Julia Varády

Biography

Born: September 1, 1941; Oradea, Transylvania  
Julia Varady is a highly respected soprano who has had a major European career and considerable success elsewhere.

She comes from a fabled part of Rumania that used to belong to Hungary and is home to most of Rumania's ethnic Hungarian population. She studied at the Conservatory in Cluj (formerly Klausenberg), then at the conservatory in the capital city of Bucharest.

She returned to Cluj and in 1960 gained a contract with the
Read more Cluj Opera and quickly was given the leading roles in the lyric-dramatic repertory, including Judith in Bluebeard's Castle, Fiordiligi in Così fan tutte, Butterfly in Madama Butterfly (after originally playing the short part of Kate Pinkerton), the Marriage of Figaro (in which she sang, at various times, all three soprano roles), Turandot (as Liù), Santuzza in Cavalleria Rusticana, and Desdemona in Verdi's Otello. During this period she also made guest appearances at the National Opera of Bucharest and in Budapest, Hungary.

In 1970 she joined the company of the Frankfurt-am-Main Opera House at the invitation of its music director, Christoph von Dohnanyi and continued to expand her already large repertory, singing Margarethe in Gounod's Faust, Donna Elvira in Don Giovanni, Antonio in Tales of Hoffman, and the Young Maiden in a historic performance of Schoenberg's Moses und Aron, among other parts. In guest appearances in Cologne she had a large success as Violetta in Traviata.

She spent the 1972 - 1973 season with the Bavarian State Opera in Munich following a highly successful appearance in the Munich Festival as Vitellia in Mozart's Clemenza di Tito. As a member of that company she had a triumphal portrayal of Elettra in the same composer's Idomeneo and added Senta in Flying Dutchman and Aïda to her repertory.

During those same years she sang with the leading baritone Dietrich Fischer-Dieskau, to whom she was married in 1974. (Their son Martin Fischer-Dieskau began a conducting career in the 1990s.)

By now Varady was appearing at the major international operatic venues and continuing to add important roles to her repertory. She sang at the Edinburgh Festival, Salzburg Festival and other international summer events. Her notable debuts included the Deutsche Opera Berlin in 1978 (Countess in Nozze di Figaro), Royal Opera House, Covent Garden (1982, Aïda), Metropolitan Opera (1977 - 1978 season as Donna Elvira), and in the newly opened Bastille Opera in Paris in 1995 (Abigaille in Verdi's Nabucco).

She sang all the major roles in operas of Mozart and Verdi, several Puccini and Strauss roles (Composer, Arabella, and the Empress in Die Frau ohne Schatten), and such other parts as Orfeo and Alceste in Gluck's operas, Yaroslavna in Prince Igor, Micaëla in Carmen, Handel's Ariodante, Adele in Rossini's Le Comte Ory and the title role in his Cenerentola, Beethoven's Leonora, and the Tchaikovsky roles of Tatyana in Eugene Onegin and Lisa in Queen of Spades.

She has had particular success in Bartók's Bluebeard's Castle singing opposite Fischer-Dieskau. The husband and wife team also scored a major success in Aribert Reiman's opera Lear, with Fischer-Dieskau in the title role and Varady as Cordelia, in Spontini's Olympie, and in Halévy's La juive. Read less
Spontini: Olympie / Albrecht, Varády, Toczyska, Tagliavini
Release Date: 05/23/1995   Label: Orfeo  
Catalog: 137862   Number of Discs: 2
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Verdi Heroinen Vol 1 / Julia Varady, Fischer-dieskau
Release Date: 09/19/1995   Label: Orfeo  
Catalog: 186951   Number of Discs: 1
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Verdi: Heroines Vol 2 / Julia Varady, Fischer-dieskau
Release Date: 06/18/1996   Label: Orfeo  
Catalog: 414961   Number of Discs: 1
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Mozart, R Strauss: Lieder / Julia Varady, Elena Bashkirowa
Release Date: 04/20/1994   Label: Orfeo  
Catalog: 248921   Number of Discs: 1
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Tchaikovsky: Opera Arias / Julia Varady, Roman Kofman, Et Al
Release Date: 07/24/2001   Label: Orfeo  
Catalog: 540011   Number of Discs: 1
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Biography

Born: September 1, 1941; Oradea, Transylvania  
Julia Varady is a highly respected soprano who has had a major European career and considerable success elsewhere.

She comes from a fabled part of Rumania that used to belong to Hungary and is home to most of Rumania's ethnic Hungarian population. She studied at the Conservatory in Cluj (formerly Klausenberg), then at the conservatory in the capital city of Bucharest.

She returned to Cluj and in 1960 gained a contract with the
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 2. Molto vivace
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 4. Presto -
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" - 4. Presto - "O Freunde nicht diese Töne" -
"Licht über'm See"
"Amme, wachst du?"
"Ist mein Liebster dahin?"
"Wie soll ich denn nicht weinen?"
