Larissa Diadkova

Biography

Born: 1955; Zelenodolsk  
This Russian mezzo soprano, more correctly described as a mezzo contralto, worked for some time in the shadow of her younger colleague Olga Borodina; but since coming to international fame, she has made up for lost time. Her dark, immensely powerful voice, rising from timber-rattling chest tones to a focused penetrating top, makes so bold a sound as to arrest the attention of the most distracted audiences. Her fiery temperament in the big Russian Read more and Italian dramatic roles is evident everywhere, but never allowed to spill over into self-indulgence. She is both a vivid and credible personage on-stage, and she has achieved equal success as a concert singer, winning the support of major conductors.

Although there is some question about her exact date of birth, most sources agree on 1955 as the year. After studies at the Leningrad Conservatory, she was engaged by the Kirov Opera in 1978 and made slow but steady progress through the ranks and into leading roles. In 1984, Diadkova was a winner in the Glinka competition, but found the international recognition was somewhat at arms length owing to the stunning presence of the somewhat more glamorous Borodina. Still, once the Soviet Union crumbled and Leningrad became St. Petersburg once more, the increase in touring by the Kirov obliged the company to put forth all of their most qualified artists. In addition, many Kirov singers, so carefully groomed by music director Valery Gergiev, chose to pursue more lucrative careers in the West, making greater opportunities for others on the roster.

Diadkova not only sang more important engagements, but was also offered more opportunities to record her core repertory. She filled highest expectations as both Pauline and the Countess in Tchaikovsky's Pique Dame, also achieving high marks for her Duenna in Prokofiev's Betrothal in a Monastery, Lyubov in Mazeppa, Nezhata in Sadko, Marfa in Khovanshchina, Konchakovna in Prince Igor, Ratmir in Glinka's Russlan and Ludmilla, Kashcheyevna in Kashchey the Immortal, and Olga in Yevgeny Onegin. Moreover, she was increasingly heard in Verdi roles for which her huge, flame-like voice was perfectly suited. When Gergiev discussed his forthcoming 2001 Aida in a tour of Great Britain, he boasted of Diadkova, saying "she is tremendous," noting further that she was a part of the first cast, while Borodina was to sing with the second cast.

When Diadkova sang in the San Francisco Opera's Betrothal in a Monastery in 1998, one reviewer maintained that he heard in her voice and style "a sure-fire Azucena." She has since sung that role with great success at the Metropolitan Opera in 1999 and has proven herself an exemplary Ulrica at both Verona and Dallas. In addition to London, her Amneris has been heard at the Maggio Musicale Fiorentino and in Houston. In April 2001, she sang Mistress Quickly with Claudio Abbado and the Berlin Philharmonic at the Salzburg Easter Festival (a role she also recorded with the same forces). Critic Richard Fairman of the London Financial Times found her characterization that of "a well-meaning auntie," but noted that her "rasping chest tones" clearly equipped her for other grander Verdi mezzo roles.

In 1999, Diadkova's performance of the Shostakovich edition of Mussorgsky's Songs and Dances of Death with Mstislav Rostropovich and the Chicago Symphony Orchestra transfixed a conference of music critics, causing some to wonder if she was being amplified (she wasn't). Read less

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Biography

Born: 1955; Zelenodolsk  
This Russian mezzo soprano, more correctly described as a mezzo contralto, worked for some time in the shadow of her younger colleague Olga Borodina; but since coming to international fame, she has made up for lost time. Her dark, immensely powerful voice, rising from timber-rattling chest tones to a focused penetrating top, makes so bold a sound as to arrest the attention of the most distracted audiences. Her fiery temperament in the big Russian Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Overture
"Dela davno minuvsikh"
"Est' pustynnyi kraj"
"Grustno mne, roditel' dorogoi!"
"Chada rodimye!"
"Chto sluchilos'?"
Entr'acte
"Dobro pozhalovat', moi syn!"
"Blagodariu tebya, moi divnyi pokrovitel'!"
"Ya ves' drozhu'"
"Blizok uz chas torzhestva moego"
"O pole, pole!"
"Dai, Perun, bulatnyi mech"
"Kto zdes' bluzhdaet?"
