Kurt Masur

Composers

Biography

Born: Jul 18, 1927; Poland  
Kurt Masur's tenure with the New York Philharmonic in the 1990s superficially seemed a throwback to the days when American orchestras always looked to the European continent when naming their conductors. In fact, the appointment was both unusual and forward-thinking. Born in Brieg, Silesia (in modern-day Poland) in 1927, Masur is one of the most respected conductors of his generation and is well known for his human rights Read more activities.
Masur studied cello and piano while at the Breslau Music School from 1942 to 1944. After the war he found himself in the Soviet-occupied zone of Germany, which became the German Democratic Republic (DDR) or East Germany. His education then continued at the Leipzig Hochschule für Musik, where he studied piano, composition, and conducting (1946-1948). His professional career began as a coach and assistant conductor in the Halle Landestheater. He then became Kapellmeister of the Erfurt City Theater (1951-1953). Next, he was his appointed as Kapellmeister of the Leipzig Opera Theater. (1953-1955).
His first orchestral position came with the Dresden Philharmonic (1955-1958). He then returned to opera, becoming Generalmusikdirektor of the Mecklenburg State Theater in Schwerin (1958-1960). One of his most important appointments came in 1960, when he took the post as Senior Director of Music at the Berlin Komische Oper, where he worked with the famous director and producer Walter Felsenstein. He returned to the Dresden Philharmonic as its music director (1967-1972). In 1970 he became Gewandhauskapellmeister of Leipzig, a position of high prestige ever since the Gewandhaus Orchestra had been led by Wilhelm Furtwängler, Bruno Walter, and indeed Felix Mendelssohn. He remained at the Gewandhaus through 1996, during one of the most important stretches in the orchestra's history. Together they made numerous recordings for the East German state recording company, many of which became generally available in the West only during the 1990s. He also took the orchestra on significant foreign tours, and in 1975 he became a professor at the Leipzig Academy.
Masur was and remains a frequent guest conductor with the world's leading orchestras. His U.S. debut came in 1974, when he led the Cleveland Orchestra and also took the Gewandhaus Orchestra on its first American tour. His New York Philharmonic debut took place in 1981.
Masur became outspoken in his opposition to DDR policies, and in 1989 he played a central role in the growing demonstrations against Communist rule. As a result he was awarded several of Germany's highest civilian honors, and his profile in the West was raised still further.
In 1991 Masur was appointed music director of the New York Philharmonic. Although the orchestra was in fine form when he took it, he was been credited with sharpening its precision, creating a more incisive sound. Masur and the Philharmonic recorded extensively on the Teldec label. Under his tenure, the orchestra resumed its historic series of live national radio broadcasts, becoming the only orchestra in the United States with such a program in place. In 1999, the orchestra's "Messages for the Millennium" project commissioned works by Thomas Ades, John Corigliano, Hans Werner Henze, Giya Kancheli, and Kaija Saariaho, and in June of the following year, Masur and the Philharmonic completed their fifth European tour.
In 1996 he stepped down from his position with the Gewandhaus, which elected to give him the title of Conductor Laureate -- the first time it had bestowed that honor. Since 1992, he has held the lifetime title of Honorary Guest Conductor of the Israel Philharmonic Orchestra. In September 2000, Masur assumed the position of Principal Conductor of the London Philharmonic Orchestra. At the end of his contract with the New York Philharmonic in 2002, Masur became music director of the Orchestre National de France.
Masur also holds honorary degrees from the Breslau Academy of Music, the Cleveland Institute of Music, Colgate University, Hamilton College, Indiana University, the Juilliard School, Leipzig University, the Manhattan School of Music, the University of Michigan, Westminster Choir College, SUNY Binghamton, and Yale University. Read less
Grieg, Schumann: Piano Concertos / Ousset, Marriner, Masur
Release Date: 06/15/1999   Label: Emi Seraphim  
Catalog: 73428   Number of Discs: 1
On sale! $7.97
CD: $4.99
In Stock
On sale!   $7.97   CD:  $4.99 Add CD to Cart

There are 348 Kurt Masur recordings available.