"Amme, um alles, wo find' ich dein Schatten"
Erdenflug
"Dieb! Da nimm!"
"Sie aus dem Hause"
"Dritthalb Jahr bin ich dein Weib"
"Was wollt' ich hier?"
"Ach, Herrin, süße Herrin!"
"Hat es dich blutige Tränen gekostet"
"Mutter, Mutter, laß uns nach Hause!"
"Trag ich die Ware selber zu Markt"
"Sie haben es mir gesagt"
"Komm bald wieder nach Haus, mein Gebieter"
"Was ist nun deine Rede"
Orchesterzwischenspiel (Orchestral Interlude)
"Falke, Falke, du Wiedergefundener"
"Stille, o weh, Falke, o weh!"
"Es gibt derer, die haben immer Zeit"
"Schlange, was hab ich"
"Ein Handwerk wehrtest du sicher nicht"
"Wer da?"
"Sieh - Amme - sieh"
"Zum Lebenswasser!"
"Wehe, mein Mann!"
"Es dunkelt, daß ich nicht sehe zur Arbeit"
"Es gibt derer"
"Das Weib ist irre"
"Barak, ich hab' es nicht getan!"
"Schweigt doch, ihr Stimmen!"
"Mir anvertraut"
"Auf, geh nach oben, Mann"
"Sie kommen!"
"Fort mit uns!"
"Aus unsern Taten steigt ein Gericht"
"Was Menschen bedürfen"
"Keikobad! Deine Dienerin"
"Weh uns Armen!"
"Vater, bist du's?"
"Goldenen Trank"
"Ach! Weh mir! Mein Liebster starr!"
"Wenn das Herz aus Kristall"
"Sind das die Cherubim"
"Engel sind's, die von sich sagen"
"Trifft mich sein Lieben nicht"
"Nun will ich jubeln"
"Vater, dir drohet michts"
R. Strauss: Ariadne auf Naxos / Prologue - Orchestral Introduction
R. Strauss: Ariadne auf Naxos / Prologue - "Mein Herr Haushofmeister!"
R. Strauss: Ariadne auf Naxos / Prologue - "Du allmächtiger Gott!"
R. Strauss: Ariadne auf Naxos / Prologue - "Meine Partner, meine erprobten Freunde!"
R. Strauss: Ariadne auf Naxos / Prologue - "Ein Augenblick ist wenig"
R. Strauss: Ariadne auf Naxos / Prologue - "An Ihre Plätze, meine Damen und Herrn!"
R. Strauss: Ariadne auf Naxos / Prologue - "Sein wir wieder gut" - "Musik ist eine heilige Kunst"
R. Strauss: Ariadne auf Naxos - Overture
R. Strauss: Ariadne auf Naxos - "Schläft sie?"
R. Strauss: Ariadne auf Naxos - "Ach! - Wo war ich?" - "Ein Schönes war"
R. Strauss: Ariadne auf Naxos - "Lieben, Hassen, Hoffen, Zagen"
R. Strauss: Ariadne auf Naxos, Op.60 / Opera - "Es gibt ein Reich"
R. Strauss: Ariadne auf Naxos - "Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
R. Strauss: Ariadne auf Naxos - "Großmächtige Prinzessin"
R. Strauss: Ariadne auf Naxos - "Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
R. Strauss: Ariadne auf Naxos - "Ein schönes Wunder!"
R. Strauss: Ariadne auf Naxos - "Circe, kannst du mich hören?"
R. Strauss: Ariadne auf Naxos - "Ich grüße dich, du Bote aller Boten" - "Du schönes Wesen! Bist du die Göttin dieser Insel?"
R. Strauss: Ariadne auf Naxos - "Gibt es kein Hinüber?"
Overture
1. "Ah ciel l'amico Cinna" - Recitativo
2. "Vieni ov'amor t'invita" - No. 1 Aria
3. "Dunque sperar poss'io" - Recitativo
4. "Il tenero momento" - No. 2 Aria
5. "Ah te dell'amor mio" - Recitativo
6. "Se lusinghiera speme" - No. 3 Aria
7. "Signor, duolmi vederti"/"Sempre dovrò"- Recitativo
8. "Dalla sponda tenebrosa" - No. 4 Aria
9. "E tollerare io posso" - Recitativo
10. "Il desio di vendetta" - No.5 Aria
11. "Morte, morte fatal" - Recitativo
12. "Fuor di queste urne dolenti"/"O del padre" - Recit
13. "Se l'empio Silla"/"D'elisio" -Recitativo + Duetto
1. "Tel predissi o signor" - Recitativo
2. "Guerrier, che d'un accario" - No. 8 Aria
3. "Ah no, mai non credea"..."Ah corri vola" - Recitat.
4. "Quest 'imporvviso tremito" - No. 9 Aria
5. "Ah si, s'affretti il colpo" - Recitativo
6. "Se il labbro timido" - No. 10 Aria
7. "Di piegarsi capace"/"Vanne. T'affretta" - Recitat.