"Nas bylo dvoe, brat moij i yja
Entr'acte
"Lozhitsya v pole mr"
"Kakie sladostnye zvuki"
"I zar, i znoi smenila nochi ten'"
Dances
"O moi Ratmir! Ty zdes' opyat'"
"Vityazi! Kovarnaja Naina"
Entr'acte
"Vdali ot milogo"
"Akh ty dolya, dolyushka"
March
Oriental Dances: 1. Turkish Dance (Allegretto)
Oriental Dances: 2. Arabian Dance (Allegro con spirito)
Oriental Dances: 3. Lezginka (Allegro vivo)
"Pogibnet, nezhdannyj prishlets!"
"Pobeda, pobeda, Lyudmila"
Entr'acte
"Ona mne zizn', ona mne radost!"
"Vsyo tikho!"
"Chto slyshu ya? Ljudmila net?"
"Akh ty, svet Lyudmila!"
"Kogo nam bogi shlyut?"
"Slava velikim bogam!"
Introduction "In Praise of the Wilderness"
Akh ty, moy les
Gde zhe vy, druzhki lyubeznye
Ty ne boys
Nedosug, khozyayushka, sidet
Ch'ya ty, devitsa
Ay zhe ty prekrasnaya devitsa
Den' i noch'u nas sluzhba voskresenaya
Milyy, kak bez radosti prozhit
Ispolat', usta sakharnye
Ty golubushka
Tol'ko vyshli strel'tsy
Oy! Oy, vernisya
Vygonyal on
Ty otkol' vzyalasya
Pokazhi, Mikhaylushka
Iz-za ozera Yara
Gospodi, spasi nas
Nam-to chto?
Kormil'tsy vy milostnye
Ne vidat', tak i ne nadobno
Poezd svadebnyy
Ty otstan
Pomolisya, Grisha, Gospodu
Kak po mostikam
Gaida! Gai! Gaida! Gai! Gai!
Sosluzhi lish' sluzhbu vernuyu
Gaida! Gai!
Zdravy bud'te, lyudi kitezhane
Fyodor! Druzhe!
Fyodor! Druzhe!
Kak? Kak ona?
O, slava, bogatstvo suetnoe
Chudnaya nebesnaya tsaritsa
Pyl' stolbom podnyalas' do neba
Okh, strashna desnitsa Bozhiya
Gore, gore gradu Kitezhu
Byti Kitezhu razgrablenu
Chudnaya nebesnaya tsaritsa
Da svershitsya Bozhiya
Podnyalasya s polunochi
Chto zh stoim my, syostry?
A tuman vsyo gustche
Interlude "The battle at Kerzhenets"
Vot dubrava ta
Oy zhe, vy murzy tatarskie
Ne vorony, ne golodnye
Akh, ty milyy zhenikh moy
Slysh'ty, devitsa
Net, gudit, gudit proklyatyy zvon
Otchego "ne day Bog", Grishen'ka?
Stupay, Gospoden' rab
Oy, golubchiki, na vole ya
Oy, nel'zya idti mne
Ya ne greshnik
Ty zemlya, nasha mati miloserdnaya
Chto zhe mne?
Grishenka
Posmotru ya: chto zdes' tsvetikov
Posmotru ya: chto zdes' tsvetikov
Razygralis' ptashki vol'nyya
Ty li yasnyy svet ochey moikh?
Zhiv nadyozha drug
Se zhenikh prishyol
Kto vkusil ot khleba nashego
Gospodi Isuse
Interlude
Interlude part 2
Dveri rayskiya
Tsarstvo svetozarnoe
Kak po tsvetikam po lazorevym
Milost' Bozhiya nad toboy, nevesta
Otchego u vas zdes' svet velik
Budi s nami zdes' voveki
Budi s nami zdes' voveki
Grishen'ka, khot' slab ty razumom
Dni byez prosveta
Ya vizhu dyevu krasoti chudyesnoi
Tyomni yeyo ochki
Vy, gusli samogudi
Nastala noch' zatikhnul vyeterok
Glukhaya noch', dorogi dalshe nyet
Pit'yo prokhladnaya vernyot vsyo sili
Zasnul...tvoi chas nastal
Bayu, bai, Kashchyei syedoi!
Myeryeshchitsa?
Prosti, lyubimi korolyevich moi!
Konyets zlomu tsartsvu!
