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Larry Polansky
Born: October 16, 1954; New York, NY  
Composer, performer, guitarist, and educator Larry Polansky has written and arranged over 40 works for a variety of instrumentations. He is a core member of the Frog Peak Music composer's collective, and a widely published music theorist who co-wrote HSML, or Hierarchical Music Specification Language, with Phil Burk and David Rosenboom, as well as other computer software. He taught at Mills College for ten years, then went to Dartmouth, where he ...
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See all recordings available (8)   OR   Select a specific Work or Most Popular Work below.
Larry Polansky titles in:
Recommended  
Works
10:54 (1)
14:26 (1)
15:09 (1)
2:56 (1)
34 Chords (Christian Wolff in Hanover and Royalton), for guitar (1)
4:27 (1)
6:26 (1)
B’rey’sheet (1)
Cantillation Study no 1 (1)
Ensembles of Note, for 2 ensembles & electronics (1)
Epitaph (1)
For Jim, Ben and Lou, for guitar, harp & percussion (1)
Four-Voice Canons (1)
Four-Voice Canons: no 23b (1)
Four-Voice Canons: no 3 (1)
Getting Rid of the Glue, for guitar (1)
In the beginning (1)
Ivtoo, for guitar (1)
Lonesome Road (1)
Movement for Violin and Piano in E major "For John Cage" (1)
Ontslaan (toontood), for ensemble (1)
Piker (1)
Psaltery (1)
Simple Actions/Rules of Compossibility (1)
Study - Anna, the Long and Short of It (1)
The World's Longest Melody (version for ensemble) (1)
tooaytood: 11: onceaii (1)
tooaytood: 1: [less than or equal to]too (1)
tooaytood: 2: [less than or equal to]too<- (1)
tooaytood: 3: 2[/] (1)
tooaytood: 5: boo k (lullaby for anna) (1)
tooaytood: 6 (1)
tooaytood: 7: iiviinii (1)
tooaytood: 9: loopitood (1)
Toovviivfor, for ensemble (1)
Biography by Joslyn Layne
Composer, performer, guitarist, and educator Larry Polansky has written and arranged over 40 works for a variety of instrumentations. He is a core member of the Frog Peak Music composer's collective, and a widely published music theorist who co-wrote HSML, or Hierarchical Music Specification Language, with Phil Burk and David Rosenboom, as well as other computer software. He taught at Mills College for ten years, then went to Dartmouth, where he teaches electro-acoustic music, is department Chair, and co-director of its electronic music studio. Recordings of some of his compositions appear on the Artifact and Tellus labels; The Theory of Impossible Melody features the use of HMSL.
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