8. "Ah se il crudel periglio" - No. 11 Aria
9. "Ah si, scuotasi omai/Nel fortunato.." Rec. + Aria
10. "Signor, ai cenni tuoi/Silla? L'odatio" Recitativo
11. "D'ogni pietà mi spoglio" - No. 13 Aria
12. "Che intesi eterni Dei?/Chi sa, che non.."Recitat.
13. "Ah se a morir mi chiama" - No. 14 Aria
14. "Perché mi balzi in seno" - Recitativo
15. "Quando sugl'arsi campi" - No. 15 Aria
16. "In un istante oh come" - Recitativo
17. "Parto, m'affretto" - No. 16 Aria
18. "Se gloria il crin ti cinse" - No. 17 Coro
19. "Padri coscritti...." - Recitativos
20. "Quell'orgoglioso sdengo" - No. 18 Terzetto
1. "Ah sì to solo, amico" - Recitativo
2. "Strider sento la procella" - No. 19 Aria
3. "Forse tu credi, amico" - Recitativo
4. "De' più superbi il core" - No. 20 Aria
5. "Ah no, che il fato estremo/Tosto segur" Recitativo Recitativ
6. "Pupille amate" - No. 21 Aria
7. "Sposo...mia vita..." - Recitativo
8. "Fra i pensir più funesti di morte" - No. 22 Aria
9. "Celia, Cinna non più...Lo sposo mio? Recitativos
10. "Il gran Silla a Roma in seno" - No. 23 Finale
Mozart: La clemenza di Tito, K.621 - Overture
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ma che? sempre l'istesso"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Come ti piace imponi" - "Fan mille affetti insieme"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, il passo affretta"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh se piacer mi vuol"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Amico, ecco il momento"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh prendi un dolce amplesso"
Mozart: La clemenza di Tito, K.621 / Act 1 - Marcia
Mozart: La clemenza di Tito, K.621 / Act 1 - "Serbate, oh Dei custodi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Te della patria il Padre" - "Basta, basta, oh miei fidi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Serbate, oh Dei custodi"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Adesso, oh Sesto, parla per me"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Del più sublime soglio"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Non ci pentiam"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ah perdona al primo affetto"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Servilia! Augusta!"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Ah, se fosse intorno al trono"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Felice me!" - "Ancora mi schernisce?"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Parto, ma tu ben mio"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Vedrai, Tito, vedrai"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Vengo... aspettate... Sesto!..."
Mozart: La clemenza di Tito, K.621 / Act 1 - "Oh Dei, che smania è questa"
Mozart: La clemenza di Tito, K.621 / Act 1 - "Deh conservate, oh Dei" - "Sesto!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Sesto, come tu credi"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Torna di Tito a lato"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Partir deggio, o restar?" - "Sesto! - Che chiedi?"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Se al volto mai ti senti"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ah, grazie si rendano" - "È tutto colà d'intorno"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tardi s'avvede"
Mozart: La clemenza di Tito, K.621 / Act 2 - "No, così scellerato" - "Cesare, nol diss'io"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tu fosti tradito"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Che orror! che tradimento!" - "Ingrato!"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Quello di Tito è il volto!"-"Odimi, oh Sesto"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Deh per questo istante solo"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Dove s'intese mai più contumace infedeltà?" - "Publio. - Cesare."
Mozart: La clemenza di Tito, K.621 / Act 2 - "Se all'impero"
Mozart: La clemenza di Tito, K.621 / Act 2 - Ah, Vitellia!...Ah, principessa!
Mozart: La clemenza di Tito, K.621 / Act 2 - "S'altro che lagrime"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Ecco il punto, oh Vitellia"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Non più di fiori"
Mozart: La clemenza di Tito, K.621 / Act 2 - "Che del ciel, che degli Dei"
Mozart: La clemenza di Tito, K.621 / Act 2 - Sesto, de'tuoi delitti...Ma che giorno è mai questo?