Introduction
"Sabralis'a my, gosti targovye"
"Strunku k strunachke ty nat'agivaj" - "Prasvet'a svetel mas'ats na nebe"
"Budit krasen den'v palavinu dn'a"
"Kaby byla un min'a zalata kazna"
"Goj, ty, Sat-Satko, dobryj moladets"
"V Novegorade velikam"
"Oj ty, t'omnaja dubravushka!"
"A-a-a." - "Vyhadite, vy, is sin'a ozera"
"Zaigrjte, mai gusel'ki"
"Svet'at rasoju medv'anaju kosy tvai"
"Mes'ats zalatyje roshki"
"Fs'u noch zhdala jevo ja panaprasnu"
"Ali v'jaf' sa mnoj diva sadejalas?"
"Pasmatrite ka, l'udi vol'nyje"
"Paklon vam, gosti imenityje!"
"Kak na ozere na Il'mene"
"A skaly groznyje drab'atsa s r'ovem volny"
"Ni sh'est' almazaf f kamnnyh pisherah"
"Gorat kamennyj, garadam fsem mat'
"A i v Vedenets slavnyj put'ty derzhy"
"Vysata li, vysata li padnebesnaja"
"Ush kak po mor'u, mor'u sinemu"
"Goj, druzhyna vernaja, padnachal'naja"
"Nikak pajut?"
"Glup' glubokaja, Akian more"
"Sineje more grozna, shiroka"
"Nu, garast, Satko, ty pet'igrat?"
"Paigraj va gusli zvonkije"
"Slaven, groznyj Tsar' Marskoj"
"Aj, ne f poru raspl'asals'a"
Introduction - "Moladets moj"
"Son pa bereshku hadil"
"Oh, toshna mne, tashn'ohan'ko"
"A i zdrastvuj zhe ty, moj zhetannyj mush"
"F staranah gul'al ja dal'nih"
"Slava starchish'u"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Zdes', gospodin rycar'"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Da, on rassejalsja"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "U vas vse vremja sum kakoj-to"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Ne dovol'no l'"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Sista...sista...sista..."
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "...iz trech magiceskich krugov"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "A, Jakov Glok"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Slysis' li ty stuk?"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Zaklinaju tebja"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Tam net nikogo"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - - Entr'acte -
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Magister doctissime"
Prokofiev: The Fiery Angel, Op.37 / Act 3 - "Genrich, vernis', vernis', vernis!"
Prokofiev: The Fiery Angel, Op.37 / Act 3 - "Ubej ego, Ruprecht!"
Prokofiev: The Fiery Angel, Op.37 / Act 3 - "Renata, perestan' ze plakat'"
Prokofiev: The Fiery Angel, Op.37 / Act 3 - - Entr'acte -
Prokofiev: The Fiery Angel, Op.37 / Act 3 - "Milostivaja dama, on opasno ranen"
Prokofiev: The Fiery Angel, Op.37 / Act 4 - "Renata, molju tebja..."
Prokofiev: The Fiery Angel, Op.37 / Act 4 - "Baraniny! Vina i baraniny!"
Prokofiev: The Fiery Angel, Op.37 / Act 4 - "Ach, negodjaj!"
Prokofiev: The Fiery Angel, Op.37 / Act 5 - "Sestra Renata"
Prokofiev: The Fiery Angel, Op.37 / Act 5 - "Vozljublennye brat'ja i sestry"
Prokofiev: The Fiery Angel, Op.37 / Act 5 - "A...!"
Prokofiev: The Fiery Angel, Op.37 / Act 5 - "Duch lukavyi"
Prokofiev: The Fiery Angel, Op.37 / Act 5 - "Sestry! Sestry! Sestry! A!"
Prokofiev: The love for three oranges. Op.33 - Prologue - Tragediy! Tragediy!
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 1 - Bedniy sïn!
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 1 - Igrï? Spektakli?
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 2 - Mag Cheliy!
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 3 - Moi zhelaniya vstrechayut prepyatstviya
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 3 - Kto etot chelovek?
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 1 - Smeshno?
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Divertisment nomer pervïy!
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Divertisment nomer vtoroy!
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Kha-kha...Kha-kha-kha...
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Varvar! Slushay!
