegro con fuoco
Overture
"Notte e giorno faticar"
"Leporello, ove sei?"
Ma qual mai s'offre, o Dei
"Orsù, spicciati presto"
"Ah! chi mi dice mai" - "Udisti? qualche bella"
"Chi è là?"
"Madamina, il catalogo è questo"
"Giovinette, che fate all'amore"
"Manco male, è partita"
"Ho capito, signor sì!"
"Alfin siam liberati"
"Là ci darem la mano"
"Fermati, scellerato!"
"Ah, fuggi il traditor"
"Mi par ch'oggi il demonio si diverta"
"Non ti fidar, o misera"
"Don Ottavio... son morta!"
"Or sai chi l'onore"
"Come mai creder deggio"
"Io deggio ad ogni patto"
"Masetto... senti un po'..."
"Fin ch'han dal vino"
"Batti, batti, o bel Masetto"
"Guarda un po' come seppe questa strega"
"Presto, presto... pria ch'ei venga"
"Bisogna aver corragio"
"Protegga il giusto cielo"
"Riposate, vezzose ragazze"
"Venite pur avanti"
"Ecco il birbo che t'ha offesa"
"Eh via, buffone, non mi seccar"
"Leporello!"
"Ah! taci, ingiusto core"
"Amico, che ti par?"
"Deh! vieni alla finestra"
"V'è gente alla finestra"
"Metà di voi qua vadano"
"Zitto... Lascia ch'io senta... Ottimamente"
"Vedrai, carino"
"Di molte faci il lume"
"Sola, sola in buio loco"
Mille torbidi pensieri
"Dunque quello sei tu"
"Ferma, perfido; ferma"
"Il mio tesoro intanto"
In quali eccessi, o numi
"Mi tradì quell'alma ingrata" (K540c, Aria)
"Ah! ah! ah! questa è buona!"
"O statua gentilissima"
"Calmatevi, idol mio"
"Crudele? Ah no! mio bene!"
"Già la mensa è preparata"
"L'ultima prova"
"Don Giovanni, a cenar teco m'invitasti"
"Ah! dov'è il perfido?"
"Questo è il fin di chi fa mal!"
I. Tempo molto moderato - Allegro moderato
II. Andante mosso, quasi allegretto
III. Allegro molto - Largamente assai
I. Intrada: Allegro maestoso
II. Capriccio notturno e arioso: Vivace
III. Passacaglia, toccata e corale: Andante con moto
1. Maestoso - Poco più moderato
2. Adagio
3. Rondo (Allegro non troppo)
Music for Strings (1999 Digital Remaster): I. Allegro moderato, energico
Music for Strings (1999 Digital Remaster): II. Andante, molto sostenuto - Poco allegretto (flowing) - Tempo I
Music for Strings (1999 Digital Remaster): III. Allegro molto - Allegro con spirito - Allegro molto - Presto
Music for Strings: I. Allegro moderato, energico
Music for Strings: II. Andante, molto sostenuto - Poco allegretto (flowing) - Tempo I
Music for Strings: III. Allegro molto - Allegro con spirito - Allegro molto - Presto
Symphony No. 1 in B flat minor: I. Allegro assai
Symphony No. 1 in B flat minor: II. Presto, con malizia
Symphony No. 1 in B flat minor: III. Andante con malinconia
Symphony No. 1 in B flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso
I. Allegro con brio
II. Adagio
III. Allegretto grazioso - Molto vivace
IV. Allegro ma non troppo
I. Allegro moderato
II. Lento
III. Moderato
IV. Allegro con brio
I. Allegro
II. Andante
III. Allegro
I. Prelude: Lento
II. Fugue: Adagio
III. Scherzo: Allegretto
IV. Intermezzo: Lento
V. Finale: Allegretto
The Perfect Fool, Op.39/H.150 (1988 - Remaster): Andante -
The Perfect Fool, Op.39/H.150 (1988 - Remaster): Dance of Spirits of Earth (Moderato - Andante) -
The Perfect Fool, Op.39/H.150 (1988 - Remaster): Dance of Spirits of Water (Allegretto)
The Perfect Fool, Op.39/H.150 (1988 - Remaster): Dance of Spirits of Fire (Allegro moderato)
The Planets H125 (Op. 32) (1998 Digital Remaster): Mars, the Bringer of War
The Planets H125 (Op. 32) (1998 Digital Remaster): Venus, the Bringer of Peace
The Planets H125 (Op. 32) (1998 Digital Remaster): Mercury, the Winged Messenger
The Planets H125 (Op. 32) (1998 Digital Remaster): Jupiter, the Bringer of Jollity
The Planets H125 (Op. 32) (1998 Digital Remaster): Saturn, the Bringer of Old Age
The Planets H125 (Op. 32) (1998 Digital Remaster): Uranus, the Magician
The Planets H125 (Op. 32) (1998 Digital Remaster): Neptune, the Mystic


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