Mozart: La clemenza di Tito, K.621 / Act 2 - "Tu, è ver, m'assolvi, Augusto"
Part I, Veni, creator spiritus: Veni, creator spiritus -
Part I, Veni, creator spiritus: Imple superna gratia -
Part I, Veni, creator spiritus: Infirma nostri corporis -
Part I, Veni, creator spiritus: Tempo I: Allegro, etwas hastig -
Part I, Veni, creator spiritus: Infirma nostri corporis -
Part I, Veni, creator spiritus: Accende lumen sensibus -
Part I, Veni, creator spiritus: Veni, creator spiritus -
Part I, Veni, creator spiritus: Gloria sit Patri Domino
Part II, Final Scene from Faust: Poco adagio -
Part II, Final Scene from Faust: Piu mosso: Allegro moderato -
Part II, Final Scene from Faust: Waldung, sie schwankt heran -
Part II, Final Scene from Faust: Ewiger Wonnebrand -
Part II, Final Scene from Faust: Wie Felsenabgrund mir zu Fussen -
Part II, Final Scene from Faust: Gerettet ist das edle Glied - Hande verschlinget euch -
Part II, Final Scene from Faust: Jene Rosen, aus den Handen -
Part II, Final Scene from Faust: Uns bleibt ein Erdenrest -
Part II, Final Scene from Faust: Ich spur' soeben nebelnd um Felsenhoh' - Hier ist die Aussicht frei - Freudig empfangen wir -
Part II, Final Scene from Faust: Hochste Herrscherin der Welt! -
Part II, Final Scene from Faust: Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche -
Part II, Final Scene from Faust: Bei der Liebe, die den Fussen -
Part II, Final Scene from Faust: Bei dem Bronn, zu dem schon weiland -
Part II, Final Scene from Faust: Bei dem hochgeweihten Orte -
Part II, Final Scene from Faust: Neige, neige, du Ohnegleiche -
Part II, Final Scene from Faust: Er uberwachst uns schon - Vom edlen Geisterchor umgeben -
Part II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! - Blicket auf zum Retterblick, alle reuig Zarten -
Part II, Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis
Mozart: Lucio Silla, K.135 - Overture
Mozart: Lucio Silla, K.135 / Act 1 - 1. "Ah ciel l'amico Cinna" - Recitativo
Mozart: Lucio Silla, K.135 / Act 1 - 2. "Vieni ov'amor t'invita" - No. 1 Aria
Mozart: Lucio Silla, K.135 / Act 1 - 3. "Dunque sperar poss'io" - Recitativo
Mozart: Lucio Silla, K.135 / Act 1 - 4. "Il tenero momento" - No. 2 Aria
Mozart: Lucio Silla, K.135 / Act 1 - 5. "Ah te dell'amor mio" - Recitativo
Mozart: Lucio Silla, K.135 / Act 1 - 6. "Se lusinghiera speme" - No. 3 Aria
Mozart: Lucio Silla, K.135 / Act 1 - 7. "Signor, duolmi vederti"/"Sempre dovrò"- Recitativo
Mozart: Lucio Silla, K.135 / Act 1 - 8. "Dalla sponda tenebrosa" - No. 4 Aria
Mozart: Lucio Silla, K.135 / Act 1 - 9. "E tollerare io posso" - Recitativo
Mozart: Lucio Silla, K.135 / Act 1 - 10. "Il desio di vendetta" - No.5 Aria
Mozart: Lucio Silla, K.135 / Act 1 - 11. "Morte, morte fatal" - Recitativo
Mozart: Lucio Silla, K.135 / Act 1 - 12. "Fuor di queste urne dolenti"/"O del padre" - Recit
Mozart: Lucio Silla, K.135 / Act 1 - 13. "Se l'empio Silla"/"D'elisio" -Recitativo + Duetto
Mozart: Lucio Silla, K.135 / Act 2 - 1. "Tel predissi o signor" - Recitativo
Mozart: Lucio Silla, K.135 / Act 2 - 2. "Guerrier, che d'un accario" - No. 8 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 3. "Ah no, mai non credea"..."Ah corri vola" - Recitat.
Mozart: Lucio Silla, K.135 / Act 2 - 4. "Quest 'imporvviso tremito" - No. 9 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 5. "Ah si, s'affretti il colpo" - Recitativo
Mozart: Lucio Silla, K.135 / Act 2 - 6. "Se il labbro timido" - No. 10 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 7. "Di piegarsi capace"/"Vanne. T'affretta" - Recitat.
Mozart: Lucio Silla, K.135 / Act 2 - 8. "Ah se il crudel periglio" - No. 11 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 9. "Ah si, scuotasi omai/Nel fortunato.." Rec. + Aria
Mozart: Lucio Silla, K.135 / Act 2 - 10. "Signor, ai cenni tuoi/Silla? L'odatio" Recitativo
Mozart: Lucio Silla, K.135 / Act 2 - 11. "D'ogni pietà mi spoglio" - No. 13 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 12. "Che intesi eterni Dei?/Chi sa, che non.."Recitat.
