Kurt Sanderling

Biography

Born: September 19, 1912; Arys, East Prussia   Died: September 17, 2011  
In January 2002, it was announced that conductor Kurt Sanderling had decided to do something few conductors ever chose to do: he was going to retire. In the year he would turn 90, Sanderling was still a vital and probing maestro, but his decision would afford him time to explore his other protean interests. He had accomplished much, participating in the musical life of both East and West during the period of the Cold War, collaborating with many Read more excellent orchestras that had relished his comprehensive knowledge and far-reaching musicianship and he enjoyed the respect of famous soloists. Born in a part of East Prussia that later became Polish territory, Sanderling studied in Königsberg and Berlin before being appointed an assistant conductor at Berlin's Städtische Oper in 1931; he worked there for two years before leaving to join the Berlin Jewish Cultural Federation. The rise of National Socialism forced Sanderling to flee eastward in 1936. Settling in Moscow, he became conductor of the Moscow Radio Symphony Orchestra, assistant to Georges Sebastian. From 1939 to 1942, Sanderling was conductor of the Kharkov Philharmonic Orchestra. A successful guest appearance in Leningrad led to his appointment as permanent conductor of the Leningrad Philharmonic, sharing leadership of the orchestra with Yevgeny Mravinsky. Following the end of WWII, Sanderling also taught at the Leningrad Conservatory. In 1960, Sanderling returned to Berlin to become chief conductor of the East Berlin Symphony Orchestra, a post he kept until 1977. For three years, beginning in 1964, he also served as conductor of the Dresden Staatskapelle. Even before the end of his tenure with the E.B.S.O., Sanderling had begun to make guest appearances abroad, winning new admirers among orchestra members, audiences, and critics. He became active at several music festivals, among them Salzburg, Vienna, Edinburgh, and Prague. Mutual admiration grew from his first appearances with Britain's Philharmonia: he was made an honorary member in 1996 and later became the orchestra's conductor emeritus. Beginning in 1979, he forged a relationship with Tokyo's Nippon Symphony Orchestra. During his Russian years, Sanderling came to know Dmitry Shostakovich well. His interpretation of the Symphony No. 15 ("a horrific work about loneliness and death," in Sanderling's words) is exemplary. The conductor's Brahms' symphonies are likewise among the finest ever recorded. Read less

There are 128 Kurt Sanderling recordings available.

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Biography

Born: September 19, 1912; Arys, East Prussia   Died: September 17, 2011  
In January 2002, it was announced that conductor Kurt Sanderling had decided to do something few conductors ever chose to do: he was going to retire. In the year he would turn 90, Sanderling was still a vital and probing maestro, but his decision would afford him time to explore his other protean interests. He had accomplished much, participating in the musical life of both East and West during the period of the Cold War, collaborating with many Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Misery)
II. Der Einsame im Herbst (The Lonely One in Autumn)
III. Von der Jugend (Of Youth)
IV. Von der Schonheit (Of Beauty)
V. Der Trunkene im Fruhling (The Drunkard in Spring)
VI. Der Abschied (The Farewell)
I. Andante comodo
II. Im Tempo eines gemachlichen Landlers - Etwas tappisch und sehr derb
III. Rondo-Burleske: Allegro assai - Sehr trotzig
IV. Adagio - Sehr langsam und noch zuruckhaltend
I. Adagio
II. Scherzo
III. Purgatorio: Allegretto moderato
IV. Scherzo: Allegro pesante
V. Finale
I. Allegro moderato
II. Adagio. Sehr feierlich und sehr langsam
III. Scherzo: Sehr schnell
IV. Finale: Bewegt, doch nicht schnell
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 1. Allegro con brio
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 3. Rondo (Allegro)
I. Vivace
II. Andante
III. Allegro vivace
I. Moderato - Allegro
II. Adagio sostenuto
III. Allegro scherzando
I. Allegro ma non tanto
II. Intermezzo: Adagio
III. Finale: Alla breve
I. Allegro
II. Largo
III. Allegro vivace
1. Allegro con brio
2. Largo
3. Rondo (Allegro)
I. Moderato - Allegro
II. Adagio sostenuto
III. Allegro scherzando
Beethoven: Piano Concerto No.1 in C major, Op.15 - 1. Allegro con brio
Beethoven: Piano Concerto No.1 in C major, Op.15 - 2. Largo
Beethoven: Piano Concerto No.1 in C major, Op.15 - 3. Rondo (Allegro scherzando)
Beethoven: Piano Concerto No.2 in B flat major, Op.19 - 1. Allegro con brio
Beethoven: Piano Concerto No.2 in B flat major, Op.19 - 2. Adagio
Beethoven: Piano Concerto No.2 in B flat major, Op.19 - 3. Rondo (Molto allegro)
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 1. Allegro con brio
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 3. Rondo (Allegro)
Beethoven: Piano Concerto No.4 in G, Op.58 - 1. Allegro moderato
Beethoven: Piano Concerto No.4 in G, Op.58 - 2. Andante con moto
Beethoven: Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace)
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 1. Allegro
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 2. Adagio un poco mosso
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 3. Rondo (Allegro)
I. Lento - Allegro non troppo
II. Allegretto
III. Allegro non troppo
I. Bewegt, nicht zu schnell
II. Andante quasi allegretto
III. Scherzo: Bewegt - Trio: Nicht zu schnell
IV. Finale: Bewegt, doch nicht zu schnell
Beethoven: Symphony No.2 in D, Op.36 - 1. Adagio molto - Allegro con brio
Beethoven: Symphony No.2 in D, Op.36 - 2. Larghetto
Beethoven: Symphony No.2 in D, Op.36 - 3. Scherzo (Allegro)
Beethoven: Symphony No.2 in D, Op.36 - 4. Allegro molto
Beethoven: Piano Concerto No.3 In C Minor, Op.37 - 1. Allegro con brio
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 3. Rondo (Allegro)
1. Adagio molto - Allegro con brio
2. Larghetto
3. Scherzo (Allegro)
4. Allegro molto
1. Allegro con brio
2. Largo
3. Rondo (Allegro)
I. Moderato - Allegro
II. Adagio sostenuto
III. Allegro scherzando
1. Allegro affettuoso
2. Intermezzo (Andantino grazioso)
3. Allegro vivace
1. Largo - Allegro moderato
2. Allegro molto
3. Adagio
4. Allegro vivace
I. Allegro molto moderato
II. Allegretto moderato
III. Poco vivace -
IV. Allegro molto
I. Allegretto
II. Tempo andante, ma rubato
III. Vivacissimo
IV. Finale: Allegro moderato
I. Allegro moderato
II. Andantino con moto, quasi allegretto
III. Moderato - Allegro (ma non tanto)
I. Andante, ma non troppo - Allegro energico
II. Andante (ma non troppo lento)
III. Scherzo: Allegro
IV. Finale (quasi una Fantasia): Andante - Allegro molto
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 1. Allegro con brio
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 3. Rondo (Allegro)
Beethoven: Piano Concerto No.4 in G, Op.58 - 1. Allegro moderato
Beethoven: Piano Concerto No.4 in G, Op.58 - 2. Andante con moto
Beethoven: Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace)
1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo
2. Andantino in modo di canzone
3. Scherzo. Pizzicato ostinato - Allegro
4. Finale (Allegro con fuoco)
I. Allegretto
II. Adagio - Largo - Adagio - Largo
III. Allegretto
IV. Adagio - Allegretto - Adagio - Allegretto
I. Moderato
II. Allegro
III. Allegretto
IV. Andante - Allegro
I. Allegretto - Allegro non troppo
II. Allegro
III. Lento
IV. Allegro molto
I. Largo
II. Allegro
III. Presto
I. Mehr langsam, Misterioso
II. Adagio, bewegt, quasi andante
III. Ziemlich schnell
IV. Allegro
I. Moderato
II. Allegretto
III. Largo
IV. Allegro non troppo
I. Adagio - Allegro non troppo
II. Allegretto
III. Allegro non troppo
IV. Largo
V. Allegretto


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