Select a specific Composer, Ensemble or Label or browse recordings by Formats & Featured below


Composers

Biography

Born: Jul 18, 1927; Poland  
Kurt Masur's tenure with the New York Philharmonic in the 1990s superficially seemed a throwback to the days when American orchestras always looked to the European continent when naming their conductors. In fact, the appointment was both unusual and forward-thinking. Born in Brieg, Silesia (in modern-day Poland) in 1927, Masur is one of the most respected conductors of his generation and is well known for his human rights Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Overture
Act I: Erhebet Herz und Hande (Chorus) - Recitative: Zu einem gottgefall'gen Kampfe rustet (Hidulfus, Chorus)
Act I: Recitative: Mocht ziehn mit ihnen! (Golo) - Aria: Frieden zieh in meine Brust (Golo) - Siegfried! Du ein zweiter Vater mir (Golo)
Act I: Duet: So wenig Monden erst (Siegfried, Genoveva)
Act I: Recitative: Dies gilt uns! (Siegfried, Drago, Genoveva, Golo) - Meines Weibes nimm dich an (Siegfried, Golo, Genoveva, Chorus)
Act I: Auf, auf in das Feld! (Chorus, Genoveva, Golo, Siegfried)
Act I: Recitative: Der rauhe Kriegsmann! (Golo) - Scene: O Lippen, susse Lippen! (Golo, Genoveva)
Act I: Finale: Sieh da, welch feiner Rittersmann! (Margaretha) - Was hab ich getan (Golo, Margaretha) - Du lasst die arme (Margaretha, Golo) - Mit neuem Leben (Golo, Margaretha)
Act II: Scene: O weh des Scheidens, das er tat (Genoveva) - Getrost, getrost mein Herze (Chorus, Genoveva) - Recitative: Ihr seid es, Golo? (Genoveva, Golo)
Act II: Duet: Wenn ich ein Voglein war (Genoveva, Golo) - Was ist Euch? (Genoveva, Golo) - Das Wort, das traf (Golo)
Act II: Duet: Dem Himmel Dank, dass ich Euch finde (Drago, Golo) - Ich lauscht' an der Tur (Margaretha, Golo) - Dort schleichen uber'n Hof sie sacht (Genoveva)
Act II: Aria: O du, der uber alle wacht (Genoveva)
Act II: Finale: Sacht, sacht, aufgemacht! (Chorus, Balthasar, Genoveva) - Zuruck, ihr Schurken! (Golo, Genoveva, Chorus, Balthasar, Drago) - Das glaub' ich (Balthasar, Genoveva, Margaretha, Golo)
Act III: Duet: Nichts halt mich mehr (Siegfried, Margaretha)
Act III: Recitative: Ja, wart bis zum Jungsten Tag (Siegfried) - Song: Bald blick' ich dich wieder (Siegfried) - Wer sprengt so eilig (Siegfried, Golo) - Duet: Doch halt! Es fallt mir ein (Siegfried)
Act III: Finale: Ich sah ein Kind im Traum (Margaretha, Siegfried, Golo) - Scenes 1-3: Erscheint, erscheint! (Margaretha, Siegfried, Golo, Dragos Geist)
Act IV: Scene: Steil und steiler (Genoveva, Caspar, Balthasar) - Song: Weh' mir, kaum halt" (Genoveva, Caspar, Balthasar) - Aria: Die letzte Hoffnung (Genoveva)
Act IV: Scene: Kennt ihr den Ring? (Golo, Genoveva) - Ihr Manner, tretet vor! (Golo, Balthasar, Caspar) - Habt lhr noch einen Wunsch (Caspar, Genoveva)
Act IV: Recitative: Weib, heuchet nicht (Balthasar, Genoveva) - Trio: Umsonst versucht (Genoveva, Caspar, Balthasar) - Scene: Sie ist's, am Kreuze dort! (Jager, Margaretha, Siegfried, Chorus)
Act IV: Duet: O lass es ruhn, dein Aug', auf mir! (Siegfried, Genoveva) - Kommt alle mit ins Schloss (Siegfried)
Act IV: Doppelchor: Bestreut den Weg mit grunen Mai'n (Chorus)
Act IV: Finale: Seid mir gegrusst (Hidulfus, Genoveva, Siegfried) - Erschalle, festlicher Sang (Schlusschor, Madchen, Siegfried, Genoveva, Junglinge, All)
Promenade 1
I. The Gnome
Promenade 2
II. The Old Castle
Promenade 3
III. Tuileries
IV. Bydlo
Promenade 4
V. Ballet of the Unhatched Chicks
VI. Samuel Goldenberg and Schmuyle
VII. The Market Place at Limoges
VIII. Catacombae: Sepulchrum romanum
IX. The Hut on Fowl's Legs (Baba-Yaga)
X. The Great Gate of Kiev
Part I: Massig schnell, mit Kraft - Sehr breit, aber stets fliessend
Part II: Lebhaft - Langsam - Im ersten Zeitmass
1. Allegro non troppo e molto maestoso - Allegro con spirito
2. Andantino semplice
3. Allegro con fuoco