Mozart: Lucio Silla, K.135 / Act 2 - 13. "Ah se a morir mi chiama" - No. 14 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 14. "Perché mi balzi in seno" - Recitativo
Mozart: Lucio Silla, K.135 / Act 2 - 15. "Quando sugl'arsi campi" - No. 15 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 16. "In un istante oh come" - Recitativo
Mozart: Lucio Silla, K.135 / Act 2 - 17. "Parto, m'affretto" - No. 16 Aria
Mozart: Lucio Silla, K.135 / Act 2 - 18. "Se gloria il crin ti cinse" - No. 17 Coro
Mozart: Lucio Silla, K.135 / Act 2 - 19. "Padri coscritti...." - Recitativos
Mozart: Lucio Silla, K.135 / Act 2 - 20. "Quell'orgoglioso sdengo" - No. 18 Terzetto
Mozart: Lucio Silla, K.135 / Act 3 - 1. "Ah sì to solo, amico" - Recitativo
Mozart: Lucio Silla, K.135 / Act 3 - 2. "Strider sento la procella" - No. 19 Aria
Mozart: Lucio Silla, K.135 / Act 3 - 3. "Forse tu credi, amico" - Recitativo
Mozart: Lucio Silla, K.135 / Act 3 - 4. "De' più superbi il core" - No. 20 Aria
Mozart: Lucio Silla, K.135 / Act 3 - 5. "Ah no, che il fato estremo/Tosto segur" Recitativo Recitativ
Mozart: Lucio Silla, K.135 / Act 3 - 6. "Pupille amate" - No. 21 Aria
Mozart: Lucio Silla, K.135 / Act 3 - 7. "Sposo...mia vita..." - Recitativo
Mozart: Lucio Silla, K.135 / Act 3 - 8. "Fra i pensir più funesti di morte" - No. 22 Aria
Mozart: Lucio Silla, K.135 / Act 3 - 9. "Celia, Cinna non più...Lo sposo mio? Recitativos
Mozart: Lucio Silla, K.135 / Act 3 - 10. "Il gran Silla a Roma in seno" - No. 23 Finale
Handel : Saul : Symphony
Handel : Saul : Act 1 "How excellent thy name, oh Lord" [Chorus]
Handel : Saul : Act 1 "An infant rais'd by thy command" [Soprano]
Handel : Saul : Act 1 "Along the monster atheist strode" [Counter-Tenor, Tenor, Bass]
Handel : Saul HWV53 : Act 1 "The youth inspir'd by Thee, oh Lord" "How excellent thy name, oh Lord" [Chorus]
Handel : Saul : Act 1 "He comes, he comes!" "Oh godlike youth!" [Michal]
Handel : Saul : Act 1 "Behold, oh King, the brave, victorious youth" [Abner, Saul, David] "Oh King, your favours with delight I take" [David]
Handel : Saul : Act 1 "Oh early piety!" [Jonathan]
Handel : Saul : Act 1 "What abject thoughts a prince can have!" "Yet think, on whom this honour you bestow" [Merab]
Handel : Saul : Act 1 "Birth and fortune I despise!" [Jonathan]
Handel : Saul : Act 1 "Thou, Merab, first in birth" [Saul, Merab] "My soul rejects the thought with scorn" [Merab]
Handel : Saul : Act 1 "See, with what a scornful air" "Ah! lovely youth!" [Michal]
Handel : Saul : Act 1 Symphony
Handel : Saul : Act 1 "Already see the daughters" [Michal]
Handel : Saul : Act 1 "Welcome, welcome, mighty king!" "Saul, who has thy thousands slain" [Chorus]
Handel : Saul : Act 1 "What do I hear?" [Saul] "David his ten thousands slew" [Chorus] "To him ten thousands!" [Saul] "With rage I shall burst his praises to hear" [Saul]
Handel : Saul : Act 1 "Imprudent women!" [Jonathan, Michal] "Fell rage and black despair possess'd" [Michal]
Handel : Saul : Act 1 "Rack'd with infernal pains" [Abner]
Handel : Saul HWV53 : Act 1 "Oh Lord, whose mercies numberless" [David]
Handel : Saul : Act 1 "'Tis all in vain" [Jonathan]
Handel : Saul : Act 1 "A serpent, in my bosom warm'd" "Has he escap'd my rage" [Saul]
Handel : Saul : Act 1 "Capricious man" [Merab]
Handel : Saul : Act 1 "Oh filial piety!" "No, cruel father, no!" [Jonathan]
Handel : Saul : Act 1 "Preserve him for the glory of thy name" [Chorus]
Handel : Saul : Act 2 "Envy! eldest born of hell!" [Chorus]
Handel : Saul : Act 2 "Ah! dearest friend" "But sooner Jordan's stream, I swear" "My father comes" [Jonathan]
Handel : Saul : Act 2 "Hast thou obey'd my orders" [Saul, Jonathan] "Sin not, oh king, against the youth" [Jonathan]
Handel : Saul : Act 2 "As great Jehovah lives" [Saul]
Handel : Saul : Act 2 "From cities storm'd, and battles won" [Jonathan]
Handel : Saul : Act 2 "Appear, my friend" [Jonathan, Saul]
Handel : Saul : Act 2 "Your words, oh king" [David]
Handel : Saul : Act 2 "Yes, he shall wed my daughter!" [Saul]
Handel : Saul : Act 2 "A father's will" [Michal]
Handel : Saul : Act 2 "Oh fairest of ten thousand fair" [Michal, David]
Handel : Saul : Act 2 "Is there a man" [Chorus]