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Tri apelsina...tri apelsina
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Ti podnimayesh ruku na ottsa?
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 1 - Farfarello! Farfarello!
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 1 - Veter stikh
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 2 - Gde mï?
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 2 - Kto tut pishchit?
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Nu kak zhe nam idti
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Ya Printsessa Linetta
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - E...Truffaldino...Truffaldino
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Da, ya Printsessa Ninetta!
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Smeraldina...s bulavkoy...
Prokofiev: The love for three oranges. Op.33 - Act 4. Scene 1 - Akh! Negodnaya vedma
Prokofiev: The love for three oranges. Op.33 - Act 4. Scene 2 - Tron v poryadke?
Prokofiev: The love for three oranges. Op.33 - Act 4. Scene 2 - Strazha, veryovku!
1. The Dragonfly and the Ant
2. The Ass and the Nightingale
Tchaikovsky: Mazeppa, Opera in 3 Acts - Introduction
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 1 Girl's Chorus and Scene
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 2 Scene, Arioso and duet
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 3 Scene
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 4 Chorus and Dance
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 4: Hopak
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 5 Scene and Arioso
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 6 Quarrel Scene
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 7 Chorus and Mother's Lament
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 1 - No. 8 Finale
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 9 Prison Scene
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 10 Mazeppa's Monologue and Scene with Orlik
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 10a Mazeppa's Arioso
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 11 Mazeppa's Scene with Maria
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 12 Scene between Maria and her Mother
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 13 Crowd Scene
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 2 - No. 14 Finale
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 3 - No. 15 The Battle of Poltava
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 3 - No. 16 Scene and Andrey's Aria
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 3 - No. 17 Scene and Duet
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 3 - No. 18 Scene - Appearance of the Demented Maria
Tchaikovsky: Mazeppa, Opera in 3 Acts / Act 3 - No. 19 Finale
Zwei Gesänge für eine Altstimme mit Bratsche und Klavier Op. 91: Gestillte Sehnsucht
Geistliches Wiegenlied
Il Trovatore, Parte Prima - Il Duello, Scena prima: All'erta! all'erta! Il Conte n'è d'uopo attender vigilando (Ferrando/Famigliari/Armigeri)
Il Trovatore, Parte Prima - Il Duello, Scena prima: Di due figli vivea padre beato (Ferrando/Famigliari/Armigeri)
Il Trovatore, Parte Prima - Il Duello, Scena prima: E il padre? / Brevi e tristi giorni visse (Famigliari/Armigeri/Ferrando)
Il Trovatore, Parte Prima - Il Duello, Scena prima: Sull'orlo dei tetti (Famigliari/Armigeri/Ferrando)
Il Trovatore, Parte Prima - Il Duello, Scena seconda: Che più t'arresti? (Ines/Leonora)
Il Trovatore, Parte Prima - Il Duello, Scena seconda: Ascolta. Tacea la notte placida (Leonora)
Il Trovatore, Parte Prima - Il Duello, Scena seconda: Quanto narrasti di turbamento (Ines/Leonora)
Il Trovatore, Parte Prima - Il Duello, Scena seconda: Di tale amor, che dirsi (Leonora/INes)
Il Trovatore, Parte Prima - Il Duello, Scena terza: Tace la notte! (Il Conte)
Il Trovatore, Parte Prima - Il Duello, Scena terza: Il Trovator! Io fremo / Deserto sulla terra (Il Conte/Manrico)
Il Trovatore, Parte Prima - Il Duello, Scena quarta: Non m'inganno. Ella scende! (Il Conte/Leonora/Manrico) - Scena Quinta: Qual voce (Leonora/Manrico/Il Conte)
Il Trovatore, Parte Prima - Il Duello: (Scena quinta) Di geloso amor sprezzato (Il Conte/Leonora/Manrico)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Vedi! le fosche notturne spoglie (Zingari e Zingare)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Stride la vampa! (Azucena)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Mesta è la tua canzon! (Zingari e Zingare/Azucana/Manrico/Un vecchio zingaro)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Soli or siam! Deh, narra quella storia funesta (Manrico/Azucena(