Concert Introduction & Allegro in D Minor, Op.134
R. Strauss: Ariadne auf Naxos / Prologue - Orchestral Introduction
R. Strauss: Ariadne auf Naxos / Prologue - "Mein Herr Haushofmeister!"
R. Strauss: Ariadne auf Naxos / Prologue - "Du allmächtiger Gott!"
R. Strauss: Ariadne auf Naxos / Prologue - "Meine Partner, meine erprobten Freunde!"
R. Strauss: Ariadne auf Naxos / Prologue - "Ein Augenblick ist wenig"
R. Strauss: Ariadne auf Naxos / Prologue - "An Ihre Plätze, meine Damen und Herrn!"
R. Strauss: Ariadne auf Naxos / Prologue - "Sein wir wieder gut" - "Musik ist eine heilige Kunst"
R. Strauss: Ariadne auf Naxos - Overture
R. Strauss: Ariadne auf Naxos - "Schläft sie?"
R. Strauss: Ariadne auf Naxos - "Ach! - Wo war ich?" - "Ein Schönes war"
R. Strauss: Ariadne auf Naxos - "Lieben, Hassen, Hoffen, Zagen"
R. Strauss: Ariadne auf Naxos, Op.60 / Opera - "Es gibt ein Reich"
R. Strauss: Ariadne auf Naxos - "Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
R. Strauss: Ariadne auf Naxos - "Großmächtige Prinzessin"
R. Strauss: Ariadne auf Naxos - "Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
R. Strauss: Ariadne auf Naxos - "Ein schönes Wunder!"
R. Strauss: Ariadne auf Naxos - "Circe, kannst du mich hören?"
R. Strauss: Ariadne auf Naxos - "Ich grüße dich, du Bote aller Boten" - "Du schönes Wesen! Bist du die Göttin dieser Insel?"
R. Strauss: Ariadne auf Naxos - "Gibt es kein Hinüber?"
I. Allegro moderato
II. Canzonetta: Andante
III. Finale: Allegro vivacissimo
I. Allegro con spirito
II. Adagio cantabile e con moto
III. Allegretto moderato
IV. Allegro vivace
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile
IV. Finale: Presto
Piano Concerto No. 1 in E Flat Major, S.124 (1990 Remastered Version): Allegro maestoso
Piano Concerto No. 1 in E flat major S124 (1990 Remastered Version): Quasi adagio
Piano Concerto No. 1 in E Flat Major, S.124 (1990 Remastered Version): Allegretto vivace - Allegro animato
Piano Concerto No. 1 in E Flat Major, S.124 (1990 Remastered Version): Allegro marziale animato
Piano Concerto No.2 in A Major, S.125 (1990 Remastered Version): Adagio sostenuto assai -
Piano Concerto No.2 in A Major, S.125 (1990 Remastered Version): Allegro agitato assai -
Piano Concerto No.2 in A Major, S.125 (1990 Remastered Version): Allegro moderato
Piano Concerto No.2 in A Major, S.125 (1990 Remastered Version): Allegro deciso
Piano Concerto No.2 in A Major, S.125 (1990 Remastered Version): Marziale un poco meno allegro
Piano Concerto No.2 in A Major, S.125 (1990 Remastered Version): Allegro animato
Violin Concerto No.1 in G Minor Op.26: Vorspiel (Allegro Moderato)
Violin Concerto No.1 in G Minor Op.26: Adagio
Violin Concerto No.1 in G Minor Op.26: Finale (Allegro Energico)
Violin Concerto in D Op.77: I: Allegro non troppo
Violin Concerto in D Op.77: II: Adagio
Violin Concerto in D Op.77: III: Allegro giocoso, ma non troppo vivace - poco piů presto
A Midsummer Night's Dream Op.61 : Act 1 Overture
A Midsummer Night's Dream Op.61 : Act 1 "Hier ist das Blatt"
A Midsummer Night's Dream Op.61 : Act 2 Entr'acte - Scherzo
A Midsummer Night's Dream Op.61 : Act 2 "Über Täler und Höh'n"
A Midsummer Night's Dream Op.61 : Act 2 March of the Elves
A Midsummer Night's Dream Op.61 : Act 2 "Kommt! Einen Ringel-, einen Feengesang!"
A Midsummer Night's Dream Op.61 : Act 2 "Was du wirst erwachend sehn"
A Midsummer Night's Dream Op.61 : Act 2 Intermezzo
A Midsummer Night's Dream Op.61 : Act 3 "Welch hausgebackenes Volk"
A Midsummer Night's Dream Op.61 : Act 3 Nocturne
A Midsummer Night's Dream Op.61 : Act 4 "Nun, toller Geist... Sei, als wäre nichts geschehn!"
A Midsummer Night's Dream Op.61 : Act 4 Wedding March
A Midsummer Night's Dream Op.61 : Act 5 "Nun kommt!... Was dies bedeuten soll"
A Midsummer Night's Dream Op.61 : Act 5 "Beliebt es Euer Hoheit"
A Midsummer Night's Dream Op.61 : Act 5 Dance of the Rustics