Handel : Saul : Act 2 Concerto
Handel : Saul : Act 2 "Thy father is as cruel" [David] "At persecution I can laugh" [Daivd, Michal]
Handel : Saul : Act 2 "Whom dost thou seek?" [Michal, Doeg] "No, no, let the guilty tremble" [Michal]
Handel : Saul : Act 2 "Mean as he was" "Author of peace" [Merab]
Handel : Saul : Act 2 Symphony
Handel : Saul : Act 2 "The time at length is come" [Saul]
Handel : Saul : Act 2 "Where is the son of Jesse?" [Saul, Jonathan]
Handel : Saul : Act 2 "O fatal consequence of rage" [Chorus]
Handel : Saul : Act 3 "Wretch that I am!" "'Tis said, here lives a woman" [Saul]
Handel : Saul : Act 3 "With me what wouldst thou?" [Witch, Saul] "Infernal spirits" [Witch]
Handel : Saul : Act 3 "Why has thou forc'd me" [Samuel, Saul]
Handel : Saul : Act 3 Symphony
Handel : Saul : Act 3 "Whence comst thou?" [David, Amalekite] "Impious wretch, of race accurst!" [David]
Handel : Saul HWV53 : Act 3 Dead March
Handel : Saul : Act 3 "Mourn, Israel" [Chorus]
Handel : Saul : Act 3 "O let it not in Gath be heard" [Jonathan] "From this unhappy day" [Michal]
Handel : Saul : Act 3 "Eagles were not so swift as they" [Chorus]
Handel : Saul : Act 3 "In sweetest harmony" [Merab] "O fatal day!" [David, Chorus]
Handel : Saul : Act 3 "Ye men of Judah, weep no more!" [High Priest]
Handel : Saul HWV53 : Act 3 "Gird on thy sword" [Chorus]
Shostakovich: Symphony No.14, Op.135 - 1. De Profundis (Lorca)
Shostakovich: Symphony No.14, Op.135 - 2. Malagueña (Lorca)
Shostakovich: Symphony No.14, Op.135 - 3. Loreley (Brentano after Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 4. Le suicidé (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 5. Les attentives I (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 6. Les attentives II (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 7. A la santé (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 8. Réponse des Cosaques Zaporogues au Sultan
Shostakovich: Symphony No.14, Op.135 - 9. O Delvig! (Küchelbecker)
Shostakovich: Symphony No.14, Op.135 - 10. Der Tod des Dichters (Rilke)
Shostakovich: Symphony No.14, Op.135 - 11. Schluß-Stück (Rilke)
R. Strauss: Ariadne auf Naxos / Prologue - Orchestral Introduction
R. Strauss: Ariadne auf Naxos / Prologue - "Mein Herr Haushofmeister!"
R. Strauss: Ariadne auf Naxos / Prologue - "Du allmächtiger Gott!"
R. Strauss: Ariadne auf Naxos / Prologue - "Meine Partner, meine erprobten Freunde!"
R. Strauss: Ariadne auf Naxos / Prologue - "Ein Augenblick ist wenig"
R. Strauss: Ariadne auf Naxos / Prologue - "An Ihre Plätze, meine Damen und Herrn!"
R. Strauss: Ariadne auf Naxos / Prologue - "Sein wir wieder gut" - "Musik ist eine heilige Kunst"
R. Strauss: Ariadne auf Naxos - Overture
R. Strauss: Ariadne auf Naxos - "Schläft sie?"
R. Strauss: Ariadne auf Naxos - "Ach! - Wo war ich?" - "Ein Schönes war"
R. Strauss: Ariadne auf Naxos - "Lieben, Hassen, Hoffen, Zagen"
R. Strauss: Ariadne auf Naxos, Op.60 / Opera - "Es gibt ein Reich"
R. Strauss: Ariadne auf Naxos - "Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
R. Strauss: Ariadne auf Naxos - "Großmächtige Prinzessin"
R. Strauss: Ariadne auf Naxos - "Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
R. Strauss: Ariadne auf Naxos - "Ein schönes Wunder!"
R. Strauss: Ariadne auf Naxos - "Circe, kannst du mich hören?"
R. Strauss: Ariadne auf Naxos - "Ich grüße dich, du Bote aller Boten" - "Du schönes Wesen! Bist du die Göttin dieser Insel?"
R. Strauss: Ariadne auf Naxos - "Gibt es kein Hinüber?"
Sinfonia
Duettino - Cinque... dieci... ventil...
Recitativo - Cosa stai misurando
Duettino - Se a caso madama la notte ti chiama
Recitativo - Or bene, ascota e taci!
Cavatina - Se vuol ballare, signor contino
Recitativo - Ed aspettaste il giorno fissato alle sue nozze
Aria - La vendetta, oh, la vendetta
Recitativo - Tutto ancor non ho perso
Duettino - Via, resti servita, madama brillante
Recitativo - Va la, vecchia pedante
Aria - Non so piu cosa son, cosa faccio
Recitativo - Taci, vien gente...
Terzetto - Cosa sento! Tosto andate
Recitativo - Basilio, in traccia tosto di Figaro volate
Coro - Giovani liete, fiori spargete
Recitativo - Cos'e questa commedia?
Coro - Giovani liete, fiori spargete
Recitativo - Evviva!
Aria - Non piu andrai
Cavatina - Porgi, amor
Recitativo - Vieni, cara Susanna
Recitativo - Quanto duolmi, Susanna
Canzona - Voi, che sapete
Recitativo - Bravo! Che bella voce!
Aria - Venite, inginocchiatevi
Recitativo - Quante Buffonerie!
Recitativo - Che novita
Terzetto - Susanna, or via sortite
Recitativo - Dunque voi non aprite?
Duettino - Aprite, presto, aprite
Shostakovich: Symphony No.14, Op.135 - 1. De Profundis (Lorca)
Shostakovich: Symphony No.14, Op.135 - 2. Malagueña (Lorca)
Shostakovich: Symphony No.14, Op.135 - 3. Loreley (Brentano after Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 4. Le suicidé (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 5. Les attentives I (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 6. Les attentives II (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 7. A la santé (Apollinaire)
Shostakovich: Symphony No.14, Op.135 - 8. Réponse des Cosaques Zaporogues au Sultan
Shostakovich: Symphony No.14, Op.135 - 9. O Delvig! (Küchelbecker)
Shostakovich: Symphony No.14, Op.135 - 10. Der Tod des Dichters (Rilke)
Shostakovich: Symphony No.14, Op.135 - 11. Schluß-Stück (Rilke)
Reimann: Lear / Part One - Wir haben euch hierher befohlen
Reimann: Lear / Part One - Ich kenne deine Schüchternheit
Reimann: Lear / Part One - Die entartete Schwester
Reimann: Lear / Part One - Das Alter hat den Vater sehr verändert
Reimann: Lear / Part One - Mein Bruder Edgar
Reimann: Lear / Part One - Interlude I "Ist nicht das Alter lustig"
Reimann: Lear / Part One - Sauft, freßt, reißt Witze
Reimann: Lear / Part One - So geht es nun
Reimann: Lear / Part One - Grasmücke
Reimann: Lear / Part One - Was steht ihr da und glotzt?
Reimann: Lear / Part One - Interlude II
Reimann: Lear / Part One - Blast, Winde, sprengt die Backen!
Reimann: Lear / Part One - Interlude III (Vocalise)
Reimann: Lear / Part One - Habe ich mein Leben retten können
Overture
Nr. 1 Introduktion: "Täubchen, das entflattert ist"
Dialog: Täubchen, das entflattert ist
Nr.1a (Duettino): "Ach, ich darf nicht hin zu dir!"
Dialog: Die arme Tante
Nr.2 Terzett: "Nein, mit solchen Advokaten"
Dialog: Sag mal, also statt fünf musst du acht Tage
Nr.3 Duett: "Komm mit mir zum Souper"
Dialog: Seid ihr verrückt geworden?
Nr.4 Terzett: "So muss allein ich bleiben"
Dialog: Ach...diese Männer
Nr.5 Finale: "Trinke, Liebchen, trinke schnell"
Nr.6 Introduktion: "Ein Souper heut uns winkt"
Dialog: Adele, wer hat denn dich hierher eingeladen?
Nr.7 Couplet: "Ich lade gern mir Gäste ein"
Dialog: Durchlaucht, hier ist Ihre Brieftasche wieder
Nr.8 Ensemble und Couplet: "Ach, meine Herr'n und Damen"
"Mein Herr Marquis"
Dialog: Hoheit, ein Chevalier Chagrin ist da
Nr.9 Duett: "Dieser Anstand, so manierlich"
Dialog: Ah, da ist ja die schöne Unbekannte
Nr.10 Csárdás: "Klänge der Heimat"
Dialog: Bravo! Bravissimo!
Nr.11 Finale: "Im Feuerstrom der Reben"
"Herr, Chevalier, ich grüsse Sie!"
Dialog: Wir werden jetzt sehen das Ballett
Polka "Unter Donner und Blitz", op.324
"Genug damit, genug"
Nr.12 Entr'acte
Dialog: Täubchen, das entflattert ist
Nr.13 Melodram
Dialog: Ah, der Herr Direktor ist entschlafen
Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande"
Dialog: Herr Direktor!
Nr.15 Terzett: "Ich stehe voll Zagen"
Dialog: Also, du willst mir Vorwürfe machen?
Nr.16 Finale: "O Fledermaus, o Fledermaus"
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Kyrie
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Gloria: Gloria in excelsis Deo
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Gloria: Qui tollis peccata mundi
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Gloria: Quoniam tu solus sanctus
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Credo: Credo in unum Deum
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Credo: Et incarnatus est
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Credo: Et resurrexit
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Sanctus: Sanctus Dominus Deus Sabaoth
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Sanctus: Benedictus
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Agnus Dei
Beethoven: Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Dona nobis pacem
Overture
"Ma che? sempre l'istesso"
"Come ti piace imponi" - "Fan mille affetti insieme"
"Amico, il passo affretta"
"Deh se piacer mi vuol"
"Amico, ecco il momento"
"Deh prendi un dolce amplesso"
Marcia
"Serbate, oh Dei custodi"
"Te della patria il Padre" - "Basta, basta, oh miei fidi"
"Serbate, oh Dei custodi"
"Adesso, oh Sesto, parla per me"
"Del più sublime soglio"
"Non ci pentiam"
"Ah perdona al primo affetto"
"Servilia! Augusta!"