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Condotta ell'era in ceppi (Azucena/Manrico)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Quand'ecco agliegri spirti (Azucena/Manrico)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Non son tuo figlio? (Manrico/Azucena)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: Mal reggendo all'aspro assalto (Manrico/Azucena)
Il Trovatore, Parte Seconda - La Gitana, Scena prima: L'usato messo Ruiz invia (Manrico/Azucena) / Scena seconda: Inoltra il piè (Manrico/Un messo/Azucena)
Il Trovatore, Parte Seconda - La Gitana: (Scena seconda) Perigliarti ancor languente (Azucena/Manrico)
Il Trovatore, Parte Seconda - La Gitana, Scena terza: Tutto è deserto (Il Conte/Ferrando)
Il Trovatore, Parte Seconda - La Gitana, Scena terza: Il balen del suo sorriso (Il Conte)
Il Trovatore, Parte Seconda - La Gitana, Scena terza: Qual suono! O ciel! (Il Conte/Ferrando)
Il Trovatore, Parte Seconda - La Gitana, Scena terza: Ardir! andiam celiamoci / Per me ora fatale (Seguaci del Conte/Ferrando/Il Conte)
Il Trovatore, Parte Seconda - La Gitana, Scena terza: Ah! se l'error t'ingombra No, no, non può nemmen Dio (Religiose/Il Conte/Ferrando/Seguaci del Conte)
Il Trovatore, Parte Seconda - La Gitana, Scena quarta: Perchè piangete?...Degg'io volgermi a Cuei (Leonora/Ines)
Il Trovatore, Parte Seconda - La Gitana, Scena quarta: No giammai! / Il Conte (Il Conte/Ines/Religiose/Leonora/Seguaci del Conte)
Il Trovatore, Parte Seconda - La Gitana, Scena quarta: E deggio e posso crederlo? (Leonora/Il Conte/Manrico/Ines/Ferrando/Religiose/Seguaci de Conte/Ruiz/Seguaci di Manrico)
Prokofiev: The love for three oranges. Op.33 - Prologue - Tragediy! Tragediy!
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 1 - Bedniy sïn!
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 1 - Igrï? Spektakli?
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 2 - Mag Cheliy!
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 3 - Moi zhelaniya vstrechayut prepyatstviya
Prokofiev: The love for three oranges. Op.33 - Act 1. Scene 3 - Kto etot chelovek?
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 1 - Smeshno?
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Divertisment nomer pervïy!
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Divertisment nomer vtoroy!
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Kha-kha...Kha-kha-kha...
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Varvar! Slushay!
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Tri apelsina...tri apelsina
Prokofiev: The love for three oranges. Op.33 - Act 2. Scene 2 - Ti podnimayesh ruku na ottsa?
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 1 - Farfarello! Farfarello!
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 1 - Veter stikh
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 2 - Gde mï?
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 2 - Kto tut pishchit?
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Nu kak zhe nam idti
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Ya Printsessa Linetta
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - E...Truffaldino...Truffaldino
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Da, ya Printsessa Ninetta!
Prokofiev: The love for three oranges. Op.33 - Act 3. Scene 3 - Smeraldina...s bulavkoy...
Prokofiev: The love for three oranges. Op.33 - Act 4. Scene 1 - Akh! Negodnaya vedma
Prokofiev: The love for three oranges. Op.33 - Act 4. Scene 2 - Tron v poryadke?
Prokofiev: The love for three oranges. Op.33 - Act 4. Scene 2 - Strazha, veryovku!
Introduction "In Praise of the Wilderness"
Akh ty, moy les
Gde zhe vy, druzhki lyubeznye
Ty ne boys
Nedosug, khozyayushka, sidet
Ch'ya ty, devitsa
Ay zhe ty prekrasnaya devitsa
Den' i noch'u nas sluzhba voskresenaya
Milyy, kak bez radosti prozhit
Ispolat', usta sakharnye
Ty golubushka
Tol'ko vyshli strel'tsy
Oy! Oy, vernisya
Vygonyal on
Ty otkol' vzyalasya
Pokazhi, Mikhaylushka
Iz-za ozera Yara
Gospodi, spasi nas
Nam-to chto?
Kormil'tsy vy milostnye
Ne vidat', tak i ne nadobno
Poezd svadebnyy
Ty otstan
Pomolisya, Grisha, Gospodu
Kak po mostikam
Gaida! Gai! Gaida! Gai! Gai!