A Midsummer Night's Dream Op.61 : Act 5 "Zu Bett geliebte Freunde!"
A Midsummer Night's Dream Op.61 : Act 5 "Jetzt beheult der Wolf den Mond"
A Midsummer Night's Dream Op.61 : Act 5 "Bei des Feuers mattem Flimmern"
Mendelssohn : Symphony No.1 in C minor Op.11 : I Allegro molto
Mendelssohn : Symphony No.1 in C minor Op.11 : II Andante
Mendelssohn : Symphony No.1 in C minor Op.11 : III Menuetto - Allegro molto
Mendelssohn : Symphony No.1 in C minor Op.11 : IV Allegro con fuoco
Mendelssohn : Symphony No.5 in D major Op.107, 'Reformation' : I Andante - Allegro con fuoco
Mendelssohn : Symphony No.5 in D major Op.107, 'Reformation' : II Allegro vivace
Mendelssohn : Symphony No.5 in D major Op.107, 'Reformation' : III Andante
Mendelssohn : Symphony No.5 in D major Op.107, 'Reformation' : IV "Ein' feste Burg ist unser Gott!"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : I Sinfonia - Maestoso con moto
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : I Sinfonia - Allegretto un poco agitato
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : I Sinfonia - Adagio religioso
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : II "Alles, was Odem hat, lobe den Herrn!"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : II "Lobe den Herrn, meine Seele"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : III "Saget es, die ihr erlöst seid"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : IV "Sagt es, die ihr erlöset seid"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : V "Ich harrete des Herrn"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : VI "Stricke des Todes hatten uns umfangen"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : VII "Die Nacht ist vergangen"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : VIII "Nun danket alle Gott"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : IX "Drum sing' ich mit meinem Liede"
Mendelssohn : Symphony No.2 in B flat major Op.52, 'Hymn of Praise' : X "Ihr Völker, bringet her dem Herrn Ehre und Macht!"
Mendelssohn : Symphony No.4 in A major Op.90, 'Italian' : I Allegro vivace
Mendelssohn : Symphony No.4 in A major Op.90, 'Italian' : II Andante con moto
Mendelssohn : Symphony No.4 in A major Op.90, 'Italian' : III Con moto moderato
Mendelssohn : Symphony No.4 in A major Op.90, 'Italian' : IV Saltarello - Presto
Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato
Mendelssohn: Violin Concerto in E Minor, Op. 64: II. Andante
Mendelssohn: Violin Concerto in E Minor Op. 64: III. Allegretto non troppo - Allegro molto vivace
Mendelssohn : Piano Concerto No.1 in G minor Op.25 : I Molto allegro con fuoco
Mendelssohn : Piano Concerto No.1 in G minor Op.25 : II Andante
Mendelssohn : Piano Concerto No.1 in G minor Op.25 : III Presto - Molto allegro vivace
Mendelssohn : Piano Concerto No.2 in D minor Op.40 : I Allegro appassionato
Mendelssohn : Piano Concerto No.2 in D minor Op.40 : II Adagio molto sostenuto
Mendelssohn : Piano Concerto No.2 in D minor Op.40 : III Finale - Presto scherzando
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Overture (Die Zauberharfe, D.644)
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Entr'acte No. 1
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Ballet Music No. 1 - Andante un poco assai
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Entr'acte No. 2
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Romance: "Der Vollmond strahlt auf Bergeshöh'n"
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Chorus of Spirits: "In der Tiefe wohnt das Licht"
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Entr'acte No. 3 - Andantino
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Shepherd's melody
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Chorus of Shepherds: "Hier auf den Fluren...."
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen"