"Ah, se fosse intorno al trono"
"Felice me!" - "Ancora mi schernisce?"
"Parto, ma tu ben mio"
"Vedrai, Tito, vedrai"
"Vengo... aspettate... Sesto!..."
"Oh Dei, che smania è questa"
"Deh conservate, oh Dei" - "Sesto!"
"Sesto, come tu credi"
"Torna di Tito a lato"
"Partir deggio, o restar?" - "Sesto! - Che chiedi?"
"Se al volto mai ti senti"
"Ah, grazie si rendano" - "È tutto colà d'intorno"
"Tardi s'avvede"
"No, così scellerato" - "Cesare, nol diss'io"
"Tu fosti tradito"
"Che orror! che tradimento!" - "Ingrato!"
"Quello di Tito è il volto!"-"Odimi, oh Sesto"
"Deh per questo istante solo"
"Dove s'intese mai più contumace infedeltà?" - "Publio. - Cesare."
"Se all'impero"
Ah, Vitellia!...Ah, principessa!
"S'altro che lagrime"
"Ecco il punto, oh Vitellia"
"Non più di fiori"
"Che del ciel, che degli Dei"
Sesto, de'tuoi delitti...Ma che giorno è mai questo?
"Tu, è ver, m'assolvi, Augusto"
R. Strauss: Ariadne auf Naxos / Prologue - Orchestral Introduction
R. Strauss: Ariadne auf Naxos / Prologue - "Mein Herr Haushofmeister!"
R. Strauss: Ariadne auf Naxos / Prologue - "Du allmächtiger Gott!"
R. Strauss: Ariadne auf Naxos / Prologue - "Meine Partner, meine erprobten Freunde!"
R. Strauss: Ariadne auf Naxos / Prologue - "Ein Augenblick ist wenig"
R. Strauss: Ariadne auf Naxos / Prologue - "An Ihre Plätze, meine Damen und Herrn!"
R. Strauss: Ariadne auf Naxos / Prologue - "Sein wir wieder gut" - "Musik ist eine heilige Kunst"
R. Strauss: Ariadne auf Naxos - Overture
R. Strauss: Ariadne auf Naxos - "Schläft sie?"
R. Strauss: Ariadne auf Naxos - "Ach! - Wo war ich?" - "Ein Schönes war"
R. Strauss: Ariadne auf Naxos - "Lieben, Hassen, Hoffen, Zagen"
R. Strauss: Ariadne auf Naxos, Op.60 / Opera - "Es gibt ein Reich"
R. Strauss: Ariadne auf Naxos - "Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
R. Strauss: Ariadne auf Naxos - "Großmächtige Prinzessin"
R. Strauss: Ariadne auf Naxos - "Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
R. Strauss: Ariadne auf Naxos - "Ein schönes Wunder!"
R. Strauss: Ariadne auf Naxos - "Circe, kannst du mich hören?"
R. Strauss: Ariadne auf Naxos - "Ich grüße dich, du Bote aller Boten" - "Du schönes Wesen! Bist du die Göttin dieser Insel?"
R. Strauss: Ariadne auf Naxos - "Gibt es kein Hinüber?"
Mascagni: Cavalleria rusticana - Preludio
Mascagni: Cavalleria rusticana - "O lola ch'ai di latti la cammisa" (Siciliana)
Mascagni: Cavalleria rusticana - "Gli aranci olezzano sui verdi margini"
Mascagni: Cavalleria rusticana - "Dite, mama Lucia"
Mascagni: Cavalleria rusticana - "Il cavallo scalpita"
Mascagni: Cavalleria rusticana - "Beato voi, compar Alfio...Inneggiamo, Il Signor"
Mascagni: Cavalleria rusticana - "Voi lo sapete, o mama" (Romanza)
Mascagni: Cavalleria rusticana - "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo"
Mascagni: Cavalleria rusticana - "Fior di giaggiolo"
Mascagni: Cavalleria rusticana - "Ah! lo vedi" (Duetto)
Mascagni: Cavalleria rusticana - "Oh! Il Signore vi manda" (Duetto)
Mascagni: Cavalleria rusticana - Intermezzo
Mascagni: Cavalleria rusticana - "A casa, amici" - "Comare Lola"
Mascagni: Cavalleria rusticana - "Viva il vino spumeggiante" (Brindisi)
Mascagni: Cavalleria rusticana - "A voi tutti salute"
Mascagni: Cavalleria rusticana - "Mamma, quel vino è generoso" - "Turiddu?! Che vuoi dire?"


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