Sosluzhi lish' sluzhbu vernuyu
Gaida! Gai!
Zdravy bud'te, lyudi kitezhane
Fyodor! Druzhe!
Fyodor! Druzhe!
Kak? Kak ona?
O, slava, bogatstvo suetnoe
Chudnaya nebesnaya tsaritsa
Pyl' stolbom podnyalas' do neba
Okh, strashna desnitsa Bozhiya
Gore, gore gradu Kitezhu
Byti Kitezhu razgrablenu
Chudnaya nebesnaya tsaritsa
Da svershitsya Bozhiya
Podnyalasya s polunochi
Chto zh stoim my, syostry?
A tuman vsyo gustche
Interlude "The battle at Kerzhenets"
Vot dubrava ta
Oy zhe, vy murzy tatarskie
Ne vorony, ne golodnye
Akh, ty milyy zhenikh moy
Slysh'ty, devitsa
Net, gudit, gudit proklyatyy zvon
Otchego "ne day Bog", Grishen'ka?
Stupay, Gospoden' rab
Oy, golubchiki, na vole ya
Oy, nel'zya idti mne
Ya ne greshnik
Ty zemlya, nasha mati miloserdnaya
Chto zhe mne?
Grishenka
Posmotru ya: chto zdes' tsvetikov
Posmotru ya: chto zdes' tsvetikov
Razygralis' ptashki vol'nyya
Ty li yasnyy svet ochey moikh?
Zhiv nadyozha drug
Se zhenikh prishyol
Kto vkusil ot khleba nashego
Gospodi Isuse
Interlude
Interlude part 2
Dveri rayskiya
Tsarstvo svetozarnoe
Kak po tsvetikam po lazorevym
Milost' Bozhiya nad toboy, nevesta
Otchego u vas zdes' svet velik
Budi s nami zdes' voveki
Budi s nami zdes' voveki
Grishen'ka, khot' slab ty razumom
Rimsky-Korsakov: Kashchei the Immortal - Dni byez prosveta
Rimsky-Korsakov: Kashchei the Immortal - Ya vizhu dyevu krasoti chudyesnoi
Rimsky-Korsakov: Kashchei the Immortal - Tyomni yeyo ochki
Rimsky-Korsakov: Kashchei the Immortal - Vy, gusli samogudi
Rimsky-Korsakov: Kashchei the Immortal - Nastala noch' zatikhnul vyeterok
Rimsky-Korsakov: Kashchei the Immortal - Glukhaya noch', dorogi dalshe nyet
Rimsky-Korsakov: Kashchei the Immortal - Pit'yo prokhladnaya vernyot vsyo sili
Rimsky-Korsakov: Kashchei the Immortal - Zasnul...tvoi chas nastal
Rimsky-Korsakov: Kashchei the Immortal - Bayu, bai, Kashchyei syedoi!
Rimsky-Korsakov: Kashchei the Immortal - Myeryeshchitsa?
Rimsky-Korsakov: Kashchei the Immortal - Prosti, lyubimi korolyevich moi!
Rimsky-Korsakov: Kashchei the Immortal - Konyets zlomu tsartsvu!
Introduction
No. 1 Girl's Chorus and Scene
No. 2 Scene, Arioso and duet
No. 2: "I've loved you since we were children"
No. 3 Scene
No. 4 Chorus and Dance
No. 4: Hopak
No. 5 Scene and Arioso
No. 5: "Young Love can flare up"
No. 6 Quarrel Scene
No. 6: "You crazy old man"
No. 6: "Kochubey! I was wrong"
No. 7 Chorus and Mother's Lament
No. 8 Finale
No. 9 Prison Scene
No. 9: "So this is the reward"
No. 9: "It's you, you cruel man!"
No. 9: "No, you are not mistaken"
No. 10 Mazeppa's Monologue and Scene with Orlik
No. 10: "How still is the Ukrainian night"
No. 10a Mazeppa's Arioso
No. 11 Mazeppa's Scene with Maria
No. 11: "Long has my mind been working on a plan"
No. 11: "When I am near you I know no fear"
No. 12 Scene between Maria and her Mother
No. 13 Crowd Scene
No. 14 Finale
No. 14: "My friend, let us offer up for the last time"
No. 14: "Hear the prayers of repentance"
No. 15 The Battle of Poltava
No. 16 Scene and Andrey's Aria
No. 16: "Here days passed by in happy succession"
No. 17 Scene and Duet
No. 17: "You destroyer of sacred innocence"
No. 18 Scene - Appearance of the Demented Maria
No. 18: "O hush, hush, hush my dear!"
No. 18: "I remember a field"
No. 19 Finale
No. 19: "Wake up, I am dying"
No. 19: "Sleep, my baby, my pretty"
Overture
"But that is just fantasy!"
"Plain. Round-shouldered"
"She has shaken your hand"
"The moon looks in at your window"
"Stop that mewing"
Masker's Dance
" I had better get her married her off"
"Friends, depart"
"It will work, Nanny, won't it?"
"Splendid, Señor, splendid"
"Will you cherish me in my old age?"
"Give it back!"
"If you have a daughter"
"It looks like the first act"
"Buy some fish"
"Rosina...Rosina..."
"Ferdinand alone is dearer"
"If I had known"
"My beard?"
"There is no greater happiness"
"Yes, yes, yes, yes, yes!"
"My prettty...My pretty..."
"When the cheerful fop starts hanging around"
"Well?"
"Ah, time does not want to move on at all"
"Come in, come in, Antonio"
"Should we take a sly look"
"It's bad to peep"
"How my soul is beaming!"
"You are not playing in tune"
"My respectful greetings to the Señor"
"Please, let us continue"
"Lopez!"
"Here I am, a nun"
"They have gone gladdened"
"It must be here..."
"The bottle is the sun of our lives"
"To the pretty nun"
"They're bring more wine!"
"Take care, Antonio!"
"Straight down to business now"
"I can't understand it"
"Aha, here's Mendoza at last"
"What is this?"
"Son! At last"
"Don Jerome, Don Jerome!"
Tchaikovsky: Iolanta Op.69 - Introduction
Tchaikovsky: Iolanta Op.69 - "Moj ptenchik, Iolanta"
Tchaikovsky: Iolanta Op.69 - "Atchevo eta prezhde ne znala"
Tchaikovsky: Iolanta Op.69 - "Polna, ni nada, radnaja"
Tchaikovsky: Iolanta Op.69 - "Brigitta, eta ty?"
Tchaikovsky: Iolanta Op.69 - "Spi, pust'Ang'ely krylami navevajut sny"
Tchaikovsky: Iolanta Op.69 - "Prizyvnyj rok..."
Tchaikovsky: Iolanta Op.69 - "Gaspot'moj, jesli greshen ja"
Tchaikovsky: Iolanta Op.69 - "Tvajo litso besstrasna"
Tchaikovsky: Iolanta Op.69 - "Dva mira: plotskij i duhovnyj"
Tchaikovsky: Iolanta Op.69 - "Ne tarapis'"
Tchaikovsky: Iolanta Op.69 - "Net! Chary lask krasy m'atezhnaj"
Tchaikovsky: Iolanta Op.69 - "Adnaka, gde zhe my?"
Tchaikovsky: Iolanta Op.69 - "Vy mne petstali kak veden'je"
Tchaikovsky: Iolanta Op.69 - "Tvajo malchan'je nepan'atna"
Tchaikovsky: Iolanta Op.69 - "Iolanta! Gde ty?"
Tchaikovsky: Iolanta Op.69 - "Net, nazavi muchen'ja"
Tchaikovsky: Iolanta Op.69 - "Prasti min'a, ja abmanul tib'a"
Tchaikovsky: Iolanta Op.69 - "Gotfrid, ja vyruchat'tib'a javilsa"
Tchaikovsky: Iolanta Op.69 - "Gde ja?"
Tchaikovsky: Iolanta Op.69 - "Blagoj velikij, neizmennyj"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Zdes', gospodin rycar'"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Da, on rassejalsja"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "U vas vse vremja sum kakoj-to"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Ne dovol'no l'"
Prokofiev: The Fiery Angel, Op.37 / Act 1 - "Sista...sista...sista..."
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "...iz trech magiceskich krugov"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "A, Jakov Glok"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Slysis' li ty stuk?"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Zaklinaju tebja"
Prokofiev: The Fiery Angel, Op.37 / Act 2 - "Tam net nikogo"


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