Schubert: Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play) - Ballet Music No. 2
1. Adagio molto - Allegro con brio
2. Larghetto
3. Scherzo (Allegro)
4. Allegro molto
1. Adagio - Allegro vivace
2. Adagio
3. Allegro vivace
4. Allegro ma non troppo
Liszt: Hungarian Rhapsody No.1 in F minor, S.359 No.1 (Corresponds with piano version no. 14 in F minor) - Orch. Liszt/Doppler
Liszt: Hungarian Rhapsody No.2 in D minor, S.359 No.2
Liszt: Hungarian Rhapsody No.3 in D, S.359 No.3 (Corresponds with piano version no. 6 in D flat) - Orch. Liszt/Doppler
Liszt: Hungarian Rhapsody No.4 in D minor, S.359 No.4 (Corresponds piano version no. 12 in C sharp minor) - Orch. Liszt
Liszt: Hungarian Rhapsody No.5 in E minor, S.359 No.5 (Corresponds with piano version no. 5 in E minor) - Orch. Liszt
Liszt: Hungarian Rhapsody No.6 in D, S.359 No.6 (Corresponds with piano version no. 9 in E flat) - Orch. Liszt
I. Allegro
II. Andante
III. Allegro assai
Kyrie: Assai sostenuto (Mit Andacht)
Gloria: Allegro vivace
Credo: Allegro ma non troppo
Sanctus: Adagio (Mit Andacht)
Agnus Dei: Adagio
I. Allegro maestoso
II. Romanza: Larghetto
III. Rondo: Vivace
I. Maestoso
II. Larghetto
III. Allegretto vivace
I. Adagio e grave - Allegro
II. Adagio
III. Menuetto: Allegro molto - Trio: Presto
IV. Allegro molto
I. Adagio e grave - Allegro
II. Adagio
III. Menuetto: Allegro molto - Trio: Presto
IV. Allegro molto
Cello Concerto in A Minor, Op.129: Nicht zu schnell -
Cello Concerto in A Minor, Op.129: Langsam - Etwas lebhafter - Schneller -
Cello Concerto in A Minor, Op.129: Sehr lebhaft - (Cadenza) - Im Tempo - Schneller
No.1 in C (Presto)
No.2 in E minor (Allegretto scherzando)
No.3 in A flat (Poco allegro)
No.4 in F (Tempo di minuetto)
No.5 in A (Allegro vivace)
No.6 in D (Allegretto scherzando)
No.7 in C minor (Allegro assai)
No.8 in G minor (Presto)
No.1 in B (Molto vivace)
No.2 in E minor (Allegretto grazioso)
No.3 in F (Allegro)
No.4 in D flat (Allegretto grazioso)
No.5 in B flat minor (Poco adagio)
No.6 in B flat (Moderato, quasi minuetto)
No.7 in C (Allegro vivace)
No.8 in A flat (Lento grazioso, ma non troppo, quasi tempo di valse)
I. Allegro maestoso
II. Andante
III. Allegro vivace assai
Liszt: Hungarian Rhapsody No.1 in F minor, S.359 No.1 (Corresponds with piano version no. 14 in F minor) - Orch. Liszt/Doppler
Liszt: Hungarian Rhapsody No.2 in D minor, S.359 No.2
Liszt: Hungarian Rhapsody No.3 in D, S.359 No.3 (Corresponds with piano version no. 6 in D flat) - Orch. Liszt/Doppler
Liszt: Hungarian Rhapsody No.4 in D minor, S.359 No.4 (Corresponds piano version no. 12 in C sharp minor) - Orch. Liszt
Liszt: Hungarian Rhapsody No.5 in E minor, S.359 No.5 (Corresponds with piano version no. 5 in E minor) - Orch. Liszt
Liszt: Hungarian Rhapsody No.6 in D, S.359 No.6 (Corresponds with piano version no. 9 in E flat) - Orch. Liszt
I. Allegro non troppo
II. Allegro appassionato
III. Andante
IV. Allegretto grazioso
I. Allegro moderato
II. Andante con moto
Uvod (Introduction)
Gospodi pomiluj (Kyrie) (Soprano, Chorus)
Slava (Gloria) (Soprano, Tenor, Chorus)
Veruju (Credo) (Tenor, Bass, Chorus)
Svet (Sanctus) (Soprano, Alto, Tenor, Bass, Chorus)
Agnece Bozij (Agnus Dei) (Soloists, Chorus)
- [organ solo]
Intrada
1. Frühling
2. September
3. Beim Schlafengehen
4. Im Abendrot
1. Allegro
2. Andante
3. Moderato
1. Allegro moderato
2. Allegro non troppo
I. Allegro maestoso
II. Romanza: Larghetto
III. Rondo: Vivace
I. Maestoso
II. Larghetto
III. Allegro vivace
I. Nocturne: Adagio
II. Scherzo: Allegro non troppo
III. Passacaglia: Andante
IV. Burlesca: Allegro con brio
I. Moderato
II. Adagio
III. Adagio - Allegro
I. Allegro
II. Romance
III. Rondo: Allegro assai
I. Allegro maestoso
II. Andante
III. Allegro vivace assai


YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $19.95/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Already a subscriber